Archives Scrapbooks

This image displays an open, vintage scrapbook or press clipping album, filled with newspaper and magazine clippings related to art, culture, and contemporary events from the mid-1960s.

The clippings are mounted on aged, beige paper pages, bound in what appears to be a hardcover book with a maroon or brown spine visible on the left. Many articles have been annotated by hand with dates, notes, or underlinings in pen, suggesting careful curation by the owner.

Here is a breakdown of the visible clippings:

Left Page:

• A clipping from the International Press-Cutting Bureau in London, dated 22 NOV 1966, features an article titled “In America” about British artist John Petts, who is away in the U.S. on a Winston Churchill Memorial Trust Fellowship. It includes a small black-and-white photo of Petts and mentions his work in glass mosaic and new materials. The article is from the Western Mail, Cardiff.
• Below that, a larger article from the New England News/Photo Agency, Inc. dated NOV 3 1966 is titled “New England Vignettes” by James F. Donoghue. It highlights “Jon Legere of Portland, Maine, who is 22 and does nothing but paint,” detailing his success selling paintings and earning $20,000 in a year.

Right Page:

• At the top, another clipping from the International Press-Cutting Bureau (London), dated 1 DEC 1965, is from the Toronto Globe, Canada. The article, by Kay Kritz-wiser, is titled “Mix art and politics, says Harvard curator” and discusses the political engagement of artists, mentioning Robert Motherwell, Agnes Mongan, and David.
• Below it, a clipping from the American Press Clipping Service, Inc. (New York) dated DEC 24 1966, from the NEW YORK TIMES, features an article by John Canaday on the “Paul Sachs Collection at Modern Museum.” Canaday critiques the exhibition and notes the “high of the Museum of Modern Art’s great Fogg Museum and the Museum of Modern Art upon its walls.”

Several clippings are dated, stamped, or marked with handwritten annotations—for instance, “31 Jan 2” and “Art” written on the right page—and bear the branding of press clipping services, indicating they were professionally sourced. The overall tone of the collection is art-focused, reflecting critical commentary, artist profiles, and institutional exhibitions of the time.

The scrapbook appears to be a personal archive, possibly belonging to a journalist, art historian, or collector keenly interested in the art world circa 1965–1966. The physical condition and handwritten notes give it a rich archival and historical quality.

This image appears to be a page from a scrapbook or collection of剪报 (jǐn bào), which are pieces of cut-out newspaper articles or clippings. The page contains several articles and photographs from various American and international newspapers, dated from 1966. Here are some key points:

1. Layout: The page is organized with articles and images in a grid-like format, with each piece of content positioned in its own designated space.

2. Content:

   • Left Column: Contains an article titled "In America," discussing the activities of John Petts in America. It includes a photograph of John Petts and a detailed description of his work and experiences.
   • Middle Column: Features an article titled "Mix art and politics, says Harvard curator," written by Kay Kritzwer. This article discusses the relationship between art and politics, with a focus on Harvard University's Fogg Art Museum.
   • Right Column: Includes an article from the "New York Times" about the Paul Sachs Collection at the Museum of Modern Art. It discusses the exhibit "The Taste of a Connoisseur."
   • Bottom: There is another article titled "New England Vignettes," which appears to be a report on artists in New England, including a photograph of a sculptor and a description of the theft of a sculpture from Harvard University.

3. Design: The articles are clipped from newspapers and gummed onto a brown paper backing, which is typical of剪报 collections. The design and organization suggest a focus on collecting and preserving information related to art, politics, and cultural events.

4. Date and Source: The articles are dated and sourced from various papers, indicating the individual's interest in keeping track of news from different publications.

Overall, the page presents a snapshot of cultural and artistic news from the late 1960s, reflecting the political and artistic discussions of the time.

This image shows a scrapbook or a collection of newspaper clippings from various publications, all related to art and politics. The clippings are dated from November 1966 to December 1966. Here are some details from the clippings:

1. The top left clipping is from the "Western Mail, Cardiff" dated November 22, 1966. It discusses artist John Petts and his progress during his Winston Churchill Memorial Trust Fellowship. It mentions his work on a stained glass window in a negro church in Birmingham.

2. The top right clipping is from the "Toronto Globe, Canada" dated December 1, 1966. It features an article titled "Mix art and politics, says Harvard curator" by Kay Kritzweiser. The article discusses the role of artists in society and their awareness of political and revolutionary roles.

