Archives Scrapbooks

The image displays a collection of newspaper clippings and documents, many of which are related to art, architecture, and exhibitions. The items are affixed to what appears to be a scrapbook page or a similar type of album. Here is a detailed summary of the contents:

1. Top Left Clipping (Light, NANTUCKET, Mass.)

   • The date is MAY 28 1965.
   • The title is "The Lively Arts" by Harriet H. Crowley.
   • The article discusses an exhibition at the Fogg Museum, Harvard University, featuring works by artists such as Hans Hofmann, Karl Schrag, and Henry McFee. It describes the impact of the art and the artists' roles in the contemporary art scene.

2. Middle Left Clipping (New England Newspaper, Newport, R.I.)

   • The date is JUN 16 1965.
   • The article titled "Richard Teitz, Fogg Curator, To Go To Italy" reports that Richard Teitz, assistant curator at the Fogg Museum, will spend the summer in Italy. It mentions his role in the upcoming exhibition at the Fogg and his academic background.

3. Top Right Clipping (The Birmingham Post, UK)

   • The date is JUL 17 1965.
   • The article, titled "ARCHITECT OF SOUND," is by David Walters. It focuses on the work of an acoustician, likely involved in designing spaces for optimal sound quality, such as concert halls. The article discusses the precision and challenges involved in this field.

4. Small Clipping (International Press Cutting Bureau, London)

   • The document seems to be an extract from The Birmingham Post, dated JUL 17 1965, and possibly serves as a formal record or reference for the article "ARCHITECT OF SOUND."

5. Bottom Clipping (New England Newspaper, Newport, R.I.)

   • This clipping is similar to the one dated JUN 16 and provides additional details about Richard Teitz’s work and his contributions to the Fogg Museum.

The items are neatly arranged, suggesting that this page is part of a collection or archive, possibly maintained for reference or personal interest. The content reflects a focus on art criticism, museum activities, and architectural acoustics from the mid-1960s.

The image shows a collection of newspaper clippings from various publications, specifically from May and June 1965. Here’s a detailed summary:

1. Top Left Section:

   • The clipping is from the New England Newspaper Agency dated May 28, 1965.
   • The article is titled "The Lively Arts" by Harriet H. Crowley.
   • It discusses an exhibition at the Fogg Museum in Cambridge, Massachusetts. The article mentions the challenges of exhibiting Op Art, particularly the difficulties of displaying paintings that create optical illusions. It also notes the Fogg’s efforts to accommodate this kind of art by providing a large space and considering how to display it effectively.

2. Top Right Section:

   • There is a small clipping from the International Press Cutting Bureau dated July 17, 1965, with the headline "Architect of Sound."
   • The article is titled "Architecture" by David Walters, focusing on architect Sabine's work in acoustics.
   • It describes Sabine's pioneering work in creating acoustically balanced spaces, particularly in concert halls and lecture rooms, and his contributions to the understanding of sound and building acoustics.

3. Bottom Left Section:

   • A clipping from the Newport (R.I.) Daily News dated June 15, 1965.
   • The article is titled "To Go To Italy" and features Richard Teitz, curator of the Fogg Museum, and his family, including his wife Catherine and daughter Rebecca.
   • It mentions that Mr. and Mrs. Teitz are traveling to Italy.

4. Middle Section:

   • The central part of the clipping includes a mix of text from the Nantucket Weekly Light and other articles from various sources.
   • There is a partial article by an unnamed author discussing the Fogg Museum's exhibit space and the efforts to showcase Op Art.
   • A headline from The Birmingham Post dated July 17, 1965, mentions "Extract from The Fogg Birmingham Post."

The overall theme revolves around the exhibition of avant-garde art (specifically Op Art) at the Fogg Museum and the architectural and technical advancements in sound and acoustics by notable figures like Sabine. Additionally, it touches on the travels and activities of notable museum curators and their families.

The image displays a collection of newspaper clippings and a magazine cover related to art and architecture.

