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ARCH.2003.36, Rendition: 805326
This image depicts a collection of newspaper clippings and articles, likely from the Boston Globe, Harvard University's Fogg Art Museum, and the Cambridge Chronicle. The articles are dated November 16, 1971, and January 2, 1972, and appear to be discussing an exhibition of art at the Fogg Art Museum.
The clippings include:
The Boston Globe, November 16, 1971 - The headline reads "Joseph Pulitzer's art scoop" by Edgar Driscoll Jr., Globe Staff. The article discusses Joseph Pulitzer Jr.'s collection of paintings and sculptures, which was part of a fall exhibition at the Fogg Art Museum. It mentions artists such as Rodin, Picasso, Maillol, Trova, James Wines, Braque, Lipchitz, Giacometti, Donald Judd, and others.
Cambridge Chronicle - An article titled "Art Review: Pulitzer Collection at Fogg" by William G. Dooley. This piece provides details about the exhibition of the Joseph Pulitzer Jr. collection at the Fogg Art Museum. It highlights various artists and pieces included in the exhibition, such as Ernest Trova's "Electro Spectral Group Number 2" and Frank Stella's "Hiraglia II." The article also notes the broader context of the collection, its significance, and the presence of works by renowned artists.
Boston Sunday Globe, January 2, 1972 - This clipping is titled "Homage to Picasso" and discusses an exhibition of Picasso's prints at the Fogg Art Museum, including his etchings from the Blue Period and other works from the 1940s and 1960s. It mentions the lithograph "The Faun Musician."
The images accompanying the articles include reproductions of artworks by Edgar Degas titled "Danseuses, étude de nus" and a piece from the Picasso exhibition. These reproductions provide visual context for the articles, allowing readers to see examples of the art discussed.
Overall, the image captures a snapshot of art criticism and the cultural significance of the Fogg Art Museum's exhibitions during the 1970s, highlighting the contributions of collectors like Joseph Pulitzer Jr. and the diverse range of contemporary and classical art on display.
This image shows a scrapbook page with clippings from newspapers and magazines, all related to the Joseph Pulitzer art collection and its exhibition at the Fogg Art Museum. Here's a detailed description of the contents:
This image displays an open, aged scrapbook or album, revealing two newspaper clippings pasted onto its pages. The clippings are from 1971 and 1972 and focus on an art exhibition titled “Pulitzer Collection at Fogg,” showcasing the art collection of Joseph Pulitzer Jr. at the Fogg Art Museum, Harvard University.
The top clipping, from The Boston Globe dated Tuesday, November 16, 1971, is titled “Joseph Pulitzer’s art scoop” by Edgar Driscoll Jr. It details the background of the collection, noting that Pulitzer Jr.—grandson of the first Joseph Pulitzer and founder of the New York World—has been an avid collector since his undergraduate days at Harvard. The article highlights the eclectic nature of his collection, which includes European and American works from the mid-19th to late 19th centuries, with artists such as Degas, Courbet, and Cézanne, and notes his particular interest in “lesser contemporary lights” whose works may gain coherence over time.
The bottom, larger clipping is from the Boston Sunday Globe, dated January 2, 1972. Headlined “Art Review: Pulitzer Collection at Fogg” by William G. Dooley, it is published under the “CAMBRIDGE CHRONICLE” banner. It provides a more detailed review of the exhibition, noting its timing—three years before Pulitzer’s death—and its significance for Cambridge. The review discusses specific works, including Ernest Trova’s dramatic “Hiraglia II,” and mentions the “Younger Generation,” featuring artists like Frank Stella and Sam Francis, who were more contemporaneous with Pulitzer. It also references a “HOMAGE TO PICASSO” exhibition running concurrently.
The bottom clipping includes two small, black-and-white photograph reproductions:
The scrapbook pages themselves are yellowed with age, and the articles are cut and taped or pasted onto the pages. The overall subject is a curated documentation of a significant mid-20th century art exhibition and the collector behind it.
The image is a photograph of a scrapbook page. The page contains clippings of articles and images related to Joseph Pulitzer, a notable art collector. The clippings are arranged in a somewhat haphazard manner, overlapping and pasted directly onto the page.
At the top of the page, there is a headline from "The Boston Globe," dated November 18, 1971, titled "Joseph Pulitzer's art scoop." This article is about Pulitzer's art collection, discussing his taste and the breadth of his acquisitions. The article mentions his collection of paintings and sculptures, including works by famous artists.
Below this headline, there is another article from "The Boston Globe," dated January 3, 1972, titled "Pulitzer Collection at Fogg." This article provides details about an exhibition of Pulitzer's collection at the Fogg Art Museum. It describes the variety of artworks on display, including sculptures and paintings by well-known artists. The article also mentions the significance of Pulitzer's collection and his role as a patron of the arts.
In the middle of the page, there is a photograph of two sculptures, which are part of Pulitzer's collection. These sculptures appear to be abstract and modern in style, with bold lines and forms.
