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The image is a newspaper clipping from 1965, detailing the acquisition of a Rembrandt oil sketch by Harvard University. The article features a photograph of Professor Seymour Slive, who is studying the sketch, and an image of the artwork itself.

Key points from the article:

1. Artwork Details: The oil sketch is by the Dutch master Rembrandt and is titled "Head of Christ." It measures approximately 10 by 7 1/2 inches.

2. Acquisition: The sketch was purchased for $36,000 from a West Coast art dealer by Atty. William A. Coolidge for the Fogg Art Museum at Harvard. This was the first Rembrandt oil to enter the museum's collection.

3. Provenance: The sketch was previously owned by a Polish prince and was later sold in Poland before World War II. It was then sold to a private collector in 1939.

4. Discovery: Professor Seymour Slive, a Harvard Professor of Fine Arts, discovered the sketch while on a family trip to the West Coast. He noted that the price was relatively modest for a Rembrandt.

5. Authentication: The work has been authenticated as a genuine Rembrandt.

The article highlights the significance of the acquisition for Harvard's art collection and the historical journey of the artwork.

The image is a newspaper clipping reporting on a little-known oil sketch by the Dutch master Rembrandt, which was donated to Harvard's Fogg Art Museum. Here are the key points from the article:

1. Donation and Authentication:

   • The sketch, titled "Head of Christ," was presented to Harvard's Fogg Art Museum.
   • It was authenticated by Professor Seymour Slive of Harvard, an expert on Dutch art.
   • The sketch was purchased for $36,000 from a West Coast art dealer by Mr. and Mrs. A. William A. Coolidge, who then donated it to the museum.

2. Provenance:

   • The sketch was previously owned by Halldor Soehner, a Munich art collector.
   • Before that, it was part of the collection of Adolf Hitler.

3. Details of the Sketch:

   • The sketch measures 10 by 7 3/4 inches.
   • It was created in the 1650s.
   • The piece depicts the head of Christ and was noted for its compelling quality.

4. Historical Context:

   • The article mentions that the last Rembrandt of a similar category was sold about eight years prior for $300,000.
   • Another Rembrandt work, a sketch of the same subject, was sold in 1939 for a relatively modest $36,000.

The article also includes a photograph of the sketch, showing the detailed depiction of "Head of Christ" and an image of Professor Seymour Slive examining the artwork. The date on the newspaper clipping is marked as December 13, 1965.

The image shows an old newspaper clipping with two articles and photographs related to an oil sketch by Rembrandt.

The main article, titled "Harvard Given Rembrandt," describes the acquisition of a previously unknown oil sketch by Rembrandt. The sketch, titled "Head of Christ," was purchased for $36,000 by Harvard's Fogg Art Museum. The sketch was authenticated by Professor Seymour Slive of Harvard and had been in the private collection of a Polish prince, who sold it to Thomas Mitchell in 1939. Mitchell, a Hollywood actor, later sold it to the Fogg Art Museum. The sketch measures only 10 by 7 3/4 inches and was discovered by Professor Slive during a camping trip on the West Coast.

The article mentions that the sketch was purchased from the private collection of a Polish prince, who had acquired it before World War II. The price paid for the sketch was significantly lower than the $300,000 paid for another similar Rembrandt work eight years earlier.

The accompanying photograph in the article shows Professor Seymour Slive examining the sketch. Another smaller photograph at the bottom of the clipping provides a close-up view of the sketch itself, labeled "HEAD OF CHRIST."

The date on the clipping is April 13, 1965. The article also mentions that the sketch was placed on the market following the death of Thomas Mitchell in 1962.

The image is a collage of newspaper clippings and a photograph related to the acquisition of a Rembrandt sketch by Harvard University's Fogg Art Museum.

1. Main Newspaper Clipping (Top Section):

   • Headline: "Harvard Given Rembrandt"
   • Description: The clipping details the presentation of a little-known oil sketch by Dutch master Rembrandt to the Fogg Art Museum by a Boston attorney and patron of the arts. The sketch, titled "Head of Christ," was purchased for $35,000 from a West Coast art dealer. The sketch had been authenticated as an original Rembrandt by Prof. Seymour Slive of Harvard.
   • Context: The sketch had previously been in the possession of Hollywood actor Thomas Mitchell. It was discovered by Prof. Slive during a camping trip on the West Coast. The sketch had a complex history, including being part of the private collection of a Polish prince, falling into Hitler's hands, and being sold to Mitchell in 1939.
   • Image: The clipping includes a photo of Prof. Seymour Slive and a framed version of the sketch.

