Archives Scrapbooks

The image appears to be a page from a newspaper or magazine, specifically from an issue dated October 14, 1966, as indicated by the header. The content of the page is focused on art, featuring several articles about exhibitions and collectors.

1. Top Left Corner: There are several pieces of paper attached to the page, including one with a contact number, "Tel. WOrth 2-3797," and a date "OCT 14 1966 EVENING NEWS Newark, N. J." Other attached papers seem to contain information about a specific event or exhibition.

2. Main Article Title: "Princeton's Best on Display" is the headline of a lengthy article by Elizabeth McFadden, a staff correspondent. It details an exhibition of Italian drawings from Princeton University at the New York Metropolitan Museum of Art.

3. Illustration: There is a sketch of a figure mounted on a mythical creature, likely a hippogriff, which is mentioned in the article. The sketch appears to be a drawing by Giovanni Battista Tiepolo.

4. Other Articles: To the right, there is a column titled "The Art World" by Edgar J. Driscoll Jr., discussing personal touches and the state of art collecting in the United States. This includes a section about the Fogg Art Museum, Harvard University, and its director, Dr. John P. Coolidge.

5. Additional Notes: There are several stickers and notes pinned to the page, likely for organizational or reference purposes. The text and images suggest a focus on the art world, particularly on exhibitions and the history of art collecting.

The overall appearance of the page, with its yellowed paper and attached notes, suggests it is a preserved clipping from a historical source.

This image shows a collection of newspaper clippings and articles related to art, organized in a scrapbook or folder. Here are the main elements:

1. Top Left Corner: There is a small white card with the text "AMERICAN Press Clipping Bureau, Inc." and some other details, including a date "OCT 14 1966" and the source "EVENING NEWS Newark, N. J."

2. Main Article on the Left: The article is titled "Princeton's Best on Display" and is about Italian drawings shown at the New York Metropolitan Museum of Art. It includes an illustration of a figure mounted on a hippogriff, a mythical creature. The article discusses the collection of Italian drawings from the Art Museum of Princeton University and mentions various artists and their works.

3. Small Note in the Middle: There is a small note from "THE OHIO NEWS BUREAU COMPANY" with the headline "MAUMEE VALLEY NEWS" and a date "OCT. 27, 1966." It mentions Dr. John P. Coolidge speaking on "Politics of Art in Florence 1400-1430" at the Toledo Museum of Art.

4. Main Article on the Right: The article is titled "The Art World: Personal Touch Still Prevails" by Edgar J. Driscoll Jr. It discusses the history of art collecting in America, mentioning figures like James Jackson Jarvis and the evolution of art collecting from the 1870s to the 1960s. It also talks about the impact of private collectors on the art market and the role of museums.

The clippings appear to be from various newspapers and are dated around 1966, focusing on art exhibitions, collections, and the art world in general. The articles provide insights into the history of art collecting and the cultural significance of art in the mid-20th century.

This image displays a scrapbook page from the Henry D. and Nancy B. Dickey Collection, mounted on a light-brown cardboard background, featuring several newspaper clippings from 1966.

Clipping 1: “Princeton’s Best on Display”

This clipping, from the Evening News, Newark, N.J. (Oct. 14, 1966), is a feature article titled:

“Princeton’s Best on Display”

with the subhead:

“Italian Drawings Shown at N.Y.’s Metropolitan”

By Elizabeth McReynolds, it announces a major exhibition at the Metropolitan Museum of Art titled “Italian Drawings from the Princeton University Art Museum”. The article highlights:

• The exhibition includes 266 drawings (the full collection holds about 2,000).
• The core collection was assembled in the 1920s and 1930s by Paul Murat and Paul Furfari.
• The collection is especially rich in 15th- and 16th-century Renaissance drawings, many from the Princeton University Art Museum.
• Highlights include works by Michelangelo, Raphael, Leonardo da Vinci, Titian, and Fra Angelico.
• The exhibition was curated by Dr. John M. Coe.
• It ran through October 23, 1966, at the Met.

Clipping 2: “The Art World: Personal Touch Still Prevails”

This is a column from The Boston Sunday Globe (Oct. 23, 1966), by Eugene J. Dresco, Jr., under the “The Art World” heading. The article reflects on the enduring role of personal taste and relationships in art collecting, despite the rise of institutional and market-driven collecting.

