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ARCH.2003.36, Rendition: 805221
This image displays a collection of newspaper clippings related to an art exhibition of sculptor David Smith at the Fogg Art Museum (now the Harvard Art Museums) in Cambridge, Massachusetts, circa 1966. The clippings, mounted on brown paper sheets, appear to be part of a press clipping service collection.
Key details from the clippings:
Exhibition Title & Artist: The main subject is a retrospective exhibition titled “Sculpture: David Smith at the Fogg,” covering the years 1932–1965. The exhibition featured 21 pieces, with a notable sculpture titled “Australia” (1951), described as part of the William S. Rubin collection.
Venue & Dates: The exhibition opened at the Fogg Art Museum, affiliated with Harvard University, and ran from October 12, 1966, through November 15, 1966.
Press Source: The clippings originate from the New York Times, dated October 5, 1966, and October 12, 1966, with distribution managed by the American Press Clipping Service, Inc. located at 119 Nassau Street, New York, N.Y.
Content Highlights:
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In summary, this is a curated archive of press coverage documenting the landmark 1966 retrospective of sculptor David Smith at Harvard’s Fogg Art Museum, highlighting critical reception, exhibition details, and institutional context.
The image shows a collection of newspaper clippings and articles about an art exhibition featuring the works of the sculptor David Smith at the Fogg Art Museum, Harvard University. The clippings are pasted onto a piece of cardboard or paper, which appears to be part of a scrapbook or a collection of related materials. The articles are from various newspapers, including The New York Times, and discuss the retrospective exhibition of Smith's sculptures, which spanned from 1933 to 1965.
The copy of The New York Times article, dated October 1, 1966, is prominently displayed and describes the exhibition in detail, emphasizing the importance of Smith's work and the quality of the exhibition. The article mentions that the show includes 21 pieces from the 1930s and 1940s and highlights the significance of Smith's retrospective at the Fogg Art Museum. The text also touches on the sculptor's influence and the impact of his work on modern sculpture.
Other clippings in the collection appear to be related to the same exhibition, such as announcements for art lectures and articles about the museum director's opening of a four-day series at Mount Holyoke. These pieces provide additional context and information about the event, including details about the curator and the significance of the exhibition.
The overall appearance of the image suggests a historical record or a personal collection of materials related to the art world and the legacy of David Smith's work.
This image shows a page from a scrapbook containing clippings related to an art exhibition and lecture series. The main article is from the "New York Times" dated October 1, 1966, and is titled "Sculpture: David Smith at the Fogg." The article, written by Hilton Kramer, discusses a retrospective exhibition of David Smith's sculptures at the Fogg Art Museum, Harvard University, featuring works from 1933 to 1965. The article includes a photograph of one of Smith's sculptures titled "Australia," which was created in 1951.
Additionally, there are several smaller clippings from other newspapers, including the "Springfield News" and the "Gloucester Times," dated October 5 and October 8, 1966. These clippings announce an art lecture series opening at Mount Holyoke College and mention the David Smith exhibition at the Fogg Art Museum. The clippings provide information about the lecture series, including the dates and the speaker, Miss Agnes Mongan, who was an associate director of the Fogg Art Museum.
The scrapbook page also includes a smaller clipping discussing the lectureship named after Amy M. Sacker and the curator of drawings at the Fogg Museum. The overall theme of the page is centered around the David Smith exhibition and related art events in 1966.
The image depicts a scrapbook page featuring several newspaper clippings and articles. The clippings are arranged in a collage-like fashion, with different sections of text and images visible. The clippings are from various newspapers, including the New York Times, and cover topics related to art exhibitions and events. The articles are about the work of David Smith, an American sculptor, and his exhibitions at the Fogg Art Museum at Harvard University. The clippings are dated from the 1960s, indicating that the scrapbook page is a historical document. The page also includes a photograph of a sculpture by David Smith, titled "Australia," which is described as being part of the collection of William S. Rubin. The clippings provide insights into the critical reception of David Smith's work and the significance of his exhibitions in the art world during that time.
