Archives Scrapbooks

The image shows an open scrapbook or notebook page with various newspaper clippings and an image attached to it. The main headline of the largest clipping reads "Fogg Museum tuned to China theme with latest exhibit," and the article discusses an exhibition at the Fogg Museum featuring Chinese art. The exhibit includes paintings, scrolls, and albums from the late Ming period to the early 20th century.

Key points from the article:

• The exhibit is described as transforming the Fogg into another world for Western eyes.
• It includes works from the Ming Dynasty to the fall of the Qing Dynasty.
• The exhibit features a variety of art styles, including landscapes, birds, flowers, and figures.
• The article mentions specific pieces, such as a scroll painting of a garden pavilion and a handscroll of a scholar's studio.
• The exhibit is noted for its richness and the intricate detail of the paintings.

Another clipping on the right side of the page shows a black-and-white photograph of people working on a large sculpture. The caption mentions that the sculpture is being prepared for an exhibit at the Busch-Reisinger Museum. The sculpture is titled "Push Comes to Shove" and was created by artist Johann Joachim Günther.

Additional smaller clippings discuss various art-related topics, including an exhibition of Jean Miro's lithographs and an article about the art scene in the 1970s. The clippings are arranged neatly on the page, suggesting a collection of articles related to art exhibitions and events.

The image shows an open book or scrapbook with two distinct newspaper articles pinned or taped to one of the pages.

1. The article on the left is from the "Boston Sunday Globe" dated February 27, 1972. The headline reads "Fogg Museum tuned to China theme with latest exhibit." The byline is by Edgar J. Driscoll Jr. The article discusses the Fogg Art Museum's new exhibition titled "The Restless Landscape," which features 84 paintings and albums from the late Ming Period (1573-1644). The article explores how Chinese art from this era reflects an age of political decay, social unrest, and intellectual ferment, as seen through the works of artists like T'ang Cheng, T'ang Shih, and others. The exhibition curator, James Cahill, provides insights from his forthcoming catalogue. The article also touches on the technical aspects of Chinese landscape painting, the influence of individualism, and the broader historical context.

2. The article on the right is from the "Gazette" dated March 3, 1972. The headline is not fully visible, but the article seems to discuss an exhibition at the Busch-Reisinger Museum featuring German sculptures from the Fogg courtyard, which have been moved due to construction. The sculptures, including works by Johann Joachim Knauthe, are displayed in the museum's front hall. The article mentions the inclusion of a photograph by Walter Gropius, the former chairman of the Harvard Graduate School of Design, and notes that the sculptures will remain on display for about ten years.

The page also includes some handwriting, possibly notes related to the articles or other topics. The overall context of the page suggests it might be part of a collection or research on art exhibitions and cultural events from that period.

The image shows a collage of newspaper clippings and magazine articles from the Boston Globe and the Gazette, dated February 27, 1972, and March 3, 1972, respectively.

Top Clipping (Boston Globe, February 27, 1972):

• The headline reads, "Fogg Museum tuned to China theme with latest exhibit."
• The article discusses the transformation of the Fogg Museum's special exhibition space, focusing on Chinese art from the late Ming Period (1368-1644).
• It highlights the inclusion of 84 unusual paintings, scrolls, and albums from this era.
• The exhibit aims to present a broad range of artistic styles, including both traditional and experimental approaches, challenging Western perceptions of Chinese art history.
• The article mentions the curator, James Cahill, and the exhibit’s title, "The Restless Landscape," suggesting a dynamic and diverse artistic evolution during this period.

Bottom Clipping (Gazette, March 3, 1972):

• The article starts with a photo of a large sculpture, likely a Chinese artifact.
• It talks about the "Push Comes to Shove" exhibition, featuring German sculptures from the Fogg Museum's collection.
• The piece includes a detailed description of the sculptures, noting their historical significance and the artistic styles they represent.
• The sculptures are noted for their historical value and the fact that they were originally crafted in the early 18th century, and the text highlights the works by Joann Joachim Gunther.

The articles collectively discuss cultural and historical exhibits at the Fogg Museum, focusing on China and German art, providing insight into the museum's diverse collections and the thematic richness of its exhibits.

The image shows two newspaper clippings placed on top of each other.

1. Top Clipping (Boston Sunday Globe, February 27, 1972):

   • Headline: "Fogg Museum tuned to China theme with latest exhibit"
   • By: Edgar J. Driscoll Jr., Globe Staff
   • Content: The article discusses an exhibition at the Fogg Art Museum, which focuses on Chinese art from the late Ming period. The exhibition is titled "The Restless Landscape." The article highlights the transformation of the Fogg's four special exhibition galleries into a showcase of 84 unusual paintings and albums from the late Ming period, around 1670. The author notes that this period was an era of great change in China, marked by political unrest and corruption. The exhibit includes works from the late Ming period, which showcases a range of artistic styles, from highly realistic to almost abstract, and is curated by James Cahill from the University of California, Berkeley. The article mentions the traditional Chinese themes and techniques, such as ink painting and landscape paintings, and compares them to contemporary Western art.

