Archives Scrapbooks

This image displays a vintage newspaper clipping, likely from the early 1960s, mounted or taped to a light gray surface. The clipping is about a recently acquired artwork for Harvard University’s Fogg Art Museum.

Main Headline:
“Harvard Given Rembrandt” — suggesting a significant cultural gift, though the article clarifies this is a “little-known oil sketch.”

Visuals:

• The top portion features a black-and-white photograph captioned: “Oil Sketch by Dutch Master Rembrandt Is Studied by Prof. Seymour Slive of Harvard.” It shows Professor Seymour Slive, a man in a suit and tie, looking thoughtfully at a framed painting titled “Head of Christ.”
• Below that, a separate, smaller clipping or page from a museum publication (possibly a catalog or bulletin) shows a close-up, dark, moody portrait — the “Head of Christ” — with the caption: “‘HEAD OF CHRIST’ The sketch looked compellingly Rembrandt.” The page number “94” is visible.

Article Summary:

• The article reports that the Fogg Art Museum received an oil sketch, “Head of Christ,” by Rembrandt, donated by a Boston attorney and patron of the arts.
• The sketch was purchased by the museum for $36,000 from West Coast art dealer Atty. William A. Coolidge.
• It was authenticated by museum officials as genuine Rembrandt.
• The work’s provenance:
  • Once owned by Hollywood actor Thomas Mitchell.
  • Originally from a Polish prince’s private collection.
  • Appeared in New York before World War II, then sold to Mitchell in 1939.
  • Discovered by Prof. Seymour Slive during a camping trip on the West Coast.
• The sketch is small, measuring 10 by 7½ inches.
• For context, a similar Rembrandt “Head of Christ” sold about eight years earlier for $300,000 — noting the Fogg’s acquisition is “not for sale.”

Handwritten Note:
In the top right corner of the main clipping, someone has written: “Rec Am / 4-13-65” — likely indicating the newspaper article was received or cataloged on April 13, 1965.

Context & Significance:
This clipping documents an important art acquisition for Harvard, highlighting the scholarly validation by Prof. Seymour Slive (a leading Rembrandt authority) and the modest cost compared to market value at the time. The “Head of Christ” is part of a well-documented series of such sketches by Rembrandt and his workshop.

The overall presentation — with glued/taped sections and handwritten notes — suggests this is part of a personal or institutional archive or scrapbook.

In summary:
This is a 1965-era newspaper clipping announcing Harvard’s Fogg Art Museum acquisition of a small, authentic Rembrandt oil sketch, “Head of Christ,” donated after purchase for $36,000 and authenticated by Professor Seymour Slive — a culturally significant event documented with photographs, provenance, and comparative pricing.

The image shows a newspaper clipping and a smaller printout. The newspaper clipping is titled "Harvard Given Rembrandt" and includes a photograph of a man, presumably Professor Seymour Slive of Harvard, alongside a framed oil sketch. Below the photograph, there is an article detailing the acquisition of the "Head of Christ" oil sketch by Rembrandt, donated to Harvard's Fogg Art Museum. The sketch is described as a small, 10 by 7 1/8 inches, never having been authenticated to be a Rembrandt work until now. The printout below the article features a close-up image of the "Head of Christ" oil sketch with the caption "The sketch looked compellingly Rembrandt." The date on the printout is "1-13-65," and it appears to be a historical document related to the acquisition of the Rembrandt sketch by Harvard.

This image appears to be a collection of clippings and photographs related to a Rembrandt painting titled "Head of Christ." The top part of the image is a newspaper clipping with the headline "Harvard Given Rembrandt." The article discusses how an oil sketch by the Dutch master Rembrandt was presented to Harvard's Fogg Art Museum by a Boston attorney. The sketch, "Head of Christ," was purchased for $36,000 and authenticated as a genuine Rembrandt work. The article provides details about the sketch's history, including its previous ownership by a Hollywood actor and its discovery by a Harvard professor.

The photograph accompanying the article shows a man in a suit looking at the framed sketch. The sketch itself is also shown in a separate photograph at the bottom of the image, with the caption "Head of Christ" and a note stating, "The sketch looked compellingly Rembrandt." There is also a handwritten note on the right side of the newspaper clipping that says "Dec Am 13-13-65," which might indicate the date of the clipping.

The image is a collage of newspaper clippings and photographs. The top part of the image contains a newspaper clipping with a headline that reads "Harvard Given Rembrandt." The clipping features a photograph of a man, presumably a professor, and a smaller photograph of a painting. The text describes the acquisition of an oil sketch by Dutch master Rembrandt by Harvard University's Fogg Art Museum. The sketch, titled "Head of Christ," was purchased for $36,000 from a West Coast art dealer. The article mentions the history of the sketch, including its previous ownership by a Polish prince and its sale to a New York collector before being acquired by Harvard.

Below the newspaper clipping, there is a photograph of a bearded man, which is likely Rembrandt himself, based on the context provided by the newspaper article. The photograph is in black and white and shows the man in profile, with a serious expression. The photograph is accompanied by a caption that reads "HEAD OF CHRIST" and "The sketch looked compellingly Rembrandt." The number "94" is also visible at the bottom of the photograph.

Overall, the image presents a news story about the acquisition of a Rembrandt oil sketch by Harvard University's Fogg Art Museum, along with a photograph of the artist himself.

A newspaper clipping with a black-and-white photo of a man in a suit and tie is attached to a white wall. The clipping reads "Harvard Given Rembrandt" and includes a photo of a Rembrandt painting. The clipping also mentions that the painting was purchased for $36,000 and was authenticated by the Fogg Art Museum. The clipping is attached to a piece of paper with a black-and-white photo of a man with a beard and a hat.

