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The image shows a page from "The Christian Science Monitor" dated Saturday, February 19, 1972. The page features an article titled "Late Ming landscapes—'contemplative retreats'" written by Susan Drydale. The article discusses an exhibition of Chinese landscape paintings from the late Ming dynasty at the Fogg Art Museum in Cambridge, Massachusetts.

The article highlights the aesthetic qualities of the paintings, describing them as purely aesthetic and derived from wandering through a superlative landscape. Each screen in the exhibition has its individual character, with some featuring trees, rocks, and woods, while others depict scholars in contemplative settings. The paintings are noted for their subtle, varied colors and the use of gold leaf.

The article also mentions that these landscapes were often created for scholars and officials who sought retreats from their busy lives. The paintings are described as contemplative retreats, offering a sense of peace and solitude.

Accompanying the article are several images of the landscapes, including:

1. A leaf from an album of landscapes by Shao Mi, depicting an idyllic summer residence of a scholar.
2. "Portrait of a Scholar" by Wang Ching-chih, the most famous portraitist of the Yuan dynasty, showing a scholar in a serene setting.
3. "Early moon watchers" by Chao Meng-fu, a narrative painting that refers to a couple in the moonlight, with an inscription by the artist.

The article provides a detailed description of the exhibition and the significance of the paintings, emphasizing their role as contemplative retreats for scholars and officials during the late Ming dynasty.

The image shows a page from "The Christian Science Monitor" dated Saturday, February 19, 1972. The page is dedicated to an article titled "Late Ming landscapes—'contemplative retreats'" written by Susan Dyrda. The article discusses the aesthetic pleasures derived from viewing Chinese landscapes, with a focus on the late Ming period. The text references the Harvard University's Fogg Art Museum, which houses a collection of these landscapes, and mentions a catalog that provides insights into the scholarly appreciation of these artworks.

The page features three images:

1. "Dream world of Shao Mi" - This image shows a detailed Chinese landscape, with a poem or inscription accompanying it. It is described as an album of landscapes by Shao Mi, depicting an idyllic summer residence seen through a screen of pine trees.

2. "Early moon watchers" - This image shows a scene with figures appreciating a moonlit landscape. The accompanying text describes the scene as a hanging scroll by Ch'en Ch'un, which bears an inscription about enjoying the beauty of nature.

3. "Portrait of a Scholar" - This image shows a portrait of a seated scholar, with an accompanying text that describes it as a collaborative effort between Tseng Hao and an unknown artist of the late Ming period. The figure is set in a contemplative landscape.

The article and images collectively emphasize the serene and contemplative nature of Chinese landscape art from the late Ming period, inviting the viewer to appreciate the beauty and depth of these historical works.

The image is of a newspaper clipping from the Christian Science Monitor dated Saturday, February 19, 1972. The article focuses on "Late Ming landscapes—'contemplative retreats'" and is written by Susan Dryden of Cambridge, Massachusetts.

The main sections of the article include:

1. Introduction:

   • The article begins by describing the aesthetic pleasures derived from viewing the paintings of the Late Ming period, which are now displayed at the Fogg Art Museum. It highlights the increased appreciation for these landscapes due to the museum's significant collection.

2. Visuals:

   • The clipping includes several black-and-white images of artwork and scenes:
     • A landscape painting depicting a dreamy, serene view of trees and mountains.
     • A stylized summer residence of a scholar.
     • A portrait of a scholar, sitting and seemingly deep in thought.
     • A hanging scroll with an inscription mentioning the moon, illustrating the contemplative nature of the art.

3. Content:

   • The text discusses the historical context and significance of Late Ming landscapes. It explains how these artworks, which were once produced for wealthy patrons, now reflect a contemplative escape from the tumultuous times of the Ming dynasty's decline.
   • It also mentions an exhibition held at the Berkeley campus of the University of California, which is organized into eight groups, each with scholarly essays written by various contributors.
   • The exhibition at the Fogg Art Museum was supported by a grant from the Endowment for the Arts and was complemented by a seminar at the Asia House Gallery, New York, until February 27.

4. Additional Notes:

   • The article notes the scholarly efforts involved in cataloging and researching the artworks, highlighting the collaborative nature of the project.

The newspaper clipping captures the cultural and historical significance of Late Ming landscapes, emphasizing their role as contemplative retreats for the era's patrons.

The image shows a clipping from "The Christian Science Monitor," dated Saturday, February 18, 1972. The article, titled "Late Ming landscapes—'contemplative retreats,'" was written by Susan Dryfoos from Cambridge, Massachusetts.

