Archives Scrapbooks

This image appears to be a scanned page from a newspaper or magazine, possibly from the year 1971. The page contains multiple articles and print reproductions, which are likely related to art, museums, and photography. Here's a breakdown of the visible content:

1. Top Article:

   • The title reads: "Museums' new interest reflects photography's gain."
   • It discusses the growing acceptance of photography as a significant art form and how this is being reflected in museum collections and exhibitions. The article highlights the Worcester Museum and the Fogg Museum's exhibitions, emphasizing the importance of photographs in their collections.

2. Center Article:

   • Titled: "Prisons, prisoners and prints."
   • This article discusses an exhibition titled "Prisons and the Prisoner" at the Fogg Museum, which featured prints from the 16th to the 20th century. The reproductions include works by artists like Pieter Breughel, Goya, and Daumier. The article includes images of prints related to the theme of justice and imprisonment.

3. Right Column Articles:

   • A smaller article titled "PULITZER PARTY" describes an event at the Fogg Art Museum in Cambridge, Massachusetts, featuring a private collection by Joseph Pulitzer Jr.
   • Another article titled "Harvard Sets Art Guidelines" discusses the Harvard University's new guidelines for art acquisitions and collecting policies, aimed at eliminating the black market in art acquisitions.

4. Bottom Articles:

   • Two additional articles are partially visible at the bottom of the page. One is titled "Sunday, December 12," which seems to mention a gallery tour at the Fogg Art Museum, and the other is a continuation of the article on Harvard's art acquisition guidelines.

The overall layout suggests that this page is part of a scrapbook or a collection of articles related to art and cultural events from 1971.

This image appears to be a scrapbook or archive page with various newspaper clippings and articles related to art and photography from the early 1970s. The page is divided into several sections, each containing different articles and images.

1. Top Section:

   • The main headline reads: "Museums' new interest reflects photography's gain" by C. R. Wasserman, Globe Correspondent. The article discusses the growing acceptance of photography as an important visual art medium, highlighting various museums' efforts to incorporate photography into their collections and exhibitions.
   • There is a reference to the Worcester Museum's photography collection and the Fogg Museum's exhibition of prints from their master collection.

2. Middle Section:

   • The article "Prisons, prisoners and prints" discusses an exhibit at the Fogg Museum featuring works by artists such as Philippe Galle, Piranesi, Goya, Daumier, Bellows, Grosz, and Kollwitz. The exhibit was curated by Ruth S. Magurn.
   • There are three illustrations accompanying this article:
     • A 16th-century engraving by Hieronymous Cock after Pieter Brueghel titled "The Seven Cardinal Virtues: Justice."
     • A 19th-century lithograph by Honoré Daumier titled "Gens de Justice: 'You say you stole because you were hungry — that is no excuse.'"
     • A 20th-century woodcut by Leopoldo Mendez titled "Deportation to Death."

3. Bottom Section:

   • An article titled "Harvard Sets Art Guidelines" by Meredith A. Palmer discusses the Bond Report, which calls for Harvard to join with other responsible institutions and collectors to eliminate or diminish the power of the black market in acquisitions of artworks and antiquities.
   • There is also a mention of a Pulitzer party at the Fogg Art Museum and a gallery tour for the Joseph Pulitzer, Jr. Collection.

4. Additional Notes:

   • There are handwritten notes and dates on the page, such as "Nov. 22, 1971" and "Sunday, December 12."
   • The page includes a small ticket for a gallery tour on December 12, 1971.

Overall, the page is a collection of articles and images related to art exhibitions, particularly focusing on photography and prints, with a strong emphasis on the Fogg Museum and Harvard's policies on art acquisitions.

This image shows an open scrapbook page displaying a carefully preserved and annotated newspaper clipping from the Boston Sunday Globe, dated November 21, 1971.

The dominant feature is a full-page article titled “Museums’ new interest reflects photography’s gain,” written by C.R. Wasserman, Globe Correspondent. The article discusses the rising institutional and public appreciation for photography as a fine art medium, highlighting how museums are increasingly incorporating photographic prints into their permanent collections and exhibitions.

Beneath the main text, a prominent layout section titled “Prisons, prisoners and prints” showcases several historical prints, including:

• “The Seven Cardinal Virtues: ‘Justice’” by Hieronymous Cock (after Peter Brueghel), a 16th-century engraving.
• “Gens de Justice” by Honoré Daumier, a 19th-century lithograph, with an excerpt: “You say you stole because you were hungry — that is no excuse.”
• “Deportation to Death” by Leopoldo Mendez, a 20th-century woodcut.

Handwritten in black ink next to this section is a signature: “Harv. Bull” followed by “Nov 22, 1971”, indicating the article was likely clipped and saved by someone named “Harv. Bull” the day after its publication.