2. Bottom Clipping (Gazette, March 3, 1972):

   • Headline: "Gazette 3 mar 72" (with an accompanying image)
   • Content: The article is about an exhibit at the Busch-Reisinger Museum at Harvard University, featuring German sculptures from the Fogg courtyard. The text mentions that the exhibit includes works by Johann Joachim Gunther and is titled "Push Comes to Shove." The clipping shows an image of a sculpture and discusses the revival of interest in 18th-century German art, with a specific focus on the work of the sculptor Johann Joachim Gunther, who was active around the years 1717-1789. The exhibit showcases the sculptures from the Fogg courtyard, which have been moved to the Busch-Reisinger Museum for this occasion.

Both articles seem to be reviewing or announcing exhibitions related to art history, with a focus on Chinese and German art from different historical periods.

The image shows a newspaper clipping from the Boston Sunday Globe, dated February 27, 1972. The main article is titled "Fogg Museum tuned to China theme with latest exhibit," written by Edgar J. Driscoll Jr. and Globe Staff.

The article discusses a new exhibit at the Fogg Art Museum, which features 84 unusual paintings from the late Ming period in China (1368-1644). The exhibit, titled "The Restless Landscape," explores the art of the Ming dynasty, a period marked by political upheaval and social change. The paintings reflect the turmoil and artistic experimentation of the era, with artists exploring new techniques and styles.

The article highlights the uniqueness of the exhibit, noting that these works are rarely seen outside of China. It mentions James Cahill, Curator of Asian Art at the University of California, Berkeley, who has helped organize the exhibit. Cahill points out that the artworks represent a significant period of transition in Chinese art, with new solutions to represent landscapes and figures.

Additionally, the clipping includes a smaller article from the Gazette, dated March 3, 1972, titled "Push Comes to Shove." This article describes a group of German sculptures that were recently moved from the Fogg courtyard to the Busch-Reisinger Museum. The sculptures, which include a crane, two trucks, and several cradles, were created by artist Joachin Joachim Gunther.

The clippings together provide a snapshot of the cultural and artistic activities at Harvard University's museums in early 1972.

The image shows a spread from a newspaper dated February 27, 1972, featuring an article from the Boston Sunday Globe. The headline reads "Fogg Museum tuned to China theme with latest exhibit," written by Edgar J. Driscoll Jr., Globe Staff.

Main Article Summary:

The article discusses a new exhibition at the Fogg Museum at Harvard University that focuses on Chinese art and history. The exhibit, titled "The Battles Landscape," is transforming the museum's four special exhibition galleries to present various aspects of Chinese culture and history.

Key Points:

1. Exhibit Content: The exhibit features approximately 84 unusual paintings and albums from the late Ming period (around the mid-17th century), depicting a range of subjects from natural landscapes to daily life.
2. Historical Context: The artworks provide insights into the fall of the Ming dynasty in 1644 and the subsequent rise of the Qing dynasty, reflecting the turbulent era.
3. Analogies to Modern Times: The author draws analogies between the historical art and events of the Ming dynasty and modern-day situations, suggesting that the exhibit may prompt viewers to reflect on current political and social issues.
4. Art and Politics: The exhibit includes pieces that show both traditional art and political satire, offering a glimpse into the lives and thoughts of artists during the era.
5. Catalog and Additional Information: The exhibit is supported by a catalog with contributions from various experts, including John Cahill, Curator of Asian Art at the University of California at Berkeley.

Side Article Summary:

The side column features a shorter piece titled "Push Comes to Shove," discussing the relocation of several sculptures within the Fogg Museum.

Key Points:

1. Relocation of Sculptures: Two trucks and several specially made cradles were used to move four large German sculptures from the museum's courtyard.
2. Sculpture Details: The article mentions Johann Joachim Günther, attributing a sculpture dated around 1737-1789 to him.
3. New Installation: The sculptures have been moved indoors, and the article includes a photo showing workers installing one of the pieces.

Visuals:

• The image on the right side of the spread features a photograph of museum workers installing a sculpture, illustrating the physical movement and setup process mentioned in the side article.

This spread provides a detailed look into both the thematic content of the Fogg Museum's Chinese exhibit and the logistical efforts involved in reorganizing their physical displays.

The image shows two newspaper clippings pasted onto a brown scrapbook page.

The left clipping is an article titled: "Fogg Museum tuned to China theme with latest exhibit." The article, written by Edgar J. Driscoll Jr., discusses a new exhibition at the Fogg Art Museum at Harvard University featuring 84 unusual paintings and albums from the Ming Period in Chinese art, dating from 1570 to 1644. It touches on artistic styles, traditional and modern influences, and related exhibitions, mentioning artists like Joan Miro.

