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The image is a newspaper clipping from December 30, 1966, titled "Mattatuck Acquires Ammi Phillips Portrait." The article discusses the acquisition of a portrait of an unknown gentleman from the collection of the Tiroc Gallery by the Mattatuck Museum.

The portrait is described as one of many unidentified works by the American itinerant painter Ammi Phillips, who was active in the first half of the 19th century. The article mentions that the portrait was purchased with funds provided by J. Howard Whittemore, chairman of the museum's board of trustees.

The article also provides some background on Ammi Phillips, noting that he was a prolific painter known for his portraits of children and adults. The Mattatuck Museum's acquisition is part of a broader effort to collect and preserve significant works of American art.

The image of the portrait shows a man in formal attire, holding a book in his hands, and the painting is described as a fine example of Phillips' work. The article concludes by highlighting the importance of the acquisition for the museum's collection and the cultural heritage of the region.

The image is a page from an old newspaper, specifically from the New England Weekly Times, dated December 30, 1966. The headline of the article is "Mattatuck Acquires Ammi Phillips Portrait."

The main feature of the page is a portrait of an unknown gentleman from the collection of the Tilton Gallery. The article discusses J. Howard Whittemore, who is the chairperson of the Mattatuck Museum, and his efforts in acquiring this portrait by Ammi Phillips, an artist known for his daguerreotype and oil paintings from the 18th and 19th centuries.

Key details from the article include:

• The portrait is an oil painting from the early 1800s.
• The artwork depicts a gentleman with a dignified appearance.
• The painting was part of the collection that Ammi Phillips created, and it was originally owned by the Phillips family.
• The portrait is now part of the Tilton Gallery’s collection, and the acquisition is significant for the museum’s historical and cultural collections.

The text within the article further elaborates on the historical context and significance of the portrait, noting its inclusion in various notable art collections and exhibitions across the United States. The inclusion of this portrait is highlighted as an important addition to the museum’s collection.

The image shows a newspaper clipping from the "New England Weekly" dated December 30, 1966. The headline reads "Mattatuck Acquires Ammi Phillips Portrait." The article features a black-and-white photograph of a portrait of an unknown gentleman, which is described as being from the collection of the Tilton Gallery. The portrait is noted to be an oil on canvas, and the article discusses the significance of the acquisition by the Mattatuck Museum in Waterbury, Connecticut.

The article mentions J. Howard Whittemore, who was the chairman of the museum's board of trustees at the time, and his role in the acquisition. It also provides some context about the artist, Ammi Phillips, and his work. The text further details the historical value of the portrait and its importance to the museum's collection.

The image is a newspaper clipping from the New York Times, dated December 30, 1966. The headline reads, "Mattatuck Acquires Ammi Phillips Portrait."

The article discusses a significant acquisition by the Mattatuck Museum in Waterbury, Connecticut. Specifically, it highlights the museum's purchase of a portrait painted by Ammi Phillips, an early 19th-century American folk artist known for his highly detailed and realistic works.

The portrait featured in the article is of an unknown gentleman and was part of the Tilden Thurber collection from Providence, Rhode Island. The article details that the acquisition was made possible with the help of J. Howard Whittemore, a notable benefactor of the Mattatuck Museum. Whittemore reportedly paid $18,000 for the portrait at a Parke-Bernet auction in New York City.

Ammi Phillips is noted in the article for his prolific output, having painted an estimated 500 to 1,000 portraits during his career. The article mentions that Phillips' works are highly sought after by collectors and museums, with examples found in major institutions such as the New-York Historical Society and the Museum of Fine Arts in Boston.

Additionally, the Mattatuck Museum's director at the time, Mr. John D. Morse, is quoted, expressing his satisfaction with the acquisition and the importance of the painting in the museum's collection. The article concludes by mentioning that the newly acquired portrait would be displayed as part of the museum's Whittemore Art Collection.

The image shows a newspaper clipping from the New England Newspaper, dated December 3, 1966. The headline reads "Mattatuck Acquires Ammi Phillips Portrait." The article is about the acquisition of a portrait by Ammi Phillips, an early American painter, by the Mattatuck Museum.

The main visual feature of the clipping is a portrait of an unknown gentleman, which is identified as being from the collection of the Tilton Gallery. The article explains that J. Howard Whittemore, chair of the Mattatuck Museum, had acquired the painting from the Tilton Gallery. This portrait is a daguerreotype made around 1830 and depicts a gentleman who was likely a member of the Phillips family, known for their involvement in the textile industry in Massachusetts.

The text further mentions that Ammi Phillips (1788-1865) was a renowned painter and daguerreotypist, known for his portraits of early American families. The portrait in question is noted to be a rare example of Phillips' work and is valued as an important historical piece. The article highlights the significance of the acquisition for the museum's collection, especially in terms of early American art.

The clipping also includes a brief mention of the Phillips family's historical context and the notable works by Ammi Phillips that are part of various collections across the United States.

The image is a newspaper clipping from the "New England Newspaper" dated December 30, 1966. The headline of the article is "Mattatuck Acquires Ammi Phillips Portrait." The article discusses the acquisition by the Mattatuck Museum of a portrait of an unknown gentleman, which is believed to be by Ammi Phillips.