Key points:

• Discusses how Yale University once purchased a large collection from the Barnes Foundation for $20,000, then resold it for $113,000.
• Notes the trend of museums acquiring major private collections (e.g., Sussman and Gwilt collections for the Met, Stewart Gardner collection for Boston).
• Contrasts museum acquisitions with private collectors who collect “with the eye of the ground” — based on personal taste, love of color, texture, and movement.
• Mentions modernist tastes, referencing Pop Art, Rauschenberg, Warhol, abstract expressionists like Pollock, de Kooning, and figurative painters such as Degas, Toulouse-Lautrec, and Van Gogh.
• Quotes Philip Guston (though likely a misattribution, possibly intended for Philip Guston, a contemporary of de Kooning) on the “mysterious” nature of art.
• Criticizes overly formal or impersonal collecting trends, arguing that “art which is not ‘good’ or simply ‘I like’... has no lasting value.”
• Highlights J. D. H. (James David Henry) Dickey as a contemporary collector whose taste “runs from the ‘modern’ to the ‘ancient’,” and who values “a dominant note of a fragile, vulnerable beauty.”

The column ends with a note on the Harvard Art Museums opening their Fogg Museum with a “stunning show.”

Clipping 3: “The Ohio News”

A small blue clipping from The Ohio News (Oct. 27, 1966), titled:

“The Ohio News”

It reports that The Fogg Art Museum of Harvard University opened its doors to the public on October 23, 1966, with an exhibition from the Princeton University Art Museum. The exhibition, which was also shown at the Met, includes Italian drawings. The article notes that the exhibition will travel next to Cleveland Museum of Art and Museum of Fine Arts, Boston. A photograph of the museum’s façade accompanies the clipping.

Administrative Details

• Top left corner has a “From” label from the American Press Clipping Bureau, Inc., located in Newark, N.J., dated Oct. 14, 1966, indicating it was a paid clipping service.
• A “Property of” stamp at top left reads “Fogg Art Museum, Cambridge, Mass.” — suggesting this scrapbook page was once part of institutional records.

Overall Context

This scrapbook page appears to have been compiled by Henry D. Dickey, likely a collector or patron with ties to the art world, as referenced in the Boston Globe article. The clippings are curated to reflect major exhibitions of Italian drawings and the philosophy of personal, passionate collecting that was being debated in 1966. The inclusion of the Fogg Museum’s reopening and its connection to Princeton’s collection suggests an institutional interest in this exhibition as a landmark event in 1960s American art history.

The page captures a moment when academic institutions, private collectors, and public museums were all playing critical roles in shaping public access to and appreciation of art — with a particular emphasis on the enduring power of personal taste over market trends.

The image shows a scrapbook page with various newspaper clippings, photographs, and handwritten notes. The clippings appear to be from different newspapers and magazines, with headlines such as "Princeton's Best on Display," "The Art World Personal Touch Still Prevails," and "Italian Drawings Shown at N.Y.'s Metropolitan." The photographs depict artwork, including paintings and drawings, and some of them have captions or descriptions. The handwritten notes are in different colors and fonts, suggesting that they were added by different people or at different times. Overall, the image conveys a sense of interest and engagement with art and culture, as well as a desire to document and share information about it.

The image shows a collage of newspaper clippings and articles. The clippings are from different newspapers and magazines, featuring various topics such as art exhibitions, Italian drawings, and art collectors. The clippings are arranged in a collage format, with some overlapping and others placed side by side. The text in the clippings is in black and white, and some of the clippings have illustrations or photographs. The collage appears to be a collection of articles and clippings related to the art world and art collecting.

The image shows an open book or magazine with two visible pages, each featuring a mix of text and a central illustration. Here is a detailed description:

Left Page:

• Headline: "Princeton's Best on Display"
• Subheading: "Italian Drawings Shown at N.Y.'s Metropolitan"
• Byline: By ELIZABETH McARDLE
• Content: The article discusses an exhibition of Italian drawings at the Metropolitan Museum of Art in New York City. It highlights the significance of the collection, which includes works from the 15th to the 18th centuries, and mentions notable artists such as Raphael, Titian, and others. The text provides details about the exhibition, its origins, and the historical context of the drawings.
• Illustration: A detailed, artistic sketch or drawing of a dramatic, dynamic scene. The illustration appears to depict a classical or mythological subject, possibly involving figures in motion, with a sense of movement and intensity. The style suggests it could be an example of the type of artwork being discussed in the article.

Right Page:

• Headline: "The Art World: Personal Touch Still Prevails"
• Byline: By EDGAR C. DRISCOLL, JR.
• Content: This article explores the state of the art world in the 1960s, focusing on the personal and subjective nature of art collecting and appreciation. It discusses notable collectors, such as James Jackson Jarves, and the evolving tastes and trends in the art market. The text touches on the idea that art remains deeply personal, with collectors often forming emotional connections to works.
• Illustration: Similar in style to the one on the left page, this illustration also features a dramatic, dynamic scene. It appears to be a detailed sketch or drawing, possibly of a classical or mythological subject, with a sense of movement and intensity. The style is consistent with the left page, suggesting it may be part of a series or thematic collection.

