Archives Scrapbooks

This image displays an open scrapbook or binder, meticulously documenting art news from late 1971. The pages are lined with aged, beige-colored paper, and the articles are mounted with yellow tape at the top corners.

Left Page: "The Art World" – San Diego, Calif. Union (Dec. 2, 1971)

• Headline: "Growth, Change Mark Year Here"
• Author: By Carol Olsen
• Content: This article provides a retrospective look at the San Diego art scene in 1971. It highlights the significant growth and development, noting a major international exhibition, “Color and Form: 1909-1914,” organized by the Fine Arts Gallery with the help of Dr. Ary Robert DeVries, Dr. Agnes Mongan, and curator D. Davison.
• Key Events Mentioned:
  • The La Jolla Museum of Contemporary Art’s launch of its first kinetic ocean sculpture, “Body Movement,” in July.
  • New gallery openings, including the Mary Moore Gallery and the Thackery Gallery.
  • The Mary Moore Gallery’s debut with a one-man show by Channing Peake and subsequent shows.
  • The “Color and Form” show and other varied exhibitions, including “Constructivist Tendencies” and “Reclining Figure,” which took up outdoor residency.

Right Page: "Art From Another Age of Great Stress" – San Francisco, Calif. Examiner (Dec. 2, 1971)

• Headline: "Art From Another Age of Great Stress"
• Author: By Alexander Fried
• Content: This piece reviews “The Restless Landscape,” a show of Chinese paintings from the late Ming period (1570-1644) at the University Art Museum, UC Berkeley. The exhibition was conceived by James Cahill, a graduate student.
• Key Points:
  • The late Ming period was one of “great diversity and change,” marked by political corruption and social unrest.
  • The exhibition features works from the “Revolutionaries” and “Romantics” schools of Chinese painting.
  • The paintings, often using ink and free linear expression, reflect the era’s stress and imagination, with themes like nature, decay, and contemplation.
• Illustration: A black-and-white ink drawing by Ch’en Hung-Shou titled “Homecoming,” depicting figures in a landscape, is shown as a central visual.
• Additional Text: A smaller cutout mentions that the “Homecoming” painting is part of the UC’s Ming show and details funding sources (UC’s art department, National Endowment for the Arts, Foundation to the museum) and the exhibit’s future move to the Fogg Museum at Harvard University.

Overall Impression:
The scrapbook is a well-organized personal archive, preserving two contemporaneous art reviews from California newspapers from the same date. It captures a snapshot of the art world in 1971, contrasting the contemporary, kinetic, and abstract art emerging in San Diego with the historical, culturally rich Chinese ink painting of the Ming Dynasty being exhibited in Berkeley. The use of tape and the careful pasting suggest a collector or enthusiast’s personal effort to document the art landscape of that time. The image reflects a period of dynamic change and cross-cultural artistic appreciation.

The image shows a collection of newspaper clippings and an article, all related to art and art exhibitions. These clippings are pasted onto a larger piece of paper or a scrapbook page. The articles discuss the art world, focusing on growth and changes in the art scene, as well as specific exhibitions and artists.

1. Left Side:

   • Title: "The Art World: Growth, Change Mark Year Here"
   • This article, written by Carol Olten, discusses the art scene in San Diego as it looked in 1971. It highlights various exhibitions and developments in the art world, including:
     • A retrospective look at the art scene in San Diego.
     • Highlights from the Timken Gallery, including new scholars and exhibits.
     • The La Jolla Museum of Contemporary Art's first kinetic ocean sculpture.
     • The Mary Moore Gallery's shows, featuring artists like Channing Peake and Olaf Wieghorst.

2. Right Side:

   • Title: "Art From Another Age of Great Stress"
   • This article, written by Alexander Fried, focuses on the Chinese paintings of the late Ming period. It discusses the era's artistic characteristics and the exhibition at the University Art Museum, UC Berkeley. The article includes a mention of a piece titled "Homecoming" by Ch'en Hung-Shou.

The clippings seem to be part of a collection, possibly preserved for historical or personal reference. The date stamps on the clippings indicate they were collected over a span of time, with one dated "Dec 24 1971." The articles provide insights into the art world of that period, showcasing the variety and evolution of art forms and exhibitions.

The image shows two newspaper clippings placed on a light gray surface. The clippings are from two different newspapers: the San Diego Union and the San Francisco Examiner, both dated December 24, 1971.

