Archives Scrapbooks

Meta

The image shows an open page from the March 1966 issue of "Boston Museum of Fine Arts Monthly Bulletin."

Left Page:

1. Text Content:

   • The article discusses Paul J. Sachs, a prominent figure who became the associate director of the Fogg Art Museum at Harvard in 1923. He had retired four years earlier in 1959.
   • Sachs is noted for developing the Museum Course at Harvard, which educated many of today's leading museum directors.
   • During World War II, he was involved in efforts to protect and recover art in war zones.
   • The article highlights the significant bequest to the Museum of Fine Arts, Boston, by Meta and Paul J. Sachs, which includes nearly 2,700 prints and drawings, among other artworks and objects.
   • The bequest contains important works from various artists, with a substantial library of art reference books.

2. Illustrations:

   • There is a portrait sketch of Paul J. Sachs.
   • Below the sketch is "Eugène Delacroix, Portrait of Frédéric Villot," a print by Charles Jacque, dated around 1835.

Right Page:

1. Text Content:

   • Continuation of the article on the bequest by Meta and Paul J. Sachs, focusing on specific artworks, including a study of Édouard Manet by Edgar Degas.
   • The article mentions that Degas' drawing of Manet listening to his wife play the piano was a unique piece.
   • Further details about the collection include a variety of drawings and sketches by notable artists, emphasizing the importance of the bequest to the museum's holdings.
   • The text also describes the nature of Paul Sachs' collecting, which was more about personal taste and emotional connection rather than investment.

2. Illustrations:

   • The top image is a drawing of Édouard Degas by an unidentified artist.
   • A label from the International Print & Drawing Bureau is visible, dated 12 Feb 1960, addressed to a recipient in London.

Additional Notes:

• The right page also includes a brief mention of Carlton Lake, an art critic and co-author of a book on Picasso.

Overall, the pages celebrate the contributions of Paul J. Sachs to the art world and detail the extensive and valuable bequest he and his wife made to the Museum of Fine Arts, Boston.

The image shows an open book or magazine page with a focus on art criticism and historical commentary. The page is dated March 1966 and is from the publication "Boston," which had a circulation of 6,000. The content discusses the contributions of Paul Sachs to the Fogg Art Museum at Harvard University. It mentions his role as chairman of the Department of Fine Arts, his teaching at Harvard, and his extensive collection of prints and drawings, including the Meta and Paul J. Sachs Bequest.

The text highlights the significance of his collection, noting that it includes nearly 2,700 pieces, with a substantial number being prints and drawings. It also mentions his relationship with notable artists like Eugène Delacroix and Edgar Degas, and his interactions with art dealers and collectors.

The page includes two black-and-white illustrations of portraits. The first illustration is by Eugène Delacroix, a portrait of Frédéric Villot from 1838, described as a "minor masterpiece" of Romantic portraiture. The second illustration is a study by Edgar Degas, titled "Study for the Portrait of Diego Martelli," from 1879.

The right side of the page features an article from the "International Press-Cutting Bureau" dated February 12, 1966, discussing the distribution of books by Faber for the Fogg Art Museum. The content is related to the exhibition of Turkoman rugs held at the Fogg Art Museum in January.

The page shows signs of being part of a collection, with sticky notes and labels attached to it, indicating it might be part of a research or historical archive.

Here's a description of the image, which appears to be a page from a magazine or journal article:

Overall Structure and Content

The image is a page from a publication, likely a magazine, focusing on art. The page features text, illustrations, and a general layout typical of an art-related article. The theme appears to be the legacy of a figure associated with art, potentially a collector or curator, and a collection of drawings.

Visual Elements

• Text: The page is densely packed with text, indicating it's a written article. The layout includes headlines, subheadings, and paragraphs of varying lengths.

• Illustrations: There are two primary illustrations of drawings which are reproductions.

  • The first image features a portrait.
  • The second image shows a study or preparatory sketch.

• Layout: The page is organized with text columns, illustrations, and some marginalia.

Specific Details & Themes

• Paul Sachs: The article mentions Paul Sachs, suggesting he is the central figure of the article. Sachs appears to be associated with the Fogg Art Museum at Harvard and to have been a collector and enthusiast.
• The Fogg Collection: The article highlights the "Meta and Paul J. Sachs Bequest" to the Fogg, implying the collection is being discussed.
• Drawings: The primary focus appears to be on drawings. The text mentions the collection consisting of prints and drawings, and describes the method and enthusiasm of Sachs for collecting drawings.

Additional Elements

• Article Information: The bottom of the page contains the word "BOSTON: March 1966" which indicates that the article comes from a Boston-based publication in March of 1966.

In summary, the image is a page from an art magazine. The page discusses the life of Paul Sachs and his collection of drawings and their significance.

