Archives Scrapbooks

This image appears to be a scan of a page from a scrapbook or a collection of clippings. It contains various newspaper articles, images, and advertisements related to art and cultural events. Here's a breakdown of the content:

1. Top Article:

   • Header: "Museums' new interest reflects photography's gain."
   • Byline: C.R. Wasserman, Globe Correspondent.
   • Content: Discusses the growing acceptance of photography as an important visual art medium and how museums are incorporating it into their exhibitions. It mentions exhibits at the Worcester Museum and the Museum of Fine Arts, as well as a significant donation from the National Endowment for the Arts.

2. Central Image:

   • Title: "Prisons, prisoners and prints."
   • Content: A description of an exhibit at the Fogg Museum titled "Prisons and the Prisoner," which was of topical interest. The exhibit featured prints from the 16th to the 20th century, showcasing artists like Hieronymus Cock, Goya, Daumier, Bellows, and Kollwitz. The text mentions Ruth S. Magurn, Curator of Prints at the Fogg and Lecturer on the Fine Arts.

3. Images:

   • Hieronymus Cock: "The Seven Cardinal Virtues: Justice" (16th-century engraving).
   • Honoré Daumier: "Gens de Justice: You say you stole because you were hungry— that is no excuse" (19th-century lithograph).
   • Leopoldo Mendez: "Deportation to Death" (20th-century woodcut).

4. Right Side:

   • Small Article: Mentions the receipt of $10,000 from the National Endowment for the Arts, which must be matched by an equivalent sum by July 31, 1972. It also discusses efforts to purchase photographs by contemporary American photographers.

5. Bottom Articles:

   • Dates and Events:
     • December 3, 1971: "The Gazette" (Article continuation from page 1).
     • December 12, 1971: "Gallery Tour" (Fogg Art Museum), featuring the Joseph Pulitzer Jr. Collection and a talk by Jeanne Wasserman.
   • Advertisements:
     • A "Dancing" event at La Discotheque.
     • "The Fogg Art Museum" party details.
     • "Art" (Continued from page 1).

The page captures a snapshot of art news and cultural events from November 1971, highlighting museums' interest in photography and printmaking, as well as specific exhibitions and donations.

This image shows a scrapbook page or a collection of clippings and notes related to art and photography, specifically focusing on museums and their exhibitions. The page includes several items:

1. Newspaper Clippings:

   • A clipping from the "Boston Sunday Globe" dated November 21, 1971, with the headline "Museums' new interest reflects photography's gain." The article discusses the growing acceptance of photography as a significant visual art medium and mentions exhibitions at various museums.
   • Another clipping titled "Prisons, prisoners and prints," which discusses an exhibit at the Fogg Museum featuring works from the 16th to the 20th century, including prints from artists like Philippe Galle, Piranesi, Goya, Daumier, and Kollwitz. It includes images of works by Hieronymus Cock, Honoré Daumier, and Leopoldo Mendez.
   • A smaller clipping from "The Gazette" dated December 3, 1971, mentioning a gallery tour at the Fogg Art Museum.

2. Posters and Advertisements:

   • A poster for a "Dancing" event, mentioning "Nicolé La Discotheque."
   • An advertisement for a travel company, "Uni-Tavel Corp.," offering trips to various destinations.

3. Notes and Annotations:

   • Handwritten notes and dates, such as "Nov 22, 1971" and "Sunday, December 12."
   • A note about a gallery tour featuring the Joseph Pulitzer, Jr. Collection and Jeanne Wasserman, Honorary Curator of 19th and 20th Century Sculpture.

4. Additional Clippings:

   • A clipping discussing the Fogg Art Museum and its acquisition policies, mentioning the need for expertise in determining the rightful ownership of objects and returning any illegally exported items.

The page appears to be a collection of materials related to art exhibitions, particularly focusing on photography and prints, and includes various dates and events from late 1971.

The image depicts a page from a scrapbook, likely created in the early 1970s. The page is filled with various newspaper clippings, photographs, and printed materials, suggesting a theme related to art, photography, and museums.

