Archives Scrapbooks

The image shows a vintage page from a publication, likely a newspaper or magazine, with a focus on photographic art and classical sculpture.

• Top Section (Left):

  • There is a photograph of a marble bust titled "Napoleon as First Consul" by Antonio Canova (1757-1822). The bust is displayed against a dark background, highlighting its classical style and intricate details.

• Bottom Section (Left):

  • Below the marble bust, there is a sketch labeled "Lady Reclining in a Classic Chair" by Antonio Canova. The drawing appears to be a study for the head of a dancer, indicating Canova's skill in capturing classical poses and movements. The sketch is more dynamic and less detailed than the marble sculpture above it.

• Right Section:

  • This section contains an article titled "Realistic Imagery in Fogg" by C.R. Wasserman, a Globe Correspondent. The article discusses an exhibition at the Fogg Museum of Art, focusing on contemporary photographic works. The text provides insights into the photographers' techniques and the themes explored in their images.

The page has a vintage feel, with aged paper and a slightly worn appearance, suggesting it is from an older publication. The text and images together provide an interesting juxtaposition of classical art and contemporary photographic art.

The image appears to be a clipping from a newspaper article titled "Realistic imagery in Fogg," written by C.R. Wasserman, a Globe correspondent. The article discusses an exhibition at the Fogg Museum titled "Contemporary Photography II," which showcases the work of various photographers, including Richard Rogers, Timothy Carlson, Leslie Krims, and Burk Uzzle.

On the left side of the image, there is a photograph of a marble bust titled "Napoleon as First Consul" by Antonio Canova, dated 1757-1822. Below the photograph, there is a drawing titled "Lady Reclining in a Classic Chair" by William Germain Dooley, which is a study for the head of a dancer designed by Antonio Canova.

The article discusses the works of the photographers, highlighting the range of styles from super-realism to abstract color photography. It mentions the work of Leslie Krims, who presents straightforward imagery, and Burk Uzzle, whose work is described as anecdotal in nature. The article also discusses the works of Richard Rogers and Timothy Carlson, noting that their images are rather blandly conceived and convey little but the most obvious aspects of their subjects. The article concludes by stating that this is a strikingly old-fashioned show, considering the number and quality of truly contemporary photographers.

The image shows a page from a magazine or newspaper that contains an article about realistic imagery in photography. The article is titled "Realistic imagery in Fogg," and it features a photograph of a bust of Napoleon by Antonio Canova. The article discusses the work of photographers such as Diane Arbus, Pierre Cordier, and Burk Uzzle, who are known for their realistic and straightforward approach to photography. The article also includes a drawing of a woman reclining in a classic chair by Antonio Canova.

An open book is placed on a white surface. The book has a beige cover. The page of the book has a black-and-white image of a statue of a man with a caption below it. The caption reads "NAPOLEON AS FIRST CONSUL" and "Marble, 26 1/2 inches" by Antonio Canova, 1797-1822. The page also has an article titled "Realistic imagery in Fogg" with a photo of a woman and a text.

The image depicts an open book or magazine page showcasing a historical article titled "Realistic Imagery in Fogg" by C.R. Wasserman, dated October 10, 1971. The article is from the Globe Correspondent and discusses the photography exhibit at the Fogg Museum's second Contemporary Photography II, which includes the work of two photographers: Richard Rogers and Timothy Carlson.

Visual Elements:

1. Left Side:

   • Top Image: A black-and-white photograph of a bust labeled "NAPOLEON AS FIRST CONSUL" by Antonio Canova, dated 1757–1822. The caption indicates that it is a marble bust, measuring h. 26 1/4".
   • Bottom Image: A sketch or drawing titled "LADY RECLINING IN A CLASSIC CHAIR" by Antonio Canova, dated 1757–1822. The caption notes that it is a study for the head of a figure, focusing on the pulled-back hair to flow.

2. Right Side:

   • Text Content: The article discusses the photography exhibit, highlighting the work of Richard Rogers and Timothy Carlson. It describes Rogers' work as "Super-realism", featuring detailed and often surreal images, such as one involving a spray can, sofa, and smoke. The article critiques the work as sometimes "too contrived" or "unphotographic" but also acknowledges its playful and surreal qualities.
   • Caption and Context: The text references various photographers and their styles, comparing Rogers' work to that of Diane Arbus and other contemporary photographers. It also touches on the Fogg Museum's Contemporary Photography II exhibit, which includes the work of Naomi Savage, described as one of the most outstanding examples of the genre.

Layout and Design:

• The page is formatted with a clear division between the visual elements (left) and the textual analysis (right).
• The left side features two distinct artworks, each accompanied by a caption providing details about the artist, medium, and dimensions.
• The right side contains a dense block of text, written in a formal, journalistic style, discussing the photography exhibit and its themes.

Overall Impression:

The image captures a blend of visual art and critical commentary, reflecting a mid-20th-century perspective on contemporary photography and sculpture. The inclusion of classical sculptures alongside modern photographic critique suggests a dialogue between traditional and contemporary art forms. The layout and content indicate that this is likely from an art magazine or journal dedicated to reviewing and analyzing contemporary art exhibitions.