The image depicts an open book or catalog page from the Fogg Art Museum, dated March 1966, as indicated by the header at the bottom of the page. The page is part of a publication titled "Boston Monthly", with a circulation of 6,600 and is associated with the Boston Museum of Fine Arts.

Key Elements in the Image:

Left Page:

1. Header Information:

   • The top left corner shows a label with details such as "Boston Monthly," "Circ. 6,600," and "1966."
   • There is also a handwritten note or annotation in the top left corner, which appears to be a reference or marking.

2. Text Content:

   • The left page contains a detailed article discussing the Fogg Art Museum and its history, particularly focusing on Paul Sachs, who was a significant figure in the museum's development.
   • The article mentions Sachs's role as an associate director in 1927 and chairman of the department in 1933. It highlights his contributions to the museum, including the acquisition of notable collections such as the Meta and Paul J. Sachs Collection, which includes over 2,700 pieces, primarily prints and drawings.
   • The text also discusses Sachs's influence on the museum's collection policies and his role in shaping its artistic vision.

3. Illustrations:

   • There is a black-and-white illustration of a portrait titled "Portrait of Frédéric Villot" by Eugène Delacroix, dated 1848. The portrait is described as a study for action and violence, painted in charcoal or black crayon on paper.
   • The illustration is accompanied by a caption that provides context about the artwork and its significance.

Right Page:

1. Header Information:

   • The top right corner includes a label indicating the International Press Cutting Bureau, with details such as "164 Strand, London, W.C.2" and a date of 12 FEB 1969.

2. Text Content:

   • The right page appears to be an excerpt or review from a publication, possibly a newspaper or art journal. It discusses an exhibition or event related to Faber & Faber, a publishing house, and mentions their distribution of the Sachs Art Museum Catalog.
   • The text references John Faber, who wrote about Illustrated Glossary of Art, and highlights the catalog's value as a resource for collectors and enthusiasts.

3. Illustrations:

   • There is a black-and-white illustration of a portrait titled "Study for the Portrait of Diego Martelli" by Edgar Degas, dated 1879. The portrait is described as being in black and white, with dimensions of 9 1/4 x 11 1/4 in.
   • Another illustration shows "Portrait of Diego Martelli" by Marcilly, an Italian painter and friend of Degas, dated 1879. The caption notes that this portrait was exhibited at the Salon of 1879 and is now in the Museum at Buenos Aires.

Additional Observations:

• The page layout combines textual content with visual illustrations, typical of art museum catalogs or exhibition guides.
• The inclusion of detailed captions and descriptions for the artworks suggests the page is intended for art enthusiasts, scholars, or museum visitors.
• The handwritten notes and stamps indicate that this page may have been part of an archival or research collection, possibly used for reference or study purposes.

Summary:

The image shows a page from a 1966 publication related to the Fogg Art Museum, featuring articles and illustrations about notable artworks and figures associated with the museum, including Paul Sachs, Eugène Delacroix, and Edgar Degas. The page combines textual analysis with visual representations of significant artworks, providing context and historical insights into the museum's collections and exhibitions.

This image shows a page from a publication, likely a newsletter or magazine, displayed within an open, aged brown portfolio or scrapbook. The page is dated March 1966 and is from BOSTON, as indicated at the bottom.

The content revolves around art, specifically focusing on the collection of Professor Paul J. Sachs and his contributions to the Fogg Art Museum, Harvard University.

Key Elements of the Page:

1. Main Article:

   • The text discusses Professor Paul J. Sachs’ role at the Fogg Art Museum (chairman of the department since 1927, associate director of the museum, and continued teaching at Harvard until 1948).
   • It highlights his profound impact on shaping the museum’s print, drawing, sculpture, and reference library collections.
   • It mentions his extensive collection of nearly 2,700 pieces, including over 2,000 prints and drawings.
   • It details his specific passion for 19th-century French art, particularly drawings, and his relationship with artist Édouard Manet (who painted him twice).
   • The article quotes Agnes Mongan, associate director of the Fogg, on Sachs' personal, enthusiastic approach to collecting as a “medium” and his ability to connect with the meaning of each drawing.

2. Illustrations (Artworks Mentioned in Text):

   • Main Image (Left/Bottom): A portrait titled “Portrait of Frédéric Villot, Ca. 1838” by Eugène Delacroix.
     • It’s described as a drawing in “Dark gray and black chalk with charcoal or black crayon, 13 1/4 x 9 3/4 in.”
     • The caption notes Delacroix’s intense study of his friend, the painter and engraver Villot, highlighting the portrait’s “Romantic portraiture” and “penetrating mind.”
   • Smaller Image (Right/Top): A portrait titled “Study for the Portrait of Diego Martelli, 1879” by Edgar Degas.
     • The caption identifies it as “Black and white chalk on gray-brown paper, 17 1/4 x 11 1/4 in.”
     • It notes that Diego Martelli was a friend of Manet and a supporter of many 19th-century French artists. Degas painted him twice, exhibiting both portraits in the Salon of 1879. This particular study is noted to be in the Museum at Buenos Aires.