1. Top Left (Newport, RI) - "The Lively Arts" by Harriet H. Crowley:

   • This article, dated May 28, 1965, discusses the Fogg Art Museum's exhibition of Op paintings. The article highlights the artist's intention to create a large canvas and the public's reaction to the unconventional, large-scale artwork. It notes that the Fogg Museum had to shut down parts of the exhibit due to overcrowding. The article also mentions Richard Teitz, the curator, and his plans to travel to Italy.

2. Top Right (International Press Cutting Bureau - London, W.C.2):

   • This is an extract from "The Freight Birmingham Post," dated July 17, 1965. The article is titled "Architect of Sound" by David Walters and discusses the work of Richard Teitz, focusing on his contributions to acoustics and architecture. It mentions his experimental work with sound in the Fogg Art Museum and his involvement in the University of Cambridge.

3. Bottom Left (Newport, RI):

   • This clipping, dated June 16, 1965, is a brief announcement about Richard Teitz, the Fogg Curator, who is traveling to Italy. It provides a brief biography of him and mentions his wife, Rebecca.

4. Bottom Right (Newspaper Clipping):

   • The clipping includes a portion of the same article "Architect of Sound" by David Walters, which focuses on Richard Teitz's work on acoustics and his impact on architectural sound design. It mentions his work on the Fogg Art Museum and the University of Cambridge's Music Hall.

Overall, these clippings provide a detailed look into the life and work of Richard Teitz, his role as a curator at the Fogg Art Museum, and his significant contributions to the field of acoustics and architecture.

The image shows a page from the "New England Newspaper Agency, Inc." dated June 15, 1965, specifically from the "Light" section of the "Nantucket Weekly" newspaper, with a circulation of 300. The page includes several articles and a press cutting from the "Birmingham Post."

1. Main Article: The Lively Arts by Harriet H. Crowley

   • This article discusses an exhibition at the Fogg Museum in Cambridge, Massachusetts. The author visited the museum and was struck by the Op paintings by artist Bridget Riley, which are characterized by their black and white patterns. Crowley describes the visual experience of these paintings, noting that they can be overwhelming or pleasing depending on the viewer's perspective. She also mentions the works of other artists like Victor Vasarely and Richard Anuszkiewicz, highlighting the vibrant and varied artistic scene at the museum.

2. Richard Teitz, Fogg Curator, To Go To Italy

   • This article announces that Richard Teitz, the curator at the Fogg Museum, is leaving for Italy. He has been given a year's sabbatical to work on an exhibition for the Fogg Museum, which will begin in September 1966. The article mentions his work on an exhibition of Italian Renaissance drawings and his role in curating a show at the Museum of Fine Arts.

3. International Press Cutting Bureau Extract: The Birmingham Post

   • This section contains an excerpt from "The Birmingham Post" dated July 17, 1965, titled "Architect of Sound" by David Walters. It discusses the work of Dr. Sabine, who was a pioneer in the field of acoustics. Walters highlights Sabine's early experiments with sound and his significant contributions to understanding and improving acoustics in buildings, including concert halls and lecture rooms. Sabine's work was initially met with skepticism but eventually gained recognition and widespread application.

The page also includes a small boxed section with a note about the Fogg Art Museum, indicating that it is part of the Harvard University Art Museums. The page has been clipped and pasted, suggesting it was part of a press clipping collection.

The image is a page from the newspaper "The Lively Arts," published in the New England Newspaper on May 23, 1965. The page features several articles related to the arts:

1. Main Article: "Tip in Cambridge" by Harriet H. Crawley

   • This article discusses a visit to Harvard's Fogg Museum and an exhibition of paintings by Paul Cézanne.
   • The author notes that the museum has rearranged its galleries to better showcase Cézanne’s work.
   • The article highlights the unique qualities of Cézanne’s paintings, such as their composition, use of color, and the emotional impact they have on viewers.
   • The author also mentions a humorous incident involving a guard who was too engrossed in the paintings.

2. News Brief: Richard Teitz, Fogg Curator, To Go To Italy

   • Richard Teitz, the assistant curator of drawings at the Fogg Museum, is leaving for a year-long sabbatical in Italy.
   • Teitz will study Italian drawings and prints in various European collections.
   • Agnes Mongan will serve as acting curator of drawings during his absence.