The article discusses an exhibition of late Ming dynasty landscapes, highlighting the contemplative nature of these artworks. The text describes the aesthetic pleasures derived from viewing these paintings, which feature scenes of pine trees and other natural elements. The exhibition, held at the Fogg Art Museum at Harvard University, showcased 160 pieces, including scrolls and albums of landscapes.

The article mentions that the aesthetic appreciation of these landscapes contrasts with the political and social upheavals of the Ming dynasty's late period. It also notes the scholarly essays and catalogs accompanying the exhibition, which was supported by a Kress Foundation grant and later traveled to the Asia House Gallery in New York and the University of California Art Museum in Berkeley.

The images in the article include:

1. A landscape painting by Shao Mi, depicting a scholarly retreat.
2. A scroll by Ch'en Ch'uan, titled "Early moon watchers," featuring an inscription about the moon.
3. Another painting of a scholar in a contemplative pose, accompanied by a text box describing it as a collaborative effort between Tseng Te-ch'un and Tu Hsiao-hsiang.

The newspaper clipping is preserved in a book or album, showing signs of aging and wear.

The image is a newspaper clipping from "The Christian Science Monitor," dated Saturday, February 19, 1972. The article is titled "Late Ming landscapes—'contemplative retreats'" and is written by Susan Dryfoos from Cambridge, Massachusetts.

The article discusses an exhibition of Late Ming dynasty landscapes from China, focusing on their aesthetic and contemplative qualities. It mentions that the exhibition at the Fogg Art Museum at Harvard University includes 100 scrolls, mostly landscapes that were intended for personal enjoyment and contemplation rather than public display.

Key points from the article:

• The landscapes are described as "purely aesthetic pleasures to be derived from wandering through a supremely beautiful world."
• The landscapes are noted for their subtle colors and detailed depictions, which often include scenes of mountains, rivers, and trees.
• The article mentions the scholarly catalogs and essays that accompany the exhibition, which were contributed by experts in the field.
• There is a specific reference to an album of landscapes by Shao Mi, depicting a stylized summer residence of a scholar-gentleman.
• The exhibition is part of a seminar on the Ming period, supported by a Kress Foundation grant.
• The article includes a small inset image of an early moon watchers scroll by Ch'en Ch'uan, which features an inscription referring to the moon.

The clipping also includes photographs of some of the landscape paintings and a portrait of a scholar, which are part of the exhibition. The accompanying images depict the serene and contemplative nature of the landscapes, capturing the essence of the Ming dynasty art discussed in the article.

The image shows a page from the newspaper "The Christian Science Monitor," dated Saturday, February 19, 1972. The main article on the page is titled "Late Ming landscapes—'contemplative retreats'" and is written by Susan Dryfhout from Cambridge, Mass.

Summary of the Article:

The article discusses an exhibition of Chinese landscape paintings from the late Ming period (1573-1644) at the Fogg Art Museum, Harvard University. The writer notes that these landscapes are not just aesthetically pleasing but also deeply symbolic, reflecting the individual painter’s world view, philosophy, and sometimes even their personal emotions.

Key Points:

1. Artistic Characteristics:

   • The works are described as having a "dream world" quality, characterized by intricate detail and a contemplative mood.
   • Each scroll has a unique vision, utilizing varied colors, and subtle gradations to add depth and atmosphere.

2. Cultural and Historical Context:

   • The late Ming period was a time of political and social turmoil, with artists often turning to nature and solitude for solace.
   • The landscapes can be seen as retreats for the viewer, providing a sense of peace and escape from the turbulent world.

3. Notable Pieces:

   • One specific hanging scroll by Ch'ên Ch'i-nan, titled "Early Moon Watchers," depicts scholars by a river under the moonlight.
   • Another section of the article highlights the collaborative nature of some works, such as a piece combining the calligraphy of Tung Ch'i-ch'ang and the painting of T'u Chi'i.

4. Exhibition Details:

   • The exhibition is organized into eight thematic groups, providing a comprehensive look at the era's landscape art.
   • The exhibition was scheduled to be shown at various locations, including the National Endowment for the Arts in Washington, D.C., and the Asia House Gallery in New York.

Additional Visuals:

• The page includes several images:
  • A photograph of a landscape painting with detailed natural scenery.
  • An image of a contemplative figure, described as a "Portrait of a Scholar."
  • A black-and-white photo of what appears to be ancient ink wash painting, showcasing early moon watchers by a river.

Overall, the article offers a detailed look at the significance and beauty of late Ming dynasty landscape paintings and their continuing relevance in the art world.

