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The image shows a newspaper clipping and a smaller printout. The newspaper clipping is titled "Harvard Given Rembrandt" and includes a photograph of a man, presumably Professor Seymour Slive of Harvard, alongside a framed oil sketch. Below the photograph, there is an article detailing the acquisition of the "Head of Christ" oil sketch by Rembrandt, donated to Harvard's Fogg Art Museum. The sketch is described as a small, 10 by 7 1/8 inches, never having been authenticated to be a Rembrandt work until now. The printout below the article features a close-up image of the "Head of Christ" oil sketch with the caption "The sketch looked compellingly Rembrandt." The date on the printout is "1-13-65," and it appears to be a historical document related to the acquisition of the Rembrandt sketch by Harvard.

This image appears to be a collection of clippings and photographs related to a Rembrandt painting titled "Head of Christ." The top part of the image is a newspaper clipping with the headline "Harvard Given Rembrandt." The article discusses how an oil sketch by the Dutch master Rembrandt was presented to Harvard's Fogg Art Museum by a Boston attorney. The sketch, "Head of Christ," was purchased for $36,000 and authenticated as a genuine Rembrandt work. The article provides details about the sketch's history, including its previous ownership by a Hollywood actor and its discovery by a Harvard professor.

The photograph accompanying the article shows a man in a suit looking at the framed sketch. The sketch itself is also shown in a separate photograph at the bottom of the image, with the caption "Head of Christ" and a note stating, "The sketch looked compellingly Rembrandt." There is also a handwritten note on the right side of the newspaper clipping that says "Dec Am 13-13-65," which might indicate the date of the clipping.

The image is a collage of newspaper clippings and photographs. The top part of the image contains a newspaper clipping with a headline that reads "Harvard Given Rembrandt." The clipping features a photograph of a man, presumably a professor, and a smaller photograph of a painting. The text describes the acquisition of an oil sketch by Dutch master Rembrandt by Harvard University's Fogg Art Museum. The sketch, titled "Head of Christ," was purchased for $36,000 from a West Coast art dealer. The article mentions the history of the sketch, including its previous ownership by a Polish prince and its sale to a New York collector before being acquired by Harvard.

Below the newspaper clipping, there is a photograph of a bearded man, which is likely Rembrandt himself, based on the context provided by the newspaper article. The photograph is in black and white and shows the man in profile, with a serious expression. The photograph is accompanied by a caption that reads "HEAD OF CHRIST" and "The sketch looked compellingly Rembrandt." The number "94" is also visible at the bottom of the photograph.

Overall, the image presents a news story about the acquisition of a Rembrandt oil sketch by Harvard University's Fogg Art Museum, along with a photograph of the artist himself.

A newspaper clipping with a black-and-white photo of a man in a suit and tie is attached to a white wall. The clipping reads "Harvard Given Rembrandt" and includes a photo of a Rembrandt painting. The clipping also mentions that the painting was purchased for $36,000 and was authenticated by the Fogg Art Museum. The clipping is attached to a piece of paper with a black-and-white photo of a man with a beard and a hat.

The image depicts a historical newspaper clipping featuring a news article titled "Harvard Given Rembrandt". The article discusses the acquisition of an oil sketch attributed to the Dutch master Rembrandt by Harvard's Fogg Art Museum. The article is dated and appears to be from a newspaper, with visible text and accompanying photographs.

Key Elements in the Image:

1. Headline:
   The prominent headline reads "Harvard Given Rembrandt", indicating the main news story.

2. Photographs:

   • Left Photograph: A portrait of a man in formal attire, likely Prof. Seymour Slive, who is mentioned in the article as the professor who studied the sketch. He is wearing a suit and tie, suggesting a professional or academic context.
   • Right Photograph: A framed oil sketch titled "Head of Christ", which is attributed to Rembrandt. The sketch is shown in detail, emphasizing its significance.

3. Article Text:
   The article provides context about the sketch:

   • It is described as a "little-known oil sketch by the Dutch master Rembrandt", discovered and authenticated by Prof. Seymour Slive of Harvard.
   • The sketch was purchased for $36,000 by a Boston attorney and patron of the arts, William A. Coolidge, and donated to the Fogg Art Museum.
   • The sketch was previously owned by a Polish prince, Prince Jan Zdzisław Potocki, and had a complex history, including being sold during World War II.
   • The sketch measures 10 by 7¾ inches and was discovered during a camping trip on the West Coast by Prof. Slive.
   • The article notes that a similar Rembrandt sketch sold for $300,000 eight years prior, highlighting the value and rarity of the artwork.

4. Caption:
   Below the right photograph, there is a caption that reads:
   "Head of Christ"
   "The sketch looked compellingly Rembrandtesque."
   This reinforces the authenticity and artistic significance of the sketch.

5. Additional Details:

   • The article mentions that the sketch was the property of Hollywoody Mitchell, indicating its previous ownership.
   • The purchase price of $36,000 is noted as a "relatively modest" amount compared to the market value of similar works.
   • The article includes a date stamp in the top right corner: "Feb. 13 '61", indicating when the clipping was archived or saved.

Overall Context:

The image captures a significant moment in art history, showcasing the acquisition of a rare Rembrandt sketch by an esteemed academic institution. The article highlights the scholarly effort involved in authenticating the work, its historical provenance, and its financial value, providing insight into the art market and the importance of preserving cultural heritage. The inclusion of photographs of both the scholar and the artwork adds a personal and visual dimension to the story.

The image shows a newspaper clipping and a magazine article about Rembrandt's "Head of Christ" painting, which was purchased by Harvard University's Fogg Art Museum.