The top portion of the page features a newspaper article titled "Museums' new interest reflects photography's gain," dated November 21, 1971, from the Boston Sunday Globe. The article discusses the growing acceptance of photography as a significant art form, highlighting exhibitions and collections that feature photographic works.

Below the article, there is a photograph of a crowded scene, possibly from a historical context, accompanied by a brief caption that reads "Prisons, prisoners, and prints." This photograph is juxtaposed with another smaller image of a person, possibly an artist or curator, and a text snippet that mentions "Honoré Daumier, 'Gems of Justice'."

To the right of the main article, there are additional clippings, including a notice about an exhibition titled "Prisons and the Prisoners" at the Fogg Art Museum, and a smaller article about the importance of art and photography. There is also a printed flyer advertising an exhibition at the Fogg Art Museum, featuring works by Honoré Daumier.

The bottom portion of the page contains more clippings, including an article about the acquisition of works by William Hogarth, and a notice about an exhibition at the Fogg Art Museum, highlighting the importance of preserving and showcasing historical and artistic works.

Overall, the page reflects a curated collection of materials that emphasize the evolving recognition of photography as an art form, the significance of historical and artistic exhibitions, and the importance of preserving and promoting art and photography in museums.

The image is a collage of various printed materials, including newspaper articles, magazine clippings, and posters, all pasted onto a brown paper background. The collage is centered around a headline from the Boston Sunday Globe dated November 21, 1971, which reads "Museums' new interest reflects photography's gain." The article discusses the growing acceptance of photography as an art form and its increasing presence in museums. Below the headline, there are smaller articles and clippings related to photography, art, and museums.

On the left side of the collage, there is a black-and-white photograph of a group of people in a prison setting, labeled "Prisons, prisoners, and prints." This image is accompanied by text discussing the history of prison photography and its significance in art.

On the right side, there is a poster for a museum exhibit, "The Fogg Art Museum," with a date of November 22, 1971. The poster features a drawing of a person and includes details about the exhibit, which focuses on prints from the 16th to the 20th century.

In the bottom right corner, there is a clipping from "The Gazette" dated December 3, 1971, which discusses the Fogg Art Museum's collection of prints and the legal aspects of acquiring art.

Overall, the collage presents a snapshot of the evolving status of photography and its integration into museum collections during the early 1970s.

The image shows a collection of newspaper clippings and articles, likely from a scrapbook or archive, focusing on art, photography, and cultural events. Here is a detailed description:

Top Section:

• Headline: "Museums' new interest reflects photography's gain"
  • Source: Boston Sunday Globe, dated November 21, 1971.
  • Byline: C.R. Wasserman, Globe Correspondent.
  • Content: The article discusses the growing acceptance and institutional recognition of photography as a legitimate art form. It highlights how museums are increasingly incorporating photography into their collections and exhibitions, reflecting its rising status in the art world.

Middle Section:

• Photograph and Caption:

  • Photograph: A black-and-white image depicting a historical or dramatic scene. It shows a group of people in period clothing, possibly from the 19th century, gathered in what appears to be a courtroom or public assembly. The individuals are dressed formally, and the setting includes architectural details like columns and ornate decorations.
  • Caption:
    • "Prisons, prisoners and prison life."
    • "The 20th century was an exhibit by British artist John Heartfield, as seen by prisoners from the 16th to the 20th centuries, from the Fogg Art Museum's topical interest on prison life this month."
    • Artist Attribution: The photograph is attributed to Honor Bull, dated November 22, 1971.
    • Additional Caption: "Hieronymus Bosch after Pieter Breughel, 'The Seven Deadly Sins,' 16th century engraving."

• Additional Image and Caption:

  • Image: A black-and-white photograph of a person lying down, possibly in a dramatic or symbolic pose. The individual is dressed in formal attire, and the setting appears to be an interior, possibly a gallery or museum.
  • Caption:
    • "Honoré Daumier, 'Gens de Justice: You may state that all lawyers were lunatics—that is no excuse,' 19th-century lithography."
  • Another Image: A photograph of a person standing in front of a mirror, with a dramatic pose. The setting appears to be an art gallery or museum.
    • Caption: "Leopoldo Méndez, 'Deportation to Death,' 20th-century woodcut."

