Archives Scrapbooks

This image displays two aged, yellowed newspaper clippings from the mid-1960s, laid open side-by-side. The paper shows signs of wear, including creases, stains, and browning, indicating their age.

Left Clipping: "MY BOSTON" by Harold Banks — "Masterpiece Lost in Fogg"

This is a feature article from the Boston Sunday Globe, dated Sunday, April 16, 1966.

• Headline: “Masterpiece Lost in Fogg”
• Byline: By Harold Banks
• Content: The article tells the story of a lost painting, believed to be a 17th-century original by the French artist Simon Vouet, that was once part of the collection at Harvard’s Fogg Museum. The painting, valued at over $60,000, was reportedly “lost” when the museum’s administrators, during a period of financial strain and potential liquidation of the Kress Foundation’s holdings, decided it wasn’t worth keeping and instructed staff to “Send it wherever you wish,” effectively discarding it. The article recounts the discovery by Bostonian Syd J. Freeberg, who, while researching for a book on 17th-century art, identified the painting in the Fogg’s dark storage after spotting its distinctive subject matter: a man in the company of white elephants. Freeberg, a scholar and art critic, traced the painting’s history and its possible misattribution, revealing that while the Fogg Museum catalog listed it as a copy, Freeberg believed it to be the original.
• Layout: Features a large, bold headline, the author’s name, and several columns of text. The article has visible fold lines.

Right Clipping: “Tribute to Austin — 11 Colleges in Art Show”

This clipping is from the Hartford Times, dated May 15, 1965. It includes a photograph and is framed by a red border.

• Headline: “Tribute to Austin — 11 Colleges in Art Show”
• Byline: By Florence Berkman
• Photograph: The top half of the page displays a black-and-white photo of a large, dark oil painting on canvas. The caption below reads: “TIEPOLO’S 1765-6 oil on canvas ‘Apotheosis of Ancest’ study for ceiling is in Trinity College’s Austin Art Center dedicatory exhibition from Harvard’s Fogg Art Museum among paintings on loan from sister colleges of New England.” The artwork depicts a dramatic, classical scene with figures in the sky above a dark, architectural structure, possibly a ship or a stage, with other figures below.
• Content: The article discusses a tribute exhibition at Trinity College’s Austin Art Center, celebrating its founding and honoring the college’s history. The exhibition features paintings on loan from 11 New England colleges, including the Fogg Museum at Harvard, which lent the Tiepolo painting. The article praises the small but significant collection at Trinity, which includes works by artists such as Albert Bierstadt and John Singer Sargent, and notes the importance of the exhibition in fostering appreciation for fine art among students and the community.
• Layout: Includes a large photo with caption, followed by a headline and columns of text. The clipping is surrounded by a thin red line.

Together, the clippings document a moment in mid-20th century American art history, focusing on the rediscovery and provenance of valuable artworks, institutional collecting practices, and inter-collegiate art exhibitions in the Northeast. The articles provide a glimpse into the art world's dynamics, scholarship, and public engagement during that era.

The image appears to be a newspaper clipping that contains an article and a photograph. The article is titled "My Boston Masterpiece Lost in Fogg" and is written by Harold Banks. The article discusses a painting that was found in the storage section of Harvard's Fogg Museum. The painting, which is identified as "The Apotheosis of Aeneas" by Giovanni Battista Tiepolo, is described as a "lost" masterpiece that was once part of the Kress Foundation collection.

The photograph accompanying the article is of the painting itself. It is a black-and-white image of Tiepolo's painting, which depicts a celestial scene with various figures, including angels and a central figure that appears to be Aeneas.

Below the article, there is a separate section titled "Tribute to Austin" and "11 Colleges in Art Show." This section provides information about an art exhibition held at Trinity College in memory of A. Everett Austin Jr., and mentions that the exhibition featured works from 11 colleges and universities in New England.