• Newspaper Clipping:
  • The clipping is from an unknown newspaper and features a black-and-white photograph of a man in a suit and tie.
  • The headline reads "Harvard Given Rembrandt" and the subheading states "Oil Sketch by Dutch Master Rembrandt Is Studied by Prof. Seymour Slive of Harvard."
  • The article discusses the purchase of the painting by Harvard University's Fogg Art Museum for $36,000.
  • It also mentions that the painting was previously owned by a Polish prince and was sold to Mitchell in 1939.
  • The article concludes with a quote from Prof. Seymour Slive, who says that the painting is "a relatively modest $36,000."
• Magazine Article:
  • The article is from an unknown magazine and features a black-and-white photograph of the "Head of Christ" painting.
  • The headline reads "Rembrandt's 'Head of Christ' and only Rembrandt oil 'to enter collection. The purchase price: a relatively modest $36,000."
  • The article discusses the purchase of the painting by Harvard University's Fogg Art Museum and its significance as the only Rembrandt oil painting in the museum's collection.
  • It also mentions that the painting was previously owned by a Polish prince and was sold to Mitchell in 1939.
  • The article concludes with a quote from Prof. Seymour Slive, who says that the painting is "a relatively modest $36,000."

In summary, the image shows two articles about Rembrandt's "Head of Christ" painting, which was purchased by Harvard University's Fogg Art Museum for $36,000. The articles discuss the painting's history, its significance, and its purchase price.

The image is a newspaper clipping about a Rembrandt painting, featuring two photographs of the artwork. The top photograph shows a man in a suit looking at the painting, while the bottom photograph displays the painting itself, titled "HEAD OF CHRIST." The article discusses the painting's history, including its purchase by Harvard University and its authentication as a genuine Rembrandt work. The clipping also includes a handwritten note with the date "Dec Am 4-13-65" and a price tag indicating the purchase price of $36,000. Overall, the image provides information about the painting's provenance and its significance as a valuable piece of art.

The image is a scanned newspaper clipping and a separate photograph, both featuring the Dutch master Rembrandt.

Newspaper Clipping:

• The clipping is yellowed with age and has a headline that reads "Harvard Given Rembrandt" in large font.
• Below the headline is a black-and-white photo of a man looking at a framed painting of Rembrandt's "Head of Christ."
• The article discusses how Harvard University's Fogg Art Museum was given an oil sketch by Rembrandt, which was previously owned by a Boston attorney and patron of the arts.
• The sketch was purchased for $36,000 from a West Coast art dealer and was authenticated by officials at the museum.
• The article also mentions that the sketch was previously sold in 1939 for $300,000 and was last seen on the market eight years prior.

Photograph:

• The photograph is a black-and-white image of Rembrandt's "Head of Christ."
• It is captioned "'HEAD OF CHRIST' The sketch looked compellingly Rembrandt." and has the number "94" printed below it.

Background:

• The background of the image is a light gray color, suggesting that it may be a digital scan or photocopy of the original documents.

Overall, the image appears to be a collection of archival materials related to a Rembrandt painting that was donated to Harvard University.

The image presents a collection of newspaper clippings and photographs, with the primary focus being on an article about a Rembrandt painting.

• Newspaper Clipping
  • The clipping is titled "Harvard Given Rembrandt" and features a black-and-white photograph of a man in a suit looking at a framed portrait.
  • The article discusses the presentation of a little-known oil sketch by Rembrandt to Harvard's Fogg Art Museum by a Boston attorney and patron of the arts.
  • The sketch, "Head of Christ," was purchased for $36,000 from a West Coast art dealer and is considered a modestly priced acquisition.
  • The article also mentions that the sketch was previously owned by Hollywood actor Thomas Mitchell and was sold to Hitler in 1939.
  • Statistics:
    • $36,000: The purchase price of the Rembrandt sketch.
    • 10 by 7 1/2 inches: The size of the Rembrandt sketch.
    • $300,000: The price of a similar Rembrandt sold about eight years prior.
• Photograph of Rembrandt's "Head of Christ"
  • A smaller black-and-white photograph of Rembrandt's "Head of Christ" is placed below the newspaper clipping.
  • The photograph shows a close-up of the painting, which depicts a man with a beard and long hair.
  • The caption reads, "The sketch looked compellingly Rembrandt."

In summary, the image showcases a newspaper article about the acquisition of a Rembrandt painting by Harvard's Fogg Art Museum, along with a photograph of the painting. The article provides details about the painting's history, including its previous ownership and purchase price.

The image is a newspaper clipping from 1965, detailing the acquisition of a Rembrandt oil sketch by Harvard University. The article features a photograph of Professor Seymour Slive, who is studying the sketch, and an image of the artwork itself.

Key points from the article:

1. Artwork Details: The oil sketch is by the Dutch master Rembrandt and is titled "Head of Christ." It measures approximately 10 by 7 1/2 inches.

2. Acquisition: The sketch was purchased for $36,000 from a West Coast art dealer by Atty. William A. Coolidge for the Fogg Art Museum at Harvard. This was the first Rembrandt oil to enter the museum's collection.

3. Provenance: The sketch was previously owned by a Polish prince and was later sold in Poland before World War II. It was then sold to a private collector in 1939.

4. Discovery: Professor Seymour Slive, a Harvard Professor of Fine Arts, discovered the sketch while on a family trip to the West Coast. He noted that the price was relatively modest for a Rembrandt.

5. Authentication: The work has been authenticated as a genuine Rembrandt.

The article highlights the significance of the acquisition for Harvard's art collection and the historical journey of the artwork.