Archives Scrapbooks

The image displays a collection of newspaper clippings and articles on a piece of paper, seemingly part of a scrapbook or a collection of memorabilia. The clippings appear to be from a gazette or similar publication dated January 28, 1972, and March 10, 1972. Here's a breakdown of the content:

1. Top Left:

   • An article with the headline: "Tahkt-I-Sulayman III by Frank Stella arrived at the Fogg last week on long-term loan from the Collection of Kimiko and John Powers. The painting, a ten-by-twenty-foot fluorescent acrylic on canvas, arrived rolled in a long box. Rick Stafford took this picture as a specialist stretched the canvas onto the frame, which itself had arrived in several pieces. Tahkt will be on exhibit in the Fogg Courtyard for an indefinite period."

2. Top Right:

   • An article titled "The Calendar" featuring an image of a sculpture made of large steel I-beams by Anthony Caro. It mentions that the sculpture belongs to Guido G. Goldman, a Lecturer on Government, and has been loaned to the Fogg Art Museum, where it can be seen in Gallery XVII.

3. Bottom Left:

   • An article with the headline: "FIVE HUNDRED YEARS OF WINE IN THE ARTS opens next Wednesday at the Busch-Reisinger. The exhibit, owned by the Christian Brothers at Napa, California, includes graphics, sculpture, glassware, artifacts, rare books celebrating the lore of wine, and the engraving above by Albrecht Altdorfer (active 1480-1528), 'A Knight with Bread and Wine.'"

4. Bottom Right:

   • An article titled "Social Chatter" by Alison Arnold, with a note from the Herald-Traveler dated February 23, 1972, with a "R" and "M-230,000 S-300,000" next to it. The article seems to be related to social events or news.

5. Bottom Center:

   • A section labeled "Fogg Art Museum Exhibit," which provides information about the museum's upcoming events, including lectures and exhibits related to Attic Vase Painting in New England Collections and the Peabody Museum Association of Harvard University's lecture on the topic of Indians.

The clippings are arranged on a light-colored background, and the overall layout suggests this is a collection of news and updates related to art and cultural events, specifically from the Fogg Art Museum and other cultural institutions.

This image shows a scrapbook page with various clippings from newspapers and magazines, likely related to art exhibitions and events from 1972. The page is divided into two main columns, each containing different articles and images.

Left Column:

1. Top Section:

   • Date and Source: January 28, 1972, from "The Gazette."
   • Image: A black-and-white photograph of a large abstract painting being unrolled and stretched onto a frame. The painting is titled "Tahkt-I-Sulayman III" by Frank Stella.
   • Caption: Describes the painting's arrival at the Fogg Museum on long-term loan from the collection of Kimiko and John Powers. It mentions the painting's size (ten by twenty feet) and the process of unrolling and stretching it onto the frame.

2. Bottom Section:

   • Date and Source: January 28, 1972, from "The Gazette."
   • Image: A black-and-white illustration of a knight in armor holding a sword, titled "A Knight with Bread and Wine" by Albrecht Altdorfer.
   • Caption: Announces the opening of an exhibition titled "Five Hundred Years of Wine in the Arts" at the Busch-Reisinger Museum. The exhibit includes graphics, sculpture, glassware, artifacts, and rare books celebrating the lore of wine.

Right Column:

1. Top Section:

   • Date and Source: March 10, 1972, from the "Harvard Gazette."
   • Title: "The Calendar."
   • Image: A black-and-white photograph of a sculpture titled "I BEAMS" by Anthony Caro. The sculpture is made of huge construction-gauge steel I beams.
   • Caption: Mentions that the sculpture belongs to Guido G. Goldman and is on loan to the Fogg Museum where it can be seen in Gallery XVII.

2. Bottom Section:

   • Title: "Social Chatter" by Alison Arnold.
   • Content: Includes an announcement about a lecture and preview at the Fogg Art Museum on Attic Vase Painting in New England Collections, and another event at the Peabody Museum Association of Harvard University about "Red Man’s Law—White Man’s Law."

