Archives Scrapbooks

This image appears to be a page from a publication, possibly a magazine or a catalog, from December 1971 and February 1972. The page is divided into three sections:

1. Top Left Section:

   • Features a black-and-white illustration titled "The Plague" by Max Klinger. The illustration depicts a room with people in various states of distress, including a figure on a stretcher, others on the floor, and a person reaching out with a cross. The image is labeled as part of an exhibition of etchings from the Staatliche graphische Sammlung in Munich at the Busch-Reisinger Museum.

2. Top Right Section:

   • Contains an image of a sculpture titled "Fish" by David Smith. The sculpture is made of welded steel and is described as part of a larger exhibition of sculptures, drawings, and paintings by David Smith that will be on display at the Fogg Museum through February 13, 1972. The text mentions Jane Harrison Cone, a graduate student at the Fogg Museum, who assembled the exhibition.

3. Bottom Section:

   • Features a photograph and two smaller images. The larger photograph shows a group of people, possibly students or visitors, in a museum setting. They appear to be engaged in a discussion or activity, with an organist playing the organ in the background. The smaller images show close-ups of the organist and the organ itself. The text mentions that the group is occupying the Busch-Reisinger Museum at noon on a recent Thursday and are demonstrating concern for the sounds being produced by the organ.

The overall theme of the page seems to be related to cultural events and exhibitions, focusing on art, music, and museum activities.

This image is a collage of four articles from newspapers and magazines, dated between December 1971 and February 1972. The top left article, from "The Gazette" on December 17, 1971, features an etching titled "The Plague" by Max Klinger, which is part of an exhibition of 73 etchings on loan from the Staatliche Graphische Sammlung in Munich. The etching depicts a scene with a nun tending to plague victims.

The top right article, from the "Harvard Gazette" on February 4, 1972, is titled "The Calendar" and discusses a sculpture called "Fish" by David Smith. The sculpture is made of welded steel and is part of an exhibition at the Fogg Museum.

The bottom half of the image contains two articles from December 1971. The left article, from "Harvard Today," describes a group of people occupying the Busch-Reisinger Museum at noon on a Thursday, demonstrating concern for the sounds produced by a man playing the museum's famous organ. The right article, also from "Harvard Today," shows a person looking on from a balcony, who helps to organize the museum's lunch-time concert series.

The image shows a scrapbook with four newspaper clippings pasted on it. The clippings are from different newspapers, and each clipping has a date and a newspaper name. The first clipping is from "The Gazette" and is dated December 17, 1971. The second clipping is from "The Calendar" and is dated February 4, 1972. The third clipping is from "Harvard Today" and is dated December 1971. The fourth clipping is from "Harvard Gazette" and is dated February 4, 1972.

The image is of a book opened to a page with multiple clippings from newspapers and magazines. The first clipping is from "The Gazette" and is dated December 17, 1971. The clipping features an image of a building with a cross on top and a caption that reads "The Plague." The second clipping is from "Harvard Gazette" and is dated February 4, 1972. It features an image of a sculpture and the headline "The Calendar." The third clipping is from "Harvard Today" and is dated December 1971. It features an image of a group of people sitting in front of a building with a caption that reads "The group at the far left occupied the Busch-Reisinger Museum on a recent Thursday." The clippings are arranged in a collage-like fashion on the page.

The image shows an open book or scrapbook containing three distinct pages, each featuring a combination of photographs, illustrations, and textual descriptions. Here is a detailed description of each page:

Top Left Page: "The Gazette" (December 17, 1971)

• Image: A black-and-white illustration depicting a surreal or symbolic scene. The illustration shows a figure lying on a bed, seemingly suspended in mid-air, with a bird-like figure perched nearby. The setting appears to be a hospital or medical environment, with beds, medical equipment, and a window in the background. The scene has an eerie, dreamlike quality.
• Text: Below the illustration, there is a caption that reads:
  "THE PLAGUE is one of 73 etchings by Max Klinger, on loan from the Staatliche graphische Sammlung in Munich and on exhibit through January 22 at the Busch-Reisinger. In January the Museum will sponsor German and English language tours of the exhibition."
  This indicates that the illustration is part of an art exhibition featuring works by Max Klinger, and it is on loan from a Munich museum.