This image depicts an open book or magazine displaying a page from "The Christian Science Monitor", dated Saturday, February 23, 1974. The page features articles and images related to Chinese landscapes and art. We see three distinct works of art—two landscapes and what appears to be an illustration of a person sitting. There are also headings and text discussing the artworks.

The main article is entitled "Late Ming landscapes— 'contemplative retreats'" and is written by Susan Drysdale. It talks about the pure aesthetic pleasure in a show of Late Ming Dynasty (16th-century) landscapes at the Fogg Art Museum, in Harvard University.

On the left side of the page, there's a caption "Dream world of Shao Mi" describing the left-most artwork as an album of landscapes by Shao Mi, emphasizing the themes of idleness, love and drunkenness as seen through Adobe windows, alluding to a poetic and possibly philosophical underlying theme.

Below the article titled "Late Ming landscapes," another caption reads "Early moon watchers," referencing a hanging scroll by Ch'en Ch'un from 1500 in the Arts Museum, housed in Taipei.

Additionally, to the right, there is a column about California Berkeley, related to modern art which seems to have a supplement from the Museum of Art at Berkeley. A notice about an "Early Spring 'Soirée'" presented by the New York Avenue Gallery is also included in this right column.

The page represents a historical snapshot of the art and cultural discussions occurring in 1974, focusing on Chinese art influences and exhibitions.

The image shows an open page from a publication titled The Christian Science Monitor, dated Saturday, February 19, 1972. The page features an article titled "Late Ming landscapes—‘contemplative retreats’" by Susan Drydale. The article discusses the aesthetic and scholarly significance of Late Ming landscape paintings, emphasizing their contemplative and introspective qualities.

Visual Elements:

1. Illustrations:

   • Top Left: A detailed illustration of a landscape, labeled as a "Dream world of Shao Mi." The scene depicts a serene, natural setting with trees, rocks, and a path, evoking a tranquil and meditative atmosphere.
   • Top Right: A black-and-white photograph titled "Portrait of a Scholar", showing a seated individual in traditional attire, possibly a scholar or artist, in a contemplative pose. The background includes a rocky outcrop, reinforcing the theme of contemplation and nature.
   • Bottom Left: Another illustration titled "Early moon watchers", depicting a hanging scroll with an inscription. The scroll features a landscape scene with a single moon, symbolizing unity and harmony.

2. Text Content:

   • The article discusses the Late Ming period (1368–1644) in Chinese art, highlighting the works of scholars and artists who produced landscapes as a form of retreat and introspection.
   • It mentions the Fogg Art Museum in Cambridge, Massachusetts, and references an exhibition of Late Ming landscapes, supported by the Kress Foundation. The exhibition was curated by Dr. Cahill and featured works from the Asia House Gallery in New York.
   • The article emphasizes the unique qualities of Late Ming landscapes, such as their focus on introspection, the use of subtle colors, and the symbolic representation of nature.

3. Layout and Design:

   • The page has a clean, structured layout with clear headings and subheadings.
   • The illustrations are placed strategically to complement the text, enhancing the visual narrative of the article.
   • The text is printed in a formal, serif font, typical of newspaper or magazine publications of the era.

Contextual Details:

• The article appears to be part of a cultural or art-focused section of the Christian Science Monitor, providing readers with insights into historical Chinese art and its philosophical underpinnings.
• The inclusion of specific details, such as the exhibition dates (until February 27 at Asia House Gallery) and the involvement of notable institutions, suggests the article aims to inform and engage readers interested in art and culture.

Overall, the image captures a blend of textual and visual storytelling, focusing on the contemplative and aesthetic value of Late Ming landscapes while situating the discussion within a broader cultural and historical context.

An open book with a page featuring an article titled "Late Ming landscapes--'contemplative retreats'" by Susan Drysdale. The article discusses the aesthetic pleasures of late Ming Chinese landscape paintings, which are currently on display at the Fogg Art Museum. The article highlights the unique features of these paintings, such as the use of varied colors and the incorporation of poetic inscriptions. The article also mentions an exhibition of late Ming landscapes at the Fogg Art Museum, which can be seen until February 27. The page also includes an image of a scholar, possibly a portrait of a scholar from the late Ming period.

The image is of an open book, which appears to be a newspaper. The newspaper is titled "The Christian Science Monitor," and the date of publication is Saturday, February 19, 1972. The newspaper has several articles, including one titled "Late Ming landscapes - contemplative retreats." The article discusses the exhibition of late Ming Chinese landscape paintings at the Fogg Art Museum in Cambridge, Massachusetts. The article also mentions that the exhibition was supported by a grant from the National Endowment for the Arts.