Archives Scrapbooks

The image is of a scrapbook page featuring several newspaper clippings and a postcard. Here is a detailed summary of each element:

1. Top Left Clipping (January 28, 1972, The Gazette):

   • The article discusses a painting titled "Taket-z-Sideman III" by Frank Stella, which arrived at the Fogg Art Museum on long-term loan from the collection of Kimiko and John Powers. The painting is described as a large canvas with a geometric pattern, which had to be stretched onto a frame in several pieces. The article includes a photograph of the painting with a person standing next to it for scale.

2. Top Right Clipping (March 10, 1972, Harvard Gazette):

   • This section is titled "The Calendar" and features a photograph of a sculpture by Anthony Caro titled "I Beams." The sculpture is made of large construction beams and is part of an exhibition at the Fogg Art Museum. The article mentions that the sculpture was loaned to the Fogg by Mr. Goldman.

3. Bottom Left Clipping (January 28, 1972, The Gazette):

   • This article discusses an exhibition titled "The History of Writing in the Arts," which opened at the Fogg Art Museum. The exhibition includes graphics, sculpture, glassware, and other items related to writing. The article features a photograph of an engraving titled "A Knight in Battle" by Albrecht Dürer (1498-1524).

4. Bottom Right Clipping (Fogg Art Museum Exhibit):

   • This clipping provides information about an exhibit at the Fogg Art Museum. It mentions a preview of the exhibit "Alice Yao: Painting in New England" and a lecture by Dr. Dietrich von Bothmer on Greek and Roman art. The clipping also includes details about a reception and a lecture by Dr. W. Washburn on American Indian art.

5. Postcard (March 8, 1972, Herald Traveler):

   • The postcard is addressed to someone in Boston, Massachusetts, and has a stamp indicating it was mailed on March 8, 1972. The postcard is placed in the center of the page.

6. Social Chatter by Alison Arnold:

   • This clipping appears to be a column or article titled "Social Chatter" by Alison Arnold. The content of the article is not fully visible in the image.

The scrapbook page is a collection of articles and a postcard related to art exhibitions and events, primarily at the Fogg Art Museum, from early 1972.

The image displays an open scrapbook page with various newspaper clippings arranged on it. The page is likely from an art or cultural interest scrapbook, featuring articles from different dates and publications, primarily from 1972.

1. Top Left Clipping (January 28, 1972, The Gazette)

   • The headline reads "Tetradrill, Stelios by Frank Stella arrived at the Fogg last week on long-term loan from the Collection of Kimiko and John Powers."
   • The accompanying black-and-white photograph shows an abstract art piece, with a person standing at its base for scale. The art piece appears to be a large geometric structure.

2. Top Right Clipping (March 10, 1972, Harvard Gazette)

   • The headline is "The Calendar."
   • The article features an abstract sculpture titled "L Beams" by Anthony Caro, made of huge construction-gauge steel beams. It includes a black-and-white photograph of the sculpture, which appears to be an assembly of large steel beams.

3. Middle Left Clipping (January 28, 1972, The Gazette)

   • The headline reads "FIVE HUNDRED YEARS OF WINE IN THE ARTS opens next Wednesday at the Busch-Reisinger."
   • The article likely describes an art exhibit, as suggested by the text, and includes an abstract, possibly woodcut-style illustration.

4. Middle Right Clipping (February 23, 1972, Herald Traveler)

   • The headline is not fully visible, but the article mentions the loan of the "L Beams" sculpture to the Fogg, where it can be seen in Gallery 17.

5. Bottom Right Clipping (March, 1972, The Harvard Crimson)

   • The headline reads "Fogg Art Museum Exhibit."
   • The article describes an exhibit at the Fogg Art Museum, featuring a piece titled "Across the Charles," with a description of the art and its background.

The page also includes a handwritten note or heading that reads "Social Chatter by Alison Arnold," possibly indicating a section or theme for some of the clippings. The overall arrangement and content suggest a focus on art exhibits and cultural events, particularly at the Fogg Museum and other nearby institutions, in the early 1970s.

The image shows a collection of newspaper clippings from the early 1970s, specifically from January and March of 1972, detailing various art-related events and exhibitions.

1. Top Left Clipping (January 28, 1972, The Gazette):

   • Headline: "Tacky-J Dinkleyman III by Frank Stella"
   • The article describes a painting by Frank Stella titled "Tacky-J Dinkleyman III" that arrived at the Fogg Art Museum on a long-term loan from the collections of Kimiko and John Powers. The painting is a ten-by-twenty-foot fluorescent acrylic on canvas, which was stretched by a specialist and then framed. The piece will be on exhibit in the Fogg Art Museum for an indefinite period.

