Archives Scrapbooks

This image displays a clipping from the Cambridge Chronicle newspaper, dated November 3, 1971, mounted on a piece of aged, tan-colored paper or scrapbook page. The clipping is part of a larger collection, as evidenced by the perforated binding edge visible on the left.

The main article is titled “Curtains Up on Photography” with the sub-headline “A First for the Fogg.” It announces the Fogg Art Museum’s first major exhibition of photography, curated from its own growing collection. Key details from the article include:

• The exhibition features selected works from the Fogg’s collection of photographs, which began forming after a 1968 gift of over 2,000 original photographs from Mrs. Bernarda Shahn.
• The exhibit includes works by prominent photographers such as Abbott, Adams, Atget, Cartier, Evans, Kasebier, Lange, Shahn, Sneezer, and Stieglitz.
• The museum has received additional donations and a matching grant from the National Endowment for the Arts to purchase more works.
• The exhibition opened Thursday, November 11, and ran through December 6, 1971.
• The museum’s hours and free admission are also noted.

Above the main article is a black-and-white photograph captioned: “‘WOODEN HOUSES’, a 1930 photograph by Walker Evans is one selection from the Fogg’s photography collection to be on display through December 6.” The image depicts a street lined with traditional wooden houses and bare trees, characteristic of Evans’ style.

To the right of the main article is a smaller column, headed with a reproduction of a black-and-white ink painting or print. The caption identifies it as “Boating Under the Willows, hanging scroll by Yosa Buson, 1782.” This section discusses a small, concurrent exhibition at the Fogg Oriental Department, dedicated to Usher P. Coolidge, who was a collector and museum member. The exhibition features objects chosen by Coolidge and recently purchased in his memory.

The clipping is clearly labeled at the bottom right with the source “HARVARD GAZETTE” and the date “NOV. 3, 1971”, suggesting this may be a clipping from the Gazette that includes content from the Cambridge Chronicle, or perhaps an erratum in the label.

Overall, the image documents a significant moment in the history of the Fogg Art Museum, marking its formal recognition of photography as a fine art, alongside an unrelated tribute exhibition of East Asian art.

The image appears to be a scanned page from a publication, likely a newspaper or magazine, titled "Cambridge Chronicle." The page is divided into several sections.

1. Main Article:

   • The central part of the page features a large black-and-white photograph titled "WOODEN HOUSES," which is a 1930 photograph by Walker Evans. The caption indicates that this is one selection from the Fogg's photography collection to be on display through December 6.
   • Below the photograph, there is a substantial article with the headline "A First for the Fogg" and the subheading "Curtains Up on Photography." The article discusses the opening of an exhibition of Master Photographs taken entirely from the Fogg Art Museum's own collection. It mentions the Fogg's growing interest in photography and details about the collection, including donations from various sources and a grant from the National Endowment for the Arts.
   • The article provides information about the exhibition's opening date, hours, and admission.

2. Additional Articles:

   • On the right side of the page, there is a smaller article with a black-and-white illustration. The title of the illustration is "Boating Under the Willows," and it is attributed to Yosa Buson, 1782. The article mentions that this is included in a small exhibition at the Fogg as a tribute to Usher P. Coolidge, who was a collector and member of the Fogg Oriental Department until his death last March. The exhibition is described as comprising objects chosen from Mr. Coolidge's collection, and it mentions that the exhibition is open through January 2.
   • The bottom of the page has a note that reads "HARVARD GAZETTE NOV. 12, 1971," indicating the publication and date of the article.

The page has a vintage appearance, with yellowed paper and a slightly aged look, suggesting it is from an older publication. The layout is typical of a newspaper or magazine with a mix of photographs, illustrations, and written content.

This image is a page from a scrapbook or notebook, containing two newspaper clippings. The left clipping is from the "Cambridge Chronicle" and features an article titled "Curtains Up on Photography." The article discusses an upcoming exhibit of Master Photographs from the Fogg Art Museum's own collection. The exhibit includes works by various photographers and is scheduled to run from November 11 to December 6. The clipping includes a photograph of a row of wooden houses taken in 1930 by Walker Evans.