Top Right Page: "Harvard Gazette, Feb. 4, 1972"

• Image: A black-and-white line drawing of a modern, abstract sculpture. The sculpture appears to be made of welded steel and has a dynamic, angular design. It resembles a bird in flight or a mechanical structure, with a central vertical element and outstretched wings or arms.
• Text: The page is titled "The Calendar" at the top. Below the illustration, there is a caption that reads:
  "FISH, a sculpture of welded steel, is one of 32 related sculptures, drawings, and paintings by David Smith that will be on exhibit at the Fogg through February 13. June Harrison Cone, a graduate student at the Wrightsmith's unique achievement was that the disputed factory site, 'swap iron, and found objects became in his hands an integral part of a vocabulary.'"
  This describes an exhibition of works by David Smith, featuring sculptures, drawings, and paintings, and highlights the artist's innovative use of materials.

Bottom Page: "Harvard Today 13" (December, 1971)

• Images: This page contains three photographs arranged in a grid format:
  1. Left Photo: Shows the interior of a grand, historic building, likely a museum or concert hall. The space features arched ceilings, columns, and a large organ. A group of people is seated on the floor, suggesting a lecture or discussion setting.
  2. Middle Photo: A close-up of the organ mentioned in the left photo, highlighting its intricate pipes and structure.
  3. Right Photo: Depicts a group of people on a balcony, looking down. One individual, identified as James Johnson (age 72), is shown assisting with organizing the museum's lunch-time concert series.
• Text: Accompanying the images is a caption that reads:
  "The group at the far left occupied the Busch-Reisinger Museum at noon on a recent Thursday. They, and others like them, take over every Thursday to demonstrate concert conditions for the sounds the man in the middle is producing on the Museum's famous organ. Looking on from the balcony—James Johnson, 72 (below), who helps to organize the museum's lunch-time concert series."
  This describes an event where visitors experience concert conditions in the museum, with James Johnson assisting in organizing the lunch-time concert series.

Overall Impression

The pages collectively showcase a mix of artistic exhibitions, cultural events, and historical documentation. The top left page focuses on an art exhibition featuring Max Klinger's etchings, the top right page highlights a sculpture exhibition by David Smith, and the bottom page documents a concert series and related activities at the Busch-Reisinger Museum. The images and accompanying text provide context for each event, emphasizing the cultural and artistic significance of the activities described. The layout suggests these pages are part of a scrapbook or archival collection documenting events from late 1971 to early 1972.

The image depicts a page from an old scrapbook, featuring two newspaper clippings and a photograph. The scrapbook page is open to a page with a light brown background, showcasing two newspaper clippings and a photograph.

Newspaper Clipping 1:
The top-left clipping is from "The Gazette" dated December 17, 1971, and features a black-and-white illustration of a hospital room with a patient lying in bed, surrounded by medical equipment and a doctor attending to them. The caption reads, "THE PLAGUE is one of 73 etchings by Max Klinger, on loan from the Staatliche graphische Sammlung in Munich and on exhibit through January 22 at the Busch-Reisinger. In January the Museum will sponsor German and English language tours of the exhibition."

Newspaper Clipping 2:
The top-right clipping is from "The Calendar" dated February 4, 1972, and features a black-and-white photograph of a sculpture titled "EISIL," created by David Smith. The caption describes the sculpture as a welded steel piece, one of 23 related sculptures, drawings, and paintings by the artist. It will be on exhibit at the Fogg through February 13. Jane Harrison Cone, a graduate student at the Fogg, assembled the exhibition. In the introduction to the exhibition catalogue, she writes: "Smith's unique achievement was that he found objects became an integral part of a vocabulary..."

Photograph:
The bottom clipping is from "Harvard Today" dated December 1971 and features a black-and-white photograph of a group of people gathered in a large room with high ceilings and ornate architecture. The caption reads, "The group at the far left occupied the Busch-Reisinger Museum at noon on a recent Thursday. They and others like them take over every Thursday. They are demonstrating concern for the sounds the man in the middle is producing on the Museum's famous organ. Looking on from the balcony, James Johnson '72 (below), who helps to organize the museum's lunch-time concert series."

Overall, the image showcases a collection of newspaper clippings and a photograph, providing a glimpse into the cultural and artistic events of the time.

The image shows a page from an old scrapbook or photo album, featuring newspaper clippings and photographs. The page is open to reveal two pages, with the left page displaying a clipping from "The Gazette" dated December 17, 1971, and the right page showing a clipping from "Harvard Gazette" dated February 4, 1972.

