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ARCH.2003.36, Rendition: 805238
This image shows a page from a scrapbook or collection of clippings. The page is primarily occupied by a newspaper article with the headline "Rarely Seen Collection Goes On View At UCLA." The article details an exhibition at UCLA's Dickson Art Center Galleries that featured a collection of artworks, including paintings and drawings, curated by UCLA's Art Council. The text mentions several individuals associated with the exhibition and the collection, such as Dr. Maurice Bloch, the widow of the late collector and art connoisseur Fred Grunwald, and Swedish artist Jan Forsberg.
There are also other newspaper clippings pasted on the left side of the page. One clipping is from the "Enterprise & Times" in Brockton, Massachusetts, dated January 5, 1967, discussing an exhibition at Harvard's Fogg Art Museum. Another clipping is from the "Townsman" in Wellesley, Massachusetts, also dated January 5, 1967, which mentions a lecture at Wellesley College by Professor George M. A. Hanfmann.
The articles and clippings appear to be part of a collection related to art exhibitions and events, likely curated for educational or commemorative purposes. The overall tone of the page is formal and informative, typical of a historical record or a memento of significant cultural events.
This image shows a newspaper clipping from the "Evening Outlook" of Santa Monica, California, dated January 6, 1967. The headline reads "Rarely Seen Collection Goes On View At UCLA." The article discusses the opening of an exhibition at UCLA's Dickson Art Center Galleries, featuring a collection of paintings rarely seen publicly. The collection includes works by artists such as Pierre Bonnard, Edgar Degas, Henri de Toulouse-Lautrec, Vincent van Gogh, Paul Rouault, and others.
The article mentions that there were concurrent dinners and a reception on the opening night, attended by more than 1,000 guests. Notable guests included the Swedish Consul General, the widow of a late collector and art connoisseur, and the organizer of a retrospective exhibit.
There is a photograph showing three people: a man in a suit, a woman in a dark dress, and another man in a suit. The caption identifies them as UCLA's Chancellor Franklin D. Murphy, Mrs. Fred Grunwald (the widow of the noted collector), and Swedish artist Jan Forsberg. They are pausing before one of two works by Pierre Bonnard in the Hazen collection.
Additionally, there are other clippings from different newspapers and sources, such as the "Enterprise & Times" from Brockton, Massachusetts, dated January 5, 1967, and the "Townsmen" from Wellesley, Massachusetts, also dated January 5, 1967. These clippings discuss the Fogg Art Museum at Harvard University and a lecture by George M.A. Hanfmann, the curator of Classical Art at the Fogg Art Museum.
This image displays an open scrapbook page, showing a curated collection of newspaper clippings and notes from January 1967, focused on art exhibitions and events in the United States.
The most prominent article, centrally placed and titled “Rarely Seen Collection Goes On View At UCLA”, is a detailed report on a special exhibition at the UCLA Dickson Art Center. It describes the unveiling of the “Hazens’ ‘Bonnard’” collection — a significant assemblage of art formerly owned by the late Swedish artist and collector Jan Forsberg and his wife, Mrs. Fred Grunwald (née Hazen). The article notes the collection’s history, including its previous display at the Israel Museum in Jerusalem, and its move to UCLA.
Accompanying the text is a black-and-white photograph showing UCLA’s Chancellor Franklin D. Murphy and Mrs. Fred Grunwald (wife of the noted collector) standing before two paintings by Pierre Bonnard. The caption identifies the artworks and names the individuals. The article adds that the exhibition also featured works by Degas, Lautrec, Van Gogh, Roualt, and others, and was open to the public through February 5.
Other clippings affixed to the page provide additional context:
The overall composition suggests the scrapbook belongs to someone deeply interested in art history and cultural events of the era, particularly those involving major American universities and European art collections. The placement and condition of the clippings imply a personal and nostalgic archiving effort, preserving moments from the art world in early 1967.
The image shows a scrapbook page with various pieces of paper attached to it. The page is filled with newspaper clippings, photographs, and handwritten notes. The newspaper clippings are from different sources and cover various topics, including art exhibitions, museum events, and cultural happenings. The photographs depict people, artworks, and events related to the articles. The handwritten notes provide additional context and information about the articles and photographs. The page appears to be a collection of materials related to the arts and culture, possibly curated by an individual interested in these subjects.
