Archives Scrapbooks

This image shows an open, aged newspaper or magazine, specifically an issue of The Christian Science Monitor, with the visible page number "6" in the top left corner. The layout is characteristic of mid-20th-century publications, with dense columns of text and black-and-white photographs.

The page is dominated by two main articles:

Left Article: "Attic treasures"

• Author: William Germain Dooley.
• Subject: This article discusses the art of ancient Attica (the region containing Athens) and its significance in early Greek civilization. It highlights how Attic art, particularly pottery, provides a window into the customs, beliefs, and daily life of early Greeks.
• Focus: The text explains the high quality and lasting nature of Attic vase painting, which is presented as the "superb talents of the Greek masters." It notes that these vases were not merely utilitarian but were also significant decorative objects.
• Exhibition: The article references an exhibition titled “Attic Vase Paintings in New England Collections,” which was on view at the Fogg Art Museum at Harvard University.
• Illustrations:
  1. A large photo of a Black-Figured Amphora (Oinochoe) titled “Leto Mounting a Chariot with Apollo, Artemis, and Hermes.” It is attributed to “The Ryecroft Painter” and dates to the late 6th century B.C. The caption notes it is from the Worcester Art Museum, Worcester, Mass.
  2. A smaller photo below of a White-Ground Lekythos by “The Achilles Painter,” dating to 445-440 B.C. It depicts a figure, identified in the partial caption as “the hero,” standing beside a column.

Right Article: "The Total Architect"

• Subject: This article is a profile of Walter Gropius, the founder and head of the Bauhaus school (1919-33). The article discusses his philosophy and legacy.
• Key Points:
  • Gropius is introduced as someone who believed art should embrace everyday life and solve social problems.
  • It notes he fled Nazi Germany and later became Chairman of the Department of Architecture at Harvard (1938-52).
  • A quote from painter-teacher Oskar Schlemmer praises Gropius for leaving "greatest mark" by training not just artists but also craftsmen, engineers, and designers.
  • The article emphasizes Gropius's belief in “teamwork,” “practical processes,” and “learning by doing,” as well as his focus on “the development of ideas” and the artist’s primary concern with communicating and stimulating students.
  • It mentions his wife, Ise Gropius, and references his work with the Architect’s Collaborative (TAC) in Cambridge.
• Exhibition Notice: At the top right, there is a small box under the heading "Exhibits" listing:

  CRIMSON 21 may 72
  The Total Architect
  Walter Gropius: Buildings, Plans, Projects 1906-1969, a photographic retrospective at the Fogg through April 9.

Overall Impression:

The image captures a historical artifact—a 1972 newspaper page—from a time when major institutions like Harvard's Fogg Art Museum were hosting exhibitions on both ancient Greek art and modernist architecture. The juxtaposition of the two articles—one on timeless classical art and the other on a revolutionary 20th-century architect—highlights the publication’s broad cultural coverage. The physical state of the paper, with its aged, yellowed pages and slightly uneven edges, reinforces its historical context.

This image appears to be a scanned page from a newspaper or magazine, specifically from "The Christian Science Monitor." The page is dated March 21, 1972. The main article on the left is titled "Attic treasures," discussing the art and importance of Attic vases in Greek civilization. The article mentions an exhibition of "Attic Vase Paintings in New England Collections" at the Fogg Art Museum at Harvard University, which is on view through April 5, 1972. It also highlights specific vases from the Worcester Art Museum, such as a black-figured amphora and a white-ground lekythos.

The right side of the image includes a separate article titled "The Total Architect," which discusses Walter Gropius, the founder of the Bauhaus school of design. The article appears to be from a publication called "The Crimson," dated March 21, 1972, and seems to be a tribute or retrospective on Gropius's work, possibly in relation to an exhibition or publication by the Fogg Art Museum. The text mentions Gropius's influence on art and design, his work at Harvard, and his ideas on education and creativity.

Both articles are accompanied by images of the vases mentioned in the text. The page has a vintage look, with aged paper and black and white photographs, which suggests it is from an older publication.

