Archives Scrapbooks

This image shows a vintage newspaper clipping from The Boston Globe, dated Saturday, March 11, 1972, specifically from the “LIVING” section.

The headline reads: “Gropius devotees see drawings”, written by Bill Fripp of the Globe Staff.

Article Summary:

The article describes a well-attended retrospective photographic exhibition of the work of architect Walter Gropius, held at Harvard’s Fogg Museum. It was the first major U.S. show of 200 panels illustrating 68 of Gropius’s projects — both built and unbuilt — from between 1906 and 1968.

The event was notable not just for its architectural significance but for the high-profile gathering of Gropius’s contemporaries, students, and admirers. Attendees included:

• Myron Glaser (Director of the Berenson Foundation in Florence),
• Louis McMillen of The Architects Collaborative,
• Martin Slobodkin (raconteur, art collector, and party-goer),
• Dr. Otto Burchard (Consul-General of Germany in Boston),
• Gyorgy Kepes (head of MIT’s Advanced Center for Visual Studies),
• and John G. Harkness (founding partner of The Architect’s Collaborative).

Ise Gropius, Walter’s widow, made a memorable appearance in an orange Oriental gown, carrying a yellow rose — a symbol of love and grace. The article notes that she worked until midnight preparing for the display, which would later tour the rest of the country.

It also mentions that some of Gropius’s early, radical concepts — such as prefabricated housing and his “total theater” design — were only recently gaining recognition for their foresight and innovation.

Photograph:

Beneath the article is a black-and-white photograph captioned:

“LAST NIGHT’S OPENING OF GROPIUS EXHIBIT DREW LARGE CROWD TO HARVARD’S FOGG MUSEUM”
— (Globe photos by Frank Wing)

The photo shows a bustling, crowded exhibition hall within the Fogg Museum — likely the museum’s iconic courtyard or atrium. Viewers are seen examining large panels of architectural drawings and photographs mounted on display walls and freestanding boards. People are standing and sitting on the stairs and balconies, absorbed in the exhibits, conveying a sense of cultural reverence and intellectual engagement.

Overall Context:

This clipping captures a moment of architectural homage — a tribute to Walter Gropius, the founder of the Bauhaus and a central figure in modernist architecture — as his legacy was being reassessed and celebrated in America, just a few years after his death in 1969. The article highlights both the academic significance and the social spectacle of the event.

The aged paper, crease marks, and overall presentation suggest this clipping was preserved in a scrapbook or archive — a snapshot of cultural history from 1972.

This image appears to be a newspaper clipping from "The Boston Globe," dated Saturday, March 11, 1972. The article is titled "Gropius devotees see drawings" and is written by Bill Fripp from the Globe Staff. The article discusses a retrospective photographic showing of the late Cambridge architectural titan, Walter Gropius, at Harvard's Fogg Museum.

The article describes the event, noting that it was the first time the staid Fogg Museum experienced such a lively gathering, with more young graduate students attending than older alumni. It highlights the display of 200 Gropius panels, illustrating 68 of his projects, both finished and unrealized, between 1906 and 1968. The article also mentions the presence of Gropius' widow, Ise of Lincoln, who wore an orange Oriental gown and a yellow rose, as symbols of love and grace.

At the bottom of the article, there is a black and white photograph of the exhibition's opening, which drew a large crowd to Harvard's Fogg Museum. The caption at the bottom of the photo reads, "Last night's opening of Gropius exhibit drew large crowd to Harvard's Fogg Museum (Globe photos by Frank Wing)."

This image is a newspaper clipping from The Boston Globe dated Saturday, March 11, 1972. The article is titled "Gropius devotees see drawings" and is written by Bill Fripp, a Globe Staff member. The article discusses an event at Harvard's Fogg Museum where scores of local architects gathered to view a retrospective photographic showing of the late Cambridge architectural titan, Walter Gropius.

The article describes the atmosphere of the event, noting that it was the first time the staid Fogg experienced such revelry, with cocktail chatter filling the air. It mentions the presence of Gropius' old friends and associates, including Myron Gilmore, Director of the Berensen Foundation in Florence, Italy, and Louis McMillen of Concord, a partner of The Architects Collaborative. The article also highlights the commanding figure of Gropius' widow, Ise of Lincoln, who strode regally through the crowd in an orange Oriental gown, clutching a yellow rose.

The article goes on to discuss some of Gropius' architectural foresightedness and durability, mentioning that some of his early concepts were never recognized for their worth at their time and have only recently been adapted. It also describes his "total theater" with revolving seats, ascending orchestra, and movable stage, designed in 1928 in Germany, as a victim of the Depression, is just now being revived.

The clipping includes a photograph of the opening of the Gropius exhibit, which drew a large crowd to Harvard's Fogg Museum. The photograph is credited to Frank Wing. The image shows a well-attended event with people gathered around displays of Gropius' work.

A newspaper clipping is open, with the headline "Gropius devotees see drawings" on the left page. The article is about Walter Gropius, a renowned architect, and his exhibition at Harvard's Fogg Museum. The article is written by Bill Fripp, a staff member of Harvard. On the right page, there is a black-and-white photo of the opening of the Gropius exhibit, which drew a large crowd to the museum. The photo was taken by Frank Wing.

An old newspaper is open to a page with the headline "Gropius Devotees See Drawings" with a photo of people looking at drawings. The article discusses the opening of an exhibit of Walter Gropius's work at Harvard's Fogg Museum, which drew a large crowd. The article mentions that Gropius was a German architect and founder of the Bauhaus school, and that the exhibit showcased his architectural designs and sketches.

