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The image shows a newspaper clipping from the New England Newspaper Syndicate, dated May 15, 1965. The clipping contains two articles:

1. Article on the left:

   • Title: "Masterpiece Lost in Fogg"
   • Author: Harold Banks
   • Content: The article discusses a painting by Giovanni Francesco Barbieri, also known as Guercino, titled "The Raising of Lazarus," which was believed to be lost in the storage of the Fogg Art Museum at Harvard University. The painting was discovered by a student, John R. Banks, who was researching for his thesis. The article describes the painting's journey and its significance, mentioning that it was purchased by the Fogg in 1900 but had been missing since 1929. The painting was found in the dark storage section of the basement, covered in dust and grime.

2. Article on the right:

   • Title: "Tribute to Austin: 11 Colleges in Art Show"
   • Author: Florence Berkman
   • Content: This article reports on an art exhibition titled "Footprints of America," held at Trinity College's Austin Arts Center. The exhibition featured works from the Fogg Art Museum and other institutions, including a canvas by Guercino. The show was a tribute to Austin Arts and included works from various colleges and universities. The article highlights the significance of the exhibition and the contributions of different institutions.

The image of the painting "The Raising of Lazarus" by Guercino is prominently displayed in the center of the clipping, illustrating the articles.

The image shows a collection of newspaper clippings, likely from the 1960s, with articles related to art and academia.

1. The top left article, titled "Masterpiece Lost in Fogg" by Harold Banks, discusses a painting that had been lying in the storage of Harvard's Fogg Museum. The article mentions that the museum, along with other institutions, received a substantial bequest from the Kress Foundation. The Fogg Museum, in particular, inherited a painting that was initially deemed valuable but later found to be less than expected. The article delves into the history and the evaluation process of the painting, highlighting the challenges faced by museums in managing their collections.

2. The article on the right, titled "11 Colleges in Art Show" by Florence Berkman, reports on an art exhibition featuring works from eleven colleges. The exhibition, held at the Austin Arts Center, includes a variety of media such as paintings, drawings, and sculptures. The article mentions notable works, including a canvas by a student from Trinity College and a sculpture by a student from Wellesley. It also highlights the contributions of different colleges and the significance of the exhibition for both the artists and the academic community.

3. The smaller article, titled "Tiepolo's 'Apotheosis of Amen' on loan for college," discusses a painting by Giovanni Battista Tiepolo, which is on display at Trinity College. The painting, "Apotheosis of Amen," is described as a significant piece on loan from another institution, providing students and visitors with the opportunity to view a masterpiece by the renowned artist.

The articles collectively focus on the intersection of art, academia, and the challenges and rewards of managing and displaying artistic works within educational institutions.

The image is a collage of newspaper clippings from the 1965 Boston newspaper "The Boston Globe." Here is a detailed summary of the contents:

1. Top Left Clipping:

   • Title: "Masterpiece Lost in Fog"
   • Author: Harold Banks
   • The article discusses the fate of a painting, referred to as "The Painting Might," which was in the Harvard Fogg Museum's storage section. The article suggests the painting could have been misplaced or improperly stored, leading to its loss.
   • It recounts the history of the Fogg Museum's acquisition and storage practices, highlighting the need for better preservation and cataloging of its collections.

2. Top Right Clipping:

   • This is a black-and-white photo of a painting by Tiepolo (1720-1770) titled "Apotheosis of Aeneas," which is part of Trinity College's Austin Center for the Visual Arts collection.

3. Bottom Clipping:

   • Title: "Tribute to Austin"
   • By Florence Berkan
   • This article discusses an exhibition at Trinity College's Austin Center for the Visual Arts, featuring works from 11 colleges.
   • The exhibition, titled "Ill Arts," was curated to honor the memory of Mr. Austin, the founder of the Austin Center. The works showcase the diversity and quality of student art from these institutions.
   • The piece mentions several notable pieces, including a landscape by Mr. "Hobson," and the work of students from various colleges, such as Dartmouth and Brown.

The articles together highlight the historical and educational significance of the art collections at Trinity College, the importance of preserving and showcasing art from academic institutions, and a tribute to an individual whose legacy is celebrated through art exhibitions.

