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The image is a page from a book or magazine featuring a section titled "Realistic imagery in Fogg," which appears to be a review or critique of an exhibition. The article is written by C. R. Wasserman and is from "Art in America." The date on the page is October 18, 1971.

The article discusses contemporary photography and includes a review of the exhibition "Contemporary Photography II," which presents recent photographic works. The author mentions the inclusion of photographs by Pierre Cordier and Richard Rogers. The article also references an earlier exhibition by Aaron Siskind.

The text discusses the use of realistic imagery in photography and its ability to convey strong emotional and narrative content. The author highlights the work of Richard Rogers, noting that his images are not merely decorative but convey a sense of the people and their surroundings.

The page includes two images:

1. A photograph of a marble bust titled "Napoleon as First Consul" by Antonio Canova, dated 1802-1804. The bust is displayed in the Louvre, Paris.
2. A drawing titled "Lady Reclining in a Classic Chair," which is a study for the hand of a dancer and dates from the nineteenth century. The artist is William Germain Dooley.

The article concludes by discussing the emotional impact of Rogers' photographs, comparing them to the work of other artists and noting the unique qualities of his images. The text is partially obscured by the images and the layout of the page.

The image shows a two-page spread from a book or magazine. On the left page, there are two black and white illustrations. The first is a bust titled "Napoleon as First Consul" by Antonio Canova, dated 1757-1822. Below it is an illustration titled "LADY RECLINING IN A CLASSIC CHAIR" by William Germani Dooley, which depicts a draped figure in a relaxed pose.

On the right page, there is an article titled "Realistic imagery in Fogg" by C. R. Wasserman, dated October 10, 1971. The article discusses contemporary photography at the Fogg Museum, highlighting the work of several photographers including Richard Avedon, Diane Arbus, and others. The text is somewhat faded but legible. There is also a small, unidentifiable photograph attached to the page with a piece of tape.

The image shows a newspaper clipping from an old issue, specifically dated October 10, 1971. The article is titled "Realistic Imagery in Fogg," written by C.B. Wasserman for the Globe Correspondent.

The article discusses the second presentation of contemporary photography at the Fogg Museum. It highlights the work of several photographers, including Richard Rogers, Timothy Carlton, Diane Arbus, Pierre Cordier, and Burk Uselton. The piece focuses on the realistic and often unflinching depiction of people and their lives in the photographs.

The clipping includes a photograph of a marble bust of Napoleon as First Consul, attributed to Antonio Canova (1757-1822), which is captioned "Napoleon as First Consul." Below the bust, there is a smaller sketch labeled "Lady Reclining in a Classic Chair," which is credited to William German Dooley.

The article notes the following aspects:

• Richard Rogers and Timothy Carlton’s photographs convey a strong sense of people and everyday life.
• Diane Arbus’s work is described as super-realistic and striking.
• The photographs by Pierre Cordier and Burk Uselton are noted for their straightforward and evocative imagery.
• The piece also mentions that the photographs by Naomi Savage are outstanding, blending old-fashioned showmanship with modern realism.

The article suggests that the photographs, despite their medium, offer a compelling look into the modern world. The clipping provides an insight into the artistic and photographic trends of the time.

The image shows an open newspaper clipping from the Globe, dated October 18, 1971. The article is titled "Realistic Imagery in Fogg" and discusses the second presentation of contemporary photography at the Fogg Museum.

The article, written by C. B. Wasserman, describes an exhibition that features the work of several photographers, including Richard Rogers, Timothy Carlon, Naomi Savage, and Burk Uzzle. The text highlights the realistic and almost sculptural quality of the photographs, noting that they capture a strong sense of the people and places depicted.

The clipping also includes two black-and-white photographs:

1. A bust sculpture titled "Napoleon as First Consul" by Antonio Canova (1757-1822), which is described as a marble bust from 1814.
2. A sketch titled "Lady Reclining in a Classic Chair" by William German Dooley, noted as a study for a head of a woman from the garlanded hair to the bow.

The article is accompanied by a brief mention of the realistic and sometimes surrealistic nature of the photographs, with examples including a man with a spray can and a woman about to crush a can, as well as a family portrait with a cat and a dog. The overall tone suggests an appreciation for the skill and creativity of the photographers in capturing realistic and evocative imagery.

