Archives Scrapbooks

This image displays an open page from a vintage scrapbook or clipping album, likely from the early 1970s, with yellowed, aged paper. The page is meticulously compiled with newspaper and magazine clippings, photographs, and handwritten notes, all centered around art exhibitions and artists, particularly from Harvard’s Fogg Art Museum and the Busch-Reisinger Museum.

Main Article: “Christian Science Monitor, 4 Nov 71”

At the top left is an article titled “Christian Science Monitor, 4 Nov 71” by William Germaine Dooley. It discusses late 19th-century romantic and symbolic painting, especially focusing on children’s themes in art after the Franco-Prussian War and the American Civil War. The article highlights the work of Dutch artist Matthew Maris (1839–1917), who created tender studies of children, such as “Little Girl with Butterflies.” It also mentions Pre-Raphaelite poets and artists, comparing Maris to Swinburne and Whistler for his poetic and symbolic use of butterflies.

The article notes that Matthew Maris was born in The Hague, was largely self-taught, and eventually moved to London and later England, where he lived a secluded bachelor life, influenced by late-19th-century medieval romanticism.

Images and Captions

1. “ENFANT COUCHÉE” – Pencil drawing by Matthew Maris
   A small, soft pencil sketch of a sleeping child’s head. It is placed prominently under the article.

2. “LITTLE GIRL WITH BUTTERFLIES” – Oil (9¾” x 7”) by Matthew Maris, 1839–1917
   Below the pencil sketch is a reproduction of an oil painting. The caption notes it is from the collection of the Fogg Art Museum, Harvard University.

3. “Eve” – Bronze Statuette by Franz Barwig (1868–1933)
   On the right side is a photo of a classical bronze nude statue of Eve, standing with one hand on her hip, holding an apple. The caption states it is one of over 20 bronzes and brasses by the Viennese sculptor, on exhibit at the Busch-Reisinger Museum “through November.” The photograph is stamped with a handwritten note:

   “Hannah G.
   Nov 5, 1971”

Museum Exhibition Listings – December 31, 1971

Below the main clippings is a column titled “4 December 31, 1971 The Gazette” listing current exhibitions:

• Busch-Reisinger Museum

  • “A Glove and Other Images of Reverie and Apprehension: The Graphic Suites of Max Klinger” (through Jan. 22)
  • “Visualization of Concepts (Work of Will Burtin)” (through Jan. 7)
  • “Lobby: Light and Structure in Gothic Design” (through Jan. 9)

• Fogg Art Museum

  • “Balcony, 2d Floor: Indian Miniatures, Gift of Professor John Kenneth Galbraith (Economics)” (through Jan. 14)
  • “Gallery 15: Homage to Picasso” (through Feb. 6)

• Gallery Tour in Germant (Busch-Reisinger Museum)

  • “Gallery Tour!” — led by Julia Phelps, Lecturer on German, Busch-Reisinger, at 3 p.m. on Sunday, January 9.

Overall Impression

This scrapbook page represents a thoughtful curation of art events and reviews, likely compiled by someone with an interest in museum exhibitions and 19th-century European art — possibly a student, faculty member, or patron of Harvard’s museums. The inclusion of handwritten dates and names (like “Hannah G.”) suggests personal engagement with these exhibitions. The aged paper, glue marks, and careful placement of clippings give it a nostalgic, archival quality — a tangible record of cultural life in Cambridge, Massachusetts, in late 1971.

The image appears to be a page from a scrapbook or a collection of clippings related to art and cultural events. Here's a breakdown of the visible elements:

1. Top Left Section:

   • A piece of paper with a printed article titled "Christian Science Monitor 4 Nov 71." The text discusses the 19th-century art movement, focusing on romantic paintings and the artist Matthew Maris. It mentions his work, "Little Girl with Butterflies," and provides a brief biography of the artist.

2. Middle Left Section:

   • A black-and-white photograph of a pencil drawing titled "Enfant Couchée" by Matthew Maris.

3. Bottom Left Section:

   • A black-and-white photograph of a painting titled "Little Girl With Butterflies" by Matthew Maris, dated 1839-1917.

4. Right Section:

   • A photograph of a bronze statue titled "Eve" by Franz Barwig. The text below it provides information about the statue, noting that it is part of a collection by Franz Barwig and is on exhibit at the Busch-Reisinger Museum.

5. Bottom Right Section:

   • A piece of paper titled "The Gazette," dated December 31, 1971. It lists upcoming events at the Busch-Reisinger Museum, including gallery tours and exhibits.

The overall theme of the page is related to art, specifically paintings and sculptures, with a focus on historical artists and their works. The page also includes a cultural calendar of events, indicating its use as a record of artistic and historical information.

