Archives Scrapbooks

The image shows a page from a book or a scrapbook, with two newspaper clippings pasted onto it.

• The top clipping is from the Boston Sunday Globe dated February 27, 1972, with the headline "Fogg Museum tuned to China theme with latest exhibit." The article discusses the exhibition at the Fogg Art Museum, Harvard University, titled "The Restless Landscape," which features Chinese artwork from the late Ming Period. It highlights the diverse styles and techniques used in the paintings, some abstract and others more traditional, reflecting the era's artistic evolution. The article mentions the work of artists like Wang Chien-chang, Mi Wan-chung, and Kao Yang, among others.

• Below the newspaper clipping, there is a black-and-white photograph of three men working on a large sculpture outdoors. The photo has a caption that reads: "Push Comes to Shove. It took one crane, two trucks, several specially made cradles, and eight days to move four German sculptures from the Fogg courtyard, where they have stood for 20 years, to the Busch-Reisinger Museum this week. The statues, one for each of the four seasons, are gray sandstone and stand over ten feet tall with their bases. They are attributed to Johann Joachim Gunther (1717-1789)." The photo appears to be from the "Gazette 3 Mar '72," as indicated in the top right corner of the photo.

This image shows a page from a scrapbook or archive containing a newspaper article and a photograph. The article is from the Boston Sunday Globe, dated February 27, 1972, and is titled "Fogg Museum tuned to China theme with latest exhibit." The article, written by Edgar J. Driscoll Jr., discusses a new exhibition at the Fogg Art Museum at Harvard University featuring paintings from the late Ming period in Chinese art.

The article mentions that the exhibition, titled "The Restless Landscape," includes 84 unusual paintings in scrolls and albums from the late Ming period, roughly dating from 1570 to the fall of the Ming dynasty in 1644. It describes the artistic styles and themes of the paintings, noting the diversity of characters and the influence of traditional materials and techniques.

The photograph on the right side of the page is captioned "Gazette 3 mar 72" and shows a group of people working on a sculpture or installation involving large stone figures and a tree. The caption describes the process of moving four German sculptures from the Fogg courtyard to the Busch-Reisinger Museum. It mentions that the sculptures are attributed to Joahann Joachim Gunther (1717-1789) and that the move required a crane, two trucks, and several specially made cradles, taking eight days to complete.

The image depicts a page from a newspaper or magazine, possibly from the 1970s, based on the date mentioned in the text. The headline reads "Fogg Museum Tuned to China Theme with Latest Exhibit," indicating that the article is about an exhibition at the Fogg Museum, which is part of the Harvard Art Museums. The text is divided into several sections, discussing the exhibit's theme, the works on display, and the historical context of Chinese art.

The page includes a photograph of a statue, possibly a Chinese sculpture, with individuals working around it, suggesting the installation or maintenance of the exhibit. The statue is large and appears to be made of stone, with intricate details and a traditional Chinese style.

The article mentions specific artworks, including scrolls and paintings from the late Ming period to the fall of the Ming dynasty in 1644, as well as works from the 19th century. It highlights the transformation of the Fogg Museum's exhibition space to accommodate the exhibit and discusses the historical and cultural significance of the displayed artworks.

The text also references the curator of Asian Art at the University Art Museum, Bei-jing, and mentions the collaboration with Joan Miro in creating abstract art pieces for the exhibit. The article concludes with a mention of the exhibit's opening date and the expected duration of the display.

The image shows a page from a newspaper or magazine with a headline that reads "Fogg Museum tuned to China theme with latest exhibit." The page has a collage-like layout with multiple articles and images related to the exhibit. The articles discuss the exhibit's focus on Chinese art and culture, featuring works from the late Ming period to the present. The page also includes a photograph of a statue being installed at the museum.

The image shows an open book or catalog page featuring a newspaper clipping titled "Fogg Museum tuned to China theme with latest exhibit." The article, dated February 27, 1972, is from the Boston Sunday Globe and is attributed to Edgar J. Driscoll Jr., Globe Staff.

