Archives Scrapbooks

The image appears to be a page from a scrapbook or an album containing various newspaper clippings and articles. Here is a detailed summary of the contents:

1. Top Left Article:

   • Title: "Picasso Lithoclit 'Head of a Woman' 1962"
   • Content: This article discusses an exhibition of 53 master prints by Pablo Picasso, which is on view at the Fogg Museum through February 6. The exhibition is in honor of Picasso's 90th birthday.

2. Top Middle Article:

   • Title: "Currently at the Busch-Reisinger Museum..."
   • Content: This article mentions an exhibition of 23 etchings by Max Klinger on view at the Busch-Reisinger Museum. The exhibition includes a graphische Sammlung in Munich and features works such as "Ein Handschuh" and "Eva und die Zukunft."

3. Top Right Article:

   • Title: "David Sharir's silkscreen prints..."
   • Content: This article discusses David Sharir's silkscreen prints, which are on display at the Poster Art Gallery through January. The prints depict scenes from Israel, such as "Peace" and "The Jewish Pioneer."

4. Bottom Article:

   • Title: "Where do big Sculptures go?"
   • Content: This article by Carole LeBron Dankilen discusses the placement of large sculptures in public spaces. It mentions the controversy surrounding the sculpture "Body Politic" by Robert Winston and the challenges faced by artists in finding suitable locations for their large-scale works. The article also references other sculptures and exhibitions, including works by Alexander Calder and David Smith.

The clippings are arranged on a page with a grayish-green background, and the articles are from different sources, including the Cambridge Chronicle and the Sunday Herald Traveler. The page appears to be part of a collection documenting art exhibitions and related news from the early 1970s.

The image shows a newspaper spread from the Cambridge Chronicle dated Thursday, December 23, 1971. The main articles and illustrations on the page include:

1. An article titled "Where do big Sculptures go?" by Carolyn La Bun Danilow. The article discusses the placement and significance of large sculptures on university campuses, focusing on the Massachusetts Institute of Technology (MIT) and its consideration of a sculpture by Alexander Calder. It also mentions other sculptures and artists, such as those at the Fogg Art Museum and the Institute of Contemporary Art (ICA), and highlights the role of the Art Committee at MIT.

2. An image of a Picasso linocut titled "Head of a Woman" (1962), which is part of an exhibition of 53 master prints at the Fogg Art Museum in honor of Picasso's ninetieth year. The exhibition runs through February 6.

3. An article about the Cambridge Institute of Contemporary Art (ICA), which has moved to 77, Mt. Auburn St., and features exhibitions by artists such as David Hockney, Max Klinger, and Arnold Rzepka. The ICA also presents a film series, "The Graphic Art of our Time," on Sunday afternoons at 3 pm.

4. A brief mention of the Harvard University art collections, including the Fogg, Busch-Reisinger, and Arthur M. Sackler Museums, which hold works by artists like Rembrandt, Pablo Picasso, and John Singer Sargent. The Harvard collections are open to the public Tuesday through Saturday from 10 am to 5 pm, and Thursdays until 8 pm, with no admission fee.

The spread also includes advertisements, such as one for an exhibition at the Parker Gallery featuring the work of Bernard Langlais, which runs from January 3 to January 27, 1972.

The image shows two newspaper articles from the Cambridge Chronicle, dated December 23, 1971, and a Sunday Herald Traveler, dated January 2, 1972.

December 23, 1971, Cambridge Chronicle:

1. Headline: Picasso Linocut:

   • The article mentions an exhibition at the Fog Museum showcasing 53 linocut prints by Pablo Picasso, specifically "Head of a Woman" (1962), in honor of Picasso’s 90th birthday.
   • The exhibition runs from December 23, 1971, through February 6, 1972.