The left clipping is from "The Art World" section of the San Diego Union. The headline reads "Growth, Change Mark Year Here," and it is written by Carol Olten. The article discusses the art scene in San Diego in 1971, mentioning various exhibitions and events, including "Color and Form: 1909-1914" at the Fine Arts Gallery and the addition of internationally known art scholars to the community.

The right clipping is from the San Francisco Examiner. The headline reads "Art From Another Age of Great Stress" and is written by Alexander Fried. The article discusses a show of Chinese paintings from the late Ming period at the University Art Museum, UC Berkeley. The article mentions that the exhibition was prepared by eight graduate students working with Asian arts Professor James Cahill. There is also a small image accompanying the article, showing a piece of art titled "Homecoming" by Ch'en Hung-Shou.

Both clippings have yellow sticky notes attached to them with information about the newspapers they were taken from. The sticky notes are labeled with the names of the newspapers, their circulation numbers, and the date. The sticky notes also have some handwritten markings and underlines.

The image depicts a collage of various newspaper clippings and documents, possibly from an archive or scrapbook. The clippings are arranged on a brown paper background, suggesting a thematic or chronological organization. The top left corner features a clipping titled "THE ART WORLD: Growth, Change Mark Year Here," indicating a focus on art-related news. Another clipping on the top right is titled "Art From Another Age of Great Stress," suggesting a historical or thematic perspective on art. Below these, there are additional clippings with titles like "West's First Kinetic Ocean Sculpture" and "Mary Moore Gallery Shows," indicating a variety of art-related topics. The documents are arranged in a somewhat haphazard yet organized manner, with some overlapping and others placed side by side. The overall impression is of a curated collection of art-related news articles, possibly from a specific period or related to a particular theme in the art world.

The image shows a page from a magazine or newspaper with multiple articles and clippings. The articles cover topics related to art and cultural exhibitions in San Diego and the surrounding area during the year 1971. Some of the key points mentioned are:

• A retrospective exhibition at the Fine Arts Gallery titled "Colored Form: 1909-1971" that explores the origins of abstract expressionism in San Diego.

• The Timken Gallery's addition of two new art scholars to its staff and their involvement in organizing an exhibition on Asian art.

• The La Jolla Museum of Contemporary Art's claim to be the first museum in the West to exhibit kinetic ocean sculptures.

• The Mary Moore Gallery's exhibitions featuring works by artists like Jackson Pollock, Franz Kline, and others.

• The Fine Arts Gallery's "Body Movements" show exploring art and anatomy.

• The Mary Moore Gallery's one-man show featuring works by the American artist Channing Dai.

The articles provide details about the exhibitions, artists involved, and the significance of the artworks and events in the local art scene during that time period.

The image shows an open book with two visible pages. The left page is titled "Growth, Change Mark Year Here" and is attributed to Carol Olten. The article appears to be a retrospective look at the art scene in San Diego as of the year 1971. It discusses various art exhibitions, including the Fine Arts Gallery's "Color and Form: 1966-1914," the Timken Gallery's first scholarly show, and the Mary Moore Gallery's shows. The text highlights key events, artists, and exhibitions, such as the "West's First Kinetic Ocean Sculpture" and the Mary Moore Gallery's exhibitions featuring artists like Chaming Paci, Françoise Glot, and William Dole.

The right page is titled "Art From Another Age of Great Stress" and is attributed to Alexander Fried. This article discusses the exhibition "The Late Ming Landscape" at the University of California, San Diego, featuring Chinese art from the Ming dynasty. It explores the themes of diversity, change, and the impact of political and social upheavals on Chinese art during this period. The article also mentions specific works, such as "Homcoming" by Ch'ien Yung-Shou, and discusses the exhibition's reception and significance.

The layout includes a mix of text and small illustrations. On the right page, there is a small image of a Chinese landscape painting titled "Homcoming" by Ch'ien Yung-Shou, which is part of the Ming show. The text on both pages is dense and formatted in a traditional newspaper or magazine style, with columns of text and headings. The book appears to be a publication from the early 1970s, as indicated by the dates and references to events from that era. The overall design suggests it is a cultural or art-focused publication, possibly a magazine or journal dedicated to art criticism and reviews.