The image contains two newspaper clippings from the mid-1960s.

Left Clipping:

• Title: "MY BOSTON Masterpiece Lost in Fogg"
• Author: Harold Banks
• The article discusses a painting, referred to as a "masterpiece," that was lost in the storage section of Harvard's Fogg Museum. The painting, initially valued at $80,000, was acquired by the Fogg from the Kress Foundation for $75,000.
• The Kress Foundation distributed the art collection to various museums and towns, and the Fogg received many pieces, including the painting in question.
• The painting, "The Temptation of St. Anthony," by the artist Tiepolo, was not properly cataloged and was left in a basement storage area, which was described as a "dark storage section in a basement" filled with "white elephants."
• The painting was eventually found by a graduate student, Sydney J. Freedberg, who was researching a book on Tiepolo. He identified the painting through its distinctive features, such as a broken and patched canvas, and its unique style.
• Freedberg's discovery was a fortunate find, as the painting was not cataloged and was almost forgotten.

Right Clipping:

• The article, titled "Tribute to Austin" and dated May 15, 1965, discusses an art exhibition at the Austin Art Center.
• The exhibition, "11 Colleges in Art Show," features works from eleven colleges and universities, including Trinity College, Wellesley College, and the Art Center's own student body.
• The exhibition includes works from the Austin Art Center's own collection, donated by Mr. Austin, who was described as a generous benefactor.
• The show is intended to highlight the art education and achievements of various colleges, with an emphasis on the diversity and quality of the artworks.
• The article mentions various pieces and their artists, and notes the significance of the collection, which includes a large canvas by Mr. Austin himself.

Both articles provide insights into the history and significance of art collections and exhibitions from the mid-20th century.

The image is a scanned copy of a newspaper clipping from "The Boston Globe" dated May 15, 1965. The clipping features two articles:

1. Masterpiece Lost in Fogg by Harold Banks:

   • This article discusses a painting titled "The Painting Might" which was stored in Harvard's Fogg Art Museum. The painting, which was valued between $60,000 to $75,000, was reportedly lost in the basement of the museum after being wrapped in a cloth and dumped there by a custodian.
   • The story involves Sydney J. Freedberg, a noted art historian and curator, who was instrumental in identifying the painting as a lost masterpiece. Freedberg was also involved in a series of events leading to the painting's discovery and the subsequent scandal.
   • The painting was originally owned by the Kress Foundation and was intended to be kept in the museum's collection. The article details Freedberg's efforts to track down the painting, including his involvement with the Harvard Art Museums and the Fogg Art Museum.

2. Tribute to Austin: 11 Colleges in Art Show by Florence Berkman:

   • This article is about an exhibition of artworks from eleven colleges in the Boston area, curated as a tribute to the late Dean Austin of Trinity College.
   • The exhibition, held at the Art Center in Copley Square, included paintings and drawings from colleges such as Trinity, Wellesley, and Smith. The works were selected by the artists themselves and were displayed in a small, intimate setting.
   • The article mentions the diverse contributions from various artists, highlighting the significance of the exhibition as a tribute to Dean Austin, who was well-known for his support of the arts.

The clipping also contains a small photograph of a painting by Tiepolo, titled "Apotheosis of Aeneas," which is part of the exhibition described in the second article.

The image is of a newspaper page from the Boston Herald American, dated May 15, 1966. The main articles on the page include:

1. "Masterpiece Lost in Fog" by Harold Banks:

   • The article discusses a painting by Winslow Homer, valued between $50,000 to $75,000, that was lost in Harvard’s Fog Museum.
   • The painting, which had been stored in the museum's basement, went missing and was found wrapped up in a "junk" state.
   • The foundation's curator, Sidney J. Freedberg, discovered the painting was missing on a Monday and later found it in a damaged condition.
   • The article also mentions the history of the painting, a watercolor titled "Along the Way," and the circumstances of its disappearance and recovery.

2. "Tippoo's Tiger on Canvas":

   • This short section features a photo and caption about an "Anthology of Assum’s" study of collage, focusing on an artwork depicting Tippoo's Tiger, a famous automaton from Indian history.