2. Graphic Art Exhibits:

   • A segment describes the Busch-Reisinger Museum's exhibition titled "A Glove and Other Images" by Max Klinger, which was part of the graphic art displays.
   • The article also highlights the M.I.T. (Massachusetts Institute of Technology) exhibit of 31 works by 11 artists, including works by Armold Rainer, showing at the Picker Art Gallery.

3. Article: Where Do Big Sculptures Go?

   • The article by Cyrus Le Brun Danilson discusses the placement and appropriateness of large sculptures in Cambridge.
   • It questions the placement of sculptures like "The Monument Sculpture for Public Space" at the Boston Public Garden and their impact on the surrounding environment.
   • It critiques the use of industrial methods and the appropriateness of contemporary art in public spaces, highlighting that these works might not harmonize well with the historical context of the area.

January 2, 1972, Sunday Herald Traveler:

1. Exhibits in Cambridge:

   • The article lists various art exhibits across Cambridge, including:
     • At the Fog Art Museum: "Peace Upon the Land" and "The Dove and the Lamb," featuring works by artists like Aynen Rothman and Robert Rauschenberg.
     • At the Harvard Art Museums: "The Jewish Painter" and "The Chinese Painting of the Ming Dynasty."
     • At the Parker Gallery: "The American Weavers" with works by Bernard Langslis.
     • The exhibition of "The Museum Pieces" and other art displays at various venues.

2. Exhibition Highlights:

   • It mentions specific artworks and their themes, such as David Sharit’s "Mountain of the Love" and the exploration of different artistic periods and movements.

The combination of these articles provides a snapshot of the cultural and artistic scene in Cambridge around 1971-1972, focusing on exhibitions, critiques of public art, and the evolving landscape of visual arts.

The image shows a collection of newspaper clippings from the Cambridge Chronicle and the Sunday Herald Traveler, dated December 23, 1971, and January 2, 1972, respectively. Here's a detailed summary:

Cambridge Chronicle, December 23, 1971

1. Top Left:

   • Title: "Pablo Picasso Linocut 'Head of a Woman' (1962)"
   • Description: This section features an exhibit of 53 master prints by Pablo Picasso at the Fog Art Museum, running through February 6 in honor of Picasso's 91st year.

2. Top Center:

   • Exhibition Details: It mentions an exhibition of 73 prints from the Staatliche Graphische Sammlung in Munich, titled "A Glove and Other Images." This is part of a series of exhibits at the Busch-Reisinger Museum, including works by Max Klinger and other artists.

3. Top Right:

   • Artwork Feature: A print by David Shorir, titled "Mountain of the Lord," is highlighted. It is part of a larger exhibition at the Parker Gallery.

4. Main Article:

   • Title: "Where do big Sculptures go?"
   • Author: Caryn Le Brun Daniels
   • Content: This article discusses the placement and challenges of large-scale sculptures in urban environments. It mentions the "Monumental Sculpture for Public Spaces" exhibit at the Boston Art Center, which includes works by artists like Louise Nevelson and Alexander Calder. The article also touches on the history and significance of public art and the issues around their placement and preservation.

Sunday Herald Traveler, January 2, 1972

1. Main Article:

   • Title: "Where do big Sculptures go?" (continuation)
   • Content: This continuation of the article from the Cambridge Chronicle delves deeper into the placement of sculptures, specifically at Harvard and M.I.T. It mentions several notable sculptures and artists, such as Louise Nevelson, and their locations, including the Harvard Yard and the M.I.T. campus. It also mentions the "Dunes" by Hermann Goepfert, and the "Peace" sculpture by Marc Chagall, which is located in the Harvard Collections.

2. Exhibits:

   • Mentioned Exhibitions:
     • "Chinese Painting of the Ming and Ch'ing Periods" at the Fogg Art Museum.
     • "The Jewish Painter" by Aryeh Rotenberg at the Parker Gallery.
     • "A Glove and Other Images" at the Busch-Reisinger Museum.
     • "The Doves and the Dove" by Alfred Langlands at the DeCordova Museum.
     • "The Alpha Gallery's" exhibit featuring works by Bernard Langlands.

