Archives Scrapbooks

The image shows an open scrapbook or album containing three newspaper clippings, each detailing different events or exhibits.

1. Top Left Clipping (December 17, 1971, The Gazette)

   • The headline is about an exhibit titled "The Plague," which is one of 73 etchings by Max Klinger. The etchings are on loan from the Staatliche Graphische Sammlung in Munich and are being exhibited at the Busch-Reisinger Museum. The exhibit will run through January 22. Additionally, the museum will sponsor German and English language tours in January.
   • The accompanying image depicts an etching showing a dramatic scene with several figures, including one on a bed and a menacing figure with wings, suggestive of the theme of plague.

2. Top Right Clipping (February 4, 1972, Harvard Gazette, The Calendar)

   • This clipping highlights an exhibit featuring the sculpture "FISH" by David Smith, which is part of 23 related sculptures, drawings, and paintings on display at the Fogg Art Museum, Harvard. The exhibit will run through February 13. David Smith, a graduate student at the Fogg, created the work. The text also mentions the unique achievement of the artist and includes a small, abstract image of the sculpture.

3. Bottom Clipping (December 1971, Harvard Today)

   • The article describes a group of students at the Busch-Reisinger Museum, possibly part of a Thursday concert series. The students are seen performing or preparing for a performance, with some playing instruments. James Johnson is mentioned as the organizer of the museum's lunchtime concert series. The accompanying images show a group of musicians performing in what appears to be an ornately decorated room, and another image showing two individuals possibly tuning or playing a string instrument.

The clippings reflect cultural and artistic events primarily centered around museum exhibits and performances at Harvard University during the early 1970s.

The image shows a collection of newspaper clippings from Harvard publications, specifically from "The Gazette" and "Harvard Today," dated between December 1971 and February 1972.

1. Top Left Clipping (December 17, 1971, The Gazette):

   • The clipping features an etching titled "The Plague" by Max Klinger, which is part of an exhibit at the Busch-Reisinger Museum. The exhibit runs through January 22, 1972, and includes 73 etchings. The museum will offer German and English language tours in January.

2. Top Right Clipping (February 4, 1972, The Gazette, The Calendar):

   • This clipping showcases a sculpture titled "Fish" by David Smith, part of an exhibition at the Fogg Art Museum. The exhibit runs through February 13, 1972, and includes 23 sculptures, drawings, and paintings. The description mentions that Smith's work incorporates discarded factory materials like steel and iron, transforming them into integral parts of his vocabulary.

3. Bottom Left Clipping (December 1971, Harvard Today):

   • This clipping includes two photographs. The first shows a group of people sitting in what appears to be a historic architectural setting, possibly a church or cathedral. The second photograph shows a person playing an organ, likely part of a demonstration or concert.

4. Bottom Right Clipping (December 1971, Harvard Today, Page 13):

   • The text describes a group that occupied the Busch-Reisinger Museum on a recent Thursday to protest the museum's organ concerts. They demonstrated by sitting in the balcony and blocking the view. The article mentions James Johnson '72, who helps organize the museum's lunch-time concert series.

Overall, the clippings provide a snapshot of cultural and social activities at Harvard in late 1971 and early 1972, highlighting art exhibitions, music, and student activism.

The image is a collage of pages from old newspaper and magazine clippings, specifically from December 1971 and February 1972. Here's a detailed summary of each section:

1. Top Left (December 17, 1971, The Gazette)

   • The article features an etching titled "The Plague" by Max Klinger. This etching is part of a series from the Staatliche graphische Sammlung in Munich and will be on display at the Busch-Reisinger Museum through January 22. The text mentions that the museum will sponsor German and English language tours in January.

2. Top Right (February 4, 1972, The Calendar from Harvard Gazette)

   • This section showcases an art piece titled "Fish," which is a sculpture made of welded steel. It is part of a series by David Smith, a graduate student at the Fogg Museum. The accompanying text describes Smith's work, noting that he incorporates found objects into his art. The piece will be on display from February 13 through February 13, June 1972.

3. Bottom Left (December, 1971)

   • This page contains a photograph of an interior scene at the Busch-Reisinger Museum. It shows a group of people gathered in a hall with an arched ceiling, possibly listening to something or participating in an event.