The image shows several newspaper clippings laid out on a flat surface that appears to be a table or a board. The clippings focus on art-related topics and seem to be from different newspaper sections or editions, given the differing header styles and text layouts. One headline reads "THE ART WORLD" followed by "Growth, Change Mark Year Here," suggesting a retrospective on art within a certain period or region. Another, larger headline states "Art From Another Age of Great Stress," indicating an article about art from a historically significant era.

The clippings are yellowed with age, and they are placed partly overlapping each other, with scribbles and notes visible on some pieces, perhaps indicating they were used for research or reference. There are also tags with typed library catalog information on the left clipping, confirming their archiving or organizational use. The articles appear to cover an array of topics from kinetic ocean sculpture, multiple gallery shows, to a piece diving into detail about artworks from challenging times in history.

On the rightmost clipping, there is a reproduction of a drawing with a caption that attributes it to the "fine hand of Ch'en Hung-Shou, in UC's," indicating the artwork may be part of a university collection. This section elaborates on the nature of the artworks in question and possibly provides context to their significance. The visible text includes commentary on the themes and the physical conditions of the pieces such as ink, silk paper, calligraphic verses, and seal impressions.

This composition of clippings could be part of a research project, a scrapbook, or a mood board created for educational, curatorial, or personal purposes.

The image shows a scrapbook page with two newspaper clippings attached. The clippings are from California newspapers, dated 1971. The left clipping is titled "Growth, Change Mark Year Here" by Carol Olten from The Art World section. It discusses various art events and exhibitions in San Diego in 1971, mentioning institutions like the La Jolla Museum of Contemporary Art and the Mary Moore Gallery.

The right clipping is titled "Art From Another Age of Great Stress" by Alexander Fried. It talks about an art exhibition called "The Restless Landscape," featuring Chinese paintings from the late Ming period, held at the University Art Museum, UC Berkeley. There is also a small illustration or reproduction of a Chinese painting titled "Homecoming" by Ch'ien Hung-Shou from the UC's Ming show. The article discusses themes of the artwork and the techniques used by the artists of that period.

Both clippings have yellowed with age and have library or archive stamps at the top indicating their sources: San Diego, Calif. Union and San Francisco, Calif. Examiner.

The image displays a scrapbook page featuring newspaper clippings about art. It includes two distinct articles, likely from the early 1970s, and two yellow tags or labels positioned near the top, indicating the sources of the articles.

Summary of the Content:

1. Left Article ("Growth, Change Mark Year Here"):

   • A piece titled "The Art World: Growth, Change Mark Year Here."
   • Authored by Carol Olten, it discusses developments in the art scene in San Diego, mentioning innovative art exhibitions and trends.
   • Specific mentions include the La Jolla Museum of Contemporary Art, kinetic sculptures, and a spotlight on significant artists such as Channing Peake.
   • The article references Mary Moore Gallery shows and highlights celebrated artists and programs.

2. Right Article ("Art From Another Age of Great Stress"):

   • This article reflects on the parallels between art created in times of great societal stress and its relevance to the modern era.
   • It mentions historical art pieces, including a Ming Dynasty work titled "Homecoming," attributed to artist Ch'en Hung-shou.
   • The tone hints at a comparison between past and present artistic responses to societal challenges.

3. Yellow Tags:

   • These identifiers specify the sources and dates of publication:
     • "San Diego, Calif. Union," dated January 3, 1971.
     • "San Francisco, Calif. Examiner," dated February 7, 1971.

The scrapbook background is a muted tan or gray, and the clippings are aged, giving the image a vintage aesthetic tied to historical documentation of art and culture.

The image shows a scrapbook page with several torn newspaper clippings arranged in a collage. The background is a plain brown/tan paper.

• On the left is a large clipping with a bold headline that reads something like “Growth, Change Mark Year Here.”
• In the center is another tall clipping titled “Art From Another Age of Great Stress,” with a byline (likely by Alexander Fried) and a long column of text.
• At the bottom left is a clipping about “Mary Moore Gallery Shows” with a block of text describing the exhibition.
• On the right side there is a narrow clipping featuring a grayscale illustration and a caption that seems to mention “Homemaking” by Chen Hung-Shou.
• Above the clippings are two small yellow slips, possibly labels or annotations.

Overall, it looks like a page from an art-related scrapbook or clipping file, documenting news and exhibitions in the art world.