This image shows a newspaper clipping from "The Christian Science Monitor," dated March 21, 1972. The clipping is placed on a light-colored surface, possibly within a scrapbook or collection, as suggested by the visible binding and pages around it. The article is titled "Attic treasures" and discusses the significance of Attic vase paintings in early Greek civilization. It highlights an exhibition called "Attic Vase Paintings in New England Collections" at the Fogg Art Museum at Harvard University, featuring works from the late 6th century B.C.

The article includes two images of Greek vases:

1. A black-figured amphora depicting "Leto Mounting a Chariot with Apollo, Artemis, and Hermes," attributed to "the Rycroft Painter."
2. A white-ground lekythos by "the Achilles Painter."

The article describes the importance of these vases in understanding Greek customs, beliefs, and daily activities. It also mentions the superb talents of Greek artists in various fields and the excellent clay found in the Attic region.

On the right side of the clipping, there is another article titled "The Total Architect," which discusses Walter Gropius's contributions to architecture and design. The article mentions his role in the Bauhaus school and his later work at Harvard University.

The clipping appears to be well-preserved, with some minor wear and tear, and the text is clear and legible. The overall layout and design suggest it is from a traditional newspaper, with columns of text and accompanying images.

The image depicts a double-page spread from an old magazine, specifically from "The Christian Science Monitor." The pages are aged, with visible creases and discoloration, suggesting that the magazine is from a past era.

On the left page, there is an article titled "Attic treasures," which discusses the art of Attics, particularly focusing on the early Greek civilization. The article highlights the productivity and skill of Athenian artisans, emphasizing the importance of their contributions to the world's aesthetic history. It mentions the presence of Attic vases in various locations, such as Parthenon and the Erechtheion, and describes the intricate decorations and designs on these vases. The article also mentions the significance of Attic vases in the context of Greek art and their influence on subsequent artistic movements.

The right page features an article titled "The Total Architect," which focuses on Walter Gropius, a renowned German architect and founder of the Bauhaus school. The article describes Gropius's philosophy and approach to architecture, emphasizing his belief in the integration of art and design with everyday life. It mentions his role as a teacher and his efforts to instill a sense of social responsibility in his students. The article also highlights Gropius's contributions to modern architecture and his influence on the development of the Bauhaus movement.

Overall, the double-page spread provides a glimpse into the artistic and architectural achievements of the past, showcasing the enduring impact of Attic vases and the innovative ideas of Walter Gropius.

The image is a double-page spread from a magazine or book. The left page features an article titled "Attic Treasures," which discusses the art of Attic pottery and its significance in Greek history. The article includes a photograph of a black and white Attic vase with intricate designs. The right page features an article titled "The Total Architect," which discusses the concept of the "total architect" and the role of architects in society. The article includes a photograph of a Bauhaus building, a movement that emphasized the integration of art and design into everyday life.

The image depicts an open book, specifically a page from The Christian Science Monitor, dated 21 March 1932. The page is divided into two main sections, each featuring text and accompanying illustrations.

Left Section:

• Title: "Attic treasures"
• Content: This section discusses the art and artifacts of ancient Attica (a region in Greece), highlighting the significance of Attic pottery and its historical importance. It mentions the Worcester Art Museum in Massachusetts, which houses notable examples of Attic art, including a black-figured amphora attributed to the "Ryeford Painter" from the late 6th century B.C. The text elaborates on the artistic and cultural value of these artifacts, emphasizing their role in understanding ancient Greek civilization. The section also references the museum's collection and its significance in preserving and showcasing Attic treasures.

Right Section:

• Title: "The Total Architect"
• Content: This section focuses on the work of Walter Gropius, a prominent architect and founder of the Bauhaus school. It discusses Gropius's architectural philosophy, his role in shaping modern design, and the Bauhaus movement's emphasis on functionalism and collaboration. The text highlights Gropius's buildings, including plans and projects from 1906–1965, and his influence on architecture and design education. The article also references Gropius's move to the United States and his contributions to modern architecture there.

Illustrations:

• Top Illustration: A black-and-white photograph of a black-figured amphora with a scene depicting Apollo, Artemis, and Leto. The caption identifies it as an artifact from the late 6th century B.C., attributed to the "Ryeford Painter."
• Bottom Illustration: Another black-and-white photograph of a white-ground lekythos by the "Gorgon Painter," dating from 445–440 B.C. This artifact is also part of the Worcester Art Museum's collection.