The page also includes a small stamp or label from the Herald-Traveler, dated February 23, 1972, indicating the source of some of the clippings. The overall theme of the page appears to be related to art exhibitions and cultural events from the early 1970s.

This image shows an open scrapbook page, meticulously assembled with newspaper clippings from early 1972, documenting art exhibitions and cultural events, primarily centered around Harvard University’s Fogg Art Museum.

The page is constructed on aged, tan-colored paper, and features several clipped articles with their original publication dates, titles, and photographs.

Top Left:

• Source: The Gazette, January 28, 1972
• Headline/Photo Caption: "Tahkt-i-Sulayman III by Frank Stella arrived at the Fogg last week on long-term loan..."
• Photo: A black-and-white photograph showing two figures (art handlers or conservators) unrolling and preparing a large, rolled-up abstract painting on a gallery floor. The artwork is geometric, featuring star-like and radial patterns in white and black or dark gray.
• Text Summary: The painting, measuring ten-by-twenty feet, is an acrylic on canvas by Frank Stella. It arrived in a long box and required a specialist to stretch it onto its frame. It was scheduled to be exhibited indefinitely in the Fogg Courtyard.

Top Right:

• Source: Harvard Gazette, March 10, 1972
• Headline: “The Calendar”
• Photo: A black-and-white photo of a large, abstract, geometric sculpture made of dark steel I-beams arranged in a complex, cantilevered construction.
• Caption: “I BEAMS. This Anthony Caro sculpture of huge construction-gauge steel I beams belongs to Guido G. Goldman, Lecturer on Government. Mr. Goldman has loaned it to the Fogg, where it can be seen in Gallery XVII...”

Bottom Left:

• Source: The Gazette, January 28, 1972
• Photo: A black-and-white reproduction of a 16th-century engraving titled “A Knight with Bread and Wine” by Albrecht Altdorfer (1480–1538), part of the “FIVE HUNDRED YEARS OF WINE IN THE ARTS” exhibit.
• Text Summary: The exhibit, owned by the Busch-Reisinger at Napa, California, featured graphics, sculpture, glassware, artifacts, and rare books celebrating the lore of wine. The exhibit opened the next Wednesday.

Bottom Right:

• This section contains two main clippings:
  1. “Social Chatter by Alison Arnold” — A small, decorative heading, likely from a society or culture column.
  2. “Fogg Art Museum Exhibit” — A longer article detailing two upcoming events:
     • A preview of “Attic Vase Painting in New England Collections” on Wednesday, March 1, curated by Dr. Dietrich von Bothmer, at the Metropolitan Museum of Art, with a lecture at Harvard’s Charles Eliot Norton Lecture Hall.
     • A lecture at the Peabody Museum on Wednesday evening, March 8, by Dr. Wilcomb E. Washburn on “Red Man’s Law—White Man’s Law.”

Additional Notes:

• A small, clipped article from the Boston Herald-Traveler, dated February 23, 1972, is pasted on top of the “Social Chatter” heading. It contains a red “R” marking and pricing information: “M-$230,000 $-300,000,” possibly indicating an auction or appraisal note.

Overall Context:

This scrapbook page provides a rich historical snapshot of the early 1970s art world around Harvard. It highlights major acquisitions and loans (Stella, Caro), thematic exhibits (wine in art), and scholarly events bridging institutions like the Met, the Fogg, and the Peabody Museum. The careful documentation suggests the page belonged to someone deeply engaged with contemporary art and academic cultural life — perhaps an art administrator, curator, faculty member, or avid art patron documenting their institution’s activity. The presence of price estimates and dates indicates an archival or personal record-keeping purpose.

The image depicts a page from a scrapbook with various newspaper clippings and articles pasted onto it. The clippings are from different newspapers and magazines, including "The Gazette" and "Harvard Gazette." The articles cover a range of topics, such as art exhibitions, social events, and cultural happenings. The clippings are arranged in a somewhat haphazard manner, with some overlapping and others placed side by side. The page has a vintage appearance, with the clippings showing signs of age and wear. Overall, the image provides a glimpse into the interests and activities of the person who created the scrapbook, showcasing their engagement with the arts, culture, and social scene of the time.