This collection of articles and exhibition announcements reflects a rich cultural and artistic scene in the Boston area during the early 1970s, highlighting significant artworks and exhibitions across various museums and galleries.

The image shows a page from a newspaper, specifically the Cambridge Chronicle from December 23, 1971, and the Sunday Herald Traveller from January 2, 1972. The page is focused on art exhibitions and sculptures.

1. Top Left Section (Cambridge Chronicle, December 23, 1971):

   • Picasso Linocut: The section features an article about an exhibition of 53 Picasso master prints at the Fogg Museum, running through February 6, 1972, to honor Picasso's 91st birthday. It includes a linocut image titled "Head of a Woman" (1962).

2. Top Right Section (Cambridge Chronicle, December 23, 1971):

   • Graphic Suites of Max Klinger: An exhibition of Max Klinger's graphic suites at the Busch-Reisinger Museum, which opened on December 21, 1971, and will run through February 20, 1972.
   • 20th Century Artists: The article mentions an upcoming exhibition at the Busch-Reisinger Museum featuring works by two significant 20th-century artists, focusing on the Blue Period and later works by Pablo Picasso and Marc Chagall.
   • Cambridge ISNT: A mention of an exhibition at the Institute for Advanced Study in the Humanities (ISNT) featuring works by the graphic artist Mordacai Ardon.

3. Middle Section (Cambridge Chronicle, December 23, 1971):

   • Where Do Big Sculptures Go?: An article by Carlos La Bruña Danilson discusses the placement of large sculptures on the MIT campus, focusing on the "Monumental Sculpture for Public Spaces" project. It mentions the challenges of displaying large sculptures and the consideration of different locations, including the student center, Green Building, and the new student center.

4. Bottom Section (Sunday Herald Traveller, January 2, 1972):

   • Harvard Exhibits: This section features various art exhibitions at Harvard University's Fogg Art Museum, including:
     • A 13-foot sculpture by Louise Nevelson.
     • An exhibition of paintings and drawings by Joseph Cornell.
     • Works by artists like Andy Warhol and Robert Rauschenberg.
     • A collection of works by Bernard Langlais, including a 15-foot sculpture.
   • Other Exhibits: Highlights include a show of 18th-century American furniture and decorative arts, and exhibitions at the Boston Museum of Fine Arts.

Overall, the page provides a snapshot of significant art exhibitions in the Boston area during the winter of 1971-1972, focusing on modern and contemporary art, sculptures, and graphic works.

The image shows two different newspaper pages from the early 1970s.

Top Image (Cambridge Chronicle, Thursday, December 23, 1971):

1. Headline and Articles:

   • Picasso Linocut: An article about the exhibition of 53 master prints by Pablo Picasso at the Fogg Museum, running through February 6 to honor Picasso’s ninetieth year.
   • Graphic Suites of Max Klinger: An exhibit at Busch-Reisinger Museum featuring works by Max Klinger. The article describes the exhibit, which includes a series of etchings from the "A Glove" series, and notes that the museum will be closed for the holidays but will reopen on January 3.
   • Cambridge Isn't the Only Place: A brief note mentioning that New York City also has an exhibit featuring the works of Ben Shahn and Jacques Lipchitz at the Pace Gallery.

2. Images:

   • A photograph of Picasso’s linocut titled "Head of a Woman" (1962).
   • An image of David Smith’s silkscreen print titled "Mountain of the Wolf," which was featured at the Parker 470 Gallery.

