Archives Scrapbooks

This image displays a scrapbook page containing two newspaper clippings, mounted on a brown paper backing.

The primary article, from the Boston Sunday Globe, February 27, 1972, occupies the left and center of the page. Its headline reads:
“Fogg Museum tuned to China theme with latest exhibit”

Written by Edgar J. Driscoll Jr. of the Globe Staff, the article reviews an exhibition at the Fogg Art Museum, Harvard University, titled “The Restless Landscape.” It features 84 unusual paintings from the late Ming Period (1570–1644) in Chinese art. The article discusses the turbulent historical context of the period and the stylistic diversity of the artworks, ranging from revolutionary abstract styles to conservative, detailed landscapes. It also includes a quote from curator James Cahill and mentions an adjacent exhibit of prints by Joan Miro.

On the right side of the page is a smaller clipping, handwritten with “Gazette 3 mar 72” at the top. The photograph accompanying it shows large, grey sandstone sculptures being moved by a crane and trucks. The caption explains:
“Push Comes to Shove. It took one crane, two trucks, several specially made cradles, and eight days to move four German sculptures from the Fogg courtyard... They are attributed to Joahann Joachim Günther (1717-1789).”

The scrapbook page itself is aged, with yellowed paper and some tape holding the clippings in place. The overall arrangement suggests a personal collection documenting cultural events and museum activities from early 1972.

The image shows a page from a book or a scrapbook, with two newspaper clippings pasted onto it.

• The top clipping is from the Boston Sunday Globe dated February 27, 1972, with the headline "Fogg Museum tuned to China theme with latest exhibit." The article discusses the exhibition at the Fogg Art Museum, Harvard University, titled "The Restless Landscape," which features Chinese artwork from the late Ming Period. It highlights the diverse styles and techniques used in the paintings, some abstract and others more traditional, reflecting the era's artistic evolution. The article mentions the work of artists like Wang Chien-chang, Mi Wan-chung, and Kao Yang, among others.

• Below the newspaper clipping, there is a black-and-white photograph of three men working on a large sculpture outdoors. The photo has a caption that reads: "Push Comes to Shove. It took one crane, two trucks, several specially made cradles, and eight days to move four German sculptures from the Fogg courtyard, where they have stood for 20 years, to the Busch-Reisinger Museum this week. The statues, one for each of the four seasons, are gray sandstone and stand over ten feet tall with their bases. They are attributed to Johann Joachim Gunther (1717-1789)." The photo appears to be from the "Gazette 3 Mar '72," as indicated in the top right corner of the photo.

This image shows a page from a scrapbook or archive containing a newspaper article and a photograph. The article is from the Boston Sunday Globe, dated February 27, 1972, and is titled "Fogg Museum tuned to China theme with latest exhibit." The article, written by Edgar J. Driscoll Jr., discusses a new exhibition at the Fogg Art Museum at Harvard University featuring paintings from the late Ming period in Chinese art.

The article mentions that the exhibition, titled "The Restless Landscape," includes 84 unusual paintings in scrolls and albums from the late Ming period, roughly dating from 1570 to the fall of the Ming dynasty in 1644. It describes the artistic styles and themes of the paintings, noting the diversity of characters and the influence of traditional materials and techniques.

The photograph on the right side of the page is captioned "Gazette 3 mar 72" and shows a group of people working on a sculpture or installation involving large stone figures and a tree. The caption describes the process of moving four German sculptures from the Fogg courtyard to the Busch-Reisinger Museum. It mentions that the sculptures are attributed to Joahann Joachim Gunther (1717-1789) and that the move required a crane, two trucks, and several specially made cradles, taking eight days to complete.

The image depicts a page from a newspaper or magazine, possibly from the 1970s, based on the date mentioned in the text. The headline reads "Fogg Museum Tuned to China Theme with Latest Exhibit," indicating that the article is about an exhibition at the Fogg Museum, which is part of the Harvard Art Museums. The text is divided into several sections, discussing the exhibit's theme, the works on display, and the historical context of Chinese art.

The page includes a photograph of a statue, possibly a Chinese sculpture, with individuals working around it, suggesting the installation or maintenance of the exhibit. The statue is large and appears to be made of stone, with intricate details and a traditional Chinese style.

The article mentions specific artworks, including scrolls and paintings from the late Ming period to the fall of the Ming dynasty in 1644, as well as works from the 19th century. It highlights the transformation of the Fogg Museum's exhibition space to accommodate the exhibit and discusses the historical and cultural significance of the displayed artworks.

The text also references the curator of Asian Art at the University Art Museum, Bei-jing, and mentions the collaboration with Joan Miro in creating abstract art pieces for the exhibit. The article concludes with a mention of the exhibit's opening date and the expected duration of the display.

The image shows a page from a newspaper or magazine with a headline that reads "Fogg Museum tuned to China theme with latest exhibit." The page has a collage-like layout with multiple articles and images related to the exhibit. The articles discuss the exhibit's focus on Chinese art and culture, featuring works from the late Ming period to the present. The page also includes a photograph of a statue being installed at the museum.

The image shows an open book or catalog page featuring a newspaper clipping titled "Fogg Museum tuned to China theme with latest exhibit." The article, dated February 27, 1972, is from the Boston Sunday Globe and is attributed to Edgar J. Driscoll Jr., Globe Staff.

