Archives Scrapbooks

The image is a scrapbook page featuring various newspaper clippings and images related to art exhibitions and museum activities. Here is a detailed summary of the contents:

1. Top Left Clipping:

   • Title: "Museums' new interest reflects photography's gain"
   • Source: Boston Sunday Globe, Nov. 21, 1971
   • Author: C.R. Wasserman
   • Content: Discusses the growing acceptance of photography as a fine art in museums. Mentions the Museum of Fine Arts' recent acquisition of photographs and the Worcester Museum's exhibition of prints.

2. Top Right Clipping:

   • Title: "Prisons, prisoners and prints"
   • Source: Unknown
   • Content: Describes a lecture by Peter Brieger, a 17th-century art specialist, on the Fogg Art Museum's collection of prints related to prisons and prisoners.

3. Bottom Left Clipping:

   • Title: "Pulitzer Party"
   • Source: Unknown
   • Content: Reports on a party held at the Fogg Art Museum in honor of Joseph Pulitzer, Jr., with notable attendees including Bernard Berenson and Francis Henry Taylor.

4. Bottom Right Clipping:

   • Title: "Harvard Sets Art Guidelines"
   • Source: Unknown
   • Author: Meredith A. Palmer
   • Content: Discusses Harvard Corporation's approval of guidelines for art acquisitions, aiming to avoid the acquisition of looted art.

5. Images:

   • Three black-and-white images are included:
     • Top Image: A detailed print depicting a crowded scene, possibly a historical or religious event.
     • Bottom Left Image: "Honore Daumier: Genre de Justice" - A 19th-century print showing a courtroom scene.
     • Bottom Right Image: "Leopoldo Metlicovitz: Departure to Death" - A 20th-century print showing a dramatic scene.

6. Bottom Center Clipping:

   • Title: "Sunday, December 12"
   • Source: Unknown
   • Content: Lists an event at the Fogg Art Museum featuring a lecture by Jeanne Wasserman on Rembrandt's etchings.

The scrapbook page is a collage of articles and images that reflect the art scene and museum activities of the time, particularly focusing on the recognition of photography as fine art and various exhibitions and lectures held at museums.

The image is a collage of newspaper clippings from various sections and dates, primarily focusing on art and photography.

1. Top Left:

   • Headline: "Museums' new interest reflects photography's gain"
   • Date: November 21, 1971, Boston Sunday Globe
   • Article: Written by C. R. Wasserman, the article discusses how museums are increasingly accepting photography as a significant art form. It mentions the Worcester Art Museum's exhibitions and the growing acceptance of photography in galleries.

2. Center Left:

   • Images:
     • A black-and-white photograph of a busy prison scene, captioned "Prisons and the Prisoner."
     • A lithograph by Honore Daumier titled "Gens de Justice" ("You say you stole something? That is no excuse!").
     • A woodcut by Leopoldo Méndez titled "Departation to Death."
   • Article: The clipping mentions a show of prints at the Fogg Art Museum, highlighting works by artists such as Daumier and Méndez, with a focus on prison themes.

3. Top Right:

   • Article Headline: "Women's Wear Daily, November 17, 1971"
   • Details: A brief note about the Fog Museum's Pulitzer Party, mentioning notable attendees like Paul Newman and Ms. Andre Kostelanetz.

4. Bottom Left:

   • Event Announcement: "Gallery Tour (Fogg Art Museum)" on December 3, 1971, by Joseph Janes, Honorary Curator of 19th and 20th Century Sculpture.
   • Date: December 12, 1971, from The Gazette.

5. Bottom Center:

   • Headline: "Harvard Sets Art Guidelines"
   • Date: December 3, 1971
   • Article: Discusses Harvard's new policy on art acquisitions, aiming to eliminate the "black market" in art by establishing strict guidelines for purchases, including a requirement for all purchases to be made at a fair market value.

The clippings collectively highlight the growing importance of photography in the art world, specific exhibitions and events at the Fogg Art Museum, and Harvard's new policies on art acquisitions.

The image shows a collection of newspaper clippings related to the growing acceptance of photography within the museum world, primarily from the Boston area.

1. Top Clipping (Boston Sunday Globe, November 21, 1971):

   • Title: "Museums' new interest reflects photography's gain."
   • Article: By C. R. Wasserman, this article discusses the increasing importance of visual media, particularly photography, in contemporary museums. It highlights how museums are increasingly showing photographic prints in their exhibitions, sometimes even in conjunction with traditional art forms.
   • Key Points:
     • Discusses exhibitions at the Worcester Museum and the Museum of Fine Arts.
     • Mentions the inclusion of photographic prints in major exhibitions.
     • Notes the significance of the photographic medium in the current art scene.

