Archives Scrapbooks

This image displays an open scrapbook or album, showcasing a collection of clippings and notes related to the Fogg Art Museum at Harvard University, circa 1971.

The page is arranged with four distinct paper items mounted on aged, beige cardstock:

1. Top Left: “The Calendar” clipping

   • This is a newspaper-style calendar page listing events.
   • It includes sections for “WGBH-TV” and “WHBB Radio,” indicating local Boston television and radio listings.
   • The text mentions events like “The Crimson” (Harvard’s student newspaper), “Fogg Art Museum,” and “Christmas Hours,” suggesting this is from a local Boston publication around the holiday season.

2. Top Right: “SOCIETY” article by Miriam Tod

   • This is a clipping from the Hartford Ledger, dated 1969 or 1971 (the date “1969/71” is handwritten above the headline).
   • The article, titled “SOCIETY,” discusses the opening of the Fogg Art Museum’s new wing and the Joseph Pulitzer Jr. collection.
   • It recounts the event’s atmosphere, describing a “house-proud female” surveying the “swept and garnished abode” and the “hundreds of Friends of Harvard’s own museum, the Fogg,” attending.
   • The article highlights the museum’s new youthful director, Daniel Robbins, and details about the formal attire, the champagne reception, and the guests, including Madame Rosamond Bernier and Mrs. Laurence Johnson.

3. Bottom Left: “GAZETTE DES BEAUX ARTS” clipping

   • This is a French article from the Gazette des Beaux-Arts, a Parisian art journal, dated “mai-juin 1971” (May-June 1971).
   • The article, under the heading “Chronique des Arts,” discusses “Le Fogg Art Museum de l’Université d’Harvard” and its exhibition of paintings by Hans Hofmann (1963), which was a gift to the museum.
   • It also mentions the catalog from the 1969–1970 exhibition “L’Art de l’Exposition” and credits the museum’s director, Edward Waldo Forbes.

4. Bottom Right: “GAZETTE DES BEAUX ARTS” note

   • This is a smaller, identical clipping of the Gazette des Beaux-Arts heading and date.
   • Below the printed text, there is a handwritten note in blue ink, which reads: “You’re welcome. Who keeps the clipp? ? ? Pickens?”
   • This suggests a personal exchange regarding ownership or custody of the clippings, and “Pickens” likely refers to someone named Pickens who may have been the owner or recipient of the scrapbook or the clippings.

The overall image presents a curated collection of press coverage documenting a significant moment in the history of the Fogg Art Museum—the opening of its new expansion and the inauguration of the Pulitzer collection. The handwritten note adds a layer of personal provenance, indicating this scrapbook belonged to someone personally involved in or following these events.

The image shows an open book or magazine with several articles and clippings pasted onto its pages. The content appears to be related to arts, culture, and society.

1. Top Left Corner: An article titled "The Calendar" from WHRB Radio, discussing events and schedules.
2. Top Right Corner: A piece titled "Society" by Miriam Tod, discussing the activities and events of a community or society.
3. Bottom Left Corner: An article from "Gazette des Beaux Arts" dated May-June 1971, detailing an event or exhibition at the Fogg Art Museum.
4. Bottom Right Corner: Another article from "Gazette des Beaux Arts" detailing an exhibition and noting the acquisition of a painting by Hans Hofmann.

The book's pages are aged, and the clippings are pinned to the pages with what appears to be a thumbtack or similar fastener. The overall layout suggests a collection of articles that may be saved for reference or as part of a scrapbook.

The image shows an open scrapbook or binder with several newspaper clippings and notes pasted on the pages. Here is a detailed description of the contents:

1. Top Left Clipping:

   • The clipping is titled "The Calendar" and appears to be from a newspaper or magazine. It lists various events and activities, including radio and TV schedules, concerts, and other cultural events. The text mentions specific dates and times, such as "Sun, Dec. 19-9:30 a.m., Morgenmusik," and "Sat. Dec. 18-10 a.m., Hillel Day at Harvard."