The right clipping is from the "Harvard Gazette" dated November 12, 1971. It describes a small exhibition at the Fogg Art Museum as a tribute to Usher P. Coolidge, a collector and member of the Fogg Oriental Department. The exhibition features objects from Mr. Coolidge's collection and includes a hanging scroll by Yosa Buson from 1782 titled "Boating Under the Willows."

The background of the image is a gray surface, and the page appears to be part of a larger collection or archive.

The image shows a newspaper clipping that is pasted on a brown paper. The clipping is from the Cambridge Chronicle, and it is about an exhibition of Master Photographs at the Fogg Art Museum. The clipping features a black-and-white photo of a house, which is described as a 1930 photograph by Walker Evans. The photo is part of the Fogg's photography collection, which includes 2,000 original photographs by 20th-century American photographers. The exhibition is the first of its kind at the museum and features works by selected photographers, including Walker Evans. The clipping also includes a smaller image of a tree, which is described as a detail from a larger photograph by Ansel Adams. The clipping is dated November 12, 1971, and it is accompanied by a caption that reads "A First for the Fogg: Curtains Up on Photography."

The image appears to be a collage or scrapbook containing newspaper clippings and photographs related to the Fogg Museum at Harvard University. The main photograph in the center shows a wooden house with trees in the foreground. The text around the image reads "Curtains Up on Photography" and "A First for the Fogg," indicating that this is likely the first photography exhibition held at the Fogg Museum.

The collage also includes several newspaper articles and clippings related to the exhibition. One article mentions that the Fogg Museum has acquired a large collection of photographs from the artist Walker Evans, which will be on display for the first time. Another article discusses a matching gift from the National Endowment for the Arts to purchase contemporary American photographs, which will be exhibited alongside the Evans collection.

The collage also includes a photograph of a tree and a caption that reads "Boating Under the Willows, hanging in the Fogg as a tribute to Usher P. Coolidge, a collector and member of the Fogg's Foundational Department until his death last March." This suggests that the collage is also commemorating the legacy of Usher P. Coolidge, who was a prominent collector and supporter of the Fogg Museum.

Overall, the image appears to be a celebration of the Fogg Museum's first photography exhibition and a tribute to the legacy of Usher P. Coolidge, who played a significant role in the museum's history.

The image depicts an open page from a publication titled "CAMBRIDGE CHRONICLE." The page features a mix of text and imagery, focusing on a news article about photography and an exhibition.

Left Page:

• Headline: "Curtain Up on Photography"
• Content: The article discusses the opening of an exhibition at the Fogg Art Museum in Cambridge, Massachusetts. It highlights the growing interest in photography and mentions the display of a new collection of photographs, including works by notable photographers such as Abbott, Alpert, Agee, Evans, Kasebier, Lange, and others.
• Exhibition Details: The exhibition is scheduled to run from December 6 and includes over 2,000 original photographs donated by Bernarda Shafer in memory of her husband, Alfred Stieglitz.
• Funding: The article notes that the exhibition was made possible through a grant from the National Endowment for the Arts.
• Visual Element: At the top of the left page, there is a black-and-white photograph titled "WOODEN HOUSES," dated 1930 and attributed to Walker Evans. The photograph shows a row of modest, wooden houses, likely in an urban or suburban setting, with bare trees and a quiet, somewhat desolate atmosphere.

Right Page:

• Visual Element: The right page features a hand-drawn illustration of a tree with sparse branches and leaves. The style is simple and somewhat abstract, with a focus on the tree's silhouette against a plain background.
• Text: Below the illustration, there is a brief caption or note that reads:
  "Bosting Under the Willows, hanging scroll by Yosa Buson, 1782, is included in a small exhibition that opened last week at the Fogg as a tribute to Usher P. Coolidge, a collector and member of the Fogg Oriental Department until his death last March. The exhibition is composed of objects chosen from Mr. Coolidge's own collection, together with objects he acquired for the Fogg. Boring was purchased recently in the memory of Mr. Coolidge with funds given by his family and friends. (Through January 2)."

Overall Context:

• The publication appears to be a historical or archival document, likely from the early 1970s, as indicated by the date at the bottom of the right page: "HARVARD GAZETTE NOV. 4, 1971."
• The content combines art news, photography exhibitions, and a tribute to a collector, reflecting a focus on cultural and artistic events in Cambridge, particularly at the Fogg Art Museum.