4. Bottom Right (December, 1971, Harvard Today)

   • The section includes two images:
     • The first image depicts a group of individuals sitting and gathered around a balcony or an elevated area, likely participating in a lecture or a concert.
     • The second image shows a person, possibly James Johnson, who is organizing the museum’s lunch-time concert series. The caption mentions that this person looks out from the balcony and is involved in the museum’s events.

The collage provides a glimpse into the cultural and artistic activities happening at the Busch-Reisinger Museum around the early 1970s.

The image shows a collection of newspaper clippings from the Harvard Gazette and Harvard Today, dated from December 1971 and February 1972.

1. Top Left Clipping (December 17, 1971, The Gazette):

   • Title: "The Plague"
   • The image depicts an etching titled "The Plague" by Max Klinger.
   • Description: It mentions that "The Plague" is one of 73 etchings by Max Klinger, on loan from the Staatliche graphische Sammlung in Munich. The exhibit is running through January 22 at the Busch-Reisinger Museum. The museum is also sponsoring German and English language tours of the exhibition in January.

2. Top Right Clipping (February 4, 1972, The Gazette):

   • Section: "The Calendar"
   • The image shows a sculpture titled "Fish," made of welded steel by David Smith.
   • Description: The clipping notes that "Fish" is part of an exhibit of 23 related sculptures, drawings, and paintings by David Smith. The exhibit runs through February 13 at the Fogg Art Museum. The accompanying text describes Smith's use of discarded factory parts and found objects, which he integrated into his sculptures.

3. Bottom Left Clipping (December, 1971, Harvard Today):

   • The image shows a group of people gathered in a historical-looking building, possibly an architectural site or a chapel.
   • Description: The clipping describes a recent gathering at the Busch-Reisinger Museum. People are seen taking a tour, possibly through a historical or significant building, and a detailed look at the museum’s famous organ is mentioned.

4. Bottom Right Clipping (December, 1971, Harvard Today):

   • The image shows a group of people on a rooftop, possibly looking at a sculpture or architectural feature.
   • Description: The accompanying text describes the group's tour, mentioning James Johnson '72, who helps organize the museum's lunch-time concert series. The group is shown taking a tour of the museum's famous organ and possibly engaging with the museum's surroundings.

These clippings provide a snapshot of cultural and educational activities at Harvard University during the early 1970s, focusing on art exhibits and museum tours.

The image shows several pages from old newspapers, specifically from the "Harvard Gazette" and "The Gazette," dated from December 1971 to February 1972. Here is a detailed summary of each section:

1. Top Left (December 17, 1971 - The Gazette):

   • The headline and article discuss an exhibition titled "The Plague" which consists of 73 etchings by Max Klinger. This exhibition is on loan from the Staatliche Graphische Sammlung in Munich and is being displayed at the Busch-Reisinger Museum until January 22.
   • In January, the museum will sponsor German and English language tours of the exhibition.

2. Top Right (Harvard Gazette, February 4, 1972 - The Calendar):

   • The section features a drawing of a unique sculpture made of welded steel, which resembles a fish.
   • The text describes an upcoming exhibition at the Fogg Art Museum featuring works by David Smith, a graduate student. The exhibition includes 37 related sculptures, drawings, and paintings starting February 13. Smith's work is noted for its vocabulary of shapes that include various objects like wire trees and round objects.

3. Bottom Left (December, 1971):

   • This part shows an image of a group of people in what appears to be an old architectural setting, possibly a museum or historical site.
   • The accompanying text (partially visible) mentions that the group occupied the Busch-Reisinger Museum and highlights their intent to democratize the museum's concerns.

4. Bottom Right (Harvard Today, Page 13):

   • This section has an article and an image of two people, possibly students, with one looking closely at some artifacts.
   • The article discusses James Johnson, who helps organize the museum's lunch-time concert series, and the efforts to make the museum's focus more accessible to the community.

These newspapers provide a glimpse into the cultural and artistic events and exhibitions taking place at Harvard around the end of 1971 and the beginning of 1972.