2. Middle Left Clipping:

   • Image: A collage of black-and-white photographs depicting scenes of prisoners and various artworks.
   • Text: Headline reads "Prisons, prisoners and prints." It mentions an exhibit titled "Prisons and the Prisoner" that features artwork by artists like Honore Daumier, Goya, and others.
   • Details: Includes the names and dates of notable exhibits, such as "The Seven Cardinal Virtues: Justice" and mentions historical and contemporary works.

3. Middle Right Clipping (November 17, 1971):

   • Title: "Pulitzer Party: The Fogg Art Museum"
   • Details: Discusses a private party hosted by the Fogg Art Museum in Cambridge, Massachusetts, for prominent art collectors and critics.

4. Bottom Clipping (December 3, 1971, The Gazette):

   • Title: "Gallery Youth (Fogg Art Museum) Joseph A. Peixotto, Hon. Curator of 19th and 20th Century Sculpture, Gallery 11-14, Fogg, 3 p.m."
   • Event: Announcement of a gallery event at the Fogg Art Museum.

5. Bottom Right Clipping (December 12, 1971):

   • Article: "Harvard Sets Art Guidelines"
   • Article: By Meredith A. Palmer, it describes the approval of the Harvard Corporation’s bond report, which sets new guidelines for art acquisitions.
   • Key Points:
     • Harvard's new policy to acquire art with a stronger focus on contemporary American artists.
     • Emphasis on reducing the influence of the black market in acquisitions.
     • The report's demand for a formal statement on contemporary art and its acquisition policies.

Together, these clippings highlight the evolving role of photography in art museums, the inclusion of contemporary and historical artworks related to prisons, and Harvard’s strategic guidelines for art acquisitions.

The image shows a page from a scrapbook or a collection, featuring several newspaper clippings. The clippings are from the Boston Sunday Globe, dated November 21, 1971. The main article on the page is titled "Museums' new interest reflects photography's gain," written by C.R. Wasserman, which discusses the growing acceptance of photography as an art form in museums. The article mentions various museums and their collections, as well as the trend of museums acquiring photographic works.

There are also other clippings on the page, including an article titled "Prisons, prisoners and prints," which appears to be about an exhibition at the Fogg Art Museum featuring prints from the 16th to the 20th century. Another clipping titled "Harvard Sets Art Guidelines" by Meredith A. Palmer discusses Harvard's approval of guidelines for acquiring, loaning, and disposing of works of art.

The page also includes a small clipping about an event at the Fogg Art Museum, titled "PULITZER PARTY," and some handwritten notes. The overall layout suggests that the page is part of a collection of articles related to art, museums, and cultural events, possibly compiled by an individual interested in these topics.

The image is a newspaper spread from the Boston Sunday Globe, dated November 21, 1971. It features several articles and images related to photography and museums:

1. Main Article: "Museums' new interest reflects photography's gain"

   • Written by C.R. Wasserman, the article discusses the growing recognition of photography as an important visual art form. It highlights that many museums, which previously had limited or no space for photography, are now dedicating more resources to it.
   • The Museum of Fine Arts in Boston is noted for its rapid expansion in collecting photographs, with an emphasis on acquiring significant works by prominent photographers.
   • The Fogg Art Museum at Harvard is also mentioned for its ongoing efforts to expand its photography collection, with curators aiming to balance historical importance and aesthetic quality.

2. Photo Gallery: "Prisons, prisoners"

   • This section showcases a collection of prints from the 16th to the 20th century, depicting scenes of prisons and prisoners.
   • Featured images include:
     • An anonymous etching after Pieter Brueghel, "The Seven Cardinal Virtues: 'Justice'."
     • Works by artists like Giovanni Battista Piranesi, Francisco Goya, Honoré Daumier, Käthe Kollwitz, and Leopoldo Méndez.
   • The exhibition is part of a show at the Fogg Art Museum curated by Marjorie B. Cohn and Caroline Karpinski.

3. Side Article: "Pulitzer Party"

   • The Fogg Art Museum in Cambridge held a party celebrating the reopening of its print room after being closed for the summer.
   • The event was attended by notable figures such as artist Robert Rauschenberg and Perry Rathbone, former director of the Museum of Fine Arts.

4. Side Article: "Harvard Sets Art Guidelines"

   • By Meredith Palmer, this article discusses Harvard University's new guidelines for art acquisitions.
   • The Corporation approved a policy to eliminate or reduce the purchase of art objects from certain regions and periods to avoid the black market trade of antiquities.
   • The guidelines were a response to a report from a committee chaired by Professor John Rosenfield.