3. Extract from The Birmingham Post: "Architect of Sound" by David Walters

   • This article is an excerpt discussing the architectural achievements of a person whose work on acoustics has been significant.
   • The focus is on how the architect revolutionized acoustics in buildings, specifically concert halls.
   • The article highlights the Royal Festival Hall in London, an innovative project that, despite its initial flaws, marked a significant advancement in architectural acoustics.
   • The architect's work is praised for integrating acoustical science into building design, making it both an art and a science.

Additionally, there is a notice about the newspaper itself, stating it is a weekly publication with a circulation of 300. The contact information for the New England Newspaper Agency in Boston, Massachusetts, is also provided.

The image shows a page from a scrapbook or collection of newspaper clippings. The page is dated May 28, 1965, and contains several articles and excerpts from different publications. Here is a detailed summary of the content:

1. Top Left Article - "The Lively Arts" by Harriet H. Crowley:

   • This article discusses an exhibit at the Fogg Museum, focusing on Op Art (Optical Art). The author describes the visual effects of Op Art, noting that the paintings can be disorienting and cause viewers to feel dizzy or nauseous. The exhibit includes works by various artists and is described as a challenging but intriguing experience.

2. Bottom Left Article - "Richard Teitz, Fogg Curator, To Go To Italy":

   • This article announces that Richard Teitz, a curator at the Fogg Art Museum, has been awarded a Rome Prize Fellowship from the American Academy in Rome. Teitz plans to study medieval and Renaissance architecture in Italy, particularly focusing on the influence of ancient Roman architecture on Renaissance buildings.

3. Middle Right Article - Excerpt from "The Birmingham Post" (July 17, 1965):

   • This excerpt discusses the work of an architect, David Walters, who is known for his innovative designs. The article mentions his use of mathematical principles and his interest in the relationship between architecture and music. Walters is described as a pioneer in the field of architectural acoustics.

4. Top Right Article - "Architect of Sound" by David Walters:

   • This article delves into the work of David Walters, focusing on his theories about the relationship between architecture and sound. Walters discusses how the design of buildings can influence acoustics and the overall experience of the space. He emphasizes the importance of understanding the mathematical principles behind sound waves and their interaction with architectural structures.

The page is neatly organized with the articles arranged in a collage-like manner, each clipping carefully placed to fit within the page. The articles provide insights into the art and architecture scenes of the mid-1960s, highlighting both visual arts and the intersection of architecture and sound.

This image depicts a collection of newspaper clippings mounted onto what appears to be a page of a scrapbook or binder. The scrapbook page is brown with two visible metal binder rings on the right.

At the top of the image, there is a clipping with a header that reads "The Lively Arts.” There are also various other pieces of paper with text on them, including a small yellow clipping with the header "The Birmingham Post” dated "17 JUL 1965.” Right below the yellow clipping, there's a title that says "ARCHITECT OF SOUND" with a subtitle "Architecture." This article is credited to David Walters. There is also a circular red marking that surrounds part of the text.

On the bottom left, another clipping is titled "Richard Teitz, Fogg Curator, To Go To Italy” with a date "MAY 28 1965" at the very top of the scrapbook page.

The items are pinned or glued to the page, showing signs of age and discoloration, and there is also small white label at the top right corner which seems to be from an "INTERNATIONAL PRESS CUTTING BUREAU" in London. The assembly of clippings indicates a personal or research interest in the topics covered by the articles.

The image shows a page from a newspaper or magazine, specifically from the New England Newsweekly, dated May 28, 1965. The page is titled "The Lively Arts" and is authored by Harriet H. Crowley. The content appears to be a review or commentary on an art exhibition, likely focusing on the works of Richard Teitz, who is mentioned as the Fogg Curator and is noted for his role in organizing an exhibition titled "To Go To Italy."

Key Details from the Image:

1. Header Information:

   • The top of the page includes the publication details: New England Newsweekly, Box 208, Boston, Mass., with a circulation of 300.
   • The date is prominently displayed as May 28, 1965.