Bottom Image (Sunday Herald Traveler, January 2, 1972):

1. Main Article:

   • Where do big Sculptures go?
   • Written by Caven La Brun Dunlap, the article explores the placement and public display of large sculptures in urban settings, particularly in Cambridge and Boston. It discusses the challenges and considerations of situating monumental artworks in public spaces, such as M.I.T.'s campus, and highlights specific sculptures and their artists:
     • Louise Nevelson’s "Atmosphere and Environment X"
     • Alexander Calder’s "La Grande Voile (The Big Sail)"
     • Joan Miró’s and Josep Llorens Artigas’s collaboration titled "Sun, Moon, and One Star"
     • Henry Moore’s works
     • Bernar Venet's "Three Arcs"
     • Sol LeWitt’s structures

2. Other Articles:

   • Exhibits to open the New Year with art: Describes various upcoming exhibitions at the Fogg Art Museum, M.I.T., and the Decordova Museum.
   • Other Exhibits: Lists additional exhibitions at the Alpha Gallery and the New England Collections.

Overall, both pages focus on art exhibitions and the placement of significant artworks, particularly in and around the Boston and Cambridge areas.

The image shows an open scrapbook or newspaper clipping book with articles and images pasted onto its pages. These materials appear to be from various publications and are likely related to art, exhibitions, and cultural events. The clippings contain both text and printed images.

On the left top corner of the left page is the title "THURSDAY, DECEMBER 23, 1971," with a subheading "CAMBRIDGE CHRONICLE." Below this title is an article with a bold heading "PICASSO LINOCUT" alongside an image of Picasso's artwork, described as "Head of a Woman (1962)" which is on view at the Fogg Museum through February 6 in honor of Picasso’s ninetieth year. The article mentions details about the exhibition.

To the right of this article is another smaller clipping, featuring an etching by Max Slevogt, and there's a mention of an exhibition of 53 etchings by the artist. Below, there is text regarding other artists and exhibitions.

The dominant article on this two-page spread is titled “Where do big Sculptures go?” by Carro H. Bernd Dämlich. The text discusses the fate and placement of large sculptures, referencing specific sculptures and their locations, such as "The Picasso" in New York City. Other parts of the article are obscured by the way the clipping has been placed.

On the right page, there are additional clippings related to various arts and exhibition topics. A notable article is titled “SUNDAY HERALD TRAVELER, JANUARY 9, 1972” and it continues to discuss related arts subjects, mentioning exhibits such as “The Japanese 'Dry Garden'” and “The Shrine to Peace” along with the places where these can be found.

Since the image focuses on a particular selection of text and images, it serves as documented history of arts and culture as reported in the media at the time. The condition of the paper suggests they have been kept for archival or personal interest purposes.

This image shows a scrapbook page containing various newspaper clippings, mostly related to art exhibitions and sculptures, dated from late 1971 to early 1972.

1. The top left clipping (dated Thursday, December 23, 1971, from the Cambridge Chronicle) features a black-and-white image of a Picasso linocut titled "Head of a Woman" (1962). The caption mentions that this artwork is part of an exhibition of 53 master prints at the Fogg Museum through February 6, honoring Picasso's ninetieth year.

2. The top middle clipping discusses an exhibition at the Busch-Reisinger Museum featuring 73 etchings by Max Klinger, on loan from the Staatliche graphische Sammlung in Munich. It also mentions upcoming spring shows at the museum highlighting works by artists including Die Brücke members and Arnulf Rainer.

3. The top right clipping has a black-and-white image of a screensaver print titled "Mountain of the Lord" by David Sharir. It says this print is included in the exhibition “Graphics of Israel II” at the Pucker Safrai Gallery through January.

4. The bottom half of the page is dominated by a large article titled "Where do big Sculptures go?" from A Sunday Herald Traveler, dated January 2, 1972. The article by Caron Le Brun Dankilan discusses the fate of outdoor sculptures after exhibitions, specifically the "Monumental Sculpture for Public Spaces" show at Boston City Hall Plaza. It covers topics such as where sculptures are placed during winter, public attitudes toward them, notable sculptures on the MIT campus, and upcoming art exhibits at Harvard and other locations.

Overall, the page serves as a historical collection of art-related news and exhibitions from the early 1970s.