The right clipping is a black and white photograph from the "Gazette" dated 3 March '72. It shows several men using cranes and trucks to move large German sculptures, which are described as gray sandstone statues standing over ten feet tall with bases. The caption explains that the statues were moved from the Fogg courtyard to the Busch-Reisinger Museum after standing for 20 years. The statues are attributed to Johannn Joachim Gunther (1717-1789). The image is handwritten "Gazette 3 mar 72" at the top.

The image depicts an open scrapbook or album page containing two newspaper clippings. The clipping on the left is an article from the Boston Sunday Globe, dated February 27, 1972, with a headline that reads "Fogg Museum tuned to China theme with latest exhibit." The article discusses an exhibit focused on Chinese art at the Fogg Museum.

The clipping on the right is smaller, bearing a handwritten note at the top that says "Gazette 3 mar 72" which could indicate the source and date of the article. It features a photograph of a statue of a male figure poised with a long pole or stick, possibly in a throwing or levering motion. The figure in the statue seems to be exerting effort, as can be inferred by the muscular details and the dynamic pose.

Due to limitations, I cannot provide information on image elements that aren't clearly visible or readable in the image. Note that over time, the paper has aged to a yellowish color, which is common in old newspaper clippings.

The image shows an open book or catalog page featuring a newspaper clipping titled "Fogg Museum tuned to China theme with latest exhibit." The article, dated February 27, 1972, is from the Boston Sunday Globe and is attributed to Edgar J. Driscoll Jr., Globe Staff.

Key Details from the Article:

1. Exhibit Overview:

   • The Fogg Art Museum at Harvard University is hosting a new exhibit titled "The Restless Landscape."
   • The exhibit focuses on Chinese art, showcasing 84 unusual paintings and scrolls from the late Ming period (1570–1644) to the fall of the Ming dynasty in 1644.
   • The exhibit highlights the transformation of Western eyes to Eastern art, emphasizing the mingling of traditional art with politics and social change.

2. Exhibit Highlights:

   • The exhibit includes works by artists such as Mi Youru, Wang Fu, and Mi Wanzhi, who are noted for their innovative approaches to traditional Chinese painting.
   • It features abstract and romantic landscapes, as well as works that reflect the turbulent political and cultural changes of the time.
   • The exhibit also includes a small selection of contemporary Chinese art, showing how traditional themes and techniques have evolved.

3. Context and Significance:

   • The article discusses how Chinese art during this period was marked by a shift from rigid traditions to more expressive and individualistic forms.
   • It mentions the influence of Western art on Chinese artists and the blending of traditional and modern styles.
   • The exhibit is noted for its "captivating" nature, with works that are both bold and refined, showcasing a range of techniques and themes.

4. Exhibit Details:

   • The exhibit runs from February 27 to March 12, 1972.
   • It is curated by James Cahill, an expert in Asian art, and is part of the Fogg Art Museum's ongoing commitment to showcasing global art.

Additional Visual Elements:

• Photograph: To the right of the article, there is a black-and-white photograph depicting a scene related to the exhibit. The image shows a group of people, possibly museum staff or visitors, working with large sculptures or installations. The caption beneath the photo indicates that it is related to the movement of German sculptures from the Fogg courtyard to the Busch-Reisinger Museum. The photo is dated March 3, 1972, and mentions the relocation of four German sculptures attributed to Johann Joachim Günther (1717–1790).

Overall Impression:

The image captures a historical moment in the presentation of Chinese art at the Fogg Art Museum, highlighting the museum's efforts to explore and showcase the evolution of Chinese art during a transformative period. The accompanying photograph adds context, showing the museum's broader activities around the same time, including the relocation of significant artworks. The article and photo together provide a glimpse into the cultural and artistic landscape of the early 1970s.

The image depicts a page from a newspaper or magazine, possibly from the 1970s, based on the date mentioned in the text. The headline reads "Fogg Museum Tuned to China Theme with Latest Exhibit," indicating that the article is about an exhibition at the Fogg Museum, which is part of the Harvard Art Museums. The text is divided into several sections, discussing the exhibit's theme, the works on display, and the historical context of Chinese art.

The page includes a photograph of a statue, possibly a Chinese sculpture, with individuals working around it, suggesting the installation or maintenance of the exhibit. The statue is large and appears to be made of stone, with intricate details and a traditional Chinese style.

The article mentions specific artworks, including scrolls and paintings from the late Ming period to the fall of the Ming dynasty in 1644, as well as works from the 19th century. It highlights the transformation of the Fogg Museum's exhibition space to accommodate the exhibit and discusses the historical and cultural significance of the displayed artworks.

The text also references the curator of Asian Art at the University Art Museum, Bei-jing, and mentions the collaboration with Joan Miro in creating abstract art pieces for the exhibit. The article concludes with a mention of the exhibit's opening date and the expected duration of the display.