Key Details from the Article:

1. Exhibit Overview:

   • The Fogg Art Museum at Harvard University is hosting a new exhibit titled "The Restless Landscape."
   • The exhibit focuses on Chinese art, showcasing 84 unusual paintings and scrolls from the late Ming period (1570–1644) to the fall of the Ming dynasty in 1644.
   • The exhibit highlights the transformation of Western eyes to Eastern art, emphasizing the mingling of traditional art with politics and social change.

2. Exhibit Highlights:

   • The exhibit includes works by artists such as Mi Youru, Wang Fu, and Mi Wanzhi, who are noted for their innovative approaches to traditional Chinese painting.
   • It features abstract and romantic landscapes, as well as works that reflect the turbulent political and cultural changes of the time.
   • The exhibit also includes a small selection of contemporary Chinese art, showing how traditional themes and techniques have evolved.

3. Context and Significance:

   • The article discusses how Chinese art during this period was marked by a shift from rigid traditions to more expressive and individualistic forms.
   • It mentions the influence of Western art on Chinese artists and the blending of traditional and modern styles.
   • The exhibit is noted for its "captivating" nature, with works that are both bold and refined, showcasing a range of techniques and themes.

4. Exhibit Details:

   • The exhibit runs from February 27 to March 12, 1972.
   • It is curated by James Cahill, an expert in Asian art, and is part of the Fogg Art Museum's ongoing commitment to showcasing global art.

Additional Visual Elements:

• Photograph: To the right of the article, there is a black-and-white photograph depicting a scene related to the exhibit. The image shows a group of people, possibly museum staff or visitors, working with large sculptures or installations. The caption beneath the photo indicates that it is related to the movement of German sculptures from the Fogg courtyard to the Busch-Reisinger Museum. The photo is dated March 3, 1972, and mentions the relocation of four German sculptures attributed to Johann Joachim Günther (1717–1790).

Overall Impression:

The image captures a historical moment in the presentation of Chinese art at the Fogg Art Museum, highlighting the museum's efforts to explore and showcase the evolution of Chinese art during a transformative period. The accompanying photograph adds context, showing the museum's broader activities around the same time, including the relocation of significant artworks. The article and photo together provide a glimpse into the cultural and artistic landscape of the early 1970s.

The image shows a page from an old book or scrapbook, with a newspaper clipping about the Fogg Museum's China theme exhibit. The clipping is pasted on top of a page with a black-and-white photograph of a man working on a sculpture.

• Newspaper Clipping:
  • The clipping is from the Boston Sunday Globe, dated February 27, 1972.
  • It features an article titled "Fogg Museum tuned to China theme with latest exhibit" by Edgar J. Driscoll Jr.
  • The article discusses the Fogg Museum's new exhibit on Chinese art, which includes paintings, sculptures, and other works of art.
  • The exhibit is part of a larger theme of Chinese culture and history, and features a range of pieces from different periods and styles.
• Black-and-White Photograph:
  • The photograph is a black-and-white image of a man working on a sculpture.
  • The man is standing in front of a tree, and appears to be carving or shaping the sculpture.
  • The sculpture itself is not fully visible, but it appears to be a large and intricate piece of art.
• Page Background:
  • The page itself is a light brown color, with a rough texture that suggests it may be made of paper or cardboard.
  • There are no other markings or notes on the page, other than the newspaper clipping and photograph.

Overall, the image suggests that the Fogg Museum is showcasing a range of Chinese art and culture, including paintings, sculptures, and other works of art. The photograph of the man working on a sculpture adds a sense of activity and creativity to the image, and highlights the importance of craftsmanship and skill in the creation of art.

The image depicts a page from a scrapbook or photo album, featuring a newspaper clipping about the Fogg Museum's exhibition on Chinese art. The clipping is titled "Fogg Museum tuned to China theme with latest exhibit" and includes a photograph of a statue being transported on a truck.

Key Features:

• Newspaper Clipping: The main content of the image is a newspaper clipping about the Fogg Museum's exhibition on Chinese art.
• Title: The title of the clipping is "Fogg Museum tuned to China theme with latest exhibit."
• Photograph: A photograph shows a statue being transported on a truck, with people surrounding it.
• Date: The date of the clipping is March 3, 1972.
• Background: The background of the image is a plain gray color.