This image shows a page from a scrapbook or collection with several clippings and photographs related to art and art exhibitions. The top left section contains a printed article discussing the artistic period of the 19th century, focusing on romantic and escapist subjects in painting. Below this text, there is a pencil drawing titled "ENFANT COUCHÉE" by Matthew Maris. Further down, there is a photograph of a painting titled "LITTLE GIRL WITH BUTTERFLIES," also by Matthew Maris.

On the right side of the page, there is a photograph of a brass statuette titled "Eve," created by Franz Barwig. The caption provides information about the artist and the context of the statue.

At the bottom of the page, there are two clippings from "The Gazette" dated December 31, 1971, providing details about various exhibitions and events at the Busch-Reisinger Museum and the Fogg Art Museum, including a gallery tour and lectures. The clippings mention specific dates and times for these events.

The image shows a scrapbook page with various clippings and notes. The page is filled with different types of paper, each with its own content, such as photographs, drawings, and text. The top right corner of the page features a photograph of a statue of a woman, which appears to be a sculpture of Eve by Franz Barwig. Below the statue, there is a note with the date "Nov. 5, 1971."

To the left of the statue, there is a drawing of a child with the text "Enfant Couche" by Matthew Maris. Below the drawing, there is a photograph of a painting titled "Oil, 'Girl with Butterflies'" by Matthew Maris. The painting depicts a girl with butterflies, and the text below it provides information about the painting.

The bottom left corner of the page features a photograph of a painting titled "A Glove and Other Images of Reverence and Apprehension: The Graphic Suites of Max Klinger." The text below the photograph provides information about the painting and the artist.

The page also includes various notes and clippings with text, some of which are difficult to read due to the quality of the image. Overall, the scrapbook page appears to be a collection of art-related materials, including photographs, drawings, and text.

The image shows a collage of various documents and images, including a page from a book, newspaper clippings, photographs, and a drawing. The book page contains text about the artist Matthew Maris and his work, with a photograph of his painting "Little Girl with Butterflies" and a drawing of a baby. The newspaper clippings include articles about art exhibitions, sculptures, and museum events, with photographs of sculptures and drawings. The collage also includes a photograph of a woman and a drawing of a baby.

The image shows an open book or catalog page with a mix of textual content and visual elements. The page appears to be from an art-related publication, likely an exhibition catalog or an art journal. Here is a detailed description:

Textual Content:

1. Left Side:

   • The left portion contains a detailed article or essay about the artist Matthew Marie. The text discusses his work, particularly focusing on his painting titled "Little Girl with Butterflies" from 1913–1917.
   • The article highlights the symbolic and romantic nature of Marie's work, referencing his use of butterflies as a motif and his connection to the Art Nouveau movement. It also mentions his background, noting that he was born in 1883 and was the son of a hard-working printer.
   • The text is attributed to William Germain Lowley, as indicated at the end of the article.

2. Right Side:

   • The right portion includes several smaller sections:
     • Top Right: A captioned image of a bronze statuette titled "Eve" by Franz Barwig (1868–1931), a Viennese sculptor. The caption notes that Barwig created many animal bronzes, with more than 20 displayed at the Busch-Reisinger Museum.
     • Middle Right: A small handwritten note or label that reads "Haward Gazette, Nov. 5, 1971." This suggests the page may have been part of an exhibition or archive from that date.
     • Bottom Right: A list of exhibition events or announcements, including:
       • "Buche and Reisinger Museum: A Glove and Other Images of Reverie and Apprehension: The Graphic Suites of Max Klinger, Carpenter Center."
       • "Visualization of Concepts (Work of Gotli Durin)."
       • "Lobby, Light and Structure in Gothic Design (through Jan. 9)."
       • "Balcony: 14th Indian Floor Miniatures: Gift of Professor Jonas Kohnets Gallagher (through Jan. 6)."
       • "Gallery 35: Homage to Picasso."
       • "Gallery Tour in German (Buche and Reisinger Museum): 'A Glove and Other Images of Reverie and Apprehension: The Graphic Suites of Max Klinger.' Lecture by Julia Phelps, Suite of Max Klinger."

Visual Elements:

1. Images:

   • Top Right: A photograph of a bronze statuette depicting a female figure labeled "Eve". The figure is standing with one arm raised and the other resting on a surface, wearing a flowing garment.
   • Middle Left: A pencil drawing labeled "Enfant Couché" (French for "Lying Child") by Matthew Marie. The drawing shows a small child lying down, with delicate lines capturing the form and posture.
   • Bottom Left: A reproduction of the painting "Little Girl with Butterflies" by Matthew Marie, dated 1913–1917. The painting depicts a young girl surrounded by butterflies, rendered in a soft, impressionistic style.

2. Handwritten Notes:

   • A handwritten note near the top right reads "Haward Gazette, Nov. 5, 1971," indicating the date and possibly the source of the catalog or exhibition.

