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The image is a press release from the International Press Bureau, dated February 12, 1969. It appears to be an extract from "The Connoisseur," a publication based in London. The press release discusses an exhibition titled "Bronzes from the Ancient World," which was held at the Los Angeles County Museum of Art from March 1 to April 13, 1969.

The exhibition featured a collection of bronze artifacts from the seventeenth century to the present day, sourced from various museums and private collections in the United States, Canada, and nine European countries. The collection included a diverse array of objects, such as statuettes, vessels, and tools, created for both functional and aesthetic purposes. The bronzes were made using the lost-wax casting process, which involves creating a wax model that is then encased in clay and melted away, leaving a hollow mold for the molten bronze.

Two images accompany the text:

1. On the left, a standing male figure from the Middle Minoan III period (circa 1650-1550 B.C.), known as the "Lord of Minoa." This small votive figure is in a gesture of adoration, with its body slightly backward and its right fist raised to its forehead.
2. On the right, a bronze water bird from the Geometric period in Greece (eighth century B.C.), possibly a duck. This humorous small bird is believed to have been used as an offering and may have been suspended from a tree or placed on a grave.

The press release highlights the historical and cultural significance of these artifacts, providing a glimpse into the artistic and technological achievements of ancient civilizations.

The image shows an open booklet or brochure from the "International Press-Cutting Bureau" located at 184 Strand, London, W.C.2. The document appears to be an extract from "The Connoisseur" magazine, dated February 1968. The title of the article is "Splendors from the Ancient World," and it is authored by Mildred Housen.

The article features images of two ancient artifacts:

1. The image on the left is of a "Standing man," a statue from the Middle Minoan I to Late Minoan I periods (circa 1600-1500 B.C.). The statue is described as a small votive figure in the standard Minoan gesture of adoration, with its body slightly bent backward and its right fist raised to its forehead. The statue is 0.43 meters tall and is photographed by Roy Trahan. It is on loan from Mr. and Mrs. Frederick Stafford.

2. The image on the right is of a "Water bird," a sculpture from the 8th century B.C., possibly from Thesalian or Macedonian origin. This humorous small bird is likely a votive offering, produced from the same mold as other similar birds. It has a suspension loop for hanging and may have a hollow cast body, which is unusual for this period in Greek art. The statue is 0.068 meters high and is photographed by G.E. Nelson. It is on loan from the Eric and Kohl Collection.

The text on the page provides detailed descriptions of these artifacts, their historical context, and their significance. The page number at the bottom right corner is 125.

The image shows a page from a newspaper clipping or magazine article dated February 1968. The article is titled "Art Treasures from the World" and is an extract from "The Connoisseur" published by the International Press-Cutting Bureau, located at 184 Strand, London, W.C.2.

The article discusses an exhibition of ancient Greek and Roman bronze objects, specifically focusing on a show at the Los Angeles County Museum of Art and the Art Institute of Chicago. The text mentions that the exhibition includes 3,166 artifacts from various museums and private collections in the United States, Canada, and Europe.

The page features two photographs of ancient Greek sculptures:

1. On the left, a standing man from the Middle Minoan III to Late Minoan I period, circa 1600-1500 B.C. This piece is described as a votive figure.
2. On the right, a water bird from the Thessalian or Macedonian period, dated to the late 8th century B.C., which is likely a votive offering.

The captions under the images provide further details about the sculptures, such as their height and provenance, noting that they were lent by specific collections or individuals.

The page also includes a signature from "David Mogg," indicating it was likely read or annotated by someone named David Mogg.

The image is a page from a clipping or article from the "International Press-Cutting Bureau" featuring an extract from "The Connoisseur" dated February 1968. The article is titled "Bronzes from the Mediterranean World," written by Mildred Housen.

The article discusses an exhibition of ancient bronze artifacts from the Mediterranean world. It mentions the loan of these pieces by various collectors and museums, including Lorenzo de' Medici, and their display at the Fogg Museum in Cambridge and the Los Angeles County Museum of Art.