3. Sidebar (Right Column):

   • Faber & Faber Announcement: A “Press-Cutter” from International Press-Cutter Bureau, London, dated 12 FEB 1965.
     • It announces that Faber & Faber will be distributing the book Illustrated Glossary of Architecture 850-1830 for the Fogg Art Museum, Harvard University.
     • The book is described as having 224 half-tone illustrations, 46 line illustrations, and four color plates, with notes by Christopher Dunham Reed.
     • It’s noted that the book was originally planned as a catalogue for an exhibition.
     • A quote from John Harris and Jill Lever calls it a “handsome and ‘excitingly different’ book that will dispel for ever the old idea that a glossary needs to be dictionary and dull.” (The quote appears to be cut off).

4. Editorial Note:

   • The page includes a small note identifying Carlton Lake as “an art critic and co-author of Life with Picasso.”

5. Handwritten Notation & Clippings:

   • In the top left corner, there’s a small, stapled piece of paper that appears to be a Boston, Mass. library card or stamp dated “1966” with “Circ. 6000.” Below it, on the main page, there is a handwritten notation in red ink: “K.11”.

Overall Description:

This is an artifact from March 1966, part of a collection or archive (evidenced by the portfolio and library card), showcasing an article honoring Professor Paul Sachs and his significant contribution to art collecting and the Fogg Art Museum. It features reproductions and descriptions of famous 19th-century drawings by Delacroix and Degas, which were part of the Sachs collection. The page also includes related news about a publication connected to the Fogg Museum. The presence of a library stamp and handwritten notation suggests this is a preserved clipping or reference item.

This image shows an open scrapbook page with various items attached to it. Here is a detailed description:

1. Main Article:

   • The central part of the page features a printed article, likely from a magazine or newspaper, dated March 1966 and labeled "BOSTON."
   • The article discusses the Fogg Art Museum and the contributions of Paul Sachs, including details about the collection he left to the museum.
   • There are two illustrations within the article:
     • The first illustration is a portrait of a man by Eugène Delacroix, titled "Portrait of Frédéric Villot," dated around 1838.
     • The second illustration is a study for the portrait of Diego Martelli by Edgar Degas, dated 1879.

2. Stickers and Notes:

   • In the top left corner, there is a sticker from "New England Newsclip Agency, Inc." with the address "Box 2078, Boston 6," and the date "MAR 1 1966."
   • Below this sticker is another note that says "Boston" and "BOSTON, Mass. Monthly Circ. 6,000."

3. Additional Clipping:

   • On the right side of the page, there is a clipping from the "International Press-Cutting Bureau" dated "12 FEB 1966."
   • This clipping discusses the distribution of a book titled "Turkoman Rugs" by Faber for the Fogg Art Museum, Harvard University.

4. Handwritten Notes:

   • There are a few handwritten notes on the page, including one that says "very good X 11" in the top left corner of the main article.

The overall page appears to be a collection of clippings and notes related to art and the Fogg Art Museum, compiled in a scrapbook.

The image shows an open book with several pages of text and images. The book appears to be a catalog or magazine, as it contains various articles and illustrations. The text is printed in black ink on white paper, and the images are in black and white. The book is open to a page with a portrait of a man with a beard and mustache, and the text below the portrait reads "Edgar Degas. Study for the Portrait of Diego Martelli, 1879." The page also includes a brief biography of Degas and a description of the portrait. Other pages in the book contain additional articles and illustrations, including a portrait of a woman and a drawing of a man. The book appears to be from the late 19th or early 20th century, based on the style of the illustrations and the type of paper used.

The image shows an open book with a page displaying a portrait of a man. The portrait is in black and white and has a serious expression. The book appears to be a magazine or journal, as it has multiple pages and a table of contents. The page with the portrait has a small excerpt of text that reads, "The portrait of Frederic Villot by Eugene Delacroix is a study in action and violence." The book also has a label on the top left corner that reads, "Boston Monthly, March 1966."

The image shows a page from an art book or exhibition catalog. The page is numbered 24 at the bottom and marked "BOSTON March 1968." It contains a reproduction of a portrait drawing with descriptive text underneath it. To the left of the portrait, there are three columns of typed text, possibly discussing the artwork or artist. In the top left corner, there's a torn piece of paper attached to the page, likely a note or a label. On the far right side of the image, there are three additional snippets of text. They appear to be cut-outs or clippings glued or taped onto the page, possibly associated with the portrait or related content.

The pieces of paper that are attached to the page appear old, as indicated by their yellowed color and the fact that the one in the upper left has torn edges. These could be notes made by a researcher, exhibition curator, or student, as they engage with the material presented on the page. The overall layout suggests an academic or archival context, possibly from a research file or scrapbook compiling information about the artist, the artwork, or a related subject matter.