Other smaller clippings on the page include:

• A brief report on the “PULITZER PARTY” at the Fogg Art Museum, celebrating the opening of the Joseph Pulitzer, Jr. collection.
• An article titled “Harvard Sets Art Guidelines” by Meredith A. Palmer, which discusses Harvard’s new policy on art acquisitions to eliminate speculation and “hot art” markets.
• A small notice from The Gazette (December 3, 1971) advertising a “Gallery Tour!” at the Fogg Art Museum on Sunday, December 12, 1971, featuring Joseph Pulitzer, Jr.’s collection, with Jeanne Wasserman as Honorary Curator.

The entire clipping is mounted on heavy brown cardstock, suggesting a deliberate, archival approach to preserving the material. The image captures a historical moment in art criticism and museum practice, showcasing how photography was gaining legitimacy alongside traditional printmaking, while also documenting a specific individual’s interest in art news and Harvard-related cultural events.

The image shows a scrapbook page with various clippings, photographs, and text, suggesting it is a collection of articles and images related to art and photography. The page is divided into sections, each with a different theme or article.

In the top left corner, there is a headline "Museums' new interest reflects photography's gain," followed by a photograph of a crowd gathered around a display of art, possibly in a museum setting. Below this, there are several smaller clippings with text discussing the importance of photography in art museums and the acquisition of photographs by museums.

To the right of the main headline, there is a section titled "Prisons, prisoners and prints," featuring a black-and-white photograph of a crowded room with people gathered around a table. This section seems to discuss the theme of prisons and prisoners in art.

Below the "Prisons, prisoners and prints" section, there is another article titled "Harvard Sets Art Guidelines," which appears to be about new guidelines set by Harvard University regarding art acquisitions and exhibitions.

The bottom section of the page contains a clipping from "The Gazette" dated December 3, 1971, with a headline about the Fogg Art Museum's collection of 19th and 20th-century sculpture. This clipping includes a photograph of a sculpture and some text discussing the museum's collection.

Overall, the scrapbook page appears to be a curated collection of articles and images related to art, photography, and museum practices, reflecting the growing interest in photography as an art form and the evolving guidelines and practices in the art world during the late 20th century.

The image shows a page from a scrapbook or a collection of clippings. The page contains several newspaper articles and clippings from the 1970s. The articles are about photography, museums, and art exhibitions. The clippings are arranged in a grid-like pattern on the page. The articles are about the growing interest in photography as an art form, the expansion of museums, and the acquisition of art by institutions. The page has a vintage look, with the text and images appearing slightly faded and yellowed.

The image shows a page from a newspaper or magazine, specifically from the Boston Sunday Globe, dated November 21, 1971. The page is titled "Museums' new interest reflects photography's gain" and is authored by C.R. Wasserman, a Globe Correspondent. The article discusses the growing acceptance and recognition of photography as an art form, highlighting its increasing presence in museums and galleries.

Key Elements of the Page:

Header and Title:

• Date and Publication: The top of the page clearly states the date (November 21, 1971) and the publication (Boston Sunday Globe).
• Title: The bold headline reads "Museums' new interest reflects photography's gain", indicating the central theme of the article.

Article Content:

• The article discusses how photography is gaining prominence in art institutions. It mentions:
  • The Worcester Museum in Massachusetts, which now maintains an exhibition room dedicated to photography.
  • The Museum of Fine Arts in Boston, which recently republished a collection of photographs by Gertrude Käsebier and Alfred Stieglitz.
  • The Fogg Art Museum at Harvard University, which is exhibiting a collection of photographs, including works by Ansel Adams and Edward Steichen.
  • The National Endowment for the Arts, which awarded a grant of $10,000 to match funds raised by the University of Pennsylvania for purchasing photographs.

Visual Elements:

• Photographs: The page includes several black-and-white photographs that illustrate the article’s content:
  1. Top Left: A photograph titled "Prisons, prisoners and prints", showing a group of individuals in a prison setting. The caption references an exhibit at the Fogg Art Museum from November 16 to 30, 1971, featuring works by artists such as Goya, Daumier, Bellows, Groz, and Kobitz.
  2. Bottom Left: A photograph titled "Honoré Daumier, Gens de Justice: 'You say you stole because you were hungry — that is no excuse'", dated 19th century.
  3. Bottom Right: A photograph titled "Leopoldo Mendez: Deportation to Death", dated 20th century.

Additional Articles:

• The page also includes snippets from other articles:
  • "Pulitzer Party": Mentions a private party held at the Fogg Art Museum in Cambridge, Massachusetts, attended by notable figures such as Rosamond Bernier, Ms. Paul Tab, Ms. Arthur Carter, Ms. Arthur Brock, Ms. Perry Rathbone, Ms. Brooks Brown, and Ms. National Gallery, Washington.
  • "Harvard Sets Art Guidelines": Discusses a report by Meredithea Palmer from the Corporation for Academic Study and Research in Art, which outlines new guidelines for art acquisitions at Harvard University.

