Archives Scrapbooks

This image displays a vintage press clipping folder or scrapbook page, likely belonging to Richard Teitz or related to the Fogg Museum, containing several newspaper articles and press releases dated from May to July 1965.

The items are mounted on a yellowed, aged paper folder, with some pieces affixed using tape or glue. A brown leather or faux-leather binding with two metal rivets is visible along the right edge, suggesting it's part of a bound collection or portfolio.

Here is a breakdown of the most prominent clippings:

1. "The Lively Arts" by Harriet H. Crowley (May 28, 1965)

   • Source: New England Newspaper Agency, Inc., Nantucket, Mass. Weekly
   • Content: A review of an Op Art exhibition at Harvard’s Fogg Museum, critiquing the artists’ work, the museum's use of space, and the physical effects of viewing Op Art ("shock the human system"). The reviewer notes the paintings are "ugly" and "incomprehensible," but are technically impressive ("the ones with intricate line patterns forming optical illusions").

2. "Richard Teitz, Fogg Curator, To Go To Italy" (June 16, 1965)

   • Source: New England Newspaper Agency, Inc., Newport, R.I.
   • Content: A news brief announcing that Richard Teitz, assistant curator of classical art at Harvard's Fogg Museum, has been appointed assistant director of an Etruscan archaeological expedition near Siena, Italy. He will spend the summer excavating and will return to Harvard in September to complete his Ph.D. His wife, Rebecca, and their daughter will accompany him.

3. "ARCHITECT OF SOUND" by David Walters (July 17, 1965)

   • Source: This is an extract from The Birmingham Post, provided by the International Press Cutting Bureau, London, W.C.1. The article is marked as "Architecture".
   • Content: A detailed article about Wallace Clement Sabine, an assistant professor of architecture at Harvard University who became renowned for pioneering work in architectural acoustics. It discusses his research in the Fogg Lecture Room, his correction of its acoustic problems, and his subsequent work on the Boston Symphony Hall. The article highlights how Sabine’s work established a new, quantitative science of acoustics. A red circle has been drawn around a specific section of the text.

Overall Theme:
The collection centers around Harvard University's Fogg Museum and its activities in 1965. The articles cover an art exhibition, the professional activities of a key curator (Teitz), and a piece of Harvard's own history in the field of acoustics related to the Fogg Lecture Room. This suggests the folder was compiled to document institutional events, personnel movements, and the museum’s cultural impact during that time.

The image appears to be a scanned page from a collection of clippings or a scrapbook, featuring articles and snippets of text from various sources. The articles are pasted or cut out and affixed to a light brown cardboard backing, which is part of a file or folder. The text discusses topics such as art, specifically mentioning Harvard's Fogg Museum and its Op Art exhibition, and architecture, including a piece about an "Architect of Sound" by David Walters. There are also mentioning of Richard Teitz, the Fogg Museum's curator, and his involvement with an archaeological expedition in Italy. The date on the page references July 17, 1965, and there are additional stamps and markings on the document suggesting it was part of a news clipping or archival material. The overall appearance indicates it is a historical document, likely kept for reference or study.

The image shows a page from a scrapbook or a collection of newspaper clippings. The page is made of brown paper and contains several cut-out articles from newspapers. Here are the details of the clippings:

1. Top Left Clipping:

   • Title: "The Lively Arts"
   • Byline: "By Harriet H. Crowley"
   • Date: "May 28, 1965"
   • Source: "Light Nantucket, Mass. Weekly Circ. 300"
   • Content: The article discusses an exhibit at Harvard's Fogg Museum, focusing on Op art and the reactions of visitors and students to the exhibit.

2. Bottom Left Clipping:

   • Title: "Richard Teitz, Fogg Curator, To Go To Italy"
   • Source: "News (e) Newport, R. I. Circ. 12,522"
   • Date: "Jun 16, 1965"
   • Content: The article mentions Richard Teitz, an assistant curator at the Fogg Museum, who has been appointed to assist in an Etruscan archaeological expedition in Italy.

3. Top Right Clipping:

   • Title: "The Birmingham Post"
   • Date: "17 JUL 1965"
   • Source: "Extract from International Press-Cutting Bureau, London, W.C.2."
   • Content: The clipping is about an exhibit at the Fogg Museum, similar to the top left clipping, but from a different source and date.

4. Bottom Right Clipping:

   • Title: "ARCHITECT OF SOUND"
   • Subtitle: "Architecture"
   • Byline: "By David Walters"
   • Content: This article discusses advancements in the field of architectural acoustics, specifically mentioning Wallace Clement Sabine and his contributions to the field.

