Archives Scrapbooks

This image displays a collection of newspaper clippings mounted on the pages of a weathered, brown-covered scrapbook or binder, likely kept for archival purposes.

The clippings, dated primarily from March 1968, document events and exhibitions related to art, specifically focusing on the Spanish artist Manolo Millares and a major ancient art exhibit titled “Master Bronzes.”

Left Page:

• Main Article: A large clipping from a Spanish newspaper, likely El Correo de Andalucía (Sevilla), dated February 25, 1968 (though the date is handwritten and may be a clipping date).
• Headline: “Millares, en Sevilla.”
• Content: The article announces the inauguration of the “La Pasarela” Art Gallery in Seville and features a solo exhibition of Manolo Millares. It includes two small, black-and-white photographs: one of the artist himself and another showing an installation view of his abstract paintings in the gallery.
• Handwritten Notes: There are handwritten annotations in the top margin of the clipping, including “497” and “498.”

Right Page:
This page contains several smaller clippings, all from American press services, dated March 1968.

• Top Clipping (Large):

  • Headline: “Master Bronzes: Intimate Look at Ancients” by John Brod Peters.
  • Source & Date: Marked as from the St. Louis Democrat, March 3, 1968, provided by the American Press Clipping Service, Inc.
  • Content: This article reviews a traveling exhibit of 235 Greek, Etruscan, and Roman sculptures at the City Art Museum (St. Louis), which were gathered by Harvard’s Fogg Art Museum. It describes the exhibit’s thematic organization and highlights specific ancient pieces, such as Etruscan terracotta figures and a “magnificent leaping deer” bronze.
  • Photograph: Features a black-and-white image of a Roman portrait bust titled “Portrait of A Man (The Emperor Caracalla?) Early Third Century, A.D.”

• Bottom Clippings:

  • Top of Bottom Section:

    • Headline: “Art Exhibit Will Have Irving Amen Graphics.”
    • Source & Date: From the New England Newspaper, March 12, 1968, via the American Press Clipping Service.
    • Content: Announces that graphics by Irving Amen will be included in the third annual art show at Temple B’rith Shalom’s Sisterhood.

  • Bottom Left:

    • Headline: “Art Notes.”
    • Source & Date: From the Star, Kansas City, Mo., March 10, 1968, via the American Press Clipping Service.
    • Content: Brief notes on John Coolidge resigning as director of the Fogg Art Museum at Harvard, and mentions of the Fogg’s “Master Bronzes” exhibition and upcoming shows at the Metropolitan Museum and the Yale Art Gallery.

Overall Context:
The scrapbook pages appear to belong to an individual or institution (possibly the artist Manolo Millares or his gallery) collecting press coverage. The items are carefully glued onto the pages, with dates and sources noted in the margins. The collection juxtaposes contemporary Spanish art (Millares) with scholarly exhibitions of ancient art (Master Bronzes) and local art news, suggesting an interest in the broader art world of the time. The use of press clipping services indicates a systematic effort to track media coverage.

The image shows a collection of newspaper clippings and articles, seemingly gathered into a scrapbook or binder. The clippings are from various sources and discuss different topics, predominantly related to art and exhibitions.

1. Left Side (Top)

   • An article from "El Correo de Andalucía" dated February 23, 1968, discusses an exhibition by artist Manolo Millares at the "La Pasarela" gallery in Sevilla.
   • The clippings include a photograph of Manolo Millares and a detailed article about his work.

2. Right Side (Top)

   • An article titled "Master Bronzes: Intimate Look at Ancients" by John Brod Peters from the "American Press Clipping Service" dated March 3, 1968. This piece discusses a traveling exhibition of ancient Greek, Etruscan, and Roman sculptures at the Harvard University Fogg Art Museum.
   • The article includes a photograph of a bronze sculpture.

3. Bottom (Left)

   • A clipping from "American Press Clipping Bureau, Inc." dated March 10, 1968, about John Coolidge's resignation from the Fogg Art Museum of Harvard and his return to teach the history of architecture at Harvard.

4. Bottom (Right)

   • An article titled "Art Exhibit Will Have Irving Amen Graphics" from "New England Newsclip" dated March 12, 1968, announcing an art exhibit featuring graphics by Irving Amen with details about the show's dates and venues.

The clippings are neatly arranged and taped into the binder, suggesting that this collection was compiled for reference or personal interest in art and art exhibitions.

This image shows a collection of newspaper clippings and articles from various sources, dated around the 1960s. Here are the details of the clippings:

1. El Correo de Andalucia, Sevilla, 23 February 1968:

   • The article is titled "Millares, en Sevilla" and discusses the opening of a new exhibition at the "La Pasarela" art gallery featuring the work of Manolo Millares. It includes a photograph of a man, presumably Manolo Millares.

