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This image displays two open newspaper clippings from the American Press Clipping Bureau, Inc., dated January 24, 1968. The clippings are mounted on aged, brownish paper, suggesting they are archival documents.

Left Clipping: "Landmarks From Century of Modern Art"

• Author: George Mc.
• Content: This article reviews an exhibition titled “Works of Art in the Nineteenth and Twentieth Centuries” at the St. Louis Art Museum. It highlights 133 works from the collections of Louise and Joseph Pulitzer Jr., including loans from Harvard University and Washington University.
• Key Artists Mentioned:
  • Paul Cézanne – “The Pyramid,” a 1897 painting.
  • Pablo Picasso – “Woman in Yellow,” “Portrait of Josephine,” and “Figures.”
  • Jacques Lipchitz – Two bronze sculptures: “Figure” and “Head of a Woman.”
  • Amedeo Modigliani – Rejected Rodin, featured “Seated Woman” (1912) and “Head of a Woman.”
  • Other artists: Auguste Rodin, Henri Matisse, Georges Braque, Georges Rouault, Walter Pach, and Stephen Greene.
• Focus: The article emphasizes the collection’s emphasis on modernism, revolution, and the evolution of art from impressionism through cubism and expressionism, noting the significance of the Pulitzer collection as a representative survey of modern art.

Right Clipping: "A Feast of Masterpieces In Huge Museum Exhibit"

• Author: John Brod Peters
• Content: This article also covers the St. Louis Art Museum exhibition, describing it as a “feast of masterpieces.” It focuses on standout pieces, especially those by Van Gogh, Picasso, and Modigliani.
• Featured Artwork: A reproduction of Van Gogh’s “The Window with Bottles” (1889) is shown prominently. The article notes it was painted when Van Gogh was a patient at Saint Paul-de-Mausole in Provence.
• Picasso’s Works: The article references his “Three Graces” period and “Bather,” describing the stylistic evolution of his work including Cubist influence.
• Modigliani: His “Seated Woman” is again noted, with emphasis on its elongated neck and stylized features.
• Context: The exhibit draws from the Pulitzers’ collection amassed over 30 years, with many works coming from the Yale Art Museum and Washington University collections.

Common Features:

• Both clippings are from the Globe Democrat, St. Louis, Mo.
• Both are marked with the American Press Clipping Bureau’s stamp, address (119 Nassau Street, New York, NY), and telephone number (WO 2-3797).
• The clippings are annotated in faint pencil — “149” on the left and “15” on the right — possibly indicating catalog numbers.

Overall Impression:

This is an archival collection of journalistic coverage from 1968 documenting a major modern art exhibition at the St. Louis Art Museum, showcasing masterpieces by Van Gogh, Picasso, Modigliani, and others. The articles provide critical commentary and context for the public reception of these works at the time, reflecting mid-20th century art historiography and collecting trends, particularly the prominence of the Pulitzer family’s collection. The physical condition and presentation suggest these clippings were preserved for research or institutional record-keeping.

The image shows a page from a scrapbook or a collection of newspaper clippings. It contains two articles from different newspapers:

1. Left Article:

   • Headline: "Landmarks From Century of Modern Art"
   • Byline: "By GEORGE McC..."
   • The text discusses an exhibition of modern art, mentioning notable works and artists, such as Picasso, Matisse, and others. It highlights the diversity and influence of modern art over a century. It mentions that this collection includes works borrowed from the Fogg Art Museum of Harvard University and the Washington University collections.

2. Right Article:

   • Headline: "A Feast of Masterpieces In Huge Museum Exhibit"
   • Byline: "By JOHN BROD PETERS"
   • This article discusses a broad and significant exhibition of masterpieces at a museum. It mentions that the exhibition includes works by a variety of renowned artists and is described as a "huge" and comprehensive collection. The article also mentions the presence of works by artists like Picasso, Braque, and others.

Both articles are accompanied by a black-and-white photograph of a window, labeled as "Van Gogh: The Window with Bottles." The image is credited to the Toledo Museum of Art as part of an exhibition about Van Gogh's drawings and watercolors. There are also additional clippings and labels from the "American Press Clipping Bureau, Inc." indicating the source and possibly the date of the articles.