The newspaper clipping is held together with a piece of clear plastic tape at the bottom. The overall appearance of the newspaper clipping suggests that it is an older piece, possibly from the 1960s or 1970s, based on the style of the article and the photograph.

This image shows a newspaper clipping from "The Record American" dated April 15, 1965. The clipping includes an article titled "Masterpiece Lost in Fogg" by Harold Banks. The article discusses a painting that was found in the dark storage section of Harvard's Fogg Museum and might be worth between $60,000 to $75,000. It mentions Sydney J. Freedberg, who identified the painting as the work of the 17th-century artist Simon Vouet.

The clipping also includes another article titled "Tribute to Austin: 11 Colleges in Art Show" by Florence Berkman. This article discusses an art exhibition at Trinity College's Austin Arts Center, honoring the memory of A. Everett Austin, Jr., and featuring works from various colleges.

In the middle of the clipping, there is a photograph of Tiepolo's 1765-6 oil on canvas "Apotheosis of Aeneas," which is part of the exhibition. The photograph is labeled and provides details about the painting and its significance.

The newspaper clipping is placed on a brown folder, and the overall image has a vintage appearance, indicating its age.

The image is a photograph of a newspaper clipping placed on a book with a textured cover. The clipping is from the "Boston Times" dated May 15, 1965. The headline reads "Masterpiece Lost in Fogg." The article is authored by Harold Banks.

The article discusses the potential loss of a significant artwork from the Fogg Museum at Harvard University. The painting, titled "The Apotheosis of Aeneas," is described as a masterpiece by the French artist Jean-Honoré Fragonard. The article suggests that the painting might have been lost in the museum's storage, possibly due to a mix-up or misplacement.

The article mentions that the museum's administrators were unaware of the painting's absence until it was discovered that it was not in its designated location. The article also includes quotes from Sydney J. Freedberg, a scholar and curator at Harvard, who expresses his shock and concern over the potential loss.

The article describes the painting as a significant work that has been studied by scholars and students for decades. It also mentions that the painting was part of an exhibition at the Trinity College Art Center, which had recently closed.

The clipping is placed on a textured book cover, suggesting that it may be part of a scrapbook or a collection of newspaper articles. The book cover has a dark, patterned design, and the clipping is positioned in the center of the page, with the headline and author's name clearly visible.

The image is a scanned page from a newspaper. It features a headline that reads "My Boston Masterpiece Lost in Fogg" and is dated May 15, 1965. The article discusses the loss of a painting by Gustave Moreau, titled "The Last Supper," which was owned by the Fogg Art Museum at Harvard University. The painting was valued at $75,000 and was mistakenly discarded by the museum's administrators. The article also includes a photograph of the painting and mentions the efforts of Sydney J. Freedberg, a professor at Harvard, who had previously loaned the painting to the museum.

The image shows a newspaper clipping from the New England News, dated May 15, 1965, featuring two distinct articles.

Left Article: "My Boston Masterpiece Lost in Fogg" by Harold Banks

• Headline: "My Boston Masterpiece Lost in Fogg"
• Subheading: "By Harold Banks"
• Content: The article discusses the loss of a significant painting, Apollo and Daphne by Giovanni Battista Tiepolo, which was part of Harvard University's Fogg Art Museum collection. The painting, valued at $800,000, was acquired by the museum in 1943 but was never properly cataloged or displayed. The article details how the painting was misplaced in the museum's dark storage area and remained undiscovered for decades. It highlights the efforts of Sydney J. Freedberg, an art historian, who identified the painting and its significance. The piece emphasizes the irony of such a valuable artwork being lost in the museum's archives and the challenges of managing large art collections.