Two black-and-white photographs of ancient bronze sculptures are shown on the page:

1. The left image depicts a "Standing man" from the Middle Minoan III to Late Minoan I period, dated approximately 1600-1500 B.C. The figure is described as a small votive figure, standing in a typical Minoan gesture with the body bent slightly backward and the right fist raised to the forehead. It was lent by Mr. and Mrs. Frederick Stafford, with a photo credit to Roy Trahan.

2. The right image shows a "Water bird" from Thessalian or Macedonian origin, dated to the late 8th century B.C. This piece is described as a humorous small bird, likely a votive offering, with a hollow cast body, which is unusual for Greek art of that period. It was lent by the Eric and Kathie Collection, with a photo credit to O.E. Nelson.

The text highlights the historical and cultural significance of these pieces, emphasizing the unique and varied techniques used in their creation, such as the "lost wax" method, and the extensive geographical and temporal range of the exhibition.

The image is a page from a publication titled "Bronzes from the Ancient World," written by Mildred Housen, and it appears to be an extract from "The Connoisseur." The page is dated February 1968 and is sourced from the International Press-Cutting Bureau in London.

The page includes two photographs of ancient bronze sculptures:

1. On the left, there is a "Standing Man" from Middle Minoan III – Late Minoan I (circa 1600-1500 B.C.). This figure stands at 0.043 meters tall and was lent by Mr. and Mrs. Frederick Stafford. The description mentions that this votive figure has a typical Minoan gesture, with its body bent slightly backward and its right fist raised to its forehead, suggesting it is a provincial version.

2. On the right, there is a "Water Bird" from Thessalian or Macedonian origin, dated to the late 8th century B.C. This bird stands at 0.068 meters tall and was lent by the Eric de Kael Collection. The bird is described as likely a votive offering, produced during the Orientalizing period. The bird's wings are positioned in a way that indicates it might have been suspended, and it has a transverse suspension loop, which is noted as unusual for this period in Greek art.

The text mentions that the exhibition, organized by the Fogg Art Museum, took place in Cambridge (March 1 to April 13) and then traveled to the Los Angeles County Museum of Art (May 8 to June 30). The exhibit showcased an extensive array of ancient bronze objects from various collections in the United States, Canada, and Europe. The bronzes were created for both solid and hollow casting, predominantly using the "lost wax" method, with a focus on the Mediterranean world. The exhibit covered a span of 2,300 years, emphasizing the revolutionary breakthroughs in bronze casting techniques.

The image is a press clipping from the International Press-Cutting Bureau in London, dated February 13, 1968. It is an extract from "The Connoisseur" magazine, authored by Mildred Housen, discussing a significant exhibition of bronze artifacts.

Headline: Bronzes from the World: 3 Angles

Content Summary:

The article highlights an exhibition of bronze artworks, featuring pieces that span centuries and attract the attention of experts and collectors. The exhibition, titled "Fogge," is noted for being the first comprehensive and cost-effective tour in the U.S. of artworks from the Museo di Mediceo in Florence. It is organized by the City Art Museum of Saint Louis.

The exhibition includes 316 treasures and will be displayed at several prominent locations:

• The Los Angeles County Museum of Art from March 1 to April 13.
• The Museum of Fine Arts in Boston from May 8 to June 30.

The exhibition focuses on the private art of miniature sculpture in bronze, showcasing pieces from various periods and regions, including Etruscan, Greek, and Renaissance works. The "lost wax" method, utilized by the Greeks for both solid and hollow casting, is a technical highlight.

Artifacts Described:

1. Standing Man (Left):

   • Period: Middle Minoan III to Late Minoan I (1600-1500 B.C.)
   • Height: 0.043 meters
   • Lent by Mr. and Mrs. Frederick Stafford
   • Description: A small votive figure in a typical Minoan posture of adoration, with a slender body and raised right hand.

2. Alabastron Water Bird (Right):

   • Origin: Thessalian or Macedonian, late 6th century B.C.
   • Height: 0.068 meters
   • Lent by The Eric Kali-Cohen Collection
   • Description: A bird-shaped vessel, possibly used for votive offerings, created using the "lost wax" method. The bird's hollow body might have been cast in two sections, a rare technique in early Greek art.

The article emphasizes the historical and artistic significance of these bronzes, illustrating the craftsmanship and cultural value of the pieces.