2. American Press Clipping Service, Inc. (119 Nassau Street, New York 38, N.Y.):

   • The clipping is from the Globe Democrat, St. Louis, Mo., dated March 3, 1968. The article is titled "Master Bronzes: Intimate Look at Ancients" by John Brod Peters. It discusses an exhibition of 325 Greek, Etruscan, and Roman sculptures at the City Art Museum, organized under the auspices of Harvard University's Fogg Art Museum. The article includes a photograph of an ancient bronze portrait of a man, possibly The Emperor Carcalla, from the Early Third Century A.D.

3. American Press Clipping Bureau, Inc. (Tel. WOrth 2-3797):

   • The clipping is from the Star, Kansas City, Mo., dated March 10, 1968. It mentions that John Coolidge is resigning as director of the Fogg Art Museum of Harvard after 20 years, and he will return to Harvard to teach the history of architecture.

4. New England Newsclip, dated March 12, 1968:

   • The article is titled "Art Exhibit Will Have Irving Amen Graphics" and discusses an upcoming art show at Temple B'nai Shalom's Sisterhood in Milford, featuring the graphics of Irving Amen. The exhibition will run from March 30 through April 2.

The clippings are arranged on a yellowed page, suggesting that this is part of a scrapbook or collection of articles from that time period. The articles cover a range of topics, including art exhibitions, historical sculptures, and art museum news.

The image shows a scrapbook page with various newspaper clippings and other materials pasted on it. The clippings are from different newspapers and cover a range of topics, including art exhibitions, political events, and cultural happenings. The clippings are arranged in a somewhat haphazard manner, with some overlapping and others placed side by side. The page appears to be part of a larger collection of scrapbook pages, as indicated by the presence of other pages visible in the background.

The image shows a collection of newspaper clippings, articles, and press releases, which are likely related to an art exhibition. The clippings are attached to a brown folder, and the pages are yellowed with age. The folder has a label on the top left corner that reads "Record de," followed by some numbers and text. The clippings include articles about the exhibition, its artists, and the artworks. One of the articles is titled "Master Bronzes: Intimate Look at Ancients," and it discusses the exhibition's focus on ancient Greek and Roman sculptures. Another article is titled "Art Exhibit Will Have Irving Amen Graphics," and it mentions the involvement of Irving Amen, a graphic designer, in the exhibition. The clippings also include press releases from various sources, such as the American Press Clipping Bureau and the New York Art Museum.

The image shows an open newspaper or magazine spread, likely from a historical or archival source, featuring a variety of articles and advertisements. Here's a detailed description:

Layout and Content:

1. Left Page:

   • Headline: The main article is titled "Millares, en Sevilla" (Thousands, in Seville), indicating a focus on an art exhibition or cultural event in Seville.
   • Subheading: "LA GALERÍA DE ARTE 'LA PASARELA' INAUGURA MAÑANA SU NUEVO DOMICILIO, CON UNA EXPOSICIÓN DE MANOLO MILLARES." This translates to "The Art Gallery 'La Pasarela' inaugurates its new headquarters tomorrow with an exhibition by Manolo Millares."
   • Visual Element: There is a black-and-white photograph of a person in the center-left portion of the page. The individual appears to be holding something, possibly a small object or artifact, and is dressed in formal attire, suggesting a formal or ceremonial context.
   • Text: The article discusses the inauguration of a new gallery location and an exhibition by Manolo Millares, a notable artist. It includes details about the event, such as the date (January 17, 1968), the venue, and the significance of the exhibition.

2. Right Page:

   • Headline: The main article is titled "Master Bronzes: Intimate Look at Ancients," written by John Brod Peters. This article appears to be a review or feature about an exhibition of ancient bronzes.
   • Visual Element: There is a black-and-white photograph of an ancient bronze sculpture, likely a portrait or bust, on the right side of the page. The sculpture is detailed, showing intricate features and craftsmanship.
   • Text: The article discusses the exhibition, highlighting its significance, the variety of artifacts on display, and the historical and artistic value of the bronzes. It mentions the exhibition's location at the St. Louis Art Museum and provides insights into the ancient world depicted through these artifacts.
   • Additional Articles:
     • Below the main article, there is a smaller article titled "Art Notes," which mentions John Brod Peters, an art critic, and his resignation from the New York Times after 30 years.
     • Another small article titled "Art Exhibit Will Have Irving Amen Graphics" announces an exhibition of graphics by Irving Amen at the Yale Art Gallery in New Haven, scheduled for April 1–28, 1968.

3. Advertisements:

   • At the top of the page, there are two clipped advertisements:
     • Left Ad: "American Press Clipping Service, Inc." located at 119 Nassau St., New York, N.Y. It includes a phone number (WO 4-7397) and a date (March 12, 1968).
     • Right Ad: "Star Press Clipping Service, Inc." located at 119 Nassau St., New York, N.Y., with a phone number (WO 4-7397) and a date (March 12, 1968).

