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ARCH.2003.35, Rendition: 805169
This image displays an arrangement of aged, yellowed paper clippings and handwritten notes against a plain, light grey background.
The central focus is a rectangular newspaper clipping, likely in Dutch, with the bold headline “Rembrandt bij Harvard” (Rembrandt at Harvard). Below the headline, the text describes a little-known oil painting by Rembrandt, titled “Hoofd van Christus” (Head of Christ), which was donated to Harvard University by the Boston collector William A. Coolidge. The article notes that the painting previously belonged to the collection of a Polish prince and measures 20 by 25 centimeters. It also states that this is the first Rembrandt work in Harvard’s collection. The clipping has been marked with red ink: a red line is drawn above the headline, the number “41” is written in red over the text, and a red arrow points to the bottom right corner.
On top of this clipping lies a slightly larger, off-white rectangular piece of paper from the “National Press-Cutting Bureau, 304, Strand, London, W.C.2.” This paper contains handwritten notes in blue and red ink:
Partially covering the top left corner of the London clipping is a torn, brownish piece of paper or envelope, which shows fragments of printed text.
The items appear to be archival materials or research notes collected around the time of the 1965 donation, documenting the acquisition of the Rembrandt painting by Harvard. The handwriting and markings suggest someone organized or cataloged these clippings for reference.
The image shows an old newspaper clipping and an envelope. The clipping is from "De Nieuwe Gazet," dated April 13, 1965, and it announces the acquisition of a Rembrandt painting titled "Hoofd van Christus" (Head of Christ) by Harvard University. The article mentions that the painting was donated to Harvard by the Boston collector William A. Coolidge and had previously belonged to a Polish prince. The dimensions of the painting are stated as 20 by 25 centimeters, and it is noted as the first work by Rembrandt in Harvard's collection. The envelope appears to be from the "International Press-Cutting Bureau," located at 104, Strand, London, W.C.2. The text on the envelope and clipping is in Dutch. The papers show signs of age, with creases and some discoloration, indicating they are from a past era.
This image shows a collection of documents placed on a flat surface. The main document in the foreground is a small piece of paper with the title "Rembrandt bij Harvard" written in bold. It appears to be a clipping from a publication, possibly a newspaper or magazine, discussing a Rembrandt painting that was donated to Harvard University. The text is in Dutch and mentions a little-known oil sketch by Rembrandt titled "Head of Christ," which was donated by a Boston collector named William A. Coolidge. The document also notes that the painting is the first work by Rembrandt in Harvard's collection and provides some details about the painting's size and previous ownership.
Above this clipping, there is a larger piece of paper with the heading "NATIONAL PRESS-CUTTING BUREAU" and an address in London. It has the text "Extract from" followed by a handwritten note that says "De Nieuwe Gazet- Antwerp" and a date "Aug. 13. 1965." There are also some handwritten markings and numbers on the document, including "959" and "61."
In the background, there is a brown envelope or folder partially visible, with some text and markings on it, but the details are not clear. The overall impression is that these documents are related to a press clipping service and are discussing a Rembrandt painting at Harvard University.
The image is a close-up of a piece of paper that appears to be an extract from a newspaper or publication. The paper is aged and has a slightly yellowish tint, indicating it is old. The text is written in a combination of English and Dutch.
At the top of the paper, there is a header that reads "NATIONAL PRESS-CUTTING BUREAU, STRAND, LONDON, W.C.2." Below this, there is a handwritten note in blue ink that says "Extract from Fogs" followed by a signature or initials "De Neuve Sager Antwerp" and a date "13.1.1965".
Below this, there is another piece of paper with text that is partially obscured by the top piece. The visible text reads "Rembrandt bij Harvard". This suggests that the article is about Rembrandt's work being exhibited at Harvard University. The text continues with a description of the exhibition, mentioning that it includes a significant collection of Rembrandt's prints and drawings.