The page appears to be part of a collection of historical information, likely documenting art exhibitions and the historical context of modern art.

This image shows an open scrapbook or binder containing newspaper clippings from January 1968. The clippings are from the "Post-Dispatch" and "Globe Democrat," both from St. Louis, Missouri. The main article is titled "Landmarks From Century of Modern Art" by George Mc. It discusses an art exhibition featuring works from the 19th and 20th centuries, including pieces by artists like Amedeo Modigliani, Pablo Picasso, Max Beckmann, and others. The article mentions the collection of Louise and Joseph Pulitzer Jr. and highlights various artworks on display.

To the right of the main article, there is another clipping titled "A Feast of Masterpieces In Huge Museum Exhibit" by John Brod Peters, which provides additional details about the exhibition. There is also a small image of a Van Gogh painting, "The Window with Bottles," with a caption explaining its significance.

The clippings are labeled with the date "JAN 24 1968" and "JAN 28 1968," and there are references to the American Press Clipping Bureau, Inc., with contact information for both St. Louis and New York offices. The overall condition of the clippings suggests they are from a scrapbook or a collection of news articles about the art exhibition.

A scrapbook with a brown cover and a red border is opened to a page with a newspaper clipping and a small photograph attached to it. The clipping is from the St. Louis Globe Democrat, dated January 28, 1958, and features an article about an exhibition at the City Art Museum. The photograph shows a painting by Van Gogh. The scrapbook also has a label from the American Press Clipping Bureau, Inc., indicating that it was worth $2.00 and was sent to a post-dispatch address in St. Louis.

The image shows a page from a book titled "Landmarks From Century of Modern Art" by George Mac Carter. The page contains text and images related to modern art, including a drawing of a window by Van Gogh. The book is open to a page with text discussing the history and significance of modern art, as well as the artists and artworks featured in the book. The page also includes a clipping from the Post-Dispatch newspaper dated January 28, 1968, with an article about the book and its contents.

The image shows two pages from a newspaper or magazine clipping, likely from the American Press Clipping Bureau, Inc., as indicated by the header. The pages are dated January 24, 1969, and feature articles related to art and culture.

Left Page:

• Headline: "Landmarks From Century of Modern Art"
• Byline: By George McCoy
• Content:
  • Discusses the evolution of modern art, emphasizing its spirit of continuity and innovation.
  • Mentions key artists and movements, such as Amelio Modigliani, Pablo Picasso, and Paul Klee.
  • Highlights the influence of artists like André Derain, Georges Braque, and Juan Gris.
  • References significant works, including Picasso's "Guernica" and Modigliani's nudes.
  • Describes the impact of art movements like Cubism, Surrealism, and Abstract Expressionism.
  • Notes the role of institutions like the Museum of Modern Art (MoMA) in preserving and showcasing modern art.
  • Mentions specific exhibitions and collections, such as those at the City Art Museum of St. Louis.

Right Page:

• Headline: "A Feast of Masterpieces In Huge Museum Exhibit"
• Byline: By John Broder Peters
• Content:
  • Reports on a major art exhibition at the City Art Museum, featuring works by renowned artists.
  • Highlights the diversity of the collection, including pieces by Vincent van Gogh, Paul Klee, and Pablo Picasso.
  • Describes specific artworks, such as Van Gogh's "The Window with Bottles in a Feast", which was recently acquired by the museum.
  • Mentions other notable pieces, including works by Arshile Gorky, Jackson Pollock, and Mark Rothko.
  • Discusses the significance of the exhibition in showcasing a comprehensive range of modern and contemporary art.
  • Notes the involvement of the Washington University in organizing the exhibit.

Visual Elements:

• Layout: The pages are formatted in a typical newspaper style, with columns of text and headlines.
• Typography: The text is printed in a serif font, typical of mid-20th-century print media.
• Headings: Bold and prominent headlines draw attention to the main topics.
• Contact Information: The top of each page includes contact details for the American Press Clipping Bureau, Inc., including telephone numbers and addresses in St. Louis, MO, and New York, NY.

