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ARCH.2003.36, Rendition: 805348
The image appears to be a scanned page from a book or a collection of clippings. The page contains a small article from "The Christian Science Monitor" dated Friday, December 24, 1971. The article discusses the decline of Italian painting and the influence of the Italian tradition on European art. It mentions a drawing titled "Choir of Angels," attributed to Giuseppe Bernardino Bison, a Venetian artist born in 1762. The drawing is described as a masterful composition with a sense of motion and timelessness. The article is signed by William Germain Dooley.
The page also features a sketch of a choir of angels, which is likely the drawing mentioned in the article. The sketch is credited to Giuseppe Bernardino Bison and is dated 1762-1844. The sketch is said to be from the Fogg Art Museum, Harvard University.
Additionally, the page has a few other clippings. One is a notice from the ATP Clipping Bureau regarding an article in Art News dated December 1971. The other clipping is an announcement for an exhibition titled "Exhibitions Cross-country," which features a collection of works from Joseph Pulitzer's collection at the Fogg Museum, Cambridge, Mass., and other institutions.
This image is a clipping from The Christian Science Monitor, dated Friday, December 24, 1971. The clipping features an article about a drawing titled "Choir of Angels" by the Venetian artist Giuseppe Bernardino Bison, who lived from 1762 to 1844. The drawing is described as an example of the continued skill and inspiration in Italian art, even after the dominance of European art had shifted northward. The article discusses how Bison's work, despite being from a time when Italian art was considered to be in decline, still showcases exceptional talent.
The drawing itself is a sketch showing a group of angels, some playing musical instruments, capturing a moment of music frozen in time. The article mentions that the drawing was part of a collection by Paul J. Sachs and is now part of the permanent collection at the Fogg Art Museum at Harvard University.
Additionally, there is a smaller piece of paper with information about various art exhibitions across the country. It mentions an exhibition of works from the collection of Joseph Pulitzer, Jr., at the Fogg Museum in Cambridge, Massachusetts, and other exhibitions at the University of Wisconsin's Elvehjem Art Center and the Philadelphia Museum.
The clipping is from "ART NEWS - 3A," located at 1144 Madison Avenue, New York, N.Y., with a circulation of 28,023. The article was written by William Germain Dooley.
This image shows an open, aged scrapbook or album with a page dated Friday, December 24, 1971, from The Christian Science Monitor.
The central focus is an article featuring a reproduction of the drawing "Choir of Angels" by Giuseppe Bernardino Bison (1762–1844), a Venetian artist. The illustration is a dynamic, expressive sketch showing a group of ethereal angels in flight, some playing musical instruments (a trumpet and possibly a horn or oboe), rendered in a loose, energetic style using what appears to be pen and ink or charcoal.
Below the image, the article is titled “Those who mourn the decline of Italian painting...” and discusses the vitality of Italian artistic tradition even after its “golden age.” It praises Bison’s drawing as an example of enduring skill and grace. The article, signed by William Germain Dooley, notes that Bison, though largely forgotten today, was highly respected in his time and worked in Venetian churches. It mentions the drawing is now part of the permanent collection at the Fogg Art Museum, Harvard University, courtesy of Professor Paul J. Sachs.
To the right of the article, two additional clippings are taped to the page:
A small, typed wire-service clipping from AIP (Associated Independent Press), labeled “ART NEWS - 3A”, dated DEC ’71, with a New York address. It appears to indicate where or how the article was distributed or sourced.
A longer article titled “Exhibitions Cross-country” listing several current art exhibitions in the U.S., including 72 works from the collection of Joseph Pulitzer, Jr. at the Fogg Museum, 300 Indian miniature paintings at the Wadsworth Atheneum, and an exhibition of Paul Strand’s photographs at the University of Wisconsin.
The entire page is mounted on a brown, textured scrapbook page, suggesting it was collected and preserved as part of a personal or institutional archive. The overall impression is of a historical document capturing cultural commentary and art news from the early 1970s, centered on an intriguing rediscovery of an 18th-century Venetian artist.
The image shows an open book with several pages of text and an illustration. The text is written in black ink on white paper. There is an illustration of an angel playing a violin and other angels dancing around him. The illustration is titled "Choir of Angels" and was drawn by Giuseppe Bernardino Bison in 1762-1844. The text on the left side of the page is titled "The Christian Science Monitor" and is dated Friday, December 24, 1971. There is also a receipt and a piece of paper with the text "Exhibitions Cross-country" on the right side of the page.