General Observations:

• Layout: Both pages have a clean, structured layout with clear headlines, bylines, and body text. The illustrations are centrally placed, drawing attention to the visual elements.
• Typography: The text is printed in a classic serif font, typical of mid-20th-century publications.
• Context: The content suggests the publication is an art-focused magazine or newspaper supplement, likely from the 1960s, given the dates and references in the text (e.g., "Oct. 27, 1965").
• Visual Theme: The illustrations on both pages share a similar artistic style, indicating they may be examples of the art being discussed in the articles. The dramatic and dynamic nature of the sketches aligns with the themes of classical and Renaissance art mentioned in the left-page article.

Overall Impression:

The image portrays a well-preserved page from an art magazine or newspaper supplement, blending informative articles about art exhibitions and collector trends with evocative illustrations that complement the textual content. The layout and design reflect the aesthetic and editorial style of mid-20th-century art journalism.

The image depicts a scrapbook or collage featuring various clippings from newspapers and articles. The content primarily focuses on art-related topics, including exhibitions and historical reflections on art collecting.

• Centerpiece Article:

  • Titled "Princeton’s Best on Display," it describes an Italian drawings exhibition at New York’s Metropolitan Museum of Art.
  • Includes an illustration labeled "Roger Mounted on a Hippogriff" by Giovanni Battista Tiepolo.

• Right Panel Clipping:

  • Titled "The Art World: Personal Touch Still Prevails" by Edgar J. Driscoll Jr.
  • Discusses the history and significance of private collectors and emphasizes the personal aspects of art collecting.

• Label Highlights:

  • Clippings sourced from multiple places (e.g., "Evening News, Newark, N.J." dated October 14, 1966, and "The Ohio News Bureau Company" dated October 27, 1966).
  • References to renowned institutions such as the Cleveland Museum of Art, Harvard University, and the Fogg Art Museum.

The collage blends art history and insights about notable collectors with discussions about exhibitions and artistic works. The scrapbook reflects a dedication to preserving historical narratives and art culture.

This is a vintage collage/scrapbook page made from newspaper clippings about art. It’s mounted on a brown backing.

• On the left is a long clipping with a small illustration of a rider on a hippogriff; the caption reads something like “ROGER MOUNTED ON A HIPPOGRIFF … Italian Drawings Shown at NY’s Metropolitan.”
• In the middle there are a couple of smaller clippings, including a note from The Ohio News Bureau and other brief items.
• On the right is a tall article titled “The Art World Personal Touch Still Prevails” by Edgar J. Driscoll Jr., filling a column.
• At the very top, there are small clipped notes from other papers (e.g., The Boston Sunday Globe) and a label from a clipping service.

Overall, it looks like a mid-20th-century art-news collage, combining a central artwork reproduction with articles about Italian drawings and the art world.

This image displays several newspaper clippings related to art exhibitions and gallery events. The clippings are arranged against a neutral background, and they appear aged, indicating they are from older publications.

The most prominent article has the headline "Princeton's Best on Display" with a subheadline "Italian Drawings Shown at N.Y.'s Metropolitan". Below this headline, there is an image of an artwork, presumably one of the Italian drawings mentioned, labelled "ROGER MOUNTED ON A HIPPOGRIFF – On view at New York Metropolitan Museum in an special exhibition of Italian drawings from Princeton University Museum is this work in brown ink over black wash by Giovanni Battista Tiepolo."

Another clipping with a header reading "The Art World Personal Touch Still Prevails" by Edgar J. Driscoll Jr. indicates a focus on the continuing importance of personal touch in art, despite prevailing trends or changes in the art world.

There are visible dates on the clippings, one marked as from "OCT 14 1966" and another from "OCT. 27, 1966," giving a context to the timeframe when these events were reported.

Each article shares some details about different art exhibitions, their significance, and paints a picture of the art scene during the 1960s. The text is dense and requires closer inspection to fully read and summarize the articles' content.

The image shows a scrapbook page featuring two newspaper clippings mounted on brown paper. The clipping on the left is titled "Princeton's Best on Display" and discusses an exhibition of Italian drawings at the New York Metropolitan Museum of Art, drawn from Princeton University's collection. It includes a small illustration of a person riding a hippogriff, attributed to Giovanni Battista Tiepolo.

The clipping on the right is titled "The Art World: Personal Touch Still Prevails," written by Edgar J. Driscoll Jr., and it covers the topic of art collecting. The article reflects on the history and importance of personal involvement in art collection, mentioning notable collectors and exhibitions, including one called the Fogg Art Museum exhibition. It highlights attitudes toward art appreciation and the continuing value of personal taste in the art world.

The scrapbook page includes stamps from press clipping bureaus dated October 14 and October 27, 1966, indicating the clippings are from that time period. The articles focus on art exhibitions, collectors, and museum displays, emphasizing the cultural value and personal engagement with art.