Right Article: "Tribute to Austin"

• Headline: "11 Colleges in Art Show"
• Subheading: "Tribute to Austin"
• Content: This article reports on an art exhibition organized by 11 colleges in honor of Florence Bekman, a prominent art educator and professor. The exhibition, held at the Trinity Art Center in Boston, featured works by students and faculty from various institutions, including the Trinity College Art Center, Wellesley College, and others. The article highlights the tribute to Bekman, who had a significant impact on art education in the region. It also mentions the diverse range of artworks displayed, including paintings, sculptures, and other forms of contemporary art. The exhibition was described as a celebration of Bekman's legacy and the vitality of art education in New England.

Visual Elements

• Layout: The newspaper page is divided into two columns. The left column contains the article about the lost painting, while the right column features the tribute article.
• Photograph: Below the headline of the right article, there is a black-and-white photograph of the painting Apollo and Daphne by Giovanni Battista Tiepolo. The caption beneath the photograph identifies the artwork and provides additional context about its historical and artistic significance.
• Date and Source: The top of the page includes the newspaper's name, New England News, along with its address and publication details (e.g., "Times Sq., N.Y. 10036").
• Visual Condition: The newspaper clipping appears aged, with visible creases, folds, and slight discoloration, suggesting it is a historical artifact.

Overall Context

The image captures a moment in art history, highlighting both the challenges of managing large art collections (as illustrated by the lost masterpiece) and the celebration of influential art educators (as seen in the tribute exhibition). The combination of text and visual elements provides a comprehensive view of the cultural and institutional context of art in the mid-20th century.

The image shows a scrapbook-like page featuring a pair of newspaper clippings. The primary article is titled "Masterpiece Lost in Fogg" by Harold Banks, with the publication date listed as May 15, 1965. The subject of the article appears to be related to an artwork possibly stored in Harvard’s Fogg Museum, with historical and artistic details explored.

To the right of the article, there is a reproduction of an artwork titled "Apotheosis of Aeneas" (dated 1755-64) by Tiepolo, intended for a ceiling decoration. The image captures swirling classical figures positioned in dramatic clouds. Below this, there is an additional segment of a second article, titled "Tribute to Austin: 11 Colleges in Art Show," discussing an art exhibit showcasing collaborative contributions from multiple colleges.

The page itself appears to be part of a preserved archive or collection, as evidenced by the aged paper and bound format.

The image shows a close-up photograph of an open scrapbook or collection of newspaper clippings. These articles are pasted onto the brownish pages of the book, which is now discolored and shows signs of age. The largest article, occupying the right side of the page, includes a black and white reproduction of a classical piece of artwork; it appears to be a dynamic scene with several figures, possibly from a historical battle or a mythological story. The caption beneath it names the artwork "Apotheosis of Aeneas" and indicates that it was up for exhibition. The articles mainly focus on topics related to art and include dates from 1965, as seen in the upper right corner of the page. The pages are frayed at the edges, with some smaller tears, and the article on the left has text that runs off the page as it extends beyond the visible area of the image.

The image shows a page from an old newspaper, consisting of two main articles and a black-and-white image of a painting.

1. The first article, titled "Masterpiece Lost in Fogg," is written by Harold Banks. It discusses a painting that had been forgotten and lying in the dark storage section of Harvard's Fogg Museum. The article details the painting's history, its rediscovery, and the importance of the painting, which was a part of the Kress Foundation collection. The text suggests that the painting was somewhat neglected but considered valuable and noteworthy.

2. Below or alongside this article is a black-and-white reproduction of an oil painting on canvas by Tiepolo from 1765. The painting is titled "Apotheosis of Aeneas" and was part of Trinity College’s Austin Arts Center dedicatory exhibition borrowed from sister colleges in New England.

3. The second article on the page is titled "Tribute to Austin: 11 Colleges in Art Show," written by Florence Berkman. This article covers an art exhibition involving 11 colleges in New England. It talks about the participation of these colleges and various details about the artists and the collections featured in the exhibition.

The newspaper page is dated May 15, 1965, from the "Times of Hartford, Conn." The page shows signs of aging with worn edges, yellowing, and some paper damage.