The image shows a newspaper or magazine clipping featuring an article titled "Bronzes from the World" by Mildred Housen. The page is folded and has two black-and-white photographs of ancient bronze artifacts:

1. On the left is a standing man figure from the Middle Minoan III period (circa 1600-1500 B.C.). The figure is described as a small votive sculpture in a standard Minoan gesture of adoration, with the body bent slightly backward and the right fist raised to the forehead.

2. On the right is a humorous water bird made of bronze from the Thessalian or Macedonian region, dated to the late 5th century B.C. It is likely a votive offering from the "Geometric" period in Greece. The bird figure is noted for probably having a hollow cast body, which was unusual for that early period in Greek art.

The clipping is from "THE CONNOISSEUR LONDON" and has a stamp marking from the "INTERNATIONAL PRESS-CUTTING BUREAU" dated Feb 1968. There is a handwritten note with the names "David Mitton" and "Fogg" on the stamped label.

The text discusses the significance of bronze miniature sculpture collections, the technical process of bronze casting lost and rediscovered, and the historical timeline covered by the exhibition or collection.

The image displays an open magazine or journal page featuring an article about bronze sculptures. The article is titled "Bronzes from the World" and is from a publication called "The Connoisseur London" as indicated by the header at the top. The page includes a date stamp reading "1 FEB 1968" and the text "David Mitten" handwritten in what appears to be ink, possibly indicating the name of a previous reader or owner of the magazine.

There are two images of sculptures. Image 1 is a black-and-white photograph of a standing male figure, which is described as Middle Minoan III—Late Minoan I, circa 1600-1500 B.C., from the Fritz B. Burns Collection. The figure stands with a slightly backward tilt and its right fist raised to its forehead.

Image 2 is a photograph of a water bird, described as a humorous small bird probably used as a votive offering. Its provenance is noted to be Thessaloniki, and it is said to belong to the Eric G. Koll Collection. This object is said to be produced during the "Geometric" period in Greece.

The text in the image provides context about an exhibition organized by an art museum, focused on private art of miniature sculptures in bronze, masterpieces from various collectors and museums. There's mention of a skillfully trained artisan technique of wax casting, known as the lost wax method, and the article also discusses the chronological coverage of the exhibition noting a production span of 2,300 years.

The bottom of the page features the number 125, suggesting it is page 125 from the magazine.

The image shows an open book or catalog page featuring two ancient bronze artifacts. The left page includes a handwritten note at the top, with the text "Extract from THE CONNOISSEUR LONDON" and a date of "FEB. 1968." Below the note, there is a photograph of a standing male figure, described as a "Standing man, Middle Minoan III–Late Minoan I, c. 1600–1500 B.C." The figure is small, with a slightly backward stance and raised arms, characteristic of Minoan art. The caption mentions that the figure is attributed to Mr. and Mrs. Frederick Stent and notes that its small size and posture suggest it may be a provincial version of the human form.

The right page contains text discussing bronze artifacts from the ancient world, specifically referencing an exhibition in Los Angeles. The text highlights the significance of bronze in ancient cultures, particularly the "lost wax" method used by Greek artists. Below the text, there is a photograph of a water bird, identified as "Water bird. Thessalian or Macedonian, late 8th century B.C." The bird is depicted in a stylized, elongated form, with a long neck and a distinctive posture. The caption explains that this bird is likely a votive offering and may have been suspended from trees, noting its unique hollow cast body and the possibility of a transverse suspension loop.

The overall layout combines historical context, detailed descriptions, and visual representations of ancient bronze artifacts, emphasizing their artistic and cultural significance. The page number "125" is visible at the bottom right corner of the right page.

The image shows a page from a magazine or publication titled "The Connoisseur" featuring an article about bronze artifacts. The article, titled "Bronzes from the World," discusses an exhibition of bronze artifacts held at the Los Angeles County Museum of Art and the Saint Louis Art Museum. The page includes a handwritten signature, possibly from the author or editor, and two images of bronze artifacts. The first image depicts a standing human figure, while the second image shows a water bird. The article provides details about the artifacts, their origins, and the techniques used to create them.