The image depicts a historical newspaper clipping featuring a news article titled "Harvard Given Rembrandt". The article discusses the acquisition of an oil sketch attributed to the Dutch master Rembrandt by Harvard's Fogg Art Museum. The article is dated and appears to be from a newspaper, with visible text and accompanying photographs.

Key Elements in the Image:

1. Headline:
   The prominent headline reads "Harvard Given Rembrandt", indicating the main news story.

2. Photographs:

   • Left Photograph: A portrait of a man in formal attire, likely Prof. Seymour Slive, who is mentioned in the article as the professor who studied the sketch. He is wearing a suit and tie, suggesting a professional or academic context.
   • Right Photograph: A framed oil sketch titled "Head of Christ", which is attributed to Rembrandt. The sketch is shown in detail, emphasizing its significance.

3. Article Text:
   The article provides context about the sketch:

   • It is described as a "little-known oil sketch by the Dutch master Rembrandt", discovered and authenticated by Prof. Seymour Slive of Harvard.
   • The sketch was purchased for $36,000 by a Boston attorney and patron of the arts, William A. Coolidge, and donated to the Fogg Art Museum.
   • The sketch was previously owned by a Polish prince, Prince Jan Zdzisław Potocki, and had a complex history, including being sold during World War II.
   • The sketch measures 10 by 7¾ inches and was discovered during a camping trip on the West Coast by Prof. Slive.
   • The article notes that a similar Rembrandt sketch sold for $300,000 eight years prior, highlighting the value and rarity of the artwork.

4. Caption:
   Below the right photograph, there is a caption that reads:
   "Head of Christ"
   "The sketch looked compellingly Rembrandtesque."
   This reinforces the authenticity and artistic significance of the sketch.

5. Additional Details:

   • The article mentions that the sketch was the property of Hollywoody Mitchell, indicating its previous ownership.
   • The purchase price of $36,000 is noted as a "relatively modest" amount compared to the market value of similar works.
   • The article includes a date stamp in the top right corner: "Feb. 13 '61", indicating when the clipping was archived or saved.

Overall Context:

The image captures a significant moment in art history, showcasing the acquisition of a rare Rembrandt sketch by an esteemed academic institution. The article highlights the scholarly effort involved in authenticating the work, its historical provenance, and its financial value, providing insight into the art market and the importance of preserving cultural heritage. The inclusion of photographs of both the scholar and the artwork adds a personal and visual dimension to the story.

This is a scanned newspaper or magazine clipping discussing a painting attributed to Rembrandt, titled "Head of Christ". The article features a larger photograph of a person viewing or discussing the painting, which is displayed in a frame on a wall. Below the article, there is an additional smaller clipping showcasing the painting, accompanied by a caption that reads: "The sketch looked compellingly Rembrandt." Dates and text suggest the historical context of this event, likely related to the presentation of the artwork to Harvard's Fogg Art Museum in 1965. The article's focus is on the acquisition, history, and significance of the artwork.

The image shows a newspaper clipping with the headline "Harvard Given Rembrandt," highlighting the acquisition of a little-known oil sketch by Rembrandt for Harvard's Fogg Art Museum. The text mentions that this occurred through the generosity of a Boston attorney and patron of the arts. It also notes that Prof. Seymour Slive of Harvard (affiliation redacted) studied the piece, and the sketch had been authenticated as a genuine Rembrandt.

The article details some history of the artwork, mentioning that it was once in the private collection of a person whose name is now redacted, had connections to significant historical figures, and was later put on the market post-1962. The piece was purchased relatively modestly for $36,000 according to the document.

At the bottom of the clipping, there is also a caption for a smaller image saying "HEAD OF CHRIST" followed by the statement, "The sketch looked compellingly Rembrandt."

Furthermore, there's a handwritten annotation at the top right of the clipping that reads "Dec Am" with a date referencing possibly when the clipping was archived or noted, and there's a visible crease indicating the newspaper has been folded. In the background, there's a glimpse of what appears to be an envelope or folder with a circular cut-out that is partially concealed behind the newspaper clipping.

The image shows a newspaper clipping featuring an article about a Rembrandt oil sketch presented to Harvard's Fogg Art Museum. The headline reads "Harvard Given Rembrandt." The article discusses the donation of an oil sketch titled "Head of Christ" by the Dutch master Rembrandt, which was purchased for $36,000 and presented by a Boston attorney and patron of the arts. The sketch's authenticity is affirmed by museum officials. It was discovered by Harvard Prof. Seymour Slive of Fine Arts during a camping trip on the West Coast with his family.

Two photos accompany the article:

• The first photo shows a man in a suit, identified as Prof. Seymour Slive, studying the framed sketch.
• The second photo is a close-up of the "Head of Christ" sketch, described as looking "compellingly Rembrandt."

There is also a handwritten note on the side that says "Rec Am 7-13-65." The clipping appears old and somewhat fragile with a torn part on the top left.

A collage of vintage newspaper clippings laid on a gray background.

• The top piece has a large headline that reads something like “Harvard Given Rembrandt” and shows a man in a suit looking at a framed painting. The article discusses a little-known Rembrandt oil sketch donated to Harvard’s Fogg Art Museum and studied by a Harvard professor (the faces are blurred).
• The lower piece is a smaller clipping with a portrait image and a caption that reads something like “HEAD OF CHRIST” and notes that the sketch looked compelling Rembrandt.
• The papers are yellowed and torn, with rough, torn edges and a slightly overlapping layout, giving an aged, archival feel. The faces in the photos are obscured for privacy.