Layout and Design:

• The page features a clean, newspaper-style layout with clear headings, subheadings, and photographs.
• The text is organized into paragraphs, with key points highlighted through subheadings and captions beneath the photographs.
• The page number (8) and the date (December 3, 1971) are visible at the bottom, indicating this is part of a larger publication.

Summary:

The image depicts a page from the Boston Sunday Globe dated November 21, 1971, focusing on the growing recognition of photography as an art form. The article highlights institutional acceptance, notable exhibitions, and financial support for photography. Accompanying photographs illustrate historical and contemporary works, while additional snippets provide context about related events and policies at Harvard University. The layout is typical of a newspaper, with clear headings, captions, and organized text.

The image shows a newspaper clipping from "Boston Sunday Globe," dated November 21, 1971, featuring an article titled "PHOTO ART." The article, "Museums' new interest reflects photography's gain," discusses the increasing acceptance of photography as a form of fine art by museums and the art community. The author, C.R. Wasserman, writes about how this shift is impacting art museums, including exhibitions and collections.

The lower portion of the image displays additional content unrelated to the main article, such as a smaller article titled "Prisons, prisoners and prints" and on the far right, a section captioned "Harvard Sets Art Guidelines". There's also an area towards the bottom that mentions events occurring on Sunday, December 12, including a gallery affair.

Photographic prints are shown in the newspaper, providing visual examples corresponding to the articles. The prints depict a variety of subjects and styles, from a large group of figures in one to a more personal moment in another.

The newspaper lies open on a flat surface, and the photograph captures the entire spread, including the crease where the newspaper is folded. The material around the edges appears slightly worn, suggesting use and age.

This image shows a scrapbook page with various newspaper clippings attached. The clippings mainly focus on the topic of photography, art exhibitions, and museum activities, many dated around 1971.

• The top section features an article titled "Museums' new interest reflects photography's gain," from the Boston Sunday Globe dated November 21, 1971. It discusses how photography is gaining acceptance as an important visual art medium.
• Below this are several black-and-white illustrations related to the theme of prisons and prisoners, accompanied by text titled "Prisons, prisoners and prints," explaining an exhibition at the Fogg Museum featuring graphic artists from the 16th to 20th centuries.
• To the right, there is a clipping about a "Pulitzer Party" at the Fogg Art Museum, describing the kickoff of an exhibition for Joseph Pulitzer Jr.'s collection.
• In the bottom right corner, there's a clipping titled "Harvard Sets Art Guidelines," discussing Harvard's new acquisition policies for art, including loans and purchases.
• Near the bottom center, a smaller piece of clipping labeled December 3, 1971, from The Gazette, mentions a gallery tour at the Fogg Art Museum.

The scrapbook page is neatly arranged with a neutral brown background, and the clippings are mainly text with some images, all related to arts, photography, and museum exhibitions from the early 1970s.

This image is a scrapbook-style page featuring clippings of articles, photographs, and illustrations related to art, museums, and photography. The pieces are pasted onto a beige background with text primarily from newspaper columns. Here are the main elements:

1. Top Section:

   • A newspaper article titled "Museums' new interest reflects photography's gain", dated November 21, 1971, from the Boston Sunday Globe. It discusses the growing acceptance of photography as an art form and how museums are increasingly exhibiting photographic works.

2. Middle Section:

   • Another article titled "Prisons, prisoners and prints" includes black-and-white illustrations:
     • A crowded scene showing many people, likely "The Seven Cardinal Virtues" by Pieter Brueghel.
     • A smaller illustration of Honoré Daumier’s work depicting a judicial scene with a humorous caption.
     • A graphic print titled “Deportation to Death,” reflecting a somber, dramatic moment in black and white.

3. Right Panel:

   • A clipping titled "Harvard Sets Art Guidelines" by Meredith A. Palmer discusses Harvard University setting stricter regulations for the acquisition of art collections.
   • Additionally, a short blurb mentions a "Pulitzer Party" at Fogg Art Museum and highlights notable recent acquisitions.

4. Bottom Section:

   • A note about an art gallery tour on December 12, 1971.

This page documents the interest in the fine arts, specifically photography, and provides some context for how art institutions engaged with different types of artworks and exhibitions during the early 1970s.

This is a scrapbook page or photo collage pasted onto brown kraft paper. It collects several newspaper clippings from around 1971 about art and photography. The top clipping is a Boston Sunday Globe article titled “Museums’ new interest reflects photography’s gain” (Nov. 21, 1971). Below and to the sides are smaller clippings with headlines such as “Prisons, prisoners and prints,” “Pulitzer party: The Fogg Art Museum,” and “Harvard Sets Art Guidelines.” There are a few black-and-white image cutouts showing art scenes and people, including a large multi-figure illustration and some smaller photos or captions. The overall look is an archival montage of articles about art, photography, and museum policy, arranged on aged brown paper with visible glue or tape marks. If you want, I can zoom in on a section to read any visible captions more clearly.