Right Section:

• Article Title: "Prisons, prisoners and prison life."
  • Content: This article discusses an exhibition at the Fogg Art Museum focused on prison life, featuring works by British artist John Heartfield. The exhibit explores the theme of prison life across different historical periods, from the 16th to the 20th century. It mentions artists such as Philippe Collot, Pierre Gavarni, Daumier, Bellows, Grosz, and Kollwitz. The show was curated by Ruth S. Magurn and Lee Tucker of the Fine Arts.

Bottom Section:

• Clipping from The Gazette:
  • Date: December 3, 1971
  • Headline: "Gallery Tour (Fogg Art Museum)"
  • Content: This clipping provides details about a gallery tour at the Fogg Art Museum, featuring works by Joseph Pulitzer Jr., the museum's 20th-century curator. The tour highlights 19th- and 20th-century sculpture, including pieces from the Gallery of Modern Art. The article is dated Sunday, December 12, 1971, and mentions pages 11-14, page 3 (p. 6).

Additional Elements:

• Scrapbook Layout: The clippings are arranged in a scrapbook format, with visible page numbers and dates. The pages are numbered sequentially (e.g., "November 17, 1971" and "December 3, 1971").
• Visual Style: The clippings are preserved in a worn, aged condition, suggesting historical significance. The pages have a slightly discolored, brownish hue, typical of aged paper.
• Annotations: There are handwritten notes and markings on some of the clippings, such as "Han Bull Nov 22 1971" and other marginalia, indicating that someone has reviewed or annotated these articles.

Overall Context:

The collection appears to be a curated set of articles and images focused on art, particularly photography and historical art, from the early 1970s. The materials highlight the evolving role of photography in museums, exhibitions on socially charged themes like prison life, and notable gallery tours featuring significant 19th- and 20th-century artworks. The scrapbook format suggests it was compiled by someone with a keen interest in art and cultural events of the time.

The image presents a scrapbook page featuring a collection of newspaper clippings, primarily focused on art and photography. The page is divided into two columns, with the left column containing a single article and the right column featuring three smaller articles.

• Article in the Left Column
  • Title: "Museums' new interest reflects photography's gain"
  • Author: C.R. Wasserman
  • Date: November 21, 1971
  • Content: The article discusses the growing acceptance of photography as one of the most important visual art mediums of this century, with museums increasingly reflecting this trend.
• Article in the Right Column
  • Title: "Prisons, prisoners and prints"
  • Author: Pam Bull
  • Date: November 20, 1971
  • Content: The article highlights the Fogg Art Museum's exhibition of prints by graphic artists from the 16th to the 20th century, with a focus on the works of Philippe Galle, Dircksen, and others.
• Additional Articles
  • Title: "La Discotheque Nicole"
  • Author: Not specified
  • Date: Not specified
  • Content: The article appears to be about a discotheque or nightclub, but the details are unclear due to the small size of the clipping.
  • Title: "Dancing"
  • Author: Not specified
  • Date: Not specified
  • Content: The article discusses the importance of dancing in the world of art, but the specific details are not provided.
• Other Notes and Clippings
  • A handwritten note reads "Nov. 20, 1971" and is likely a date or annotation.
  • A small clipping with the title "Sunday, December 12" is partially visible, but the rest of the text is illegible.

In summary, the scrapbook page features a mix of articles and clippings related to art and photography, including a prominent article on the growing acceptance of photography in museums and another on an exhibition of prints by graphic artists. The page also includes smaller clippings and notes, which provide additional context and information about the featured articles.

This image presents a page from a scrapbook or photo album, featuring a collection of newspaper clippings and photographs. The top clipping, dated November 21, 1971, is titled "Museums' new interest reflects photography's gain" and discusses the growing acceptance of photography as a form of art. Below this, a clipping titled "Prisons, prisoners and prints" showcases a series of black-and-white photographs depicting prisoners in various settings.

The page also includes several smaller clippings, including one announcing an exhibition at the Fogg Art Museum and another mentioning a party hosted by the museum. Additionally, there are two ticket stubs, one for a performance of "La Discolheque" and another for a dance party at the Fogg Art Museum.