The image shows a page from a scrapbook containing newspaper clippings about David Smith, a renowned American sculptor. The clippings date from 1966 and cover various aspects of Smith's career and exhibitions. The page features articles from The New York Times and other publications, with headlines such as "Sculpture: David Smith at the Fogg" and "Art Lecture Series Opens Next Week." The clippings include photographs of Smith's sculptures, descriptions of his exhibitions, and quotes from critics and curators. The scrapbook page also includes a handwritten note and a drawing of one of Smith's sculptures.
The image depicts an open book or scrapbook containing a collection of newspaper clippings, likely from the mid-20th century, focusing on the topic of sculpture and art exhibitions. The clippings are neatly arranged and appear to be part of a curated collection, possibly for research, personal interest, or archival purposes.
Content of the Clippings:
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Handwritten Notes:
Contextual Details:
The image showcases a curated collection of newspaper clippings focused on art, specifically sculpture and exhibitions, from the mid-1960s. The book serves as an archival or research tool, preserving historical articles and providing context for understanding the art scene of that era, particularly the work of David Smith and related events at the Fogg Art Museum. The handwritten notes suggest active engagement with the material, possibly for study or personal interest.
This image shows a scrapbook page containing several newspaper clippings about art and sculpture. The articles appear to focus primarily on exhibitions and works by the sculptor David Smith, including a retrospective of his work and details on specific pieces, such as "Australia."
The visible clippings are neatly arranged and pasted onto a brown background. The articles include information about exhibitions at the Fog Museum (Harvard University), art lectures, and sculptor exhibits. They feature headlines, publication details, and dates. Additionally, the page features portions of articles discussing art and retrospectives.
Much of the content seems to highlight both the quality and significance of Smith's work in the art world and may provide details for critique and public engagement with his exhibits. Some of the dates given are October 1966.
This image shows a scrapbook or a collection of newspaper clippings. The clippings are pasted onto a brown paper page, and it looks like it might be part of an album or a binder, given the visible red border that probably indicates the edge of the page or a neighboring page.
Prominently displayed on the left side of the image is a section from the New York Times publication, dated October 8, 1966. The article is titled "Sculpture: David Smith at the Fogg," referring to an art exhibition featuring the sculptor David Smith at the Fogg Art Museum. There's a black and white image of one of David Smith's sculptures called "Australia," created in 1951. The article looks comprehensive and seems to provide an overview of Smith's retrospective show that spans the years from 1933 to 1965, including a discussion about the quality and nature of his work.
On the right side, there are smaller clippings from the Times related to art events. One mentions an art lecture series opening the next week and features museum directors hosting four-day series of talks. Another clipping is titled "Sculptor Exhibit Opens at Fogg," offering information about an exhibition opening at the Fogg Art Museum, which may refer to the same exhibition mentioned in the larger article. There's also a small cutout from the New England Newspaper Inc., though it's difficult to discern its content from the current perspective.
All the clippings seem to be related to art events, exhibitions, or discussions, which indicate that this page is possibly part of an artist's, a scholar's, or an art enthusiast's collection documenting significant art events, particularly those relevant to the mid-1960s. The page and clippings display signs of age, such as discoloration and slight wear, which, along with the use of tapes and handwritten notes, add to the historical and archival quality of the image.
The image shows a scrapbook page with several newspaper clippings affixed to it. The clippings are related to the sculptor David Smith and his exhibition at the Fogg Art Museum affiliated with Harvard University. The page has multiple small articles, some with headlines like "Sculpture: David Smith at the Fogg," "ART LECTURE SERIES OPENS NEXT WEEK," and "Sculptor Exhibit Opens at Fogg."
One of the prominent clippings includes an image of a sculpture titled "Australia," created by David Smith in 1951, which is part of the collection of William S. Rubin. The articles discuss Smith's retrospective exhibition covering the years 1933-65, noting his importance and influence as a sculptor and the quality and impact of his work. The clippings are from various newspapers and include dates from 1965 and 1966. The text mentions lectures, exhibitions, and the significance of David Smith's art within the modern art community. Additionally, the page is marked with small labels from press clipping services and handwritten notes.