The image shows a collage of various printed materials, including newspaper clippings and magazine articles, pasted onto a page. The collage includes images of art installations, sculptures, and photographs of people. The text includes dates and names of artists, as well as descriptions of the artworks. The collage appears to be a collection of clippings related to art exhibitions and events, possibly from the 1970s.

The image depicts an open book or scrapbook containing a collection of newspaper clippings and articles from the Harvard Gazette, dated January 28, 1972, and March 10, 1972. The layout includes various sections, each showcasing different content:

Left Page (January 28, 1972):

• Top Section: A black-and-white photograph of an abstract sculpture titled "Takr-I Sulayman III" by Frank Stella. The sculpture is large, geometric, and composed of fluorescent acrylic stretched over canvas, mounted on a long frame. The caption describes the artwork as a ten-by-twenty-foot piece, part of a loan from the Collection of Kimiko and John Powers. It was on display at the Fogg Art Museum, with an indefinite loan period.
• Bottom Section: A smaller black-and-white illustration of a historical or mythological figure, possibly from a classical or Renaissance artwork. The caption mentions "FIVE HUNDRED YEARS OF WINE IN THE ARTS," referencing an exhibit at the Christian Brothers Museum in Napa, California. The exhibit includes graphics, sculpture, glassware, rare books, and other artifacts celebrating the theme of wine in art, with a focus on Albrecht Dürer's "Adam and Eve" and "The Knight with Bread and Wine."

Right Page (March 10, 1972):

• Top Section: A black-and-white photograph of an industrial or mechanical object, possibly part of a sculpture or exhibit titled "I BEAMS." The caption identifies it as an Anthony Caro sculpture made of huge construction-grade steel, loaned by Guido G. Goldman to the Fogg Art Museum. The sculpture is located in Gallery XVII and is open to the public on specific days and times.
• Middle Section: A section titled "The Calendar" lists upcoming events, including lectures, exhibitions, and public programs. The text is dense and formatted in a newspaper-style layout, with dates, times, and locations for various activities.
• Bottom Section: A handwritten or typed label at the bottom right corner reads "Social Chatter by Alison Arnold," indicating a column or feature in the Gazette. Below this, there is a smaller article titled "Fogg Art Museum Exhibit," which announces a preview of the Charles Vase Painting in New England, featuring Attic Vase Painting from the Arthur M. Sackler Collection. The preview is scheduled for April 3 at the Metropolitan Museum of Art, with a lecture by Dr. Dietrich von Bothmer, curator of Greek and Roman art at the Met.

Overall Layout:

• The pages are part of a scrapbook or archive, likely curated to document art exhibitions, cultural events, and news from the Harvard Gazette in early 1972.
• The content is a mix of photographs, captions, and textual descriptions, providing a snapshot of the art and cultural scene of the time.
• The design and formatting reflect the style of newspaper clippings, with clear headings, dates, and organized sections for easy reference.

This image captures a historical record of art exhibitions, cultural events, and academic activities at Harvard University during the early 1970s.

The image displays an open book or scrapbook with newspaper clippings and articles pasted across two pages. On the left page, there is a prominent newspaper clipping with a photograph dated January 28, 1972, showing a large, abstract geometric painting with a spectator standing nearby for scale. The headline "The Gazette" is visible above the photograph, and a caption below identifies the artwork as "Turkish-Sultan III" by Frank Stella, mentioning it arrived at the Fogg last week and detailing its exhibition at a specific location in the Fogg Courtyard for an indefinite period.

Beneath the photograph of Frank Stella's painting is another clipping with an illustration and a headline reading "FIVE HUNDRED YEARS OF WINE IN BLUE RIDGES" that discusses an exhibit related to wine history featuring illustrations, rare books, and other artifacts.

The right page presents a portion of the "HARVARD GAZETTE" from March 10, 1972. It highlights "The Calendar," listing various events, one of which includes a screengrab reading "BEAMS." This section includes a black and white image of a sculpture comprising large geometrically cut beams. Additional content on the right page includes a piece titled "Social Chatter by Alison Arnold" and information on an exhibit at the Fogg Art Museum titled "Fogg Art Museum Exhibit." There are also some textual snippets and partially visible headlines related to other art exhibits and events within the same timeframe. The pages are toned with age and feature frayed edges, suggesting they have been preserved for quite some time.