Layout and Design:

• The page has a structured layout, combining textual descriptions with visual reproductions of artworks.
• The left side is dominated by the article about Matthew Marie, while the right side balances textual annotations with images and exhibition details.
• The overall design suggests this is part of an art museum catalog or exhibition guide, likely from the Busch-Reisinger Museum, as referenced in the text and exhibition listings.

Contextual Clues:

• The inclusion of specific dates (e.g., 1913–1917 for the painting, November 5, 1971 for the catalog) and references to museums and artists indicates that this is an archival or historical document, possibly used for research or exhibition purposes.

In summary, the image depicts a page from an art catalog or exhibition guide, featuring an article about Matthew Marie, visual reproductions of his works, and details about related exhibitions and events. The layout combines textual analysis with visual art, reflecting a scholarly or curatorial context.

This image shows a scrapbook/art collage with various newspaper clippings and items mounted on a page. Here's a description of the featured elements:

1. Top Left Section: A text clipping from the Christian Science Monitor (1971) highlights artistic themes and works. It discusses art from Matthew Maris and the use of butterflies as a symbol.

2. Top Right Section: A black-and-white image of a sculpture titled Eve by Franz Barwig, along with a brief description. It mentions the medium (brass) and where the artwork is exhibited (Busch-Reisinger Museum).

3. Middle Section: A small drawing titled Enfant Couché, a pencil sketch by Matthieu Maris, accompanied by explanatory text.

4. Bottom Left Image: A blurry reproduction of a painting titled Little Girl with Butterflies, 1873, also by Matthieu Maris, with its origin noted as Harvard University's Fogg Art Museum.

5. Bottom Right Section: A clipping from The Gazette, dated December 31, 1971, lists upcoming events and exhibitions, including details about the Busch-Reisinger Museum and discussions of Max Klinger’s prints.

The page appears to document artistic references, exhibitions, and studies related to artists Matthieu Maris and Franz Barwig. The arrangement provides insight into specific art styles, works, and thematic discussions of the era.

The image shows a scrapbook page with several clippings and notes attached to it. The clippings include:

1. A typed article titled "Christian Science Monitor" discussing art related to butterflies, with a mention of Matthew Maris, a Dutch artist.
2. A small pencil drawing labeled "ENFANT COUCHE," which is a sketch by Matthew Maris.
3. An oil painting section titled "LITTLE GIRL WITH BUTTERFLIES," also by Matthew Maris, dated 1829-1917.
4. A photograph of a brass statuette titled "Eve," created by Franz Barwig (1868-1931), a Viennese sculptor. It mentions that the statuette is one of more than 20 brass and bronze pieces by Barwig held in the Busch-Reisinger Museum.
5. Several small typed event listings dated December 31, 1971, and a note about a gallery tour on Sunday, January 9, related to exhibitions at the Busch-Reisinger Museum, covering themes like "A Glove and Other Images of Reverie and Apprehension," "The Graphic Suites of Max Klinger," and other art events.

The page has a handwritten note signed "Herbert Gazett Nov. 5, 1971" near the photo of the statuette. The clippings and notes are carefully arranged on a plain brown scrapbook page.

This image shows a page from a scrapbook or album with a variety of clippings and photographs pasted onto it. The page contains:

1. Newspaper clippings with text, possibly articles or columns, likely discussing subjects related to the other items on the page or art in general.
2. A black and white photograph of a sculpture titled "Eve," described as a "bronze statuette by Franz von Stuck (1863-1928)."
3. A pencil drawing on paper with the caption "Distant Cousins," credited to Matthew Monahan.
4. A small, somewhat faded black and white photograph with the caption "OIL (Little Big Horn Movement), 1927-1977" by Matthew Monahan.
5. Additional smaller pieces of paper, likely more articles, one of which references a gallery tour and an exhibition with dates and details of what appears to be related art events.

The overall content seems to reflect an interest in art, documentation of art pieces, and possibly commentary on art exhibitions or art history. The materials are arranged in a seemingly organized fashion, though the full context of the texts is not visible due to the cropping of the image.

• A single scrapbook page with a brown, aging paper background. The edges are worn, giving it a vintage look.
• Various cut-out clippings are arranged in a loose collage: a tall black-and-white photo of a brass statue titled “Eve” by Franz Barwig on the right; a small label or note attached near it.
• In the center is a small pencil drawing of a sleeping baby labeled “Enfant Couché” by Matthew Moris.
• A few other clipped images surround the center: a darker rectangular image at the bottom left, and a small captioned photo of a little girl with butterflies.
• A larger block of text in the top-left clipping appears to discuss art or painting from a newspaper or magazine, with dense columns of text. A small clipping in the bottom-right looks like a schedule or article from The Gazette, dated December 31, 1971.

Overall, it’s a vintage collage page of art-related clippings and images, arranged like a mini exhibition display.