Additional Details:

• The page includes a header with the newspaper's name, The Christian Science Monitor, and the date.
• The right section also features the word "Exhibits" and the phrase "Crimson" at the top, suggesting a thematic or special section related to exhibitions or art.
• The text is formatted in a classic newspaper style, with columns of text and descriptive captions for the illustrations.

Overall, the image captures a historical article that combines discussions of ancient Greek art with modern architectural theory, reflecting the interdisciplinary nature of the content.

This image shows a newspaper or magazine page laid flat with articles and photographs arranged across it. The page features text, images, and headings:

1. Main Article:

   • Titled "Attic treasures."
   • Discusses ancient Greek pottery and its significance, focusing on the artistry and historical importance of Attic ceramics.
   • Includes descriptions of artifacts often found in museum collections.

2. Central Photographs:

   • One black-and-white photograph shows a black-figured amphora with intricate decorative scenes and Greek-style handles.
   • Another photograph displays a white-ground Lekythos, a type of Greek pottery vase, notable for its elaborate illustrations.

3. Additional Content:

   • A smaller article titled "The Total Architect" is included at the upper right, discussing Walter Gropius, his philosophy, and his influence on modern architecture and design.

The page appears to be part of a larger collection, suggesting it may be a scrapbook or archive. The layout is visually dense, combining historical commentary with visual representations of artifacts.

This image appears to show a scanned or photographed page from "The Christian Science Monitor," specifically page 6. The top of the page features the headline "The Home Forum" in bold letters. Below this is a section titled "Attic treasures," which discusses the enduring art of Attica (the historical region that encompasses the city of Athens in Greece) and its prominence in ceramics, sculpture, and coin design.

The main focal point of the article is a large black-and-white picture of a classical Greek amphora with a dual-handled design, decorated with what seems to be a figurative scene featuring horses and possibly warriors; this style of vase is often associated with Attica's famous black-figure pottery.

To the right, there is another smaller section headlined "The Total Architect" with a text discussing Walter Gropius and his architectural teachings and practices. Additionally, there is mention of an exhibition at a museum and the article refers to Gropius' teaching at Harvard.

The bottom of the image credits the amphora photograph to the Worcester Art Museum, Worcester, Mass.

The physical condition of the newspaper is worn, with noticeable age-related discoloration and slight damage, indicating it is probably quite old. The binder clip and edge of the book or folder in which the newspaper is placed are visible, suggesting this page has been preserved or is being referenced in a collected format.

The image shows a page from a newspaper or magazine, specifically from "The Christian Science Monitor." The page features two main articles with a focus on ancient Greek art and architecture.

The left article is titled "Attic treasures" and discusses the art of Attica during the Greek civilization, highlighting the importance of vases and pottery. It mentions the excellence of Attic vases, their craftsmanship, and the influence of Greek mythology in their decoration. There are two images accompanying this article:

1. A large black-figured amphora titled "Lero Mounting a Chariot with Apollo, Artemis, and Hermes," attributed to the "Rycroft Painter," dating back to the late 6th century B.C.
2. A smaller image of a white-ground lekythos by "the Achilles Painter," dated between 445-440 B.C.

The right side has a clipped article titled "The Total Architect" about Walter Gropius and his contributions to architecture, specifically his role as the founder and head of the Bauhaus, a famous German design school. The article reflects on Gropius's philosophy about architecture and education, explaining the integration of various crafts and industrial design into a unified approach to architectural work.

There is a handwritten note on the clipped article that reads "Exhibits. Crimson 21 mar 72." The page overall has an aged appearance with some yellowing and discoloration.

This is a scrapbook-style page from a newspaper or magazine mounted on a brown backing. The main piece is a feature titled “Attic treasures” from The Christian Science Monitor, with text arranged in narrow columns. At the center is a large photograph of a black-figure Attic amphora (two handles, decorative bands) flanked by smaller captions. Below it is another smaller photo of a white-ground Lekythos (a slim, tall vase with a figure on its body). To the right, a separate clipped article (overlapping) titled “Exhibits” that discusses The Total Architect and Walter Gropius. The overall look is aged, sepia-toned, with vintage typography and multiple newspaper clippings pasted onto the page.