The image depicts a page from a newspaper or magazine, specifically from The Boston Globe dated Saturday, March 11, 1972. The page is titled "LIVING" and features an article titled "Gropius devotees see drawings." The article discusses an exhibition of architectural drawings by Walter Gropius, a prominent figure in modern architecture, held at the Fogg Art Museum in Cambridge.

Key Details from the Image:

1. Headline and Article Content:

   • The headline, "Gropius devotees see drawings," indicates that the article is about an exhibition of Gropius's architectural drawings.
   • The article is written by Bill Fripp and mentions that the exhibition was held at the Fogg Art Museum, a renowned institution for art and architecture.
   • The text highlights that Gropius was a significant figure in modern architecture, particularly known for his work in the Bauhaus movement and his influence on the International Style.
   • The article notes that the exhibition featured 68 projects by Gropius, illustrating his work from the late 1920s to the present. It also mentions that the exhibition was part of a retrospective, with panels and illustrations providing context.

2. Photograph Caption:

   • Below the article, there is a photograph with the caption: "LAST NIGHT'S OPENING OF GROPIUS EXHIBIT DREW LARGE CROWD TO HARVARD'S FOGG MUSEUM".
   • The photo shows a crowded scene at the opening of the exhibition, with people gathered around displays of architectural drawings. The setting appears to be indoors, likely within the Fogg Art Museum, with attendees examining the exhibits.

3. Visual Elements:

   • The photograph captures a lively atmosphere, with individuals engaged in viewing the drawings. The attendees are dressed in attire typical of the early 1970s.
   • The image provides a glimpse into the public interest in Gropius's work and the cultural significance of the exhibition.

4. Additional Context:

   • The article mentions notable figures associated with Gropius, such as Dr. Otto Burchard, head of MIT's Architecture Department, and Dr. Gyorgy Kepes, head of the Visual Studies Center at MIT.
   • It also references Gropius's widow, Ise Gropius, who was present at the exhibition, underscoring the personal and historical importance of the event.

Overall Impression:

The image captures a moment of cultural and architectural significance, showcasing the public engagement with Gropius's legacy. The combination of the article and photograph provides a comprehensive view of the exhibition, highlighting both the artistic and historical value of Gropius's work and the enthusiasm it generated among architects, students, and the general public. The setting and context suggest a celebration of modern architectural thought and its enduring influence.

This image is of a newspaper clipping. It is from The Boston Globe dated Saturday, March 11, 1972. The headline reads, "Gropius devotees see drawings" and it falls under the "Living" section.

The article describes an event at Harvard's Fogg Museum, where architectural drawings by Walter Gropius, an influential figure in modern architecture, were showcased to enthusiasts. The text indicates discussions about various aspects of Gropius's work and legacy. The event drew many visitors, including students, faculty, and architectural professionals.

Below the article, there is a black-and-white photo capturing the scene at the exhibit. It shows a large crowd gathered in a spacious hall to view the displays. The exhibition setup includes multiple panels with drawings, images, and descriptions arranged for viewing. The caption reads, "Last night's opening of Gropius exhibit drew large crowd to Harvard's Fogg Museum", noting that the photograph was taken by Frank Wing.

This is an image of a newspaper clipping from "The Boston Globe," dated Saturday, March 11, 1978. The heading "LIVING" appears at the top, followed by the title "Gropius devotees see drawings" below which is the byline "By Bill Phipp Globe Staff."

The article appears to discuss an event at Harvard's Fogg Museum showcasing drawings and works associated with the renowned architect Walter Gropius. It mentions how the exhibit drew a crowd of architecture enthusiasts and students.

The lower portion of the clipping includes a black and white photograph with the caption "LAST NIGHT'S OPENING OF GROPIUS EXHIBIT DREW LARGE CROWD TO HARVARD'S FOGG MUSEUM." The photo shows an interior space with attendees observing the displayed artworks and interacting with each other. The image depicts people standing and moving around various art panels set up in a gallery-like setting. The photo credit "(Globe photos by Frank Wing)" is included indicating the photographer. The newspaper page has yellowed with age, indicating it might be preserved in a scrapbook or archival collection.

The image shows a newspaper clipping from The Boston Globe dated Saturday, March 11, 1972. The clipping is placed on a scrapbook or album page. The newspaper section is titled "LIVING," and the headline reads "Gropius devotees see drawings." The article is by Bill Fritch, a Globe Staff member.

The article discusses an exhibition of drawings by Walter Gropius, held at Harvard's Fogg Museum, with more than 200 drawings shown from the years 1906 to 1958. It talks about Gropius's influence on architecture and the attendance and importance of the show.

Below the text is a photo of the exhibition opening, showing a large crowd inside the exhibit space at Harvard's Fogg Museum. People are walking around and viewing the architectural drawings displayed on partitions. The caption under the photo reads: "LAST NIGHT'S OPENING OF GROPIUS EXHIBIT DREW LARGE CROWD TO HARVARD'S FOGG MUSEUM (Globe photos by Frank Wing)."

The article highlights Gropius's connection to modern architecture, his collaborations, and the impact of his work.

• This is a vintage scrapbook page with a clipped Boston Globe newspaper article.
• The clipping is dated March 11, 1972 and is from the “LIVING” section.
• The main headline reads: “Gropius devotees see drawings.”
• The article is credited to a Globe Staff writer (visible in the clip).
• A black-and-white photo at the bottom shows a crowded gallery with many people looking at display boards/artworks.
• The caption under the photo reads something like: “Last night’s opening of Gropius exhibit drew a large crowd to Harvard’s Fogg Museum (Globe photos by Frank Wing).”
• The page itself is browned and aged, with torn edges and tape marks around the clipping.