2. Main Article:

   • The article is titled "The Lively Arts" and is attributed to Harriet H. Crowley.
   • The article discusses an art exhibition, likely at the Fogg Art Museum, and references Richard Teitz, the curator, who is noted for his work in organizing an exhibition titled "To Go To Italy."
   • The text mentions that Teitz spent the summer in Italy on an archaeological expedition and returned to the museum in September.

3. Highlighted Section:

   • A red circle highlights a specific section of the text. The highlighted portion appears to discuss Wallace Clement Sabine, an assistant professor of mathematics at Harvard University. It notes that Sabine gave the first lecture on architectural acoustics at Harvard in 1895, marking a significant moment in the development of architectural acoustics.

4. Additional Content:

   • The page includes a press-cutting bureau extract from The Fogg Birmingham Post, dated 17 July 1965, which is part of the layout but not the main focus of the article.
   • There is also a smaller section titled "Architect of Sound" by David Walters, which discusses Sabine's contributions to acoustics and architecture. This section is likely a sidebar or related article.

5. Visual Layout:

   • The page has a structured layout with columns of text, typical of newspapers or magazines from the mid-20th century.
   • The highlighted section draws attention to a specific historical detail about Sabine’s lecture, emphasizing its importance in the development of architectural acoustics.

Summary:

The image depicts a page from a 1965 issue of the New England Newsweekly, focusing on an art exhibition review by Harriet H. Crowley. The article highlights the work of Richard Teitz, the Fogg Curator, and includes a detailed discussion of Wallace Clement Sabine and his pioneering role in architectural acoustics. The highlighted section emphasizes Sabine’s 1895 lecture at Harvard, marking a pivotal moment in the field. The page also includes supplementary content, such as a press-cutting extract and a sidebar on Sabine’s contributions.

The image appears to be a collection of newspaper clippings and articles related to the Fogg Museum at Harvard University. The clippings seem to be from the 1960s and 1970s and cover topics like the museum's exhibits, architecture, and acoustics. Some of the clippings include:

• An article titled "The Lively Arts" discussing the museum's painting exhibit and the challenges of displaying large paintings.

• An article titled "Architect of Sound" about David Walters, a professor at the university who was designing the acoustics for the new Fogg Lecture Room.

• A clipping from "The Birmingham Post" about the new Fogg Lecture Room and the challenges of achieving good acoustics.

• An article titled "To Go To Italy" about Richard Teitz, a curator at the museum who was spending the summer in Italy.

The clippings are organized in a folder with a brown cover and metal clasps. The folder appears to be part of a larger archive or collection of newspaper clippings related to the Fogg Museum and Harvard University.

The image depicts a page from a scrapbook or a collection of newspaper clippings. The page is covered with various pieces of paper, each containing different articles and advertisements. The clippings are arranged in a somewhat haphazard manner, suggesting that they were pasted into the scrapbook at different times.

The topmost clipping is titled "The Lively Arts" and features an article about painting, specifically mentioning an artist named Harriet H. Crowley and her work at Harvard University's Fogg Museum. The article discusses the process of painting and the challenges faced by artists, particularly in the context of the museum's exhibit.

Below this, there is a clipping from "The Birmingham Post" dated July 17, 1955, which includes a photograph of a man named Richard Teitz, described as a Fogg Curator who is going to Italy. The article mentions his departure and the purpose of his visit, which seems to be related to his work at the museum.

Another clipping on the page is from "The Architect of Sound" by David Walters, which appears to be an article about acoustics and architecture. The text discusses the importance of sound in architectural design and the challenges faced by architects in creating spaces that are both aesthetically pleasing and acoustically sound.

There is also a small advertisement for the "International Press-Cutting Bureau" located in London, which offers press-cutting services.

The clippings are affixed to a beige background, and the page has a slightly worn and aged appearance, indicating that it has been handled and preserved over time. The edges of the clippings are uneven, and some have been folded or cut to fit the page.

Overall, the image represents a collection of articles and advertisements that were deemed important or interesting enough to be preserved in a scrapbook, likely by someone with an interest in art, architecture, and museum curation.