3. The bottom right clipping is from the "New England Vignettes" section of the "Hampshire Gazette" dated November 23, 1966. It mentions a theft from the Fogg Museum at Harvard University and discusses the economic impact of art.

4. There are also other clippings from the "New York Times" and "American Press Clipping Service, Inc."

The clippings are neatly arranged on a brown paper background, and there are some handwritten notes and markings on some of the clippings. The overall theme seems to be the intersection of art, politics, and society during that time period.

The image is a collage of various newspaper clippings, press releases, and other printed materials, all pasted onto a brown paper background. The collage is organized in a somewhat haphazard manner, with pieces of paper overlapping and positioned at different angles. The clippings appear to be from different newspapers and magazines, as indicated by the varied fonts, layouts, and styles.

The top left corner features a clipping with a photograph of a man, possibly an artist or a curator, along with a quote or caption. Below this, there is a clipping with the title "New England Vignettes," suggesting it might be an article about a specific region or event. To the right of this, there is a clipping with the title "Mix art and politics, says Harvard curator," indicating an article about a curator from Harvard discussing the intersection of art and politics.

In the center of the collage, there is a clipping with the title "In America," possibly an article about a person or event in America. Below this, there is a clipping with the title "John Petti (See in America)," which could be a follow-up or related article. To the right of this, there is a clipping with the title "From artist John Petti, 3,000 miles away on the first stage of his Winston Churchill Memorial Trust Fellowship," suggesting an article about an artist named John Petti and his fellowship.

The bottom left corner features a clipping with the title "New England News Agency Inc.," possibly an article about a news agency. Below this, there is a clipping with the title "Hampshire Gazette (e) NORTHAMPTON, Mass. NOV 3 1966," indicating an article from the Hampshire Gazette newspaper.

The collage also includes various other clippings with titles such as "Paul Sachs Collection at Modern Museum," "By John Canaday," "New York Times," and "American Press Clipping Service, Inc." These titles suggest a variety of topics, including art collections, museum exhibits, and press services.

Overall, the collage appears to be a collection of newspaper clippings and press releases related to various topics, including art, politics, and current events, possibly assembled by someone interested in these subjects or working in a related field.

A collection of newspaper clippings is open on a brown cardboard surface. The clippings are in different sizes and shapes and are pasted on the cardboard. The clippings contain articles with headings such as "In America," "Mix art and politics, says Harvard curator," and "New England Vignettes." The articles are about different topics, including art, politics, and culture. Some of the clippings have pictures of people, and some have illustrations.

The image shows an open book or scrapbook filled with various newspaper clippings and printed excerpts, organized chronologically or thematically. The pages are densely packed with text and visual elements, indicating a curated collection of articles, announcements, and correspondence. Here's a detailed description:

Layout and Content:

1. Left Page:

   • Header: The top of the page includes a label: "INTERNATIONAL PRESS-CUTTING BUREAU, 154, STRAND, LONDON, W.C.2." This suggests the material was collected or compiled by a press-cutting service in London.
   • Article Excerpts:
     • Top Left: A section titled "In America" discusses John Petts, a fellow artist, and his experiences in the United States. The text mentions his fellowship at the Worcester Polytechnic Institute and his reflections on art and politics.
     • Middle Left: A photograph of John Petts is prominently displayed, with a caption: "John Petts (See In America)."
     • Bottom Left: Additional excerpts continue, discussing Petts' work, his involvement in the art community, and his reflections on art and politics. The text references his time at Harvard University and his commitment to art.

2. Right Page:

   • Header: Similar to the left page, it also includes the "INTERNATIONAL PRESS-CUTTING BUREAU" label, along with additional details such as "Extract from Toronto Globe, 1 Dec 1965."
   • Article Excerpts:
     • Top Right: A headline reads "Mix art and politics, says Harvard curator," attributed to Kay Kritzwiser. The article discusses the intersection of art and politics, referencing a lecture by a Harvard curator and the role of art in social commentary.
     • Middle Right: Another article titled "Paul Sachs Collection at Modern Museum" by John Canaday discusses the Paul Sachs Collection at the Museum of Modern Art (MoMA). It highlights the collection's significance and the legacy of Paul Sachs, a prominent art collector and educator.
     • Bottom Right: A section titled "New England Vignettes" by James F. Donohue appears, with a subheading "By JAMES F. DONOHUE, BOSTON (AP)-BOSTON." This excerpt discusses local events, including a painting sale and commentary on art and politics.