2. Top Right Clipping (March 10, 1972, Harvard Gazette):

   • Headline: "The Calendar"
   • This section highlights an exhibition called "I BEAMS" by Anthony Caro, which belongs to Guido C. Gigliotti, a lecturer on government. The piece is a sculpture of large construction gauge steel beams and is part of the exhibition at the Fogg Art Museum. It will be seen in Gallery XVII from weekdays 9 to 5 and Sundays 2 to 5.

3. Bottom Left Clipping (January 28, 1972, The Gazette):

   • Headline: "Five Hundred Years of Wine in the Arts"
   • This article announces an exhibition titled "Five Hundred Years of Wine in the Arts" opening next Wednesday at the Peabody Essex Museum. The exhibit includes graphics, sculpture, glassware, artifacts, and rare books celebrating the influence of wine on art, including a piece by Albrecht Altdorfer.

4. Bottom Center Clipping (February 23, 1972, Herald-Traveler):

   • Headline: "Social Chatter"
   • By Alison Arnold, this piece provides details about an event at the Fogg Art Museum. It mentions a preview of the Atelier Vase Painting in New England, with Dr. Richard Diebenkorn, a renowned artist, speaking on the exhibition at the Boston Museum of Fine Arts. There’s also information about a lecture by Dr. Wilcomb E. Washburn on the American Indians Program at the Smithsonian Institution in Washington, D.C.

5. Bottom Right Clipping (Fogg Art Museum Exhibit):

   • The text mentions an exhibit titled "Across the Charles" at the Fogg Art Museum involving a preview of Atelier Vase Painting. Dr. Richard Diebenkorn will give a lecture on the exhibition, and there are reception events planned including one on March 5 with the Peabody Essex Museum Association of Harvard University. The event includes a reception in the Geological Lecture Hall.

These clippings collectively showcase the art exhibitions and significant cultural events happening at and around the Fogg Art Museum in Cambridge, Massachusetts, during early 1972.

The image shows an open book or newspaper with various clippings and articles from the Harvard Gazette, dated between January 28, 1972, and March 10, 1972. Here's a detailed summary of the visible content:

1. Top Left Clipping (January 28, 1972, The Gazette):

   • Title: "Tachist Scenes" by Frank Stella arrived at the Fogg Museum on loan.
   • Description: The article mentions a large-scale acrylic painting by Frank Stella, titled "Tachist Scenes III," which was loaned from the Collection of Kimiko and John Powers. The painting is a fluorescent acrylic on canvas, measuring ten by twenty feet, and was installed by Rick Stafford. The piece will be on display at the Fogg Museum for an indefinite period.

2. Top Right Clipping (March 10, 1972, The Calendar):

   • Title: "The Calendar."
   • Description: This section lists an exhibit of I Beams, a sculpture by Anthony Caro, which is part of an exhibition loaned by Guido Carli, the Italian Ambassador. The exhibit is located in Gallery XVII at the Fogg Museum, open from 9 to 5 on weekdays and 2 to 5 on Sundays.

3. Middle Left Clipping (January 28, 1972, The Gazette):

   • Title: "Five Hundred Years of Wine in the Arts."
   • Description: The exhibit, "Five Hundred Years of Wine in the Arts," opens the following Wednesday at the Fogg Museum. The exhibit includes various artworks and artifacts from different periods, celebrating the influence of wine on art from the 15th century to the present.

4. Middle Right Clipping (February 23, 1972, Herald Traveler):

   • Title: "Social Chatter by Alison Arnold."
   • Description: This clipping is a travel advertisement for Boston, Massachusetts, highlighting the cost of travel (M-230,000 to S-300,000) and includes a section titled "Social Chatter."

5. Bottom Clipping (February 23, 1972, The Gazette):

   • Title: "Fogg Art Museum Exhibit."
   • Description: The article discusses an upcoming event at the Fogg Art Museum, which includes a preview of an exhibition, "Artic Vase Painting in New England." Dr. Wilcomb E. Washburn, director of the American Studies Program, will lecture on the exhibition. Additionally, there will be a reception and a lecture by Dr. George L. Beer on the history of the American Indian, followed by a reception at the Peabody Museum.

The clippings are arranged in a collage style, indicating a focus on various art exhibits and cultural events at the Fogg Art Museum during early 1972.

The image shows a collage of newspaper clippings from January and March 1972, all related to art exhibitions at the Fogg Art Museum at Harvard University.

1. Top Left (January 28, 1972, The Gazette):

   • The clipping is about a painting titled "Takkuri-Siskiyamu III" by Frank Stella. The artwork, which arrived on a long-term loan from the Collection of Kimiko and John Powers, is a large fluorescent acrylic on canvas painting. The painting was stretched onto a frame by a specialist and is described as being over ten-by-twenty feet in size. The piece is on exhibit in the Fogg Museum for an indefinite period.