A book is open to a page with a newspaper clipping attached. The clipping has a headline that reads "Rarely Seen Collection Goes On View At UCLA." Below the headline is an image of three people, two men and a woman, standing in front of a painting. The image is surrounded by text that reads, "The Hazen's 'Bonnard' UCLA Chancellor Franklin D. Murphy, Mrs. Fred Grunwald, widow of the collector, and Swedish Consul General and Mrs. Walter Bloch, UCLA curator of prints, organized and founded the Hazen Foundation, which was honored by the UCLA Art Center at an Installation Preview of the UCLA Art Center's Hazen Foundation Retrospective."
The image depicts an open book or scrapbook page filled with newspaper clippings and articles from various sources, dated primarily around January 1967. The clippings are neatly arranged and appear to be organized chronologically or thematically.
Content of the Clippings:
Visual Elements:
Layout and Organization:
Contextual Clues:
The image shows a curated collection of newspaper clippings from January 1967, centered around art exhibitions, museum events, and academic lectures. The page highlights significant cultural happenings, such as the Hazen Collection exhibition at UCLA and the Harvard Museum's display of Japanese drawings, along with a formal reception and lecture by George Arthur Plimpton. The layout and content suggest this is part of an archive or scrapbook documenting art and cultural events from that period.
This image shows an open scrapbook or album page with newspaper clippings related to art and museum exhibits. The largest article, which dominates the page, has a headline that states, "Rarely Seen Collection Goes On View At UCLA." Below the headline, there is a photograph of three individuals in conversation in front of a painting. The accompanying caption refers to individuals affiliated with UCLA and mentions a collection that is on display at a specific art center.
Around the central article are various other clippings, with dates visible on some of them, suggesting a historical context from the 1960s, based on the dates like "JAN 6 1967" and "JAN 5 1967." The articles reference museums, exhibitions, and talks related to the art world, indicating that the scrapbook page holder had an interest in these events and subjects. A yellow mailing label with a date stamp is also visible, indicating some postal correspondence related to Santa Monica, Calif. The overall appearance suggests that this page likely belonged to someone actively engaged with or documenting the art scene during that time period.
This image shows a scrapbook page containing several newspaper clippings related to art exhibits and events. The central clipping highlights a headline, "Rarely Seen Collection Goes On View At UCLA," with a photograph of several people standing and observing artwork on display. Their faces have been blurred. The article describes a collection of art by Pierre Bonnard, along with works by Degas, Van Gogh, and others, being exhibited at UCLA's Dickson Art Center.
Other clippings on the page mention events in locations like Brockton, Cambridge, and Wellesley, referencing the Harvard Museum, Fogg Museum, and others promoting art-related lectures and exhibits. There are handwritten dates and notes, such as "Jan 5, 1967" and "Jan 6, 1967," likely referencing the publication dates of each article.
The image shows a scrapbook page with several newspaper clippings attached to it. The clippings mainly focus on art exhibitions and cultural events. The largest article, titled "Rarely Seen Collection Goes On View At UCLA," talks about an exhibition of the Hazen collection at UCLA's Dickson Art Center. It mentions notable attendees such as the UCLA Chancellor Franklin D. Murphy, Mrs. Fred Grunwald, and Swedish artist Jan Forsberg. The article also discusses concurrent dinners and receptions related to the event.
There is a black and white photo in the larger article showing several people viewing artwork, with a caption that reads: "The Hazen's 'Bonnard'." Several smaller clippings on the left mention the Harvard Museum exhibiting paintings and feature information about the Fogg Museum Curator giving a lecture. Another clipping is dated January 6, 1967, from the Santa Monica, Calif. Evening Outlook, and others have publication stamps from early January 1967.
Overall, the page is a collection of newspaper articles focused on art exhibitions and related cultural activities from early 1967.
The image shows a scrapbook page with a light brown background. A collage of vintage newspaper clippings is taped or glued to the page. The largest clipping is a front-page style article with the headline “Rarely Seen Collection Goes On View At UCLA,” accompanied by a black-and-white photo of four people standing and talking in what looks like a gallery or reception setting. The photo has a caption below it, mentioning items like “The Hazen’s ‘Bonnard’,” though the full text is partly obscured.
To the left of the main clipping are several smaller newspaper pieces stacked in a vertical column. These include short notices about museum exhibitions and art collections with dates from January 1967 and other locations, such as Harvard and Cambridge, giving the page a dated museum-news look. The overall impression is of a vintage archival page, with yellowed clippings and a calm, collage-style layout.