The image appears to be a collection of newspaper clippings from the 1970s, featuring various art exhibitions and events. Here is a detailed summary of each section:

1. Top Left Clipping (The Crimson, December 17, 1971):

   • Title: Not explicitly stated, but the article discusses an etching by Max Klinger.
   • Content: The article describes "The Plague," one of 73 etchings by Max Klinger, on loan from the Staatliche Graphische Sammlung in Munich. The etching was exhibited at the Fogg Art Museum starting January 22. The article mentions that the museum's director, Daniel Robbins, sponsored the exhibition.

2. Top Right Clipping (Harvard Gazette, February 4, 1972):

   • Title: The Calendar
   • Content: This section features an artwork titled "JAM," a sculpture by David Smith. The article mentions that the exhibition includes 23 related sculptures, drawings, and paintings by Smith, who was a graduate student at the Fogg. The exhibition was assembled by the artist's widow, Jane Smith.

3. Bottom Left Clipping (December 1971):

   • Content: This clipping includes two photographs. The first photograph shows a group of people gathered in what appears to be a museum or gallery setting, possibly during an exhibition opening or event. The second photograph shows a person speaking or presenting in front of an audience.

4. Bottom Right Clipping (Harvard Today, Issue 13):

   • Content: This article discusses a performance at the Busch-Reisinger Museum. The performance involved a man in the middle producing sounds, which were described as "demonstrating concern for the sounds he makes." The article mentions Joan Johnson, who helps organize the museum's lunchtime events.

Overall, the image captures a snapshot of cultural and artistic events from the early 1970s, highlighting exhibitions and performances at Harvard University's museums.

The image shows a scrapbook or a collection of newspaper clippings related to art exhibitions and activities, mainly from 1971 and early 1972.

1. Top left clipping (dated December 17, 1971, from The Gazette):

   • Shows an artwork titled "THE PLAGUE," which is one of 73 etchings by Max Klinger.
   • The etching depicts what looks like a hospital or infirmary scene with several beds and patients.
   • The text mentions that the exhibit is on loan from the Staatliche Graphische Sammlung in Munich and will be on exhibit through January 22 at the Busch-Reisinger Museum.
   • The museum will sponsor German and English language tours of the exhibition in January.

2. Top right clipping (dated February 4, 1972, from the Harvard Gazette):

   • Titled "The Calendar."
   • Shows a sculpture called "FISH," made of welded steel, one of 23 related sculptures, drawings, and paintings by David Smith.
   • The sculpture will be on exhibit at the Fogg Museum through February 13.
   • Jane Harrison Cone, a graduate student at the Fogg, assembled the exhibition.
   • The text highlights Smith's achievement in using disused factory tools, scrap iron, and found objects as integral parts of his work.

3. Bottom large clipping (dated December, 1971, from Harvard Today):

   • Includes three black-and-white photographs.
   • The largest photo shows a group of people sitting inside what appears to be a grand hall or museum interior with ornate architectural details.
   • The middle photo depicts a man playing an organ.
   • The smaller photo shows a person (face blurred) looking over a balcony alongside two sculpted lion heads or similar figures.
   • The accompanying text mentions the Busch-Reisinger Museum and describes the group occupying the museum at noon on a recent Thursday, listening to sounds produced on the museum's famous organ.
   • It also mentions James Johnson '72, who helps organize the museum's lunch-time concert series.

Overall, the collection highlights art exhibitions and cultural events at Harvard-affiliated museums during late 1971 and early 1972.

This image shows a page from what appears to be a publication or a catalog, probably from an educational institution given the context provided by the visible headings. The page is dated from December 1971 and February 1972, with references to events or features that took place during this time.

On the top left of the page, there is a black and white image accompanied by a caption that reads "The Plague" referring to one of 75 etchings by Max Klinger, on loan from the Staatliche Graphische Sammlung in Munich and on exhibit through January at the Busch-Reisinger. The etching depicts a scene with multiple figures, possibly during a plague with emphasis on a prominent figure stretched out in the foreground.

On the top right, there is another black and white image of what is described as a "sculpture of welded steel," one of 35 steel sculptures, drawings, and paintings by David Smith that were on exhibit at the Fogg through February 13. The sculpture sits on a pedestal and features an abstract, linear design.