5. Miscellaneous:

   • There are also small excerpts and announcements, including an event listing for a lecture at the Fogg Art Museum on December 12, 1971, by Gloria C. Wasserman.

Overall, the newspaper spread emphasizes the increasing importance and institutional recognition of photography, along with updates on museum activities and ethical guidelines for art acquisitions.

The image shows a collage of newspaper clippings from the late 1970s, focusing on the topic of photography and art. Here is a detailed summary of each section:

1. Main Article (Top Left)

   • Headline: "Museums' new interest reflects photography's gain"
   • Author: C. R. Wazerman, Globe Correspondent
   • Date: November 21, 1971, Boston Sunday Globe
   • Content: The article discusses the growing acceptance of photography as an important visual art medium. It mentions various museums, including the Worcester Art Museum and the Museum of Fine Arts, which have started to include photographic works in their exhibitions. The article highlights the increasing recognition of photography in the art world, with specific mentions of exhibitions and donations of photographic prints to museums.

2. Exhibition Review (Bottom Left)

   • Headline: "Prisons, prisoners and prints"
   • Content: This section reviews an exhibit at the Fogg Art Museum featuring graphic art related to prisons and prisoners from the 16th to the 20th century. The exhibit includes works by artists such as Goya, Daumier, and others, and was curated by Seymour Slive. The images displayed include etchings and woodcuts depicting prison scenes.

3. Pulitzer Party Article (Middle Right)

   • Headline: "Pulitzer Party"
   • Date: November 17, 1971
   • Content: This article mentions the Fogg Art Museum's week-long exhibition of the private collection of the Pulitzer family. The event was described as a private party for Pulitzer family members and notable guests such as Paul Mellon and Mrs. Arthur Brooks, Jr.

4. Harvard Art Guidelines (Bottom Right)

   • Headline: "Harvard Sets Art Guidelines"
   • Author: Meredith A. Palmer
   • Date: December 3, 1971, The Gazette
   • Content: This article discusses Harvard's newly approved acquisition policy for art, which aims to eliminate or at least diminish the power of the "black market" in acquisitions of artwork. It mentions that Harvard is adopting a strong position against the acquisition of stolen art treasures and emphasizes the need for transparency and ethical standards in the acquisition process.

5. Gallery Tour Announcement (Middle Bottom)

   • Headline: "Gallery Tour"
   • Date: December 12
   • Content: This is a short notice about a gallery tour at the Fogg Art Museum, led by Joseph J. Rishel, Honorary Curator of 19th- and 20th-Century Sculpture, Gallery 11-14, Fogg.

The clippings collectively reflect a period where photography was gaining recognition in the art world and museums were expanding their collections to include photographic works. They also highlight specific exhibitions, acquisitions, and policies related to art and photography during that time.

This image shows a scrapbook page with various newspaper clippings attached. The clippings mainly focus on the topic of photography, art exhibitions, and museum activities, many dated around 1971.

• The top section features an article titled "Museums' new interest reflects photography's gain," from the Boston Sunday Globe dated November 21, 1971. It discusses how photography is gaining acceptance as an important visual art medium.
• Below this are several black-and-white illustrations related to the theme of prisons and prisoners, accompanied by text titled "Prisons, prisoners and prints," explaining an exhibition at the Fogg Museum featuring graphic artists from the 16th to 20th centuries.
• To the right, there is a clipping about a "Pulitzer Party" at the Fogg Art Museum, describing the kickoff of an exhibition for Joseph Pulitzer Jr.'s collection.
• In the bottom right corner, there's a clipping titled "Harvard Sets Art Guidelines," discussing Harvard's new acquisition policies for art, including loans and purchases.
• Near the bottom center, a smaller piece of clipping labeled December 3, 1971, from The Gazette, mentions a gallery tour at the Fogg Art Museum.

The scrapbook page is neatly arranged with a neutral brown background, and the clippings are mainly text with some images, all related to arts, photography, and museum exhibitions from the early 1970s.

The image shows a newspaper clipping from "Boston Sunday Globe," dated November 21, 1971, featuring an article titled "PHOTO ART." The article, "Museums' new interest reflects photography's gain," discusses the increasing acceptance of photography as a form of fine art by museums and the art community. The author, C.R. Wasserman, writes about how this shift is impacting art museums, including exhibitions and collections.

The lower portion of the image displays additional content unrelated to the main article, such as a smaller article titled "Prisons, prisoners and prints" and on the far right, a section captioned "Harvard Sets Art Guidelines". There's also an area towards the bottom that mentions events occurring on Sunday, December 12, including a gallery affair.