2. Smaller Newspaper Clipping (Bottom Section):

   • Headline and Caption: "Head of Christ" - The sketch looked compellingly Rembrandt.
   • Description: This section provides a clearer image of the sketch, labeled as "Head of Christ," and emphasizes the sketch's compelling resemblance to Rembrandt's style.

3. Additional Notes:

   • The clippings are dated April 13, 1965, as indicated by the handwritten date in the top right corner of the top clipping.
   • The smaller clipping is from a publication titled "The Fogg Museum" and includes page number 94.

Overall, the clippings highlight the acquisition and historical significance of the Rembrandt sketch presented to Harvard's Fogg Art Museum.

The image contains a newspaper clipping dated April 13, 1965, reporting on the acquisition of an oil sketch by the Dutch master Rembrandt at Harvard's Pogg Art Museum.

Key details from the clipping include:

1. Title: The headline reads "Harvard Given Rembrandt."

2. Main Content:

   • A small, previously unknown sketch titled "Head of Christ" by Rembrandt was presented to the museum.
   • This sketch was purchased by a Boston attorney and patron of the arts for $35,000 from a West Coast art dealer.
   • The sketch was authenticated by Prof. Seymour Slive of Harvard, who had been studying it.
   • The sketch is believed to have come from the private collection of a Polish prince and was previously owned by an actor named Thomas Mitchell.
   • The sketch is 10 by 7 7/8 inches in size and was discovered during a trip to the West Coast.
   • The last Rembrandt of similar size sold previously was bought eight years prior for $300,000, which was significantly higher.

3. Visual Elements:

   • The newspaper includes a photograph of a man in a suit, likely the person who acquired the sketch.
   • There are two images of the sketch "Head of Christ" showing the portrait of Christ.
   • The bottom of the clipping contains a small caption with the title "HEAD OF CHRIST" and mentions it looked "compellingly Rembrandt."

The clipping highlights the rarity and significance of the sketch, emphasizing its historical and artistic value.

The image shows a newspaper article titled "Harvard Given Rembrandt." The article discusses the presentation of an oil sketch by the Dutch master Rembrandt to Harvard's Fogg Art Museum. The piece, titled "Head of Christ," was donated by a Boston attorney and patron of the arts. The article mentions that the sketch, which measures 8 3/4 inches by 7 3/4 inches, was purchased for $36,000 from the estate of Hollywood actor Thomas Mitchell. Professor Seymour Slive of Harvard is quoted, confirming the sketch's authenticity. The article also notes that the sketch had previously been in the collection of a Polish prince before being sold to Mitchell in 1939 for $300,000. Additionally, there is a smaller photograph at the bottom showing the sketch, with the caption "HEAD OF CHRIST."

The article is dated April 13, 1965, as handwritten in the top right corner.

The image shows a newspaper clipping with the headline "Harvard Given Rembrandt," highlighting the acquisition of a little-known oil sketch by Rembrandt for Harvard's Fogg Art Museum. The text mentions that this occurred through the generosity of a Boston attorney and patron of the arts. It also notes that Prof. Seymour Slive of Harvard (affiliation redacted) studied the piece, and the sketch had been authenticated as a genuine Rembrandt.

The article details some history of the artwork, mentioning that it was once in the private collection of a person whose name is now redacted, had connections to significant historical figures, and was later put on the market post-1962. The piece was purchased relatively modestly for $36,000 according to the document.

At the bottom of the clipping, there is also a caption for a smaller image saying "HEAD OF CHRIST" followed by the statement, "The sketch looked compellingly Rembrandt."

Furthermore, there's a handwritten annotation at the top right of the clipping that reads "Dec Am" with a date referencing possibly when the clipping was archived or noted, and there's a visible crease indicating the newspaper has been folded. In the background, there's a glimpse of what appears to be an envelope or folder with a circular cut-out that is partially concealed behind the newspaper clipping.

The image shows a newspaper clipping featuring an article about a Rembrandt oil sketch presented to Harvard's Fogg Art Museum. The headline reads "Harvard Given Rembrandt." The article discusses the donation of an oil sketch titled "Head of Christ" by the Dutch master Rembrandt, which was purchased for $36,000 and presented by a Boston attorney and patron of the arts. The sketch's authenticity is affirmed by museum officials. It was discovered by Harvard Prof. Seymour Slive of Fine Arts during a camping trip on the West Coast with his family.

Two photos accompany the article:

• The first photo shows a man in a suit, identified as Prof. Seymour Slive, studying the framed sketch.
• The second photo is a close-up of the "Head of Christ" sketch, described as looking "compellingly Rembrandt."

There is also a handwritten note on the side that says "Rec Am 7-13-65