2. Top Right (March 10, 1972, Harvard Gazette - The Calendar):

   • The clipping mentions a sculpture by Anthony Caro, titled "I Beams," which features large construction-gauge steel beams. This sculpture was loaned to the Fogg Museum by Guido C. Gorini and is on display in Gallery XVII from Sundays 9 to 5 and Thursdays 1 to 5.

3. Middle Left (January 28, 1972, The Gazette):

   • This article announces an upcoming exhibition titled "Five Hundred Years of Wine in the Arts," opening on February 10, 1972, at the Fogg Art Museum. The exhibition, curated by Professor Richard Ettinghausen, features a wide range of artworks including graphics, sculpture, glassware, and artifacts. It celebrates the history of wine and its representation in art, with a focus on Albrecht Dürer’s "A Knight with Bread and Wine."

4. Bottom Right (February 23, 1972, Herald-Traveler):

   • This clipping, titled "Social Chatter" by Alison Arnold, provides additional information about the Fogg Art Museum's exhibition "Five Hundred Years of Wine in the Arts." It mentions that the exhibition includes a preview of Artic Vase Painting in New England and features a lecture by Dr. Wilhelm E. Wadsworth, director of the American Wing at the Metropolitan Museum of Art, who will discuss the exhibition on February 23 at 6 PM.

5. Bottom Left (February 23, 1972, Herald-Traveler):

   • Another piece of information about the "Five Hundred Years of Wine in the Arts" exhibition, emphasizing the significance of the event and its connection to broader cultural and academic discussions.

The collage provides a snapshot of the cultural activities and art exhibitions at Harvard University during early 1972.

The image shows a bulletin board with several clippings from newspapers, specifically issues of the Harvard Gazette from early 1972. Here is a detailed description of each visible section:

1. Top Left (January 20, 1972 - The Gazette):

   • Article Title: Not explicitly stated, but it involves an artwork.
   • Content: The article discusses the arrival of a large painting by Frank Stella, titled "Takht-i-Sulayman I," on loan to the Fogg Art Museum. The painting, a 10-by-22-foot fluorescent acrylic on canvas, was transported rolled in a long box. It was specially packed and moved into the Fogg Courtyard for an indefinite period.

2. Top Center (March 10, 1972 - The Calendar):

   • Content: This section lists upcoming events and exhibitions.
   • Featured Item: A notice about an exhibit of huge construction-grade steel I-beams by artist Anthony Caro, displayed in the Fogg Museum's Gallery XVII.

3. Middle Right (Social Chatter by Alison Arnold):

   • Content: A column discussing social news and events.
   • Highlight: An advertisement for a traveler going from Boston, Mass. to Heraklion, Greece, with a budget of $300,000 (likely a typo meant to be $300).

4. Bottom Left (January 28, 1972 - The Gazette):

   • Article Title: "Five Hundred Years of Wine in the Arts"
   • Content: This article announces an exhibition at the Fogg Art Museum, curated by Christopher Brown. The exhibit showcases various artifacts related to wine, including graphics, sculpture, glassware, and rare books, spanning from the Middle Ages to modern times.

5. Bottom Right (Fogg Art Museum Exhibit):

   • Content: This clipping details various events and exhibitions at the Fogg Art Museum.
   • Exhibitions & Lectures:
     • A preview of "Attic Vase Painting in New England Collections."
     • Cornelius Vermeule's lecture on Greek and Roman art.
     • Information on upcoming exhibitions, including a schedule for a series of lectures by various professors and curators.

Overall, the bulletin board contains a mix of art-related news, exhibition announcements, and social notes from the Harvard Gazette in early 1972.

This image shows an open scrapbook or album with several old newspaper clippings from 1972 related to art and exhibitions.

• On the left page, near the top, there is a large black and white photograph of a person standing next to a large abstract artwork "Takht-i-Sulayman II" by Frank Stella. The clipping is dated January 28, 1972, from The Gazette. The caption describes the artwork as a large, 21-foot fluorescent acrylic piece that arrived in several sections for exhibition at the Fogg Courtyard.

• Below that, there is a smaller clipping with an illustration of a knight in armor titled "FIVE HUNDRED YEARS OF WINE IN THE ARTS", also from January 28, 1972, The Gazette. It talks about an exhibit at the Busch-Reisinger owned by the Christian Brothers at Napa, California, featuring glassware, artifacts, rare books, and engravings related to wine.

• On the right page, there is a clipping from the HARVARD GAZETTE dated March 10, 1972, titled "The Calendar". It features a photo of a sculpture "I BEAMS" by Anthony Caro made of huge construction-gauge steel I beams loaned to the Fogg Museum by Guido G. Goldman.

• Below that, there is a small newspaper clipping titled "Social Chatter by Alison Arnold" with a stamped date from Feb 23, 1972, from the Herald-Traveler.

• Lastly, there is a typed clipping titled "Fogg Art Museum Exhibit" announcing a preview of an exhibit called "ACROSS THE CHARLES" at the Fogg Art Museum related to Greek and Roman art, with details about lectures and receptions.