3. Additional Elements:

   • Stickers and Labels: There are handwritten notes and labels on the pages, such as "21 FN 2" and "American Press Clipping Service, Inc." These suggest the pages were part of a larger archive or collection system.
   • Dates and Locations: Several articles are dated (e.g., "22 NOV 1966", "1 DEC 1965") and include locations such as "Western Mail, Cardiff" and "Toronto Globe."
   • Visual Elements: The photograph of John Petts adds a personal touch, connecting the textual content to a specific individual.

Overall Impression:

The image depicts a well-organized scrapbook or archive of press clippings, likely maintained by an individual or institution interested in art, politics, and cultural commentary. The inclusion of diverse sources (e.g., newspapers from different countries and dates) and the thematic focus on art and politics suggest a scholarly or personal interest in these topics. The handwritten notes and labels indicate an effort to categorize and preserve the material for future reference. The photograph of John Petts personalizes the collection, hinting at a connection between the compiler and the subject matter.

The image is a scrapbook-style page featuring clippings from newspapers. These clippings are attached to a textured brown background. The titles and snippets range in content, likely focused on topics from the mid-20th century. Pieces of text include:

1. Clippings from the International Press-Cutting Bureau: Top left contains a piece titled "In America" from the Western Mail, Cardiff, dated 22 November 1966. It mentions British artist John Petts and his contributions.

2. Clipping from the Toronto Globe, Canada: Titled “Mix art and politics, says Harvard curator,” dated 1 December 1966, authored by Kay Kritzwiser. It discusses the fusion of art and politics.

3. Excerpt from the New York Times: Another clipping titled “Paul Sachs Collection at Modern Museum,” dated 2 December 1966, discussing the Paul Sachs Collection and modern art.

4. Hampshire Gazette Piece: A piece from Northampton, Massachusetts, titled “New England Vignettes” (circ. 14,186), dated 22 November 1966, highlights local New England stories.

Most clippings feature small handwritten annotations, dates, or underlined keywords. Fleeting mentions of art, politics, human interest stories, and social commentaries seem to be focal points of the content.

This image shows part of an open scrapbook or binder containing various newspaper clippings. The clippings cover a range of topics, with headline snippets such as "In America," "Mix art and politics, says Harvard curator," and "New England Vignettes." Many of the clippings have been carefully arranged and pasted onto the paper, with a clear organization that segments each article or snippet for easy reading.

Notable features include the page numbers and company logos at the top of some clippings, suggesting that they were likely retrieved through a press clipping service. Additionally, there are handwritten notes and markings, such as dates and reference numbers on some of the clippings, indicating a methodical approach to collection and possible research purposes. The overall theme or purpose of the collection isn't completely clear from this single image, but it seems to reflect a personal or professional interest in cultural or historical topics.

The image shows a scrapbook page with six different newspaper clippings affixed to it. The clippings are from various sources and dates, mostly from 1966. Each article is clipped neatly and pasted on the page. Some articles have typed or handwritten annotations on or near them, including dates and some underlined or circled words or phrases.

1. The top left clipping is from the "Western Mail, Cardiff," dated November 22, 1966. It features an image of a man with a caption "John Petts (See In America)" and talks about the artist John Petts and his work.

2. Next to it, at the top center, is an article titled "Mix art and politics, says Harvard curator" from the "Toronto Globe, Canada," dated December 1, 1966. It discusses topics related to art and politics with reference to a Harvard curator.

3. To the right of the Harvard curator article, another clipping is from "American Press Clipping Service, Inc." with a handwritten note and some partially visible text about a Sachs Collection at the Modern Museum.

4. Below the John Petts article, there is a clipping from the "Hampshire Gazette Northampton, Mass.," dated November 30, 1966.

5. The bottom center contains a clipping titled "New England Vignettes" by James F. Donohue. It appears to discuss local stories or cultural notes.

All the clippings are scrapbooks-style pasted on a brown page. The page looks to be part of a larger bound volume, possibly dedicated to collecting various newspaper articles on art and cultural topics.

A vintage scrapbook page with a collage of old newspaper clippings. The brown page has several clipped articles pasted in at different angles, including a vertical piece with a small photo of a person, and headlines such as “Mix art and politics, says Harvard curator” and “New England Vignettes.” There are stamps from the International Press-Cutting Bureau with dates like 1966. The overall look is a mid-20th-century cut-and-paste collage about art, politics, and regional news.