Photographic prints are shown in the newspaper, providing visual examples corresponding to the articles. The prints depict a variety of subjects and styles, from a large group of figures in one to a more personal moment in another.

The newspaper lies open on a flat surface, and the photograph captures the entire spread, including the crease where the newspaper is folded. The material around the edges appears slightly worn, suggesting use and age.

The image shows a page from a newspaper or magazine, specifically from the Boston Sunday Globe, dated November 21, 1971. The page is titled "Museums' new interest reflects photography's gain" and is authored by C.R. Wasserman, a Globe Correspondent. The article discusses the growing acceptance and recognition of photography as an art form, highlighting its increasing presence in museums and galleries.

Key Elements of the Page:

Header and Title:

• Date and Publication: The top of the page clearly states the date (November 21, 1971) and the publication (Boston Sunday Globe).
• Title: The bold headline reads "Museums' new interest reflects photography's gain", indicating the central theme of the article.

Article Content:

• The article discusses how photography is gaining prominence in art institutions. It mentions:
  • The Worcester Museum in Massachusetts, which now maintains an exhibition room dedicated to photography.
  • The Museum of Fine Arts in Boston, which recently republished a collection of photographs by Gertrude Käsebier and Alfred Stieglitz.
  • The Fogg Art Museum at Harvard University, which is exhibiting a collection of photographs, including works by Ansel Adams and Edward Steichen.
  • The National Endowment for the Arts, which awarded a grant of $10,000 to match funds raised by the University of Pennsylvania for purchasing photographs.

Visual Elements:

• Photographs: The page includes several black-and-white photographs that illustrate the article’s content:
  1. Top Left: A photograph titled "Prisons, prisoners and prints", showing a group of individuals in a prison setting. The caption references an exhibit at the Fogg Art Museum from November 16 to 30, 1971, featuring works by artists such as Goya, Daumier, Bellows, Groz, and Kobitz.
  2. Bottom Left: A photograph titled "Honoré Daumier, Gens de Justice: 'You say you stole because you were hungry — that is no excuse'", dated 19th century.
  3. Bottom Right: A photograph titled "Leopoldo Mendez: Deportation to Death", dated 20th century.

Additional Articles:

• The page also includes snippets from other articles:
  • "Pulitzer Party": Mentions a private party held at the Fogg Art Museum in Cambridge, Massachusetts, attended by notable figures such as Rosamond Bernier, Ms. Paul Tab, Ms. Arthur Carter, Ms. Arthur Brock, Ms. Perry Rathbone, Ms. Brooks Brown, and Ms. National Gallery, Washington.
  • "Harvard Sets Art Guidelines": Discusses a report by Meredithea Palmer from the Corporation for Academic Study and Research in Art, which outlines new guidelines for art acquisitions at Harvard University.

Layout and Design:

• The page features a clean, newspaper-style layout with clear headings, subheadings, and photographs.
• The text is organized into paragraphs, with key points highlighted through subheadings and captions beneath the photographs.
• The page number (8) and the date (December 3, 1971) are visible at the bottom, indicating this is part of a larger publication.

Summary:

The image depicts a page from the Boston Sunday Globe dated November 21, 1971, focusing on the growing recognition of photography as an art form. The article highlights institutional acceptance, notable exhibitions, and financial support for photography. Accompanying photographs illustrate historical and contemporary works, while additional snippets provide context about related events and policies at Harvard University. The layout is typical of a newspaper, with clear headings, captions, and organized text.

The image shows a scrapbook page with various clippings, photographs, and text, suggesting it is a collection of articles and images related to art and photography. The page is divided into sections, each with a different theme or article.

In the top left corner, there is a headline "Museums' new interest reflects photography's gain," followed by a photograph of a crowd gathered around a display of art, possibly in a museum setting. Below this, there are several smaller clippings with text discussing the importance of photography in art museums and the acquisition of photographs by museums.

To the right of the main headline, there is a section titled "Prisons, prisoners and prints," featuring a black-and-white photograph of a crowded room with people gathered around a table. This section seems to discuss the theme of prisons and prisoners in art.

Below the "Prisons, prisoners and prints" section, there is another article titled "Harvard Sets Art Guidelines," which appears to be about new guidelines set by Harvard University regarding art acquisitions and exhibitions.

The bottom section of the page contains a clipping from "The Gazette" dated December 3, 1971, with a headline about the Fogg Art Museum's collection of 19th and 20th-century sculpture. This clipping includes a photograph of a sculpture and some text discussing the museum's collection.

Overall, the scrapbook page appears to be a curated collection of articles and images related to art, photography, and museum practices, reflecting the growing interest in photography as an art form and the evolving guidelines and practices in the art world during the late 20th century.