Design and Context:

• The layout is typical of a newspaper or magazine from the late 1960s, with a mix of news articles, cultural reviews, and advertisements.
• The use of black-and-white photographs suggests the era's printing technology.
• The content reflects a focus on art, culture, and exhibitions, indicating that this publication likely catered to an audience interested in the arts and cultural events.

Overall Impression:

The image captures a snapshot of cultural and artistic life in the late 1960s, showcasing a blend of local and international art events, reviews, and advertisements. The inclusion of both a contemporary art exhibition (Manolo Millares) and an ancient art exhibition (Master Bronzes) highlights the diversity of interests covered in the publication. The formal tone and detailed descriptions suggest a serious and informative approach to art and culture.

The image shows an open scrapbook or binder with various newspaper clippings affixed to the pages. The articles appear to be related to art and exhibitions. On the left-hand page at the top, there's a header "El Correo de Andalucia" with "SEVILLA" below it, indicating that this article might be from a Spanish publication. The title of the larger article on this page is "Millares, en Sevilla". There are several other snippets and pieces of articles arranged on both pages.

On the right-hand page, there are English-language clippings; one of them mentions "Master Bronzes: Intimate Look at Ancients" by John Brod Peters and another one has a heading "Art Notes." Also noticeable are labels from an American company with dates such as MAR 10 1968 and MAR 12 1968, suggesting these pieces might have been collected or corresponded around that time.

The articles are arranged in a slightly overlapping manner on a brownish background. The scrapbook has a strap on the right edge, which might be used to keep the book closed when not in use. The collection of pages gives a sense of researching or documenting art history or criticism.

This image depicts a scrapbook page featuring various newspaper clippings and articles. The page includes clippings in Spanish and English, covering topics about art and exhibitions.

• The left section features a Spanish newspaper article titled "Millares, en Sevilla," discussing an exhibition by Manolo Millares in Sevilla. It includes a black and white photograph of the artist, appearing to work on something.

• The center and right sections contain English-language newspaper clippings:

  • The larger article, titled "Master Bronzes: Intimate Look at Ancients," reviews an exhibition of classical bronze sculptures, discussing their historical and artistic significance.
  • Smaller clippings below, from sources like the "American Press Clipping Bureau, Inc.," briefly mention other art exhibitions and notes ("Art Notes") about art news or events during that time.

The page appears dedicated to art-related news and archival materials, with a vintage design, yellowed pages, and articles neatly pasted in a scrapbook style.

This image shows a scrapbook page containing four newspaper clippings and a label affixed to a brown sheet. The clippings are related to art exhibitions and artists.

1. The left clipping, titled "Millares, en Sevilla," is in Spanish, discussing the inauguration of a new art gallery "La Pasarela" in Seville, with an exhibition of works by Manolo Millares. It features a black and white photo of a person, possibly Millares, dressed in dark clothing and looking downward, with hands clasped.

2. The top middle clipping is from the American Press Clipping Service, dated March 8, 1968, originating from the Globe Democrat, St. Louis, Missouri. It is titled "Master Bronzes: Intimate Look at Ancients," written by John Brod Peters, reporting on an exhibit of Greek, Etruscan, and Roman bronze sculptures at the Fogg Art Museum, highlighting the artistic and historical significance of the works.

3. The bottom middle clipping, dated March 10, 1968, from the American Press Clipping Bureau, Kansas City, Missouri, titled "Art Notes," mentions John Coolidge's resignation as director of the Fogg Art Museum after 39 years and the continuation of the museum's exhibition program.

4. The right clipping, dated March 12, 1968, from New England Newsclip, titled "Art Exhibit Will Have Irving Amen Graphics," announces that works by Irving Amen will be included in an upcoming art show sponsored by Temple B'nai Shalom's Sisterhood.

Additionally, there is a label from "El Correo de Andalucía," with a date stamp of March 23, 1968, identifying the source of the first clipping from Seville. The page documents art-related news from early 1968, focusing on exhibitions and prominent figures in the art world.

This is a page from an old scrapbook or scrapbook-style display. It’s covered with yellowed newspaper clippings taped or pasted in a collage.

• On the left, a large Spanish-language article titled “Millares, en Sevilla” with a black-and-white photo of a man looking down. There are small header clippings at the very top, including references to Sevilla and El Correo de Andalucía.
• In the middle-right, a clipping headlined “Master Bronzes: Intimate Look at Ancients” with a block of text and a small image area (appears to have a photo or illustration that’s now faded or obscured).
• Below and to the right are smaller clippings, including a note about an art exhibit featuring Irving Amen graphics and another short “Art Notes” piece, with dates like 1968 (e.g., MAR 10 1968).
• The page has handwritten numbers in pencil near the edges and a overall aged, collage-like look, with a brown-toned background and taped inserts.

Overall, it depicts a vintage art-news collage concentrically about exhibitions and artists, in both English and Spanish.