The paper appears to be pinned or taped to a wall, as evidenced by the edges that are not fully visible and the slight curvature of the paper. The background is a plain, light-colored wall.
In summary, the image depicts an old newspaper clipping about an exhibition of Rembrandt's work at Harvard University, with additional handwritten notes and signatures.
The image shows two pieces of paper that appear to be from a newspaper. The top piece has blue writing and the words "Extract from" and "Fogs" at the top. The bottom piece has the words "Rembrandt bij Harvard" in bold black letters, and below it is a paragraph of text in a foreign language. The paper is torn and appears to have been cut from a larger piece of paper.
The image shows a collection of documents, likely from an archive or historical collection. Here is a detailed description:
The image depicts a historical press-cutting or archival document related to an art donation. It highlights the acquisition of a Rembrandt painting by Harvard University and includes annotations that suggest it was part of a cataloging or research process. The combination of typed text and handwritten notes indicates active engagement with the material, possibly for scholarly or archival purposes.
This image features a clipping of a newspaper article titled "Rembrandt bij Harvard" ("Rembrandt at Harvard" in Dutch) discussing a lesser-known oil painting by Rembrandt ("Hoofd van Christus" or "Head of Christ"). It's stated that the piece was donated by Boston collector William A. Coolidge to Harvard University. The painting originally belonged to the collection of a Polish prince and measures 20 by 25 centimeters. It is noted as the first work by Rembrandt in Harvard's collection.
The clipping appears to be attached to another piece of paper with the letterhead of "National Press-Cutting Bureau, Strand, London, W.C.2." and contains handwritten annotations. The handwriting references the publication "De Nieuwe Gazet," Antwerp, with the date April 13, 1965, and the word "FOGG" written in red. There’s also some visible tearing at the edges of the clipping and the paper.
The image features a newspaper clipping and some additional paper materials. The clipping includes text in Dutch, headlined with "Rembrandt bij Harvard," which translates to "Rembrandt at Harvard." The article discusses a less-known oil painting by Rembrandt, described as "Head of Christ," that was donated to Harvard University by a collector named William A. Coolidge. It mentions that the painting used to be part of a collection owned by a Polish prince and measures 20 by 25 centimeters. This is noted as the first work by Rembrandt in Harvard's collection.
Above the newspaper excerpt, there is a header from the National Press-Cutting Bureau located at 134 Strand, London. Some handwritten annotations are visible on the clipping and the paper above it, including a red marking that appears to say "Fogg" and other notations indicating a date, "9 Sept. 1965," along with possible reference numbers or cataloging codes. Another piece of paper partially visible above the clipping seems to be quite aged and does not provide any legible information in this view.
The image shows a small, aged newspaper clipping attached to a piece of cardboard or paper backing. The clipping is in Dutch and features a headline that reads "Rembrandt bij Harvard." The article talks about a little-known oil painting by Rembrandt titled "Hoofd van Christus" (Head of Christ), which was donated by Boston collector William A. Coolidge to Harvard University. It mentions that the painting was previously part of a Polish prince's collection and measures 20 by 25 centimeters. This is noted as the first work by Rembrandt in the Harvard collection.
There are handwritten notes in blue ink above the clipping, referencing "De Nieuwe Gazet Antwerp Apr. 13, 1965." Additionally, the word "Fogg" is written in red ink. Some red pencil markings underline parts of the text and circle sections in the clipping. The top left corner of the backing paper appears slightly torn or worn.
A small collage of vintage paper scraps laid on a light gray surface. The centerpiece is a torn Dutch newspaper clipping with the bold headline “Rembrandt bij Harvard.” Above it, a pale yellow extract card shows the words “Extract from” and is filled with blue handwritten notes and a date (April 13, 1965) in blue ink, with a red mark nearby. A larger brown torn piece overlaps the top-left corner. The overall look is archival and collage-like, with muted cream and tan tones and touches of blue and red ink.