2. Top Right Clipping:

   • This clipping is from "Patriot Ledger Nov 16 '71" and is titled "SOCIETY by Miriam Tod." It discusses a champagne opening of an exhibition of Joseph Pulitzer Jr.'s collection of modern art at the Fogg Museum in Harvard. The text describes the event in detail, mentioning the guests, the formal attire, and the atmosphere.

3. Bottom Left Clipping:

   • This clipping is from "GAZETTE DES BEAUX ARTS" and is dated "Chronique des Arts, mai-juin 1971." It discusses the Fogg Art Museum of the University of Harvard, mentioning an exhibition in honor of Edward Waldo Forbes, who was the director of the museum from 1909 to 1944. The text also mentions various artists and their contributions to the exhibition.

4. Bottom Right Clipping:

   • This clipping is also from "GAZETTE DES BEAUX ARTS" and is dated "Chronique des Arts, mai-juin 1971." It mentions that the Fogg Art Museum of the University of Harvard received a painting by Hans Hofman, titled "Blue Rhapsody," painted in 1963. There is a handwritten note at the bottom that reads, "Joanne who kept the clippings?? Richards."

The pages of the scrapbook are beige, and the clippings are neatly arranged and pasted. The text in the clippings is in English and French, indicating a focus on art and cultural events. The overall theme of the clippings seems to be centered around the Fogg Art Museum and its activities in 1971.

A scrapbook with a brown cover is opened, revealing several pages. The pages are filled with newspaper clippings, articles, and photographs. The clippings are from different newspapers and magazines, and some of them have handwritten notes on them. The articles are about various topics, including art, culture, and events. The photographs are of people, places, and objects. The scrapbook appears to be a collection of memorabilia and information gathered over time.

The image shows an open book with multiple pages, each containing text and images. The pages are made of paper with a slightly aged or vintage look. The book appears to be a collection of articles, clippings, or notes. The first page has a title "Society by Miriam Tod" and a handwritten note "Patriot Ledger Nov 16 '71" on the top right corner. The second page has a title "Revue des Beaux Arts" and some text in a foreign language. The third page has a title "GAZETTE DES BEAUX ARTS" and some text in French. The fourth page has a title "Chronique des Arts, mai-juin 1971" and some text in French. The fifth page has a title "Le Fogg Art Museum de l'Université d'Harvard a reçu un tableau de Hans Hoffman, point en 1963" and some text in French. The sixth page has a title "Chronique des Arts" and some text in French. The seventh page has a title "Journal" and some text in French.

The image depicts an open book with several pages visible, showcasing a collection of handwritten and typed entries. Here is a detailed description:

Left Page:

• Title: "Patriot Ledger, Nov 16 '71"
• Content: This page appears to be a handwritten entry titled "Society by Miriam Tod." The text discusses the social dynamics and traditions of the Harvard Friends, a group of women who gather on Sunday evenings. It mentions their gatherings at the Fogg Art Museum, the role of Joseph Pulitzer Jr. in organizing events, and the social customs such as champagne openings and the presence of notable figures like Daniel Robbins. The entry also references a specific event involving the opening of an exhibition and the participation of prominent individuals.

Right Page:

• Content: This page contains a mix of typed and handwritten text. The typed portion is from the "Gazette des Beaux-Arts," dated May-June 1971, specifically referencing the Fogg Art Museum of the University of Harvard in Cambridge, Massachusetts. The text discusses an exhibition titled "Le Peuple de l'Art," curated by Edward Waldo Forbes, and mentions various artworks and artists featured in the exhibition, including pieces by John Singer Sargent and others.
• Handwritten Notes: In the margins and on the page itself, there are handwritten annotations and notes. These include:
  • A note that reads "Journée who kept the clipping?" suggesting someone is tracking or referencing a specific event or article.
  • Other marginalia, such as "Chronique des Arts, mai-juin 1971" and "140, FAUBOURG SAINT-HONORE PARIS-8," indicating the source and location of the publication.

