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ARCH.2003.35, Rendition: 805168
This image displays a collage of vintage paper items, primarily centered around a newspaper clipping, laid out on a plain, light-gray surface.
The most prominent element is a single-column newspaper clipping with the headline “Now in Harvard”. The article, dated May 1965 (marked by handwritten ink on an overlapping piece), announces that a little-known Rembrandt oil sketch titled “Head of Christ” has been donated to the Fogg Art Museum at Harvard University. Key details from the article include:
The clipping itself has several pink highlighter marks, mostly drawn as underlines beneath certain sentences.
Partially covering the top of the clipping is a torn piece of brown paper. This appears to be from a newspaper, with visible text including “Cambridge, Mass.”, “Monthly Circ. 4,700”, and the handwritten date “MAY 1965”. The torn edge reveals stock market data underneath. A small piece of white paper, possibly a filing slip or envelope, is visible beneath this brown layer, with fragments of text like “BUREAU” and “C.2”.
Overall, the photograph captures a historical artifact documenting an important art acquisition, presented in a casual, layered composition reminiscent of a researcher’s or collector’s notes.
The image shows a collection of aged and torn pieces of paper, possibly clippings or excerpts, laid out on a flat surface. The primary piece of paper in the center has text discussing a Rembrandt oil sketch, "Head of Christ," which was added to the Fogg Art Museum at Harvard University. The text provides historical context and details about this piece, including its dimensions, the artist's style, and its significance to the museum's collection.
The surrounding pieces have various stamps, markings, and labels, with one indicating a date of "May 1965." The overall tone of the image suggests it is from a historical document or archival material, possibly related to art history or museum studies. The worn appearance suggests it is from an older source, likely from the mid-20th century.
The image shows a collection of old printed materials placed on a flat surface. At the center is a printed article titled "Now in Harvard," discussing a Rembrandt oil sketch titled "Head of Christ" that was given to the Fogg Art Museum of Harvard University. The article provides details about the painting, its size, and its significance to the museum's collection. It mentions that the painting is a gift from William A. Coolidge and describes the painting's features and style.
Above the article, there are several pieces of paper with printed and handwritten text. One piece of paper is a label from the Newsclip Agency, Inc., with the year 1965 written on it. Another piece of paper has the word "CAMBRIDGE" printed on it, along with some other text. There are also some handwritten notes on the papers, including the word "MAY" and the number "1965."
The overall appearance of the materials suggests they are from an archive or a collection of historical documents. The papers are slightly aged and have a vintage look.
The image depicts a collection of documents pinned to a wall. The documents are arranged in a vertical line, with the top document partially torn and bearing the name "Exchange Agency, Inc." along with an address in Boston. Below this, there is a document titled "BUREAU CAMBRIDGE CAMBRIDGE, Mass." with a date of May 1965.
Below these, there are several pages of text, presumably from a newspaper or magazine, discussing an art acquisition by Harvard University. The text highlights a Rembrandt oil sketch titled "Head of Christ," which has been donated to the Fogg Art Museum. The article provides details about the painting, its history, and its significance to the museum's collection.
The text mentions that the painting was a gift from William A. Coolidge, a Harvard alumnus, and describes the artwork's dimensions, style, and the artist's technique. It also notes the existing Rembrandt works in the museum's collection and the scholarly work done by museum staff on Rembrandt and his contemporaries.
The document is pinned with a red pin at the top left corner and is partially obscured by the other documents. The wall behind the documents is a plain, light-colored surface, providing a neutral background that highlights the documents.
The image features a close-up of a magazine page, specifically from the May 1965 issue of a publication called "Exchange." The magazine page is torn and has several pieces of paper stuck to it, indicating it might have been part of a scrapbook or a collection. The main text on the page discusses a Rembrandt oil sketch titled "Head of Christ," which has been donated to the Fogg Art Museum at Harvard University. It is noted as Harvard's first painting by the Dutch master. The article provides details about the dimensions of the sketch, its condition, and its significance in the context of Rembrandt's work and the Fogg Museum's collection. The background of the image is plain, and the focus is on the text and the historical document.
The image depicts a collection of aged, yellowed newspaper clippings or magazine pages, likely from a publication titled Cambridge Monthly dated May 1965. The visible text is centered around an article discussing a significant art acquisition by the Fogg Art Museum at Harvard University. The article highlights the discovery of a previously unknown oil sketch by Rembrandt titled "Head of Christ," which is described as Harvard's first painting by the Dutch master.
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The image captures a historical moment in art curation, showcasing the significance of the Rembrandt sketch's acquisition by Harvard's Fogg Art Museum. The article provides detailed insights into the painting's artistic and historical value, as well as its place within the broader context of Rembrandt's oeuvre and the museum's collection. The aged appearance of the pages adds a sense of nostalgia and historical importance to the document.
