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ARCH.2003.36, Rendition: 805315
This image displays a clipping from the Cambridge Chronicle newspaper, dated November 3, 1971, mounted on a piece of aged, tan-colored paper or scrapbook page. The clipping is part of a larger collection, as evidenced by the perforated binding edge visible on the left.
The main article is titled “Curtains Up on Photography” with the sub-headline “A First for the Fogg.” It announces the Fogg Art Museum’s first major exhibition of photography, curated from its own growing collection. Key details from the article include:
Above the main article is a black-and-white photograph captioned: “‘WOODEN HOUSES’, a 1930 photograph by Walker Evans is one selection from the Fogg’s photography collection to be on display through December 6.” The image depicts a street lined with traditional wooden houses and bare trees, characteristic of Evans’ style.
To the right of the main article is a smaller column, headed with a reproduction of a black-and-white ink painting or print. The caption identifies it as “Boating Under the Willows, hanging scroll by Yosa Buson, 1782.” This section discusses a small, concurrent exhibition at the Fogg Oriental Department, dedicated to Usher P. Coolidge, who was a collector and museum member. The exhibition features objects chosen by Coolidge and recently purchased in his memory.
The clipping is clearly labeled at the bottom right with the source “HARVARD GAZETTE” and the date “NOV. 3, 1971”, suggesting this may be a clipping from the Gazette that includes content from the Cambridge Chronicle, or perhaps an erratum in the label.
Overall, the image documents a significant moment in the history of the Fogg Art Museum, marking its formal recognition of photography as a fine art, alongside an unrelated tribute exhibition of East Asian art.
The image appears to be a scanned page from a publication, likely a newspaper or magazine, titled "Cambridge Chronicle." The page is divided into several sections.
Main Article:
Additional Articles:
The page has a vintage appearance, with yellowed paper and a slightly aged look, suggesting it is from an older publication. The layout is typical of a newspaper or magazine with a mix of photographs, illustrations, and written content.
This image is a page from a scrapbook or notebook, containing two newspaper clippings. The left clipping is from the "Cambridge Chronicle" and features an article titled "Curtains Up on Photography." The article discusses an upcoming exhibit of Master Photographs from the Fogg Art Museum's own collection. The exhibit includes works by various photographers and is scheduled to run from November 11 to December 6. The clipping includes a photograph of a row of wooden houses taken in 1930 by Walker Evans.
The right clipping is from the "Harvard Gazette" dated November 12, 1971. It describes a small exhibition at the Fogg Art Museum as a tribute to Usher P. Coolidge, a collector and member of the Fogg Oriental Department. The exhibition features objects from Mr. Coolidge's collection and includes a hanging scroll by Yosa Buson from 1782 titled "Boating Under the Willows."
The background of the image is a gray surface, and the page appears to be part of a larger collection or archive.
The image shows a newspaper clipping that is pasted on a brown paper. The clipping is from the Cambridge Chronicle, and it is about an exhibition of Master Photographs at the Fogg Art Museum. The clipping features a black-and-white photo of a house, which is described as a 1930 photograph by Walker Evans. The photo is part of the Fogg's photography collection, which includes 2,000 original photographs by 20th-century American photographers. The exhibition is the first of its kind at the museum and features works by selected photographers, including Walker Evans. The clipping also includes a smaller image of a tree, which is described as a detail from a larger photograph by Ansel Adams. The clipping is dated November 12, 1971, and it is accompanied by a caption that reads "A First for the Fogg: Curtains Up on Photography."
The image appears to be a collage or scrapbook containing newspaper clippings and photographs related to the Fogg Museum at Harvard University. The main photograph in the center shows a wooden house with trees in the foreground. The text around the image reads "Curtains Up on Photography" and "A First for the Fogg," indicating that this is likely the first photography exhibition held at the Fogg Museum.
The collage also includes several newspaper articles and clippings related to the exhibition. One article mentions that the Fogg Museum has acquired a large collection of photographs from the artist Walker Evans, which will be on display for the first time. Another article discusses a matching gift from the National Endowment for the Arts to purchase contemporary American photographs, which will be exhibited alongside the Evans collection.
The collage also includes a photograph of a tree and a caption that reads "Boating Under the Willows, hanging in the Fogg as a tribute to Usher P. Coolidge, a collector and member of the Fogg's Foundational Department until his death last March." This suggests that the collage is also commemorating the legacy of Usher P. Coolidge, who was a prominent collector and supporter of the Fogg Museum.
Overall, the image appears to be a celebration of the Fogg Museum's first photography exhibition and a tribute to the legacy of Usher P. Coolidge, who played a significant role in the museum's history.
The image depicts an open page from a publication titled "CAMBRIDGE CHRONICLE." The page features a mix of text and imagery, focusing on a news article about photography and an exhibition.
This page serves as a snapshot of cultural activities and artistic exhibitions in Cambridge during that time, highlighting the intersection of photography, art, and tribute to notable figures in the art world.
The image depicts a page from a scrapbook or photo album, featuring a newspaper clipping and a handwritten note.
The clipping is from the Cambridge Chronicle and has the headline "A First for the Fogg" in bold black font. The article discusses the Fogg Art Museum's first photography exhibit, which features 2,000 original photographs by 200 artists. The exhibit, titled "Wooden Houses," was curated by Walker Evans and is on display until December 6.
To the right of the clipping is a vertical strip of paper with a sketch of a tree and a handwritten note that reads "HARVARD GAZETTE NOV 21, 1971." The note appears to be a clipping from a different newspaper article.
The background of the image is a light gray color, suggesting that the scrapbook or photo album is open to a page with a newspaper clipping and a handwritten note.
The image is a page from an old scrapbook or photo album, featuring a newspaper clipping about the Fogg Museum's photography collection. The clipping includes a black-and-white photograph of a house with trees in front of it, accompanied by text describing the museum's first exhibition of photographs. The article highlights the significance of the exhibition and the museum's efforts to promote photography as an art form.
Key Features:
Overall Impression:
The image provides a glimpse into the history of photography and its development as an art form. The newspaper clipping highlights the importance of the Fogg Museum's exhibition and its role in promoting photography as a legitimate art form. The scrapbook or photo album page adds a personal touch to the image, suggesting that the clipping was collected and preserved for its historical or personal significance.
The image depicts a page from a scrapbook or photo album, featuring a newspaper clipping and a piece of artwork.
Overall, the image suggests that the scrapbook or photo album is a collection of memorabilia related to art and culture, possibly from the 1970s.
The image presents a vintage newspaper clipping from the Cambridge Chronicle, featuring an article titled "Curtains Up on Photography" and accompanied by a black-and-white photograph of a row of houses. The clipping is placed on a brown paper background, with a vertical strip of artwork to the right.
In summary, the image showcases a vintage newspaper clipping about the Fogg Museum's photography collection, accompanied by a piece of artwork and set against a brown paper background.