The image is a scanned page from a book or magazine, featuring a newspaper clipping and two photographs. The clipping, titled "Realistic imagery in Fogg," discusses an exhibition at the Fogg Museum, highlighting the work of photographers Leslie Krims and Burk Uzzle. The article praises their ability to capture realistic images without being too contrived or obvious.

On the left side of the page, there are two photographs. The top one shows a bust of Napoleon Bonaparte, while the bottom one depicts a woman reclining in a chair. Both images are accompanied by captions that provide context and information about the photographs.

Overall, the image appears to be a collection of art-related materials, showcasing the work of photographers and artists. The newspaper clipping provides insight into the exhibition at the Fogg Museum, while the photographs offer a visual representation of the art being discussed.

The image shows a page from an old photo album, featuring a collection of newspaper clippings and photographs. The page is open to a section titled "Realistic Imagery in Fogg," which appears to be an article about photography.

• A newspaper clipping:
  • The clipping is titled "Realistic Imagery in Fogg" and features a black-and-white photograph of a bust of a man.
  • The article discusses the work of photographers at the Fogg Museum, highlighting their use of realistic imagery.
  • The clipping is dated October 10, 1971.
• A photograph of a bust:
  • The photograph is a black-and-white image of a bust of a man.
  • The bust is depicted in a realistic style, with detailed features and textures.
  • The photograph is likely part of the article discussed in the clipping.
• A drawing of a reclining woman:
  • The drawing is a sketch of a woman reclining on a couch.
  • The woman is depicted in a relaxed pose, with her head resting on a pillow.
  • The drawing is likely a study for a larger work, as indicated by the text at the bottom of the page.

Overall, the image suggests that the page is part of a larger collection of art and photography, with the newspaper clipping and photographs providing insight into the work of photographers at the Fogg Museum.

The image is a scrapbook page featuring a newspaper clipping and two reproductions of artworks.

• The newspaper clipping is titled "Realistic imagery in Fogg" and is dated October 10, 1971.
  • The article discusses the Fogg Museum's second exhibition of contemporary photography, titled "Contemporary Photography II."
  • The exhibition features the work of four photographers: Richard Rogers, Leslie Krims, and Burt Uzzle.
  • The article provides a detailed analysis of the photographers' styles and techniques.
• The two reproductions of artworks are:
  • A black-and-white photograph of a marble bust of Napoleon as First Consul by Antonio Canova (1757-1822).
    • The bust is displayed on a pedestal against a dark background.
    • The caption reads: "NAPOLEON AS FIRST CONSUL: Marble (h. 261/2") by Antonio Canova, 1757-1822."
  • A line drawing titled "Lady Reclining in a Classic Chair" by Antonio Canova.
    • The drawing depicts a woman reclining in a chair, with her head resting on her hand.
    • The caption reads: "'LADY RECLINING IN A CLASSIC CHAIR' Drawing by Antonio Canova. It is a study for the head of a dancer, and from the elongated hands to toes. WILLIAM GERMAN DOORLEY."

The scrapbook page appears to be a collection of art-related materials, including a newspaper article and reproductions of artworks. The article discusses contemporary photography, while the artworks featured are classical in style, suggesting that the creator of the scrapbook is interested in exploring different artistic styles and periods.

The image presents a scrapbook page featuring a collection of newspaper clippings and photographs. The page is divided into sections, with the left side showcasing two images: a black-and-white photograph of a bust of Napoleon as First Consul, accompanied by a caption that reads "NAPOLEON AS FIRST CONSUL: Marble (h. 26 1/2)" by Antonio Canova, 1757-1822; and a sketch titled "LAST RECLINING IN A CLASSIC CHAIR" with the description "Drawing by Antonio Canova, 1787-1817."

On the right side of the page, there are three newspaper clippings. The top clipping features an article titled "Realistic imagery in Fogg," which discusses contemporary photography at the Fogg Museum's second presentation of recent photography. The middle clipping appears to be a continuation of the same article, while the bottom clipping is partially cut off but seems to be related to the topic.

In the top-right corner of the page, handwritten notes read "Globe Oct 10 1971." The background of the page is a light brown color, resembling aged paper. Overall, the image suggests that the scrapbook page is a curated collection of materials related to art, photography, and history, likely created for personal or educational purposes.

The image is a page from a book or magazine featuring a section titled "Realistic imagery in Fogg," which appears to be a review or critique of an exhibition. The article is written by C. R. Wasserman and is from "Art in America." The date on the page is October 18, 1971.

The article discusses contemporary photography and includes a review of the exhibition "Contemporary Photography II," which presents recent photographic works. The author mentions the inclusion of photographs by Pierre Cordier and Richard Rogers. The article also references an earlier exhibition by Aaron Siskind.

The text discusses the use of realistic imagery in photography and its ability to convey strong emotional and narrative content. The author highlights the work of Richard Rogers, noting that his images are not merely decorative but convey a sense of the people and their surroundings.

The page includes two images:

1. A photograph of a marble bust titled "Napoleon as First Consul" by Antonio Canova, dated 1802-1804. The bust is displayed in the Louvre, Paris.
2. A drawing titled "Lady Reclining in a Classic Chair," which is a study for the hand of a dancer and dates from the nineteenth century. The artist is William Germain Dooley.

The article concludes by discussing the emotional impact of Rogers' photographs, comparing them to the work of other artists and noting the unique qualities of his images. The text is partially obscured by the images and the layout of the page.