Left Page:

• The clipping features a black-and-white illustration of a hospital scene, with patients lying in beds and medical staff attending to them.
• The caption reads, "THE PLAGUE is one of 73 etchings by Max Klinger, on loan from the Staatliche graphische Sammlung in Munich and on exhibit through January 22 at the Busch-Reisinger Museum will sponsor German and English language tours of the exhibition."

Right Page:

• The clipping features a black-and-white photograph of a sculpture titled "FISH," created by David Smith.
• The caption reads, "FISH, a sculpture of welded steel, is one of 23 related sculptures, drawings, and paintings by David Smith that will be on exhibit at the Fogg through February 13. Harrison Cone, a graduate student at the Fogg, assembled the exhibition. In the introduction to the exhibition catalogue, she writes: 'Smith's unique achievement was that the disused factory tools, scrap iron, and found objects became in his hands an integral part of a vocabulary.'"

Bottom Page:

• The page features three black-and-white photographs, each depicting a different scene.
• The first photograph shows a group of people sitting in a room, possibly a museum or gallery.
• The second photograph depicts a person playing a piano, with a crowd of people watching in the background.
• The third photograph shows a person sitting on a staircase, looking down at something in their hand.

Overall, the image provides a glimpse into the artistic and cultural events of the early 1970s, showcasing the work of artists such as Max Klinger and David Smith, as well as the activities of museums and galleries during that time period.

The image shows a scrapbook or photo album with two pages visible, containing newspaper clippings and photographs.

• The top page is brown and features two black-and-white newspaper clippings:
  • The left clipping is from "The Gazette" dated December 17, 1971, with an article about an etching by Max Klinger titled "THE PLAGUE."
  • The right clipping is from the "Harvard Gazette" dated February 4, 1972, with an article about a sculpture by David Smith titled "FISH."
• The bottom page is beige and features a single newspaper clipping:
  • The clipping is from "Harvard Today" dated December 1971, with an article about a group of people demonstrating at the Busch-Reisinger Museum.
• The background of the image is a plain gray color.

The image appears to be a collection of newspaper clippings and photographs related to art exhibitions and events at Harvard University.

The image presents a collection of newspaper clippings, arranged in two rows on a brown background. The top row features two clippings, while the bottom row has three.

Top Row:

• Left Clipping: A black-and-white illustration from "The Gazette" dated December 17, 1971, depicting a scene with a bird flying over a bedridden person in a hospital setting.
• Right Clipping: A clipping from "Harvard Gazette, Feb. 4, 1972," titled "The Calendar," showcasing an abstract sculpture.

Bottom Row:

• Left Clipping: A black-and-white photograph of a group of people gathered in a large room with ornate architecture.
• Middle Clipping: A black-and-white photograph of a man playing an organ.
• Right Clipping: A black-and-white photograph of two people looking over a railing, accompanied by text discussing an event at the Busch-Reisinger Museum.

The clippings are set against a plain gray background, suggesting that this is a digital scan or photograph of a scrapbook or album page.

The image appears to be a collection of newspaper clippings from the 1970s, featuring various art exhibitions and events. Here is a detailed summary of each section:

1. Top Left Clipping (The Crimson, December 17, 1971):

   • Title: Not explicitly stated, but the article discusses an etching by Max Klinger.
   • Content: The article describes "The Plague," one of 73 etchings by Max Klinger, on loan from the Staatliche Graphische Sammlung in Munich. The etching was exhibited at the Fogg Art Museum starting January 22. The article mentions that the museum's director, Daniel Robbins, sponsored the exhibition.

2. Top Right Clipping (Harvard Gazette, February 4, 1972):

   • Title: The Calendar
   • Content: This section features an artwork titled "JAM," a sculpture by David Smith. The article mentions that the exhibition includes 23 related sculptures, drawings, and paintings by Smith, who was a graduate student at the Fogg. The exhibition was assembled by the artist's widow, Jane Smith.

3. Bottom Left Clipping (December 1971):

   • Content: This clipping includes two photographs. The first photograph shows a group of people gathered in what appears to be a museum or gallery setting, possibly during an exhibition opening or event. The second photograph shows a person speaking or presenting in front of an audience.

4. Bottom Right Clipping (Harvard Today, Issue 13):

   • Content: This article discusses a performance at the Busch-Reisinger Museum. The performance involved a man in the middle producing sounds, which were described as "demonstrating concern for the sounds he makes." The article mentions Joan Johnson, who helps organize the museum's lunchtime events.

Overall, the image captures a snapshot of cultural and artistic events from the early 1970s, highlighting exhibitions and performances at Harvard University's museums.