To the right of the page, there is another article from "The Boston Globe," dated January 3, 1972, titled "Art Review: Pulitzer Collection at Fogg." This article provides a critical review of the exhibition, highlighting specific works and the overall impact of the collection. It discusses the quality and diversity of the artworks, as well as the significance of Pulitzer's contributions to the art world.
The page also includes a smaller clipping with an image of a painting, possibly by Edgar Degas, as mentioned in the text. This painting is described as a significant piece within Pulitzer's collection.
Overall, the scrapbook page serves as a record of Joseph Pulitzer's art collection and its exhibition at the Fogg Art Museum, showcasing the breadth and quality of his acquisitions and their impact on the art world.
The image is of an open book with a newspaper clipping on the left side and a magazine clipping on the right side. The newspaper clipping is titled "Joseph Pulitzer's art scoop" and is from The Boston Globe, dated November 16, 1971. The clipping discusses Joseph Pulitzer's art collection and the exhibition of his collection at the Fogg Art Museum. The magazine clipping is titled "Art Review: Pulitzer Collection at Fogg" and is from the Cambridge Chronicle, dated 1971. It provides information about the Pulitzer Collection at the Fogg Art Museum.
The image depicts a collection of newspaper clippings and articles, likely from a scrapbook or archive, focusing on the art collection of Joseph Pulitzer. The pages are from various newspapers, including The Boston Globe, Cambridge Chronicle, and Boston Sunday Globe, dated from 1971 to 1972.
The image showcases a curated collection of articles that celebrate Joseph Pulitzer Jr.'s role as a prominent art collector and patron. The clippings highlight the diversity and historical significance of his collection, featuring works from renowned artists and providing insights into the cultural and artistic landscape of the time. The inclusion of both textual and visual elements underscores the importance of the Pulitzer collection in the art world.
The image shows an open scrapbook or album with newspaper clippings that focus on art-related topics. A central newspaper clipping has the headline "Pulitzer Collection at Fogg" from an Art Review by William G. Dooley. Accompanying this article is an illustration of a figure with an elongated neck and a rounded, abstracted form, suggestive of 20th-century modern art styles.
To the right of the central clipping are two additional pieces of paper. The top one features a write-up about a book, while the bottom one displays a black and white image with rounded abstract figures that evoke elements typical of certain modern art movements.
The album is laid on a flat, neutral-colored surface, giving emphasis to the clippings and printed illustrations. The overall theme revolves around art collections, exhibitions, and art reviews, highlighting the engagement with and discussion of art in a historical context. The background of the image is a greenish-grey.
This image showcases a scrapbook or album page with newspaper clippings related to art exhibitions and reviews. The clippings include articles from publications like The Boston Globe and Cambridge Chronicle.
Top Article: The upper section contains an article entitled "Joseph Pulitzer's art scoop" by Edgar Driscoll Jr., detailing Pulitzer's art collecting interests alongside references to specific artworks, exhibitions, and themes associated with his collection. The text provides insights into Pulitzer's preferences and the pieces he's collected over three decades.
Middle Article: Below, another clipping entitled "Art Review: Pulitzer Collection at Fogg," written by William G. Dooley, reviews an exhibit of Pulitzer’s collection at the Fogg Art Museum. Specific works, artists, and styles are mentioned, including paintings by Philip Guston and Mark Rothko, along with descriptions of the exhibition layout.
Images of Artworks: Within the middle section, there is an illustration preview from the exhibition; it depicts an expressive sketch of two figures intertwined, alongside a brief caption about the display at the museum.
Right-Side Clipping: The far-right corner features a smaller section about "Homage to Picasso," likely exploring Pablo Picasso’s influence, accompanied by a graphic representation resembling abstract art.
The page appears to document Pulitzer's contribution to art collections and exhibitions, blending text and visuals for a historical record of his patronage in the 1970s art world.
The image shows a scrapbook or album page with three newspaper clippings related to art collections and Joseph Pulitzer.
The top clipping is titled "Joseph Pulitzer’s art scoop" by Edgar Driscoll Jr. from The Boston Globe, dated Tuesday, November 16, 1971. It discusses the art collection of Joseph Pulitzer, highlighting his broad tastes in art and painting, mentioning artists like Zaza and Cossolot, and the ongoing exhibition of his collection at the Fogg Art Museum, Harvard University.
The middle clipping is titled "Pulitzer Collection at Fogg" by William G. Dooley from the Cambridge Chronicle. It talks about the display of the Pulitzer collection at the Fogg Art Museum, including various art pieces, artists, and styles featured in the exhibit. A black and white sketch of two nude figures, attributed to Edgar Degas, is included in the clipping.
The right clipping, dated January 2, 1972, from the Boston Sunday Globe, features a black and white illustration titled "HOMAGE TO PICASSO," which shows a figure with a pipe and a horned headpiece. It mentions an exhibition of Picasso's work at the Fogg Art Museum and references his earlier art periods and prints.
The page has a vintage feel with yellowed newspaper clippings neatly pasted on a tan or brown background.