The text mentions that J. Howard Whittemore, chair of the Mattatuck Museum, was one of many individuals who have contributed to the museum's collection of Ammi Phillips' works. The portrait in question is noted as being an original oil painting by Phillips, who painted between 1786 and 1865. The painting is described as a fine example of Phillips' early work and is part of a group of his works that are part of the Phillips Collection at the Pugsley Art Museum in Hadley, Massachusetts.

The article also mentions that the portrait is a daguerreotype and that Phillips was known for his portraits of the "common man." The portrait is identified as being of an unknown gentleman, and the caption reads, "Portrait of an unknown gentleman from the collection of the Tilton Gallery."

The newspaper clipping is from the "Newtown Bee," dated December 30, 1966, and is noted to have been clipped from a larger sheet. The article provides context and historical significance to the acquisition, emphasizing the importance of the portrait in the collection of American art.

This image shows an open scrapbook or album page with a newspaper clipping pasted onto it. The heading of the article reads "Mattatuck Acquires Ammi Phillips Portrait," which suggests that the article discusses the acquisition of an artwork by Ammi Phillips by the Mattatuck institution—likely a museum or gallery. The newspaper appears to be from the "Newtown Bee" and carries the date of December 30, 1968, indicating its historical context.

Below the heading, the article includes a photograph of the Ammi Phillips portrait, referred to in this context, but the image has been altered to remove a central portion. The visible parts of the photograph show a hand holding a book or papers and part of a sleeve, suggesting formal attire indicative of the era when Ammi Phillips was active (18th to 19th century).

In the photograph, some text is partially visible, starting with "Portrait of an unknown gentleman from the collection of the...," but the continuation is obscured. A column of text is visible adjacent to the image, likely detailing information about the portrait, the artist Ammi Phillips, or the acquisition event. The scrapbook or album page itself is brown with a mild discoloration, consistent with aging paper materials.

The image shows a scrapbook page with a clippings article titled "Mattatuck Acquires Ammi Phillips Portrait." The clipping includes a photograph of a portrait, captioned as "Portrait of an unknown gentleman from the collection of the Tillou Gallery." Below the photograph, there is an article discussing the acquisition of a painting by the artist Ammi Phillips, dated 1788-1865, by the Mattatuck Museum in Waterbury. The text mentions that the portrait is of an unknown gentleman and gives some historical context about Ammi Phillips' work and style. The clipping is from a publication called "Bee," dated December 30, 1966, from Newtown, Connecticut. The scrapbook page is simple, with the single clipping affixed to a plain beige background.

An open book with a newspaper clipping attached to the right page. The clipping has a headline that reads "Mattatuck Acquires Ammi Phillips Portrait" and a black-and-white photo of a man in a suit holding a book. The clipping is attached to the page with a small piece of tape. The page has a beige background and appears to be from a book or magazine.

The image shows an open book page featuring an article titled "Mattatuck Acquires Ammi Phillips Portrait." The article appears to be from the Newtown Bee, a newspaper, as indicated by the header at the top of the page. The publication details include the date December 30, 1936, and the newspaper's location as Newtown, Conn., with a circulation of 7,914.

Key Elements in the Image:

1. Portrait Image:

   • The central feature of the page is a black-and-white portrait of a man. The individual is depicted in formal attire, wearing a dark coat with a high collar and a cravat or neckcloth. His expression is serious, and he is holding what appears to be a book or a similar rectangular object in his left hand.
   • Below the portrait, there is a caption that reads: "Portrait of an unknown gentleman from the collection of The Tibbet Gallery."

2. Article Text:

   • The article discusses the acquisition of a portrait by Ammi Phillips, a notable 19th-century American folk painter. The text provides historical context about Phillips and his work, mentioning that the portrait is part of the Tibbet Gallery collection.
   • The article highlights Phillips' significance as a folk artist, noting that his works are included in major institutions such as the Yale Art Museum, the National Gallery of Art, and the Ford Museum at Dearborn. It also references Phillips' influence on American folk art and his unique style.

3. Layout and Design:

   • The page has a classic newspaper layout, with the headline prominently displayed at the top.
   • The portrait is placed centrally, drawing immediate attention, with the accompanying text providing detailed information about the subject.
   • The right-hand page is blank, suggesting that this is the first page of a two-page spread or that the article continues on the next page.

4. Condition and Context:

   • The book appears to be aged, with visible wear and discoloration, indicating it may be a historical or archival document.
   • The article itself seems to be a historical piece, discussing an art acquisition and providing background on the artist, Ammi Phillips.

Summary:

The image depicts a page from a historical newspaper article titled "Mattatuck Acquires Ammi Phillips Portrait," featuring a portrait of an unknown gentleman from the Tibbet Gallery. The article provides context about Ammi Phillips, a significant folk painter, and discusses the acquisition of his work by the Mattatuck Historical Society. The layout and design reflect a mid-20th-century newspaper format, and the aged appearance of the book suggests it is part of an archival or historical collection.