Overall, the scrapbook page collects historical newspaper clippings documenting various art exhibitions and events related to Harvard’s Fogg Museum and other art institutions in early 1972.

The image displays an open book or scrapbook with newspaper clippings and articles pasted across two pages. On the left page, there is a prominent newspaper clipping with a photograph dated January 28, 1972, showing a large, abstract geometric painting with a spectator standing nearby for scale. The headline "The Gazette" is visible above the photograph, and a caption below identifies the artwork as "Turkish-Sultan III" by Frank Stella, mentioning it arrived at the Fogg last week and detailing its exhibition at a specific location in the Fogg Courtyard for an indefinite period.

Beneath the photograph of Frank Stella's painting is another clipping with an illustration and a headline reading "FIVE HUNDRED YEARS OF WINE IN BLUE RIDGES" that discusses an exhibit related to wine history featuring illustrations, rare books, and other artifacts.

The right page presents a portion of the "HARVARD GAZETTE" from March 10, 1972. It highlights "The Calendar," listing various events, one of which includes a screengrab reading "BEAMS." This section includes a black and white image of a sculpture comprising large geometrically cut beams. Additional content on the right page includes a piece titled "Social Chatter by Alison Arnold" and information on an exhibit at the Fogg Art Museum titled "Fogg Art Museum Exhibit." There are also some textual snippets and partially visible headlines related to other art exhibits and events within the same timeframe. The pages are toned with age and feature frayed edges, suggesting they have been preserved for quite some time.

The image depicts an open book or scrapbook containing a collection of newspaper clippings and articles from the Harvard Gazette, dated January 28, 1972, and March 10, 1972. The layout includes various sections, each showcasing different content:

Left Page (January 28, 1972):

• Top Section: A black-and-white photograph of an abstract sculpture titled "Takr-I Sulayman III" by Frank Stella. The sculpture is large, geometric, and composed of fluorescent acrylic stretched over canvas, mounted on a long frame. The caption describes the artwork as a ten-by-twenty-foot piece, part of a loan from the Collection of Kimiko and John Powers. It was on display at the Fogg Art Museum, with an indefinite loan period.
• Bottom Section: A smaller black-and-white illustration of a historical or mythological figure, possibly from a classical or Renaissance artwork. The caption mentions "FIVE HUNDRED YEARS OF WINE IN THE ARTS," referencing an exhibit at the Christian Brothers Museum in Napa, California. The exhibit includes graphics, sculpture, glassware, rare books, and other artifacts celebrating the theme of wine in art, with a focus on Albrecht Dürer's "Adam and Eve" and "The Knight with Bread and Wine."

Right Page (March 10, 1972):

• Top Section: A black-and-white photograph of an industrial or mechanical object, possibly part of a sculpture or exhibit titled "I BEAMS." The caption identifies it as an Anthony Caro sculpture made of huge construction-grade steel, loaned by Guido G. Goldman to the Fogg Art Museum. The sculpture is located in Gallery XVII and is open to the public on specific days and times.
• Middle Section: A section titled "The Calendar" lists upcoming events, including lectures, exhibitions, and public programs. The text is dense and formatted in a newspaper-style layout, with dates, times, and locations for various activities.
• Bottom Section: A handwritten or typed label at the bottom right corner reads "Social Chatter by Alison Arnold," indicating a column or feature in the Gazette. Below this, there is a smaller article titled "Fogg Art Museum Exhibit," which announces a preview of the Charles Vase Painting in New England, featuring Attic Vase Painting from the Arthur M. Sackler Collection. The preview is scheduled for April 3 at the Metropolitan Museum of Art, with a lecture by Dr. Dietrich von Bothmer, curator of Greek and Roman art at the Met.

Overall Layout:

• The pages are part of a scrapbook or archive, likely curated to document art exhibitions, cultural events, and news from the Harvard Gazette in early 1972.
• The content is a mix of photographs, captions, and textual descriptions, providing a snapshot of the art and cultural scene of the time.
• The design and formatting reflect the style of newspaper clippings, with clear headings, dates, and organized sections for easy reference.

This image captures a historical record of art exhibitions, cultural events, and academic activities at Harvard University during the early 1970s.

The image depicts a page from a scrapbook with various newspaper clippings and articles pasted onto it. The clippings are from different newspapers and magazines, including "The Gazette" and "Harvard Gazette." The articles cover a range of topics, such as art exhibitions, social events, and cultural happenings. The clippings are arranged in a somewhat haphazard manner, with some overlapping and others placed side by side. The page has a vintage appearance, with the clippings showing signs of age and wear. Overall, the image provides a glimpse into the interests and activities of the person who created the scrapbook, showcasing their engagement with the arts, culture, and social scene of the time.