The clippings are arranged on the brown paper, with some text partially obscured by the edges of the clippings. The page is part of a larger collection, as indicated by the binding on the right side.

The image depicts a page from a scrapbook or a collection of newspaper clippings. The page is covered with various pieces of paper, each containing different articles and advertisements. The clippings are arranged in a somewhat haphazard manner, suggesting that they were pasted into the scrapbook at different times.

The topmost clipping is titled "The Lively Arts" and features an article about painting, specifically mentioning an artist named Harriet H. Crowley and her work at Harvard University's Fogg Museum. The article discusses the process of painting and the challenges faced by artists, particularly in the context of the museum's exhibit.

Below this, there is a clipping from "The Birmingham Post" dated July 17, 1955, which includes a photograph of a man named Richard Teitz, described as a Fogg Curator who is going to Italy. The article mentions his departure and the purpose of his visit, which seems to be related to his work at the museum.

Another clipping on the page is from "The Architect of Sound" by David Walters, which appears to be an article about acoustics and architecture. The text discusses the importance of sound in architectural design and the challenges faced by architects in creating spaces that are both aesthetically pleasing and acoustically sound.

There is also a small advertisement for the "International Press-Cutting Bureau" located in London, which offers press-cutting services.

The clippings are affixed to a beige background, and the page has a slightly worn and aged appearance, indicating that it has been handled and preserved over time. The edges of the clippings are uneven, and some have been folded or cut to fit the page.

Overall, the image represents a collection of articles and advertisements that were deemed important or interesting enough to be preserved in a scrapbook, likely by someone with an interest in art, architecture, and museum curation.

The image appears to be a collection of newspaper clippings and articles related to the Fogg Museum at Harvard University. The clippings seem to be from the 1960s and 1970s and cover topics like the museum's exhibits, architecture, and acoustics. Some of the clippings include:

• An article titled "The Lively Arts" discussing the museum's painting exhibit and the challenges of displaying large paintings.

• An article titled "Architect of Sound" about David Walters, a professor at the university who was designing the acoustics for the new Fogg Lecture Room.

• A clipping from "The Birmingham Post" about the new Fogg Lecture Room and the challenges of achieving good acoustics.

• An article titled "To Go To Italy" about Richard Teitz, a curator at the museum who was spending the summer in Italy.

The clippings are organized in a folder with a brown cover and metal clasps. The folder appears to be part of a larger archive or collection of newspaper clippings related to the Fogg Museum and Harvard University.

The image shows a page from a newspaper or magazine, specifically from the New England Newsweekly, dated May 28, 1965. The page is titled "The Lively Arts" and is authored by Harriet H. Crowley. The content appears to be a review or commentary on an art exhibition, likely focusing on the works of Richard Teitz, who is mentioned as the Fogg Curator and is noted for his role in organizing an exhibition titled "To Go To Italy."

Key Details from the Image:

1. Header Information:

   • The top of the page includes the publication details: New England Newsweekly, Box 208, Boston, Mass., with a circulation of 300.
   • The date is prominently displayed as May 28, 1965.

2. Main Article:

   • The article is titled "The Lively Arts" and is attributed to Harriet H. Crowley.
   • The article discusses an art exhibition, likely at the Fogg Art Museum, and references Richard Teitz, the curator, who is noted for his work in organizing an exhibition titled "To Go To Italy."
   • The text mentions that Teitz spent the summer in Italy on an archaeological expedition and returned to the museum in September.

3. Highlighted Section:

   • A red circle highlights a specific section of the text. The highlighted portion appears to discuss Wallace Clement Sabine, an assistant professor of mathematics at Harvard University. It notes that Sabine gave the first lecture on architectural acoustics at Harvard in 1895, marking a significant moment in the development of architectural acoustics.

4. Additional Content:

   • The page includes a press-cutting bureau extract from The Fogg Birmingham Post, dated 17 July 1965, which is part of the layout but not the main focus of the article.
   • There is also a smaller section titled "Architect of Sound" by David Walters, which discusses Sabine's contributions to acoustics and architecture. This section is likely a sidebar or related article.

5. Visual Layout:

   • The page has a structured layout with columns of text, typical of newspapers or magazines from the mid-20th century.
   • The highlighted section draws attention to a specific historical detail about Sabine’s lecture, emphasizing its importance in the development of architectural acoustics.

Summary:

The image depicts a page from a 1965 issue of the New England Newsweekly, focusing on an art exhibition review by Harriet H. Crowley. The article highlights the work of Richard Teitz, the Fogg Curator, and includes a detailed discussion of Wallace Clement Sabine and his pioneering role in architectural acoustics. The highlighted section emphasizes Sabine’s 1895 lecture at Harvard, marking a pivotal moment in the field. The page also includes supplementary content, such as a press-cutting extract and a sidebar on Sabine’s contributions.

This image shows a scrapbook page containing various newspaper clippings related to art, architecture, and cultural topics. Key features include:

1. Clipping Titles:

   • "The Lively Arts," written by Harriet H. Crowley, discussing artistic topics.
   • "Richard Teitz, Fogg Curator, To Go To Italy," an article referring to someone's professional move.
   • "Architect of Sound" by David Walters, from The Birmingham Post (dated July 17, 1965), focusing on acoustics and architectural elements.

2. Design and Layout:

   • The clippings are affixed to aged paper with yellow or brown tones, conveying a vintage aesthetic.
   • There is a mixture of text sizes and fonts, reflecting the varied sources of the articles.
   • A red circle is drawn around a specific excerpt in one article, suggesting emphasis on a key point.
   • Labels and stamps are visible, such as one from "International Press-Cutting Bureau" in London, as well as issue and circulation notes.

3. Paper and Texture Details:

   • The scrapbook has slightly worn edges, indicating age and use.
   • It is bound with metal rivets or fasteners on the right-hand side, suggesting an organized archival method.

This page likely serves as a historical documentation or personal collection related to art, architecture, and individual achievements in these fields.

This image shows a scrapbook page containing several newspaper clippings. The clippings are pasted on a brown paper background and seem to come from various publications and dates.

Key elements include:

1. A clipping from a publication dated May 28, 1965, from Nantucket, Mass., with a note of a weekly circulation of 300.
2. An article titled "The Lively Arts" by Harriet H. Crowley, discussing an art exhibition involving Fogg Museum and other cultural topics.
3. A clipping from the New England Newsclip Agency dated June 1, 1965, with a headline "Richard Teitz, Fogg Curator, to Go To Italy," providing details about Richard Teitz, his position, and plans to go to Italy.
4. An "Extract from The Birmingham Post," dated July 17, 1965, titled "ARCHITECTURE OF SOUND" by David Walters. The article appears to discuss the architecture field in relation to sound, including research and lectures on the subject.

The clippings are arranged with some overlaps and are secured on the page by glue or other adhesive. A metal binder ring is visible on the right edge of the page, indicating the scrapbook is part of a bound volume.

This image depicts a collection of newspaper clippings mounted onto what appears to be a page of a scrapbook or binder. The scrapbook page is brown with two visible metal binder rings on the right.

At the top of the image, there is a clipping with a header that reads "The Lively Arts.” There are also various other pieces of paper with text on them, including a small yellow clipping with the header "The Birmingham Post” dated "17 JUL 1965.” Right below the yellow clipping, there's a title that says "ARCHITECT OF SOUND" with a subtitle "Architecture." This article is credited to David Walters. There is also a circular red marking that surrounds part of the text.

On the bottom left, another clipping is titled "Richard Teitz, Fogg Curator, To Go To Italy” with a date "MAY 28 1965" at the very top of the scrapbook page.

The items are pinned or glued to the page, showing signs of age and discoloration, and there is also small white label at the top right corner which seems to be from an "INTERNATIONAL PRESS CUTTING BUREAU" in London. The assembly of clippings indicates a personal or research interest in the topics covered by the articles.

The image shows a scrapbook page or binder page with aged, tan paper and several newspaper clippings pasted on it. The clippings are assorted sizes and are arranged in a collage.

• The top-center clipping has a bold header: “The Lively Arts,” with multiple narrow columns of text beneath it.
• A bright yellow clipping on the right catches the eye. It looks like an extract from The Birmingham Post, dated 17 JUL 1965, with a header that includes “INTERNATIONAL PRESS CUTTING BUREAU” and mentions “Architecture” and “DAVID WALTERS.”
• Other smaller clippings are scattered around, including one about “Richard Teitz, Fogg Curator, To Go To Italy,” and another with “News” and dates such as JUN 16 1965.
• There are handwritten notes on the yellow clipping and some light stains or marks on the page.
• The page is bound on the right edge with a brown binder or cover, with visible metal binder rings.

Overall, it appears to be a vintage newspaper clipping collage focused on arts, architecture, and related topics from the mid-1960s.