Ctrl-C, Ctrl-V. Rinse, repeat.
ARCH.2003.35, Rendition: 805169
The image shows a newspaper clipping with handwritten annotations. The clipping appears to be from a Dutch newspaper, as indicated by the language used. The headline reads "Rembrandt bij Harvard," which translates to "Rembrandt at Harvard." The article discusses a painting by Rembrandt titled "Hoofd van Christus" (Head of Christ) that was donated to Harvard University by William A. Coolidge. The painting is described as a small oil painting on wood, measuring approximately 20 by 25 centimeters, and is noted as the first work by Rembrandt in Harvard's collection.
The handwritten annotations include the following:
The clipping also has the header "INTERNATIONAL PRESS-CUTTING BUREAU" with the address "124, Strand, London, W.C.2." at the top, indicating that it might have been sourced from a press-cutting service. The clipping is placed on a gray background, and part of a brown envelope or paper is visible in the top left corner.
The image shows an archival document from the "National Press-Cutting Bureau" in London, which contains a clipped newspaper article. The heading of the document indicates that it is an extract from "De Nieuwe Gazet" based in Antwerp, dated August 13, 1965. The article, written in Dutch, is titled "Rembrandt bij Harvard." It reports that a little-known oil painting by Rembrandt, titled "Head of Christ," was donated to Harvard University by the Boston collector William A. Coolidge. The painting, previously in the collection of a Polish prince, measures 20 by 25 centimeters. This is noted as the first work by Rembrandt in Harvard's collection. The document appears to be yellowed and slightly damaged, indicative of its age.
The image shows a portion of a newspaper clipping from a Dutch newspaper titled "De Nieuwe Gazet," dated April 13, 1965, from Antwerp.
The clipping is from the National Press-Cutting Bureau, based in London. It appears to be an article discussing the acquisition of a Rembrandt painting by Harvard University.
The headline reads "Rembrandt bij Harvard" (Rembrandt at Harvard). The article mentions a lesser-known oil painting by Rembrandt titled "Hoofd van Christus" (Head of Christ). The painting was acquired by William A. Coolidge, a Boston collector, and donated to Harvard University.
The text continues to state that the painting had been previously part of a collection belonging to a Prince of Poland, measuring approximately 20 by 25 centimeters. It highlights that this is the first Rembrandt work to be included in Harvard's collection. Some of the text is handwritten in blue and red ink on the upper part of the clipping.
The image shows a page from an old clipping book, specifically from the National Press-Cutting Bureau, dated London, W.C.2, 1964.
The clipping is an extract from "De Nieuwe Gazet" (The New Gazette) in Antwerp, dated April 13, 1965. The headline in Dutch reads "Rembrandt bij Harvard," which translates to "Rembrandt at Harvard."
The article discusses a little-known oil painting by Rembrandt, titled "Hoofd van Christus" (Head of Christ). This painting was donated by the Boston collector William A. Coolidge to Harvard University. Previously, the painting was part of the collection of a Polish prince and measures 20 by 25 centimeters. It is noted as the first work by Rembrandt in the collection of Harvard University.
The clipping is handwritten with some notes and annotations in blue and red ink, likely for reference or categorization. The annotations include the name "Fogg" and the year "1959." The page is a bit worn and shows signs of aging.
The image shows a section of a historical newspaper clipping from the National Press-Cutting Bureau, dated April 13, 1965. The clipping is titled "Rembrandt bij Harvard" (Rembrandt at Harvard) and is an extract from "De Nieuwe Gazet" (The New Gazette) from Antwerp.
The article discusses a well-known oil painting by Rembrandt, "Hoofd van Christus" (Head of Christ), which was donated by the Boston collector William A. Coolidge to Harvard University. Previously, this painting was part of the collection of a Polish prince and measures approximately 20 by 25 centimeters. The article notes that it is the first work by Rembrandt in the collection of Harvard.
The clipping also includes handwritten annotations in blue ink, with "Fogg" and "1959" written in red ink, suggesting it might be related to the Fogg Museum, now known as the Harvard Art Museums. The date 1959 might indicate a significant year related to the painting or its transfer to Harvard. The clipping appears to be carefully preserved, possibly indicating its historical and cultural significance.
The image shows a press clipping from the "International Press-Cutting Bureau," located at 34, Strand, London, W.C.2. The clipping is an extract from the newspaper "De Nieuwe Rotterdamsche Courant," dated April 13, 1936.
The headline of the article is "Rembrandt bij Harvard," which translates to "Rembrandt at Harvard." The article discusses a relatively unknown painting by Rembrandt, titled "Head of Christ," which was donated to Harvard University by Boston collector William A. Coolidge.
Key points from the article include:
The article has some underlined and circled elements, possibly for emphasis or reference. The clipping appears to be an old document, evidenced by its yellowed and slightly worn appearance.
The image features a newspaper clipping and some additional paper materials. The clipping includes text in Dutch, headlined with "Rembrandt bij Harvard," which translates to "Rembrandt at Harvard." The article discusses a less-known oil painting by Rembrandt, described as "Head of Christ," that was donated to Harvard University by a collector named William A. Coolidge. It mentions that the painting used to be part of a collection owned by a Polish prince and measures 20 by 25 centimeters. This is noted as the first work by Rembrandt in Harvard's collection.
Above the newspaper excerpt, there is a header from the National Press-Cutting Bureau located at 134 Strand, London. Some handwritten annotations are visible on the clipping and the paper above it, including a red marking that appears to say "Fogg" and other notations indicating a date, "9 Sept. 1965," along with possible reference numbers or cataloging codes. Another piece of paper partially visible above the clipping seems to be quite aged and does not provide any legible information in this view.
The image shows a small, aged newspaper clipping attached to a piece of cardboard or paper backing. The clipping is in Dutch and features a headline that reads "Rembrandt bij Harvard." The article talks about a little-known oil painting by Rembrandt titled "Hoofd van Christus" (Head of Christ), which was donated by Boston collector William A. Coolidge to Harvard University. It mentions that the painting was previously part of a Polish prince's collection and measures 20 by 25 centimeters. This is noted as the first work by Rembrandt in the Harvard collection.
There are handwritten notes in blue ink above the clipping, referencing "De Nieuwe Gazet Antwerp Apr. 13, 1965." Additionally, the word "Fogg" is written in red ink. Some red pencil markings underline parts of the text and circle sections in the clipping. The top left corner of the backing paper appears slightly torn or worn.
The image shows two pieces of paper that appear to be from a newspaper. The top piece has blue writing and the words "Extract from" and "Fogs" at the top. The bottom piece has the words "Rembrandt bij Harvard" in bold black letters, and below it is a paragraph of text in a foreign language. The paper is torn and appears to have been cut from a larger piece of paper.
The image shows a collection of documents, likely from an archive or historical collection. Here is a detailed description:
The image depicts a historical press-cutting or archival document related to an art donation. It highlights the acquisition of a Rembrandt painting by Harvard University and includes annotations that suggest it was part of a cataloging or research process. The combination of typed text and handwritten notes indicates active engagement with the material, possibly for scholarly or archival purposes.