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ARCH.2003.36, Rendition: 805372
This image appears to be a newspaper clipping from "The Boston Globe," dated Saturday, March 11, 1972. The article is titled "Gropius devotees see drawings" and is written by Bill Fripp from the Globe Staff. The article discusses a retrospective photographic showing of the late Cambridge architectural titan, Walter Gropius, at Harvard's Fogg Museum.
The article describes the event, noting that it was the first time the staid Fogg Museum experienced such a lively gathering, with more young graduate students attending than older alumni. It highlights the display of 200 Gropius panels, illustrating 68 of his projects, both finished and unrealized, between 1906 and 1968. The article also mentions the presence of Gropius' widow, Ise of Lincoln, who wore an orange Oriental gown and a yellow rose, as symbols of love and grace.
At the bottom of the article, there is a black and white photograph of the exhibition's opening, which drew a large crowd to Harvard's Fogg Museum. The caption at the bottom of the photo reads, "Last night's opening of Gropius exhibit drew large crowd to Harvard's Fogg Museum (Globe photos by Frank Wing)."
This image is a newspaper clipping from The Boston Globe dated Saturday, March 11, 1972. The article is titled "Gropius devotees see drawings" and is written by Bill Fripp, a Globe Staff member. The article discusses an event at Harvard's Fogg Museum where scores of local architects gathered to view a retrospective photographic showing of the late Cambridge architectural titan, Walter Gropius.
The article describes the atmosphere of the event, noting that it was the first time the staid Fogg experienced such revelry, with cocktail chatter filling the air. It mentions the presence of Gropius' old friends and associates, including Myron Gilmore, Director of the Berensen Foundation in Florence, Italy, and Louis McMillen of Concord, a partner of The Architects Collaborative. The article also highlights the commanding figure of Gropius' widow, Ise of Lincoln, who strode regally through the crowd in an orange Oriental gown, clutching a yellow rose.
The article goes on to discuss some of Gropius' architectural foresightedness and durability, mentioning that some of his early concepts were never recognized for their worth at their time and have only recently been adapted. It also describes his "total theater" with revolving seats, ascending orchestra, and movable stage, designed in 1928 in Germany, as a victim of the Depression, is just now being revived.
The clipping includes a photograph of the opening of the Gropius exhibit, which drew a large crowd to Harvard's Fogg Museum. The photograph is credited to Frank Wing. The image shows a well-attended event with people gathered around displays of Gropius' work.
A newspaper clipping is open, with the headline "Gropius devotees see drawings" on the left page. The article is about Walter Gropius, a renowned architect, and his exhibition at Harvard's Fogg Museum. The article is written by Bill Fripp, a staff member of Harvard. On the right page, there is a black-and-white photo of the opening of the Gropius exhibit, which drew a large crowd to the museum. The photo was taken by Frank Wing.
An old newspaper is open to a page with the headline "Gropius Devotees See Drawings" with a photo of people looking at drawings. The article discusses the opening of an exhibit of Walter Gropius's work at Harvard's Fogg Museum, which drew a large crowd. The article mentions that Gropius was a German architect and founder of the Bauhaus school, and that the exhibit showcased his architectural designs and sketches.
The image depicts a page from a newspaper or magazine, specifically from The Boston Globe dated Saturday, March 11, 1972. The page is titled "LIVING" and features an article titled "Gropius devotees see drawings." The article discusses an exhibition of architectural drawings by Walter Gropius, a prominent figure in modern architecture, held at the Fogg Art Museum in Cambridge.
Headline and Article Content:
Photograph Caption:
Visual Elements:
Additional Context:
The image captures a moment of cultural and architectural significance, showcasing the public engagement with Gropius's legacy. The combination of the article and photograph provides a comprehensive view of the exhibition, highlighting both the artistic and historical value of Gropius's work and the enthusiasm it generated among architects, students, and the general public. The setting and context suggest a celebration of modern architectural thought and its enduring influence.
The image shows a page from an old newspaper, with the headline "Gropius devotees see drawings" in large text at the top. The article is written by Bill Fipp and features a photo of a crowd of people gathered around a large exhibit.
Overall, the image appears to be a page from an old newspaper that features an article and photo about an exhibit at Harvard's Fogg Museum. The exhibit is dedicated to the work of Walter Gropius, a well-known architect, and features a collection of his drawings.
The image depicts a newspaper clipping from the Boston Globe, dated Saturday, March 11, 1972. The headline reads "Gropius devotees see drawings" and features a photograph of an exhibit at the Fogg Museum in Cambridge, Massachusetts. The article discusses the opening of an exhibit showcasing the work of Walter Gropius, a renowned architect and designer.
Key Features:
Context:
Conclusion:
The image provides a glimpse into the past, showcasing an exhibit at the Fogg Museum in 1972 that featured the work of Walter Gropius. The article provides context about the exhibit and Gropius's contributions to modern architecture. Overall, the image is a valuable resource for those interested in architecture, design, and history.
The image is a photograph of a page from an old book or scrapbook, featuring a newspaper clipping with the headline "Gropius devotees see drawings" and a black-and-white photograph.
Overall, the image provides a glimpse into the past, showcasing a significant event in the world of architecture and art. The newspaper clipping and photograph offer a unique perspective on the exhibit and its impact on the community.
The image presents a vintage newspaper clipping from "The Boston Globe," dated Saturday, March 11, 1972. The clipping is titled "Gropius devotees see drawings" and features an article about an exhibit of Walter Gropius' work at Harvard's Fogg Museum.
Newspaper Clipping Details:
Article Summary:
The article discusses the exhibit of Walter Gropius' work at Harvard's Fogg Museum, which was attended by many young graduate students who were not familiar with Gropius' work. The exhibit featured 200 Gropius panels, illustrating 68 of his projects, both finished and unbuilt, between 1906 and 1968. The article also mentions that Gropius' old friends and associates were in attendance.
Photograph:
A black-and-white photograph accompanies the article, showing a large crowd of people gathered in a museum to view the exhibit. The photograph is captioned:
"LAST NIGHT'S OPENING OF GROPIUS EXHIBIT DREW LARGE CROWD TO HARVARD'S FOGG MUSEUM"
Additional Information:
The clipping is placed in a book or scrapbook, with the pages open to display the article and photograph. The background of the image is a plain gray color.
Overall, the image provides a glimpse into the life and work of Walter Gropius, a renowned architect, and the impact of his exhibit on the architectural community.
The image is a newspaper clipping from The Boston Globe, dated Saturday, March 11, 1972. The article is titled "Gropius devotees see drawings" and is written by Bill Rice, a Globe Staff writer.
The article discusses an event at Harvard's austere Fogg Museum, where a large crowd of local architects, students, and townspeople gathered to see an exhibit of drawings by Walter Gropius, the renowned architect and founder of the Bauhaus school. The exhibit featured 68 of Gropius's projects from between 1909 and 1933.
Key points from the article include:
The article is accompanied by a photograph showing a large crowd at the exhibit opening, with people gathered around the displayed drawings. The photo is credited to Frank Wing.