This page serves as a snapshot of cultural activities and artistic exhibitions in Cambridge during that time, highlighting the intersection of photography, art, and tribute to notable figures in the art world.

The image features a scrapbook page with a newspaper clipping from the Cambridge Chronicle and other related clippings. The main article is titled, "Curtains Up on Photography," and announces the first-ever exhibition of master photography prints at Harvard University’s Fogg Museum. A photograph, labeled "Wooden Houses," taken by Walker Evans in 1930, is included in the clipping. The photo depicts a row of classic-style wooden houses and bare winter trees, likely situated in an urban neighborhood.

The text discusses the museum's collection of over 2,000 photographs and their inaugural exhibition focusing on photography as an art form. It also mentions individuals and donors contributing to the collection. Another clipping on the right showcases an Asian-style painting called "Boating Under the Willow," alongside details about an exhibition displaying it.

Handwritten notes and publication details, like "Harvard Gazette, Nov. 16, 1971," mark the article's date and source. The scrapbook page's layout highlights a mix of text and images with cultural and artistic significance.

This image displays an open book or a scrapbook, with its left page featuring a newspaper article from the "Cambridge Chronicle." The top half of this page shows a black and white photograph with a caption that reads "WOODEN HOUSES," a 1930 photograph by Walker Evans. The photograph depicts a row of wooden residential houses along a street lined with leafless trees, suggesting it might be taken in a colder season. Below the photograph is a headline that reads "A First for the Fogg," followed by a larger heading that says "Curtains Up on Photography." The article below describes an event related to the Fogg Art Museum's collection and an exhibition on photography.

On the right page is a vertical panel showing an Asian-style painting or print of a mountainous landscape with dense vegetation and possibly a body of water depicted in a monochrome ink wash style. The left edge of this right page has text in English that appears to be a caption or explanation related to the artwork, including a reference to an exhibition called "Boating Under the Willow" and a collector named Charles B. Hoyt. At the bottom, there's a label with the text "HARVARD (Carpenter)," indicating a relation to Harvard University, possibly the Carpenter Center or an affiliated library or collection with a connection to the artwork displayed.

This image shows a scrapbook page with two newspaper clippings related to art and photography.

The larger clipping on the left is from the "Cambridge Chronicle." It features a black-and-white photograph titled "WOODEN HOUSES," a 1930 photograph by Walker Evans. Below the photograph, there is an article titled "A First for the Fogg: Curtains Up on Photography." The article discusses the opening of the first exhibit of Master Photographs at the Fogg Art Museum, highlighting the museum's collection of photographic works by notable artists such as Abbott, Adams, Atget, Cartier, Evans, Kasebier, Lange, Shahn, Sheeler, and Steichen. It mentions the contribution of over 2,000 original photographs by prominent photographers and a $10,000 matching grant from the National Endowment for the Arts to purchase photographs for the museum. The exhibit is scheduled to run through December 6, from 9 a.m. to 5 p.m., with admission being free.

The smaller clipping on the right is from the "Harvard Gazette," dated November 10, 1971. It includes an image of a hanging scroll titled "Boating Under the Willows" by Yosa Buson from 1782. The clipping notes that this scroll is part of a small exhibition at the Fogg, which serves as a tribute to Usher P. Coolidge, a collector and member of the Fogg Oriental Department until his death the previous March. The exhibition features objects from Coolidge's own collection along with items from the Fogg, including the "Boating" scroll, which was recently acquired in memory of Coolidge with funds provided by his family and friends. The exhibition runs through January 2.

Overall, the scrapbook page commemorates significant exhibitions and acquisitions related to photography and Asian art at the Fogg Museum.

The image shows a scrapbook page with two clipped articles in a brown, aged album. On the left is a large black-and-white photo of a row of wooden houses along a tree-lined street (bare trees, winter light). The caption under the photo mentions “Wooden Houses” by Walker Evans and notes it’s part of the Fogg Museum photography collection. Above the photo is a small label that reads “Cambridge Chronicle.” Beneath the photo is a newspaper-style article with the headline “A First for the Fogg – Curtains Up on Photography.” The body text discusses a photography exhibition at the Fogg Museum. To the right is a narrow, vertical clipping with a tall image (appearing to be a landscape or scroll-like illustration) and some vertical text beside it. The overall appearance is of a carefully arranged archival page.