Overall Context:

The clippings provide a snapshot of art criticism and exhibition coverage from January 1969, focusing on the evolution of modern art and significant museum exhibitions. They reflect the era's interest in avant-garde movements and the role of institutions in preserving and displaying artistic innovation. The articles highlight key artists, movements, and specific works, offering insight into the cultural landscape of the time.

This image displays a scrapbook page containing two taped or glued newspaper clippings. The clippings are associated with art and exhibitions.

• Left clipping: Titled "Landmarks From Century of Modern Art," it features a detailed article that discusses key exhibitions and artists from the City Art Museum and highlights 20th-century modern art.

• Right clipping: Includes an image of a painting (a black-and-white reproduction of Van Gogh's The Window with Bottles) and a title, "A Feast of Masterpieces in Huge Museum Exhibit," which discusses the assembly of master artworks in a prominent exhibition.

The page also contains stamps or labels from the American Press Clipping Bureau and the originating newspaper outlets, such as Globe Democrat (St. Louis) and Post-Dispatch (St. Louis), dated January 1968.

The image shows a scrapbook or album page with three newspaper clippings attached to it. The clippings are related to art and museum exhibitions.

1. The left clipping is titled "Landmarks From Century of Modern Art." It appears to be a detailed article discussing important aspects and highlights of a modern art collection or exhibit, mentioning names like Picasso, Modigliani, and others. The article emphasizes the evolution and significance of modern art.

2. The middle clipping has a smaller article and a small image or sketch of an arched window design. The article is titled "VAN GOGH: THE WINDOW WITH BOTTLES," referring to an exhibition at the Museum of Art's exhibition through March 3, showing a watercolour or drawing from Van Gogh around 1890.

3. The right clipping is a longer article titled "A Feast of Masterpieces In Huge Museum Exhibit," written by John Brod Peters. It discusses a large exhibit at the City Art Museum showcasing works collected by Louise and Joseph Pulitzer Jr., including around 153 works representing roughly 30 years of collecting. It mentions several artists, works, and themes featured in the exhibition, including Picasso, Rodin, Modigliani, and others.

The overall context suggests a focus on significant modern art exhibitions, highlighting important artists and landmark works that have been displayed or collected in major museums. The clippings are dated from January 1968.

This image shows an open book with two newspaper clippings pasted onto the left and right pages respectively. Both clippings contain articles about art exhibitions and works of modern art.

On the left page, the article is titled "Landmarks From Century of Modern Art" and is by George McCue, as indicated at the top. It includes various columns of text and mentions several painters and their notable works. The article's publication date is January 4, 1965, and it originates from the St. Louis Post-Dispatch, as evidenced by the header at the top.

On the right page, the article heading reads, "A Feast of Masterpieces In Huge Museum Exhibit" and includes a small grayscale image of a painting that appears to be a window with bottles, with the caption "VAN GOGH: THE WINDOW WITH BOTTLES — In Toledo-made art's explosion into the World of Archeology: The Year's The Window, which he autofished as St. Paul Asylum in Provence where the hospital." The text of the article details various aspects of an art exhibition featuring a notable collection of Masterpieces.

At the top of the right clipping, a small label with some handwritten notes includes information that seems to reference the source or the cataloging of the article, with the text "Friday," "119 Nassau Street N.Y.," "JAN 28 1965," and an address from St. Louis, Mo.

The pages are aged, and the pasted clippings show some browning and signs of wear, indicating the book and articles have some historical age. The book itself has a brown cover with some wear on the corners and edges.

• A scrapbook page with aged brown paper, showing several newspaper clippings pasted onto it.
• On the left side are two or three narrow clipping fragments clustered together, with a visible headline about “Landmarks From Century of Modern Art.”
• In the center is a larger, two-column clipping laid out like an article, also about modern art.
• Along the right edge is a tall, narrow clipping featuring a small illustration of a window with bottles and a separate headline about a “Feast of Masterpieces In Huge Museum Exhibit.”
• The top corners have small clipped labels that look like press service notices.
• The overall look is vintage, with yellowed pages and torn edges, suggesting mid-20th-century press clippings about art exhibitions.