Overall Impression:

The image provides a glimpse into the past, showcasing an exhibition on Chinese art at the Fogg Museum in 1972. The photograph of the statue being transported adds a sense of excitement and anticipation to the image.

The image is a photograph of a scrapbook or photo album with two newspaper clippings and a black-and-white photograph attached to its pages.

The scrapbook is open, revealing two pages. The left page has a newspaper clipping titled "Fogg Museum tuned to China theme with latest exhibit" in large text at the top. The article discusses an exhibition at the Fogg Art Museum, Harvard University, featuring Chinese art from the Ming dynasty. The clipping is torn and worn, with some parts missing.

On the right page, there is another newspaper clipping with a black-and-white photograph of two men handling a large statue. The caption below the photo reads: "Push Comes to Shove. It took one car, two trucks, several specially made cradles, and eight days to move four German sandstone statues from the Fogg courtyard, where they have stood for 20 years, to the Busch-Reisinger Museum this week." The clipping is dated "Gazette 3 mar 72" in handwritten text at the top.

The background of the image is a plain gray color, suggesting that it may be a product photo or a scan of the scrapbook. Overall, the image appears to be a collection of historical artifacts and memorabilia related to art exhibitions and museum events.

The image presents a vintage newspaper clipping and photograph, carefully arranged on a brown paper background.

Newspaper Clipping:
The clipping is from the Boston Sunday Globe, dated February 27, 1972. The headline reads "Fogg Museum tuned to China theme with latest exhibit." The article discusses the Fogg Museum's new exhibit featuring Chinese art, including 84 paintings and scrolls from the late Ming dynasty. The exhibit showcases a range of artistic styles, from traditional landscapes to more modern works.

Photograph:
To the right of the clipping lies a black-and-white photograph, accompanied by handwritten text that reads "Gazette 3 mar 72." The photo depicts a man in a long coat and hat, standing beside a large statue of a person. The statue appears to be made of stone or metal and features intricate details. In the background, trees and buildings are visible.

Arrangement:
The newspaper clipping and photograph are placed on a brown paper background, which resembles an open book. The overall arrangement suggests that these items have been carefully curated and presented for display or archival purposes. The use of a neutral-colored background helps to draw attention to the content of the clipping and photograph.

Context:
Given the date of the newspaper clipping (February 27, 1972) and the photograph (March 3, 1972), it is likely that this collection relates to events or exhibitions occurring around that time. The Fogg Museum's China-themed exhibit, as described in the article, may have been a significant cultural event in 1972. Similarly, the photograph could be documenting an installation or relocation of the statue mentioned. Overall, the image provides a glimpse into the cultural and artistic landscape of the early 1970s.

The image shows an open scrapbook or notebook page with various newspaper clippings and an image attached to it. The main headline of the largest clipping reads "Fogg Museum tuned to China theme with latest exhibit," and the article discusses an exhibition at the Fogg Museum featuring Chinese art. The exhibit includes paintings, scrolls, and albums from the late Ming period to the early 20th century.

Key points from the article:

• The exhibit is described as transforming the Fogg into another world for Western eyes.
• It includes works from the Ming Dynasty to the fall of the Qing Dynasty.
• The exhibit features a variety of art styles, including landscapes, birds, flowers, and figures.
• The article mentions specific pieces, such as a scroll painting of a garden pavilion and a handscroll of a scholar's studio.
• The exhibit is noted for its richness and the intricate detail of the paintings.

Another clipping on the right side of the page shows a black-and-white photograph of people working on a large sculpture. The caption mentions that the sculpture is being prepared for an exhibit at the Busch-Reisinger Museum. The sculpture is titled "Push Comes to Shove" and was created by artist Johann Joachim Günther.

Additional smaller clippings discuss various art-related topics, including an exhibition of Jean Miro's lithographs and an article about the art scene in the 1970s. The clippings are arranged neatly on the page, suggesting a collection of articles related to art exhibitions and events.