The image shows an open book or magazine featuring a page from the Cambridge Chronicle dated Thursday, December 23, 1971. The page is divided into two main sections, each containing text and accompanying illustrations.

Top Section:

• Headline: "PICASSO LINCOLN 'Head of a Woman' (1962)"
• Description: This section discusses an exhibition of 53 master prints by the renowned artist Picasso, displayed at the Fogg Museum through February 6, 1972, in honor of Picasso's 91st birthday.
• Illustration: On the left, there is a black-and-white graphic or print of a stylized face, likely representing Picasso's artwork. The illustration is abstract and features bold, angular lines and a prominent eye, characteristic of Picasso's modernist style.
• Text: The accompanying text provides context about the exhibition, mentioning that it includes works by Max Klinger and other artists, and notes that Picasso's death in 1973 is approaching, making this exhibition particularly significant.

Bottom Section:

• Headline: "Where do big Sculptures go?"
• Description: This section explores the placement and display of large outdoor sculptures, particularly those created by artists like Louise Nevelson and others. It discusses how these monumental works are situated in public spaces, such as city halls, campuses, and other urban environments.
• Text: The article is attributed to Carolyn La Bruin Dankel and delves into the challenges and considerations of displaying large sculptures in public settings. It mentions specific examples, such as sculptures at M.I.T., City Hall, and other locations, and discusses the aesthetic and functional aspects of these installations.
• Illustration: On the right side of the page, there is a black-and-white photograph of a sculpture titled "Mountain of the Lord" by David Shorrie. The sculpture appears to be an abstract, geometric form, possibly made of metal or another industrial material, and is displayed in an indoor setting, likely an art gallery or museum. The caption indicates that this work is part of an exhibition titled "Graphics of Israel II" at the Fogg Gallery through January.

Additional Details:

• The page includes a smaller text snippet at the top right, mentioning an exhibition of 72 works by Max Klinger at the Busch-Reisinger Museum, organized by the Städtische Sammlungen in Moers, Germany.
• The layout is typical of a newspaper or magazine, with clear headings, subheadings, and accompanying visuals to illustrate the articles.

Overall Context:

The page combines art criticism and cultural commentary, focusing on both historical and contemporary art forms. It highlights Picasso's legacy, the evolving role of large-scale sculptures in public spaces, and the diverse range of artistic expressions showcased in exhibitions. The visual elements—abstract graphics and photographs—enhance the textual content, providing a rich, multifaceted view of the art world in 1971.

The image depicts a page from a newspaper or magazine, likely from the early 1970s, featuring various articles and advertisements. The page is divided into several sections, each with distinct content.

At the top left corner, there is an article titled "Cambridge Chronicle" with a date of Thursday, December 23, 1971. Below this, there is an image of a painting by Picasso, titled "Head of a Woman" (1962), which is part of an exhibition of 53 master prints at the Fogg Museum. The article mentions that this is the museum's nineteenth exhibition of prints by Picasso.

To the right of the Picasso article, there is another article about the Busch-Reisinger Museum, which features a collection of 71 engravings by Max Klinger, including "A Glove and Other Images of Reverence and Apostasy: The Graphic Suites of Max Klinger." The article notes that the exhibition was organized by the Museum of Art in Rhode Island and was popular during Klinger's lifetime.

Below these articles, there is a larger section titled "Where do big Sculptures go?" by Caren La Brun Danika. This article discusses the challenges of placing large sculptures in public spaces, using examples such as the "Cube in Seven Parts" by Bernard Rosenthal at MIT and the "Homage to Picasso" by David Smith at Harvard. The article explores the aesthetic and practical considerations involved in siting large sculptures.

Further down the page, there is an advertisement for the Fogg Art Museum's exhibition of wood sculptures by Bernard Langlois, which includes a 16-foot barnyard and a selection of 17th-century American art.

Overall, the page provides a snapshot of the cultural and artistic landscape of the time, highlighting exhibitions, artistic challenges, and public art installations.