This image contains a newspaper clipping with text about a Rembrandt oil sketch called "Head of Christ," which was gifted to the Fogg Art Museum at Harvard University. The article discusses the painting's historical significance, describing it as Harvard’s first work by Rembrandt and part of a collection that includes other pieces by the artist. It notes the painting measures eight by ten inches and is stylistically similar to six other known sketches of Christ by Rembrandt, some of which are held in museums in Berlin, Philadelphia, Detroit, and The Hague, while others are privately owned.
The article provides details about the art piece, emphasizing its warm color tones and specific depiction of Christ’s head and bust shown against a neutral background. It also highlights the transparency of the oil paint on the wooden panel. Further, it mentions contributions of Harvard scholars and former museum staff to the study and publication of works involving Rembrandt and other Baroque artists, including Professor Rosenberg and Professor Slive.
The clipping itself is labeled "Cambridge, Mass," dated May 1965, originating from a publication with a circulation of 4,700. Additional markings and torn edges, including handwritten notes, can be seen on the newspaper fragment.
The image shows a collection of newspaper clippings and other pieces of paper with text on them. The top clipping has a part of the "Cambridge Chronicle" masthead visible with a date stamp indicating "MAY 1957" and a library stamp or marking that reads "CAMBRIDGE, Mass. Monthly Circ. 4700." Below it, there is a larger clipping with an article titled "Now in Harvard," discussing a little-known Rembrandt oil sketch, "Head of Christ," that has been given to the Fogg Art Museum at Harvard University. The article explains that it is Harvard’s first painting by the Dutch master.
The article goes on to describe the painting as a gift to Harvard from William A. Coolidge, a graduate of Harvard College and Harvard Law School, long a patron of the arts. It also details that the painting is from the late 1640s, measuring about eight by ten inches, and connects to six other Rembrandt oil sketches of the head of Christ. It mentions the location of the other pieces and that this Rembrandt has now shown at Harvard.
Further down, the composition of the painting is described, including the warm color burst that predominates, the background's graduated brown, the shades of gold, red brown, and touches of orange-red, pink, and ochre that enliven the flesh tones. The article also states that some passages of the paint are so thin that the grain of the wooden panel can be seen through it.
The rest of the article mentions that the sketch will be a valuable addition to the Fogg collection which already includes about 200 prints and nine drawings by this master. Mention is also made of other works in the museum by artists from the Baroque period. The article ends with a reference to works on Rembrandt and Dutch Painting of the Seventeenth and Eighteenth Centuries by two professors, Rosenberg and Slive. Each clipping has some wear and tear, indicating their age. There are also miscellaneous handwritten numbers and markings on some of the clippings.
The image shows a torn newspaper clipping from May 1965, discussing a little-known Rembrandt oil sketch called "Head of Christ" that was given to the Fogg Art Museum at Harvard University. The article states this is Harvard's first painting by the Dutch master and was a gift from William A. Coolidge, a Harvard College and Harvard Law School graduate and patron of the arts.
The sketch, painted on panel in the late 1640s, measures about eight by ten inches and is close in size and conception to six other Rembrandt sketches of the head of Christ. Four of these sketches are in museums in Berlin-Dahlem, Philadelphia, Detroit, and The Hague, with two in private hands.
The description highlights the depiction of Christ's face and bust against a neutral background, noting a warm color harmony with reddish-brown garments and a background of golden brown with touches of orange-red, pink, and ochre. The paint in some areas is so thin that the grain of the wooden panel can be seen through it.
The article also mentions that this sketch will be a valued addition to the Fogg Museum's collection, which includes about 200 prints and nine drawings by Rembrandt. It references other works in the museum by artists of the Baroque period, including "Neptune Commanding the Waters" by Rubens and "Holy Family" by Poussin.
Additionally, it acknowledges the efforts of current and former staff members of the Fogg Museum who have worked extensively on Rembrandt and his contemporaries. Professor Rosenberg, who came to Harvard in 1936, published a two-volume "Rembrandt" in 1948, and Professor Slive recently completed a book on "Dutch Painting of the Seventeenth and Eighteenth Centuries."
The clipping has some parts marked with pink underlining and the paper edges are somewhat torn. Some parts of the document above the clipping are visible but not fully readable.
A small collage of vintage newspaper clippings laid out on a light gray background. The pieces are tan and cream, torn and overlapped, with a few pink markings. The central clipping is an article about a little-known Rembrandt oil sketch, “Head of Christ,” donated to the Fogg Art Museum at Harvard University. It mentions Harvard, the donor William A. Coolidge, and the painting’s size and style, with other related notes about Rembrandt and the wooden panel. Additional scraps around it include partial headlines (one shows “Exchange”) and what looks like a small white card with handwritten or stamped text. The overall look is archival and antiquarian.