The image shows a collage-style scrapbook page pulled from a 1970s-era publication. The page is filled with black-and-white newspaper clippings and small photos about art exhibits.

• In the upper left there is a large photograph of a man looking at a huge geometric abstract work (likely a Frank Stella piece) with a label referencing a title and date.
• To the right, a clipping headed “The Calendar” from Harvard Gazette (March 10, 1972) features a photograph of a modern sculpture made of steel beams.
• Below on the left is a smaller image of a knight in armor with a caption about a long-running arts exhibit.
• In the center-right there is a small card titled “Social Chatter by Alison Arnold.”
• There are several smaller clipped captions around these images, including a note from the Herald-Traveler (February 23, 1972) about a Fog Art Museum exhibit.

Overall, it’s a vintage collection of art-clippings from 1972 arranged on a brown paper page, with a focus on contemporary and museum exhibitions.

The image depicts a scrapbook page featuring several clippings from newspapers or magazines, focusing on art exhibitions and events. Here's a detailed breakdown:

1. Top Left Section:

   • A black-and-white photo of a large, geometric artwork. The caption identifies it as "Tahkt-i-Sulayman III" by Frank Stella, described as a long-term loan to an art institution, likely the Fogg (Museum). The artwork is a large, multi-part piece made on fluorescent acrylic on canvas.

2. Top Right Section:

   • Titled "The Calendar" from the Harvard Gazette, this clipping discusses a steel sculpture by Anthony Caro titled "II Beams." The text notes the sculpture belongs to a gallery and provides details on where it can be viewed.

3. Bottom Left Section:

   • A black-and-white illustration titled "A Knight with Bread and Wine" by Albrecht Altdorfer from a collection named "FIVE HUNDRED YEARS OF WINE IN THE ARTS." The exhibit is noted to have opened recently, featuring works from various regions and artists.

4. Centered Clipping:

   • A small heading titled "Social Chatter" written by Alison Arnold.

5. Bottom Right Section:

   • A clipping titled "Fogg Art Museum Exhibit" from a February 1972 publication. It mentions an exhibition titled "Across the Charles," focused on New England state paintings. The details include the exhibition location and its collection drawn from numerous regional museums.

Each piece of content seems to revolve around art exhibitions or installations, presenting a snapshot of art community happenings in 1972.

This image shows an open scrapbook or album with several old newspaper clippings from 1972 related to art and exhibitions.

• On the left page, near the top, there is a large black and white photograph of a person standing next to a large abstract artwork "Takht-i-Sulayman II" by Frank Stella. The clipping is dated January 28, 1972, from The Gazette. The caption describes the artwork as a large, 21-foot fluorescent acrylic piece that arrived in several sections for exhibition at the Fogg Courtyard.

• Below that, there is a smaller clipping with an illustration of a knight in armor titled "FIVE HUNDRED YEARS OF WINE IN THE ARTS", also from January 28, 1972, The Gazette. It talks about an exhibit at the Busch-Reisinger owned by the Christian Brothers at Napa, California, featuring glassware, artifacts, rare books, and engravings related to wine.

• On the right page, there is a clipping from the HARVARD GAZETTE dated March 10, 1972, titled "The Calendar". It features a photo of a sculpture "I BEAMS" by Anthony Caro made of huge construction-gauge steel I beams loaned to the Fogg Museum by Guido G. Goldman.

• Below that, there is a small newspaper clipping titled "Social Chatter by Alison Arnold" with a stamped date from Feb 23, 1972, from the Herald-Traveler.

• Lastly, there is a typed clipping titled "Fogg Art Museum Exhibit" announcing a preview of an exhibit called "ACROSS THE CHARLES" at the Fogg Art Museum related to Greek and Roman art, with details about lectures and receptions.

Overall, the scrapbook page collects historical newspaper clippings documenting various art exhibitions and events related to Harvard’s Fogg Museum and other art institutions in early 1972.