General Observations:

• Binding: The book appears to be a handmade or custom-bound volume, with visible spine and edges that suggest it is a personal or archival collection.
• Content Type: The entries combine historical accounts, art criticism, and personal annotations, indicating that the book serves as a scrapbook or journal documenting art, social events, and personal reflections.
• Handwriting Style: The handwriting is neat and consistent, suggesting it was written by a single individual, possibly the compiler of the book.
• Context: The entries span different time periods (e.g., 1971) and topics, ranging from social commentary to art exhibitions, indicating a broad interest in culture and history.

Overall Impression:

The image portrays a carefully curated collection of writings and clippings, likely maintained by someone with a keen interest in art, social history, and personal documentation. The combination of typed articles and handwritten notes suggests an active engagement with the material, possibly for research, reflection, or personal memory-keeping.

The image shows a scrapbook page with several newspaper and magazine clippings pasted on it. There is a mixture of articles and notices, some in English and some in French.

• In the top right corner is an article titled "SOCIETY by Miriam Tod" from the Patriot Ledger dated Nov 16, '71. The article discusses the use and perception of the word "housewifely" and mentions Friends of Harvard's own museum, the Fogg. It references prominent people like Joseph Pulitzer Jr., Mr. Pulitzer, Daniel Robbins, and others involved in art and museum circles.

• On the top left, there is a clipping upside down mostly about media outlets like WGBH-TV and WHRB Radio, mentioning various shows and notable events.

• At the bottom of the page, there are two French clippings from "GAZETTE DES BEAUX ARTS" dated Mai-Juin 1971, titled "Chronique des Arts". These contain text about the Fogg Art Museum of Harvard and its activities, exhibitions, and directors. The second clipping has handwriting in blue ink, possibly a note or question.

• There is also a small clipped note about a painting by Hans Hofmann received by the Fogg Art Museum in 1963 titled "Blue Rhapsody," placed between the two French clippings.

The overall page appears to be a collection of art-related news and commentary from 1971, focusing on museum activities and art exhibitions.

This image shows a scrapbook or archival page containing a collection of newspaper clippings and cutouts. The clippings are neatly pasted onto the brown background. The page features various articles and notices, likely related to art, culture, or society. Some text is written in English, such as the title "SOCIETY by Miriam Tod," and one indicates "Patriot Ledger Nov 16 '71." Other smaller text features French language content, with headings like "GAZETTE DES BEAUX ARTS." A handwritten note appears on one of the French clippings: "Joanne - who kept these clippings? Archives?". The layout suggests an effort to preserve or document content related to the arts or historical notes of interest.

The image shows a page from a scrapbook or a collection of newspaper and magazine clippings. There are several columns of text in different sizes and fonts, indicating different sources or articles. On the right-hand side, there's a larger clipped article with the headline "Society" by Miriam Tod, dated November 6, 1971. Below the larger clipping, there's a smaller clipping from "GAZETTE DES BEAUX ARTS" with text in French, and it appears to be about an art museum, mentioning the year 1971.

The clippings appear to be pasted onto a brown paper page, which is typical for a scrapbook. Also attached to the page is a small, handwritten note that reads, "Does key to cuttings fit articles?" signed with a name that is not entirely clear, but could be "Ormiston" or a similar name.

The overall context suggests that this image is from an archival or personal collection, where the individual may have been collecting articles of interest, potentially related to 'society' or 'arts' themes. The presence of a question about a key to the clippings suggests there may have been an organizational system for the collected articles, possibly for research or personal interest.

A page from a scrapbook or archival file. It’s a brown cardboard page with several newspaper and magazine clippings attached in a collage.

• In the top right, there’s a clipping titled “SOCIETY by Miriam Tod,” with a decorative border, and a handwritten note above it: “Patriot Ledger Nov 16 ’71.”
• The rest of the page has other clippings, some upside down or rotated, including a larger inverted block of text on the left.
• At the bottom are two small white cutouts labeled “GAZETTE DES BEAUX ARTS,” with the subtitle “Chronique des Arts, mai-juin 1971” in blue text; one has handwriting on it.
• Overall, it looks like a curated collection of arts and society clippings arranged in a collage on a single page.