The image is a newspaper clipping from October 10, 1971, titled "Realistic Imagery in Fogg." The article is written by C. R. Wasserman, Globe Correspondent, and discusses the second presentation of recent photography at the Fogg Museum.

Key Points of the Article:

1. Exhibition Overview:

   • The Fogg Museum's second photography exhibition features the work of two photographers, Richard Rogers and Timothy Carlson.
   • Rogers and Carlson are known for their straightforward and realistic imagery.

2. Photographers Highlighted:

   • Richard Rogers' work is noted for its super-realism, with images that appear almost like paintings.
   • Timothy Carlson's images are described as conveying a strong sense of the people and places depicted, reminiscent of the work of Dayton Beech.
   • The article mentions that both photographers' work is technically outstanding, with Carlson's images having a slightly old-fashioned quality.

3. Photographic Styles:

   • Rogers’ images are highly detailed and arranged to evoke a painterly quality.
   • Carlson's work includes more candid and naturalistic scenes, with a focus on real-life moments.

4. Specific Works and Themes:

   • The article discusses the contrast between the meticulous and carefully arranged images of Rogers and the more spontaneous and candid shots of Carlson.
   • Rogers’ images are described as surrealistic and carefully arranged, such as one of a man with a spray can and another of a woman reclining.
   • Carlson's work is anecdotal, with a focus on everyday scenes like a family portrait or a person sitting on a sofa.

5. Comparison to Other Photographers:

   • Rogers' work is compared to the fine art photography of Ralph Hattersley.
   • Carlson's images are compared to those of Burki Urdle, who also captures real-life moments with a strong photographic print.

6. Additional Details:

   • The article mentions the technical quality of the prints, with Rogers' images being particularly fine in terms of detail and Carlson's work being less polished but still strong.

The clipping also includes images:

• A bust of "Napoleon as First Consul" by Antonio Canova.
• A sketch titled "Lady Reclining in a Classic Chair" by William Germain Dooley.

The overall theme of the article is to highlight the realistic and detailed photographic work of Rogers and Carlson, emphasizing their technical skills and unique styles.

The image is a page from a publication titled "Photo Art," dated October 1971. The article on this page is titled "Realistic Imagery in Fogg" by C.R. Wasserman, a Globe Correspondent.

Content Overview:

Images:

1. Top Image:

   • A photograph of a marble bust of Napoleon as First Consul, created by Antonio Canova between 1803-1805.
   • The bust is part of the Fogg Museum's collection.

2. Bottom Image:

   • A drawing titled "Lady Resting in a Classic Chair," created by William Germain Dooley.
   • This drawing is noted to be a study of the head from the garlanded pair in the Fogg Museum.

Article Summary:

The article discusses the work of two photographers, Timothy Caron and Richard Rogers, who are part of Harvard's Carpenter Center photography workshop. Their work is part of an exhibition at the Fogg Museum, focusing on realistic imagery.

• Exhibition Insights:

  • The exhibition includes both straightforward and manipulated images.
  • The photographers aim to capture a "super-realism" that surpasses the usual sense of reality experienced by people.
  • Timothy Caron's work involves creating images with a strong sense of family snapshots, using Polaroid SX-70 film and manual manipulation to achieve surrealistic effects.
  • Richard Rogers' contribution includes images that are highly detailed and appear to be snapshots but are carefully staged. His work aims to create a tension between the typical and the unique.

• Exhibition Context:

  • The exhibition is curated by Naomi Savage and juxtaposes the new work with older, established photographic pieces.
  • The aim is to show the evolution and different dimensions of photographic realism.

Overall, the article emphasizes the creativity and meticulous effort involved in the photographers' attempts to push the boundaries of realistic imagery, blending the familiar with the surreal.

The image is of a page from a scrapbook showcasing an article. The article is titled "Realistic imagery in Fogg" and is from a section called "PHOTO ART," with the byline indicating it was written by C. V. Weirman, Globe Correspondent. The date "Oct 19, 1971" is handwritten at the top of the article page.