Key Details from the Article:

1. Exhibit Overview:

   • The Fogg Art Museum at Harvard University is hosting a new exhibit titled "The Restless Landscape."
   • The exhibit focuses on Chinese art, showcasing 84 unusual paintings and scrolls from the late Ming period (1570–1644) to the fall of the Ming dynasty in 1644.
   • The exhibit highlights the transformation of Western eyes to Eastern art, emphasizing the mingling of traditional art with politics and social change.

2. Exhibit Highlights:

   • The exhibit includes works by artists such as Mi Youru, Wang Fu, and Mi Wanzhi, who are noted for their innovative approaches to traditional Chinese painting.
   • It features abstract and romantic landscapes, as well as works that reflect the turbulent political and cultural changes of the time.
   • The exhibit also includes a small selection of contemporary Chinese art, showing how traditional themes and techniques have evolved.

3. Context and Significance:

   • The article discusses how Chinese art during this period was marked by a shift from rigid traditions to more expressive and individualistic forms.
   • It mentions the influence of Western art on Chinese artists and the blending of traditional and modern styles.
   • The exhibit is noted for its "captivating" nature, with works that are both bold and refined, showcasing a range of techniques and themes.

4. Exhibit Details:

   • The exhibit runs from February 27 to March 12, 1972.
   • It is curated by James Cahill, an expert in Asian art, and is part of the Fogg Art Museum's ongoing commitment to showcasing global art.

Additional Visual Elements:

• Photograph: To the right of the article, there is a black-and-white photograph depicting a scene related to the exhibit. The image shows a group of people, possibly museum staff or visitors, working with large sculptures or installations. The caption beneath the photo indicates that it is related to the movement of German sculptures from the Fogg courtyard to the Busch-Reisinger Museum. The photo is dated March 3, 1972, and mentions the relocation of four German sculptures attributed to Johann Joachim Günther (1717–1790).

Overall Impression:

The image captures a historical moment in the presentation of Chinese art at the Fogg Art Museum, highlighting the museum's efforts to explore and showcase the evolution of Chinese art during a transformative period. The accompanying photograph adds context, showing the museum's broader activities around the same time, including the relocation of significant artworks. The article and photo together provide a glimpse into the cultural and artistic landscape of the early 1970s.

The image depicts an open scrapbook or album page containing two newspaper clippings. The clipping on the left is an article from the Boston Sunday Globe, dated February 27, 1972, with a headline that reads "Fogg Museum tuned to China theme with latest exhibit." The article discusses an exhibit focused on Chinese art at the Fogg Museum.

The clipping on the right is smaller, bearing a handwritten note at the top that says "Gazette 3 mar 72" which could indicate the source and date of the article. It features a photograph of a statue of a male figure poised with a long pole or stick, possibly in a throwing or levering motion. The figure in the statue seems to be exerting effort, as can be inferred by the muscular details and the dynamic pose.

Due to limitations, I cannot provide information on image elements that aren't clearly visible or readable in the image. Note that over time, the paper has aged to a yellowish color, which is common in old newspaper clippings.

This image appears to be a scrapbook page containing clippings from newspapers or magazines. The page is focused on the theme of art and exhibits, with left-hand text describing an exhibition related to Chinese art hosted by the Fogg Museum. Its headline reads: "Fogg Museum tuned to China theme with latest exhibit," and the article discusses aspects of Chinese-themed artistic works, including landscapes, cultural themes, and artistic methods.

On the right side of the page is a photo clipped from a separate newspaper or publication. The accompanying caption, titled "Gazette 3 Mar '72," provides information about the transport of German sculptures attributed to Johann Joachim Günther. It mentions the logistical efforts required to move the sculptures, including the use of custom cradles and trucks.

The scrapbook page overall combines text and imagery to document art-related events and exhibitions during this period.

An open scrapbook or album with aged brown pages. The left page has several newspaper clippings pasted on it, dominated by a large headline that reads something like “Fogg Museum tuned to China theme with latest exhibit” from the Boston Globe (dated Feb 27, 1972). Smaller text blocks fill the rest of the left column. The right page holds a black-and-white clipping labeled “Gazette 3 mar 72,” showing a photo of people around a statue or sculpture, likely being installed or moved, with a caption mentioning cranes or crates. The overall look is vintage collage, with torn edges and faded print.

The image shows two newspaper clippings pasted onto a brown scrapbook page.

The left clipping is an article titled: "Fogg Museum tuned to China theme with latest exhibit." The article, written by Edgar J. Driscoll Jr., discusses a new exhibition at the Fogg Art Museum at Harvard University featuring 84 unusual paintings and albums from the Ming Period in Chinese art, dating from 1570 to 1644. It touches on artistic styles, traditional and modern influences, and related exhibitions, mentioning artists like Joan Miro.

The right clipping is a black and white photograph from the "Gazette" dated 3 March '72. It shows several men using cranes and trucks to move large German sculptures, which are described as gray sandstone statues standing over ten feet tall with bases. The caption explains that the statues were moved from the Fogg courtyard to the Busch-Reisinger Museum after standing for 20 years. The statues are attributed to Johannn Joachim Gunther (1717-1789). The image is handwritten "Gazette 3 mar 72" at the top.