Overall, the image provides a glimpse into the world of art and culture in the early 1970s, highlighting the increasing recognition of photography as a legitimate art form and the diverse range of events and exhibitions taking place at the time.

The image presents a scrapbook page featuring a collection of newspaper clippings and other ephemera related to art and museums.

The page is divided into several sections, each containing different types of content.

Main Clipping

• The main clipping is a newspaper article titled "Museums' new interest reflects photography's gain" from the Boston Sunday Globe, dated November 21, 1971.
• The article discusses the growing acceptance of photography as a medium in museums and its increasing popularity among art collectors.

Additional Clippings

• Below the main clipping are three black-and-white images with captions, showcasing various artworks.
• To the right of the main clipping is a smaller article about a party at the Fogg Art Museum.
• Further down the page, there are several other clippings, including an article about art and a notice for a gallery tour.

Other Items

• The page also includes some handwritten notes and a ticket stub from a party.

Overall

The scrapbook page appears to be a collection of memorabilia related to the art world, likely compiled by someone with an interest in photography and museums. The inclusion of various newspaper clippings and other ephemera suggests that the creator of the scrapbook was actively engaged with the art community and wanted to document their experiences and interests.

The image presents a scrapbook page featuring newspaper clippings and photographs, with the main article discussing the growing acceptance of photography as a significant art form. The page is divided into sections, each containing various items.

• Newspaper Clippings:
  • The top clipping from the Boston Sunday Globe, dated November 21, 1971, has the headline "Museums' new interest reflects photography's gain" and discusses the increasing recognition of photography as an important visual art medium.
  • Another clipping from The Gazette, dated December 3, 1971, appears to be an advertisement for a gallery tour at the Fogg Art Museum.
  • A third clipping, partially visible, seems to be related to art and mentions a party at the Fogg Art Museum.
• Photographs:
  • A black-and-white photograph shows a group of people gathered around a table, with some individuals standing and others seated.
  • Another photograph depicts a man sitting in a chair, looking up at a woman who is standing beside him.
  • A third photograph features a group of people gathered around a body of water, with some individuals standing on the shore and others in boats.
• Other Items:
  • A handwritten note reads "Harry Bull May 20, 1971."
  • A ticket stub for a party at the Fogg Art Museum is also included.

In summary, the image showcases a scrapbook page with newspaper clippings and photographs that highlight the growing recognition of photography as an art form, as well as other related events and exhibitions.

The image shows a page from a scrapbook or album containing various newspaper clippings and articles related to art and museum exhibitions. The page is dated November 21, 1971, and includes several articles and images from the Boston Sunday Globe.

1. Top Article:

   • Title: "Museums' new interest reflects photography's gain"
   • Author: C.E. Shannon, Globe Correspondent
   • Summary: The article discusses the growing acceptance of photography as an art form in the 20th century. It mentions that museums are increasingly reflecting this trend by including photography in their collections and exhibitions. The article highlights the Fogg Art Museum's current show of 19th-century prints and the Worcester Museum's exhibition of Ben Shahn prints.

2. Middle Article:

   • Title: "Prisons, prisoners and prints"
   • Author: Harry Bull
   • Summary: This article reviews an exhibition at the Fogg Art Museum featuring prints by Philippe Galle, Pieter Bruegel the Elder, and others. The exhibition, titled "Prisons and the Prisoner," showcases prints from the 16th to the 20th century, including works by Francisco Goya and Leonardo Bistolfi.

3. Images:

   • The page includes several images related to the articles. One image shows a detailed print of a prison scene, likely from the exhibition mentioned in the middle article. Another image depicts a scene from a 16th-century woodcut by Leonardo Bistolfi.

4. Additional Clippings:

   • There are smaller clippings and notes scattered around the page, including a note about an event at the Fogg Art Museum on December 12, 1971, and a clipping about an art exhibition at the La Discipline Gallery.

Overall, the page is a collection of articles and images that highlight the growing interest in photography as an art form and the significance of print exhibitions in museums during the early 1970s.