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ARCH.2003.35, Rendition: 805169
The image shows an old newspaper clipping and an envelope. The clipping is from "De Nieuwe Gazet," dated April 13, 1965, and it announces the acquisition of a Rembrandt painting titled "Hoofd van Christus" (Head of Christ) by Harvard University. The article mentions that the painting was donated to Harvard by the Boston collector William A. Coolidge and had previously belonged to a Polish prince. The dimensions of the painting are stated as 20 by 25 centimeters, and it is noted as the first work by Rembrandt in Harvard's collection. The envelope appears to be from the "International Press-Cutting Bureau," located at 104, Strand, London, W.C.2. The text on the envelope and clipping is in Dutch. The papers show signs of age, with creases and some discoloration, indicating they are from a past era.
This image shows a collection of documents placed on a flat surface. The main document in the foreground is a small piece of paper with the title "Rembrandt bij Harvard" written in bold. It appears to be a clipping from a publication, possibly a newspaper or magazine, discussing a Rembrandt painting that was donated to Harvard University. The text is in Dutch and mentions a little-known oil sketch by Rembrandt titled "Head of Christ," which was donated by a Boston collector named William A. Coolidge. The document also notes that the painting is the first work by Rembrandt in Harvard's collection and provides some details about the painting's size and previous ownership.
Above this clipping, there is a larger piece of paper with the heading "NATIONAL PRESS-CUTTING BUREAU" and an address in London. It has the text "Extract from" followed by a handwritten note that says "De Nieuwe Gazet- Antwerp" and a date "Aug. 13. 1965." There are also some handwritten markings and numbers on the document, including "959" and "61."
In the background, there is a brown envelope or folder partially visible, with some text and markings on it, but the details are not clear. The overall impression is that these documents are related to a press clipping service and are discussing a Rembrandt painting at Harvard University.
The image is a close-up of a piece of paper that appears to be an extract from a newspaper or publication. The paper is aged and has a slightly yellowish tint, indicating it is old. The text is written in a combination of English and Dutch.
At the top of the paper, there is a header that reads "NATIONAL PRESS-CUTTING BUREAU, STRAND, LONDON, W.C.2." Below this, there is a handwritten note in blue ink that says "Extract from Fogs" followed by a signature or initials "De Neuve Sager Antwerp" and a date "13.1.1965".
Below this, there is another piece of paper with text that is partially obscured by the top piece. The visible text reads "Rembrandt bij Harvard". This suggests that the article is about Rembrandt's work being exhibited at Harvard University. The text continues with a description of the exhibition, mentioning that it includes a significant collection of Rembrandt's prints and drawings.
The paper appears to be pinned or taped to a wall, as evidenced by the edges that are not fully visible and the slight curvature of the paper. The background is a plain, light-colored wall.
In summary, the image depicts an old newspaper clipping about an exhibition of Rembrandt's work at Harvard University, with additional handwritten notes and signatures.
The image shows two pieces of paper that appear to be from a newspaper. The top piece has blue writing and the words "Extract from" and "Fogs" at the top. The bottom piece has the words "Rembrandt bij Harvard" in bold black letters, and below it is a paragraph of text in a foreign language. The paper is torn and appears to have been cut from a larger piece of paper.
The image shows a collection of documents, likely from an archive or historical collection. Here is a detailed description:
The image depicts a historical press-cutting or archival document related to an art donation. It highlights the acquisition of a Rembrandt painting by Harvard University and includes annotations that suggest it was part of a cataloging or research process. The combination of typed text and handwritten notes indicates active engagement with the material, possibly for scholarly or archival purposes.
The image presents a collection of old newspaper clippings and a piece of paper with handwritten notes, set against a gray background.
Overall, the image suggests that the clippings were collected by someone interested in art history or Rembrandt's work, and the handwritten notes provide additional context or commentary on the news articles.
This image shows a collection of newspaper clippings and notes, likely from the 1960s. The top clipping is from the National Press-Cutting Bureau in London, dated April 13, 1965, and features handwritten notes in blue and red ink. The bottom clipping is in Dutch and appears to be about an exhibition of Rembrandt's work at Harvard University.
The clippings are placed on a plain gray background, with a piece of brown paper visible in the upper left corner. The overall atmosphere suggests a nostalgic or archival feel, as if the clippings have been preserved for historical or sentimental reasons.
The image depicts a collection of newspaper clippings and a torn envelope on a gray background.
The topmost item is a torn brown envelope, partially covering a white paper with black text that reads "NAL PRESS-CUTTING BUREAU" and "34, STRAND, LONDON, W.C.2." The paper also features handwritten notes in blue and red ink, including the date "Apr. 13.1965" and the text "De Nieuwe Gids Antwerpen."
Below this paper is a newspaper clipping with a headline that reads "Rembrandt bij Harvard" in bold black text. The article is written in Dutch and discusses a Rembrandt painting at Harvard University. The clipping has been annotated with red marks and numbers.
The overall appearance of the image suggests that it is a collection of archival materials, possibly related to art or history. The use of different colors for the handwritten notes and annotations adds a layer of complexity to the image, implying that multiple individuals may have handled or reviewed the materials over time.
The image presents a collection of aged paper fragments, including a newspaper clipping and handwritten notes.
Newspaper Clipping:
The clipping is from "De Nieuwe Gazet" in Antwerp, dated April 13, 1963. The headline reads "Rembrandt bij Harvard," accompanied by several paragraphs of text in Dutch. Red handwritten notes are visible on the clipping.
Press-Cutting Bureau Note:
A note from the National Press-Cutting Bureau, located at 34 Strand, London, W.C.2, is partially visible beneath the clipping. It features handwritten notes in blue ink, including the date "Apr.13.1963" and the location "Antwerpen." A red handwritten note reading "F685" is also present.
Paper Fragments:
A torn piece of brown paper is situated in the upper-left corner, while another piece of paper with illegible text is partially visible underneath the clipping.
Background:
The background of the image is a plain gray surface, providing a neutral backdrop for the paper fragments.
Overall, the image appears to be a collection of archival materials related to a Rembrandt exhibit at Harvard University, with notes and clippings from various sources.
The image shows a newspaper clipping with handwritten annotations. The clipping appears to be from a Dutch newspaper, as indicated by the language used. The headline reads "Rembrandt bij Harvard," which translates to "Rembrandt at Harvard." The article discusses a painting by Rembrandt titled "Hoofd van Christus" (Head of Christ) that was donated to Harvard University by William A. Coolidge. The painting is described as a small oil painting on wood, measuring approximately 20 by 25 centimeters, and is noted as the first work by Rembrandt in Harvard's collection.
The handwritten annotations include the following:
The clipping also has the header "INTERNATIONAL PRESS-CUTTING BUREAU" with the address "124, Strand, London, W.C.2." at the top, indicating that it might have been sourced from a press-cutting service. The clipping is placed on a gray background, and part of a brown envelope or paper is visible in the top left corner.