On the bottom left, there is a third black and white photograph, which shows a large group of people sitting on the floor of a grand interior space with arches and intricate design details, consistent with the architectural style of historical or religious buildings.

On the bottom right are two smaller images, also in black and white. The upper one shows a person sitting in front of a display case looking at various items, while the lower one depicts a few individuals observing something on a wall, all potentially within the context of an exhibition or museum setting.

The image shows a scrapbook with four newspaper clippings pasted on it. The clippings are from different newspapers, and each clipping has a date and a newspaper name. The first clipping is from "The Gazette" and is dated December 17, 1971. The second clipping is from "The Calendar" and is dated February 4, 1972. The third clipping is from "Harvard Today" and is dated December 1971. The fourth clipping is from "Harvard Gazette" and is dated February 4, 1972.

The image shows an open book or scrapbook containing three distinct pages, each featuring a combination of photographs, illustrations, and textual descriptions. Here is a detailed description of each page:

Top Left Page: "The Gazette" (December 17, 1971)

• Image: A black-and-white illustration depicting a surreal or symbolic scene. The illustration shows a figure lying on a bed, seemingly suspended in mid-air, with a bird-like figure perched nearby. The setting appears to be a hospital or medical environment, with beds, medical equipment, and a window in the background. The scene has an eerie, dreamlike quality.
• Text: Below the illustration, there is a caption that reads:
  "THE PLAGUE is one of 73 etchings by Max Klinger, on loan from the Staatliche graphische Sammlung in Munich and on exhibit through January 22 at the Busch-Reisinger. In January the Museum will sponsor German and English language tours of the exhibition."
  This indicates that the illustration is part of an art exhibition featuring works by Max Klinger, and it is on loan from a Munich museum.

Top Right Page: "Harvard Gazette, Feb. 4, 1972"

• Image: A black-and-white line drawing of a modern, abstract sculpture. The sculpture appears to be made of welded steel and has a dynamic, angular design. It resembles a bird in flight or a mechanical structure, with a central vertical element and outstretched wings or arms.
• Text: The page is titled "The Calendar" at the top. Below the illustration, there is a caption that reads:
  "FISH, a sculpture of welded steel, is one of 32 related sculptures, drawings, and paintings by David Smith that will be on exhibit at the Fogg through February 13. June Harrison Cone, a graduate student at the Wrightsmith's unique achievement was that the disputed factory site, 'swap iron, and found objects became in his hands an integral part of a vocabulary.'"
  This describes an exhibition of works by David Smith, featuring sculptures, drawings, and paintings, and highlights the artist's innovative use of materials.

Bottom Page: "Harvard Today 13" (December, 1971)

• Images: This page contains three photographs arranged in a grid format:
  1. Left Photo: Shows the interior of a grand, historic building, likely a museum or concert hall. The space features arched ceilings, columns, and a large organ. A group of people is seated on the floor, suggesting a lecture or discussion setting.
  2. Middle Photo: A close-up of the organ mentioned in the left photo, highlighting its intricate pipes and structure.
  3. Right Photo: Depicts a group of people on a balcony, looking down. One individual, identified as James Johnson (age 72), is shown assisting with organizing the museum's lunch-time concert series.
• Text: Accompanying the images is a caption that reads:
  "The group at the far left occupied the Busch-Reisinger Museum at noon on a recent Thursday. They, and others like them, take over every Thursday to demonstrate concert conditions for the sounds the man in the middle is producing on the Museum's famous organ. Looking on from the balcony—James Johnson, 72 (below), who helps to organize the museum's lunch-time concert series."
  This describes an event where visitors experience concert conditions in the museum, with James Johnson assisting in organizing the lunch-time concert series.

Overall Impression

The pages collectively showcase a mix of artistic exhibitions, cultural events, and historical documentation. The top left page focuses on an art exhibition featuring Max Klinger's etchings, the top right page highlights a sculpture exhibition by David Smith, and the bottom page documents a concert series and related activities at the Busch-Reisinger Museum. The images and accompanying text provide context for each event, emphasizing the cultural and artistic significance of the activities described. The layout suggests these pages are part of a scrapbook or archival collection documenting events from late 1971 to early 1972.