The image shows an open book with an article titled "The Christian Science Monitor" and a date of Friday, December 24, 1971. The article features a drawing of angels playing music, along with a caption that reads "Chorus of Angels" by Giuseppe Bernardino Bison, 1762–1844. The article discusses the decline of Italian painting and the rise of other European art forms. Additionally, there is a white paper with text and a logo that reads "AIP" and "CLIPPINGS."
The image shows an open book, specifically a page from The Christian Science Monitor dated Friday, December 24, 1971. The page features a detailed illustration titled "Choir of Angels" by Giuseppe Bernardino Bison (1762–1844). The artwork depicts a dramatic and dynamic scene with multiple angelic figures in flight, some playing musical instruments, while others appear to be in motion, possibly dancing or engaging in a celestial celebration. The angels are rendered with flowing robes and expressive poses, conveying a sense of movement and divine energy.
Below the illustration, there is a caption that identifies the artwork and its artist. The accompanying text discusses the decline of Italian painting in the 19th century, referencing the work of Bison and other artists. It highlights the historical context of Italian art, noting the fading influence of traditional styles and the rise of new artistic movements.
In the bottom right corner of the page, there is a small advertisement or clipping from Art News, dated December 1971. The advertisement mentions an exhibition titled "Exhibitions Cross-country" and lists various art events and venues, including locations such as the Fogg Art Museum, the Philadelphia Museum of Art, and the University of Wisconsin. The advertisement also includes details about the exhibition schedule and featured artists.
The book itself appears to be a bound volume with aged, slightly worn pages, suggesting it may be an archive or collection of historical newspapers or magazines. The overall presentation combines artistic illustration, historical commentary, and contemporary art exhibition information.
The image is a photograph of an open publication, featuring an illustrated page on the left and other documents pinned on the right. On the left, there's an illustration of several figures appearing to be engaged in a dynamic and possibly festive or theatrical scene, with the title "Circe at Argos" and attribution to "Giuseppe Bernardino Bison, 1762-1844" below it. The illustration is in a style reminiscent of classical or historical art and is accompanied by columns of text. The right side includes additional papers, which seem to be information about exhibitions or collections. There's a card from the "AIP" with an address in New York and details about an exhibition traveling between various museums, likely referencing the illustrated art or related pieces. The page is dated "Friday, December 24, 1971," and belongs to "The Christian Science Monitor." The whole ensemble is displayed on a brown background, giving the impression of archival or research material.
This image is a scrapbook page featuring a newspaper clipping, dated December 24, 1971, from The Christian Science Monitor. The clipping showcases a drawing titled "Choir of Angels" by Giuseppe Bernardino Bison (1762–1844). The drawing depicts a group of angels, shown with wings and musical instruments, engaged in an expressive, harmonious scene.
Additional text appears below the artwork, providing context or analysis on the artist and the drawing itself. To the right of the main clipping are notes and labels, including a typewritten piece mentioning "Exhibitions Cross-country" and referencing collections and exhibitions occurring at the time. A stamp or clipping service label is also present, denoting publication details like date and source.
The page is carefully arranged, likely part of an archival or personal collection preserving historic materials.
The image shows a scrapbook page with a newspaper clipping from The Christian Science Monitor dated Friday, December 24, 1971. The main article on the page is titled "Chorus of Angels," accompanied by a drawing by Giuseppi Bernardino Bison (1762-1844), depicting several angels playing musical instruments such as violins and a lute.
The text below the drawing discusses the decline of Italian painting, the significance of Bison's drawing, and the artist's background as a Venetian painter who worked primarily with prints and paintings, noting his contribution to art history. The article is written by William Germain Dooley.
There are also some smaller clippings and stamps on the right side of the page, including exhibition notices and a clipping from the Art Article Locator service with dates and addresses. The exhibitions mentioned include works from the collection of Joseph Pulitzer Jr., displayed at the Fogg Museum in Cambridge, Massachusetts, and a show celebrating pioneer modern photographer Paul Strand at the Philadelphia Museum.
This is a page from an old scrapbook or album. The page is a brown, slightly worn sheet with several pasted newspaper clippings and a large central illustration.