Specific to the newspaper clippings featured, the left side of the image shows part of a page with a large photo and a smaller sketch with captions. The photo caption reads "Napoleon as First Consul, March 26, 1802," attributed to Antonio Canova, 1757-1822. Below the photo is a sketch captioned "Lazy Repose, or A Classic Chant," a study for The Arts, Boston Public Library, by Antonio Canova, and from the original held by them. The artist's name, William Gerard Barry, is noted below the sketch.

The article itself seems to discuss elements of photographic exhibitions and various artists' works, with mentions of terms such as "engraving," "stipple engraving," "etching," and "lithography," indicating a focus on art techniques and history. The visible text also refers to a particular collection or exhibition at the Fogg Art Museum, as can be inferred from the title.

It's important to note that the image also displays the wear and discoloration typical of aged paper, with the scrapbook itself being a beige color and the newspaper clippings showing yellowing and slight deterioration around the edges.

This image shows a scrapbook page with two photographs and an article clipping. The article is titled "Realistic imagery in Fogg" and dated October 10, 1991, from the Globe. The article, written by C. H. Wasserman, discusses contemporary photography and its exhibition at the Fogg Museum, mentioning notable photographers like Leslie Krims and Burk Uzzle, and touches on topics like realism and surrealism in photographic art.

Below the article, on the left side of the page, there are two images:

1. The top image is a photo of a marble bust sculpture titled "Napoleon as First Consul," which is 26 1/2 inches high, created by Antonio Canova (1757–1822). The photo is credited to the Fogg Museum of Art, Cambridge, Massachusetts.
2. The bottom image is a sketch titled "Lady Reclining in a Classic Chair," a drawing by Antonio Canova. The caption notes it is a study for the head of a dancer, designed and flowing from her garlanded hair. The caption credits William Germain Dooley.

The scrapbook page combines art photography, classical sculpture, and a critical article discussing photographic art realism.

The image depicts an open book or magazine page showcasing a historical article titled "Realistic Imagery in Fogg" by C.R. Wasserman, dated October 10, 1971. The article is from the Globe Correspondent and discusses the photography exhibit at the Fogg Museum's second Contemporary Photography II, which includes the work of two photographers: Richard Rogers and Timothy Carlson.

Visual Elements:

1. Left Side:

   • Top Image: A black-and-white photograph of a bust labeled "NAPOLEON AS FIRST CONSUL" by Antonio Canova, dated 1757–1822. The caption indicates that it is a marble bust, measuring h. 26 1/4".
   • Bottom Image: A sketch or drawing titled "LADY RECLINING IN A CLASSIC CHAIR" by Antonio Canova, dated 1757–1822. The caption notes that it is a study for the head of a figure, focusing on the pulled-back hair to flow.

2. Right Side:

   • Text Content: The article discusses the photography exhibit, highlighting the work of Richard Rogers and Timothy Carlson. It describes Rogers' work as "Super-realism", featuring detailed and often surreal images, such as one involving a spray can, sofa, and smoke. The article critiques the work as sometimes "too contrived" or "unphotographic" but also acknowledges its playful and surreal qualities.
   • Caption and Context: The text references various photographers and their styles, comparing Rogers' work to that of Diane Arbus and other contemporary photographers. It also touches on the Fogg Museum's Contemporary Photography II exhibit, which includes the work of Naomi Savage, described as one of the most outstanding examples of the genre.

Layout and Design:

• The page is formatted with a clear division between the visual elements (left) and the textual analysis (right).
• The left side features two distinct artworks, each accompanied by a caption providing details about the artist, medium, and dimensions.
• The right side contains a dense block of text, written in a formal, journalistic style, discussing the photography exhibit and its themes.

Overall Impression:

The image captures a blend of visual art and critical commentary, reflecting a mid-20th-century perspective on contemporary photography and sculpture. The inclusion of classical sculptures alongside modern photographic critique suggests a dialogue between traditional and contemporary art forms. The layout and content indicate that this is likely from an art magazine or journal dedicated to reviewing and analyzing contemporary art exhibitions.

The image shows a page from a magazine or newspaper that contains an article about realistic imagery in photography. The article is titled "Realistic imagery in Fogg," and it features a photograph of a bust of Napoleon by Antonio Canova. The article discusses the work of photographers such as Diane Arbus, Pierre Cordier, and Burk Uzzle, who are known for their realistic and straightforward approach to photography. The article also includes a drawing of a woman reclining in a classic chair by Antonio Canova.