3. "Tribute to Austin: 11 Colleges in Art Show" by Florence Berkman:

   • The article highlights an art exhibition featuring works from 11 sister colleges of New England, celebrating the legacy of an art collector named Austin.
   • The exhibition, curated to honor the memory of Arthur and Alice Austin, includes pieces from Trinity College, Mount Holyoke, Smith, and others.
   • The show, which began at Trinity College, is noted for its diverse collection, including works by significant artists and a variety of art forms.

The page also includes a large map showing parts of Europe, likely related to an article on another page. The general theme of the articles centers on art, its preservation, and exhibitions.

The image shows a page from an old newspaper, consisting of two main articles and a black-and-white image of a painting.

1. The first article, titled "Masterpiece Lost in Fogg," is written by Harold Banks. It discusses a painting that had been forgotten and lying in the dark storage section of Harvard's Fogg Museum. The article details the painting's history, its rediscovery, and the importance of the painting, which was a part of the Kress Foundation collection. The text suggests that the painting was somewhat neglected but considered valuable and noteworthy.

2. Below or alongside this article is a black-and-white reproduction of an oil painting on canvas by Tiepolo from 1765. The painting is titled "Apotheosis of Aeneas" and was part of Trinity College’s Austin Arts Center dedicatory exhibition borrowed from sister colleges in New England.

3. The second article on the page is titled "Tribute to Austin: 11 Colleges in Art Show," written by Florence Berkman. This article covers an art exhibition involving 11 colleges in New England. It talks about the participation of these colleges and various details about the artists and the collections featured in the exhibition.

The newspaper page is dated May 15, 1965, from the "Times of Hartford, Conn." The page shows signs of aging with worn edges, yellowing, and some paper damage.

The image shows a close-up photograph of an open scrapbook or collection of newspaper clippings. These articles are pasted onto the brownish pages of the book, which is now discolored and shows signs of age. The largest article, occupying the right side of the page, includes a black and white reproduction of a classical piece of artwork; it appears to be a dynamic scene with several figures, possibly from a historical battle or a mythological story. The caption beneath it names the artwork "Apotheosis of Aeneas" and indicates that it was up for exhibition. The articles mainly focus on topics related to art and include dates from 1965, as seen in the upper right corner of the page. The pages are frayed at the edges, with some smaller tears, and the article on the left has text that runs off the page as it extends beyond the visible area of the image.

The image is a scanned page from a newspaper. It features a headline that reads "My Boston Masterpiece Lost in Fogg" and is dated May 15, 1965. The article discusses the loss of a painting by Gustave Moreau, titled "The Last Supper," which was owned by the Fogg Art Museum at Harvard University. The painting was valued at $75,000 and was mistakenly discarded by the museum's administrators. The article also includes a photograph of the painting and mentions the efforts of Sydney J. Freedberg, a professor at Harvard, who had previously loaned the painting to the museum.

The image is a photograph of a newspaper clipping placed on a book with a textured cover. The clipping is from the "Boston Times" dated May 15, 1965. The headline reads "Masterpiece Lost in Fogg." The article is authored by Harold Banks.

The article discusses the potential loss of a significant artwork from the Fogg Museum at Harvard University. The painting, titled "The Apotheosis of Aeneas," is described as a masterpiece by the French artist Jean-Honoré Fragonard. The article suggests that the painting might have been lost in the museum's storage, possibly due to a mix-up or misplacement.

The article mentions that the museum's administrators were unaware of the painting's absence until it was discovered that it was not in its designated location. The article also includes quotes from Sydney J. Freedberg, a scholar and curator at Harvard, who expresses his shock and concern over the potential loss.

The article describes the painting as a significant work that has been studied by scholars and students for decades. It also mentions that the painting was part of an exhibition at the Trinity College Art Center, which had recently closed.

The clipping is placed on a textured book cover, suggesting that it may be part of a scrapbook or a collection of newspaper articles. The book cover has a dark, patterned design, and the clipping is positioned in the center of the page, with the headline and author's name clearly visible.