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ARCH.2003.36, Rendition: 805373
This image displays a single page from a scrapbook or archival binder, featuring three distinct items mounted on a light brown, slightly textured paper background. The page appears to be a curated collection documenting events related to the Fogg Art Museum at Harvard University in early 1972.
Top Item: Artwork Reproduction
Bottom Left Item: Newspaper Clipping
Bottom Right Item: Magazine Clipping
Overall Context:
The page serves as an archival record of significant cultural events and acquisitions associated with the Fogg Art Museum around March and April 1972. It documents both a gift of a Gauguin work and an exhibition of the Pulitzer collection, along with the museum's collection of a Mauve watercolor. The handwritten dates suggest this page was compiled or reviewed in March 1972 as these events were unfolding. The overall tone is informative and documentary, typical of an institutional or personal archive.
This image displays a scrapbook or collection of pages featuring artwork and news clippings. The top portion shows a watercolor painting titled "The Old Ploughman" by Anton Mauve, a Dutch artist who lived from 1838 to 1888. The painting depicts a man standing next to a plow with a horse, set in a rural, open landscape. The artist's signature is visible in the bottom right corner of the painting.
Below the painting, there are two newspaper clippings. The first clipping is from the "Cambridge Chronicle" dated Thursday, April 6, 1972, and discusses the gift of a rare and important woodcut by Paul Gauguin to the Fogg Art Museum. The second clipping is from the "Gazette des Beaux Arts" dated January 1972, which mentions an exhibition of art from the 19th and 20th centuries at the Fogg Art Museum, including works by artists such as Brancusi, Braque, and Picasso.
Each clipping is marked with a date, and there is a handwritten label in the top right corner that reads "CSM 16 Mar 72," indicating the date it was added to the scrapbook.
This image is a page from a scrapbook or collection of clippings, likely related to art and museum exhibitions. Here's a detailed description of the contents:
Top Section:
Middle Section:
Bottom Section:
The page is marked with handwritten notes, including "CSM 16 Mar 72" in the top right corner and "MAR 24 1972" in the bottom right corner, indicating dates of interest or when the clippings were added to the collection.
A scrapbook page is filled with different pieces of paper, including a newspaper clipping, a magazine clipping, and a piece of paper with some text. The newspaper clipping is from the Cambridge Chronicle, dated April 6, 1972. The magazine clipping is from the Gazette des Beaux Arts, dated January 1972. The piece of paper has some text written on it, including the date "Mar 24 1972".
The image is of a page from a book. The page is brown and has a collage of different images and texts. The top left corner of the page has a black and white drawing of a man and a horse. The drawing is labeled "The Old Ploughman" and is signed by the artist. Below the drawing is a piece of paper with the text "Thursday, April 6, 1972" and a newspaper clipping. The newspaper clipping has the text "CAMBRIDGE CHRONICLE" and an image of a woman and a baby. The bottom right corner of the page has a piece of paper with the text "GAZETTE DES BEAUX ARTS" and a list of names.
The image shows an open book with three distinct sections visible on the page:
Top Section:
Middle Section:
Bottom Section:
The page appears to be part of an archive or scrapbook, possibly from a museum or art institution, documenting various art-related events, exhibitions, and acquisitions. The combination of an artwork illustration, a newspaper clipping about a significant art gift, and another clipping about an exhibition suggests a focus on art history and museum activities. The handwritten notes ("C5M 16 mar 72" and "MAR 24 1972") indicate cataloging or filing dates, reinforcing the archival nature of the document.
This image appears to be a scrapbook page featuring various cut-outs and printed materials.
Top Section: A reproduction of a watercolor painting titled "The Old Ploughman" by Anton Mauve, a Dutch artist (1838-1888). It depicts a scene in a rural setting with a man standing next to a horse and a plow on a dirt path or field. The artwork is accompanied by a caption providing details about the artist and the painting. There is handwriting in the upper right corner noting the date "16 Mar 72."
Middle Section: A clipping from the Cambridge Chronicle, dated "Thursday, April 6, 1972." It includes a reproduction of a woodcut titled "Love and Happiness" by Paul Gauguin and describes the acquisition of this piece by the Fogg Art Museum. The text mentions the significance of the woodcut, its display times, and its message: "Be in love and you will be happy."
Bottom Section: A clipping from "Gazette Des Beaux Arts," dated "January 1972," providing information about an art exhibition or collection related to the Fogg Art Museum. It notes specific works and their artists, referencing the museum as a significant location for art in Paris. A stamp reads "MAR 24 1972."
The page combines art information and historical documentation, showcasing works by prominent artists and references to exhibitions from the early 1970s.
The image shows a scrapbook or album page with three clippings affixed to it.
The top clipping is a black-and-white reproduction of a watercolor painting titled "The Old Ploughman," by Anton Mauve, a Dutch artist (1838-1888). It depicts a man standing next to a horse harnessed to a plow in a barren or freshly plowed field. The man appears to be interacting with the horse. Handwritten on the clipping is "CSM 16 Mar 72."
The bottom left clipping is a newspaper announcement from the Cambridge Chronicle dated Thursday, April 6, 1972. It features a woodcut artwork by Paul Gauguin titled "Love and Happiness" showing stylized human figures in an abstract scene with a sinuous band running across the top. The announcement mentions that the Fogg Art Museum has received the woodcut as a gift and that it is on display through Friday.
The bottom right clipping is from the Gazette des Beaux Arts, Paris, dated January 1972 with an official stamp of "Mar 2 1972." It is a brief chronicle article in French, mentioning the Fogg Art Museum presenting an exhibition and referencing a collection of works by Joseph Pulitzer.
The overall page gives the impression of an art-focused scrapbook, recording art exhibitions and museum news from early 1972.
The image is of a scrapbook or collage page containing several elements. In the top left is a black and white reproduction of an artwork depicting a person and a horse next to a plow in a field. The work is titled "The Old Ploughman" and is attributed to Anton Mauve, a Dutch artist from the 19th century.
Below that artwork, there are several clippings of text and graphics from newspapers or magazines. One clipping is from the "Cambridge Chronicle," dated Thursday, April 6, 1972, and features a black and white graphic or cartoon with various figures and text that mention "LOVE AND HAPPINESS." Another piece of text below that seems to be an announcement for museum hours related to an art exhibit.
On the right side, there's a clipping from the "GAZETTE DES BEAUX ARTS" with an address at the top. The content appears to be in French and refers to something dated January 1972. There are date stamps on this clipping that read "MAR 24 1972."
The page itself is mounted in a larger album or book with a brownish paper. The overall impression is that this collection is of artistic and cultural interest, possibly serving as a personal record or study material for the creator of the scrapbook.
This is a page from a scrapbook or photo album with three art-clipping inserts on brown paper.
The largest clip at the top left is a black-and-white reproduction of a rural scene: a man stands beside a horse hitched to a plow in a flat, open field. The caption identifies it as “The Old Ploughman,” a watercolor by Anton Mauve (Dutch, 1838–1888), courtesy of the Fogg Art Museum, Harvard University.
Below on the left is a second clip from Cambridge Chronicle showing a bold, stylized illustration titled “LOVE AND HAPPINESS.” It features a group of abstracted human figures in a patterned composition.
To the right is a small white card from Gazette des Beaux Arts (Chronique des Arts, Janvier 1972) with French text and a stamp-like mark indicating a date (and a separate stamp or stamp-like imprint reading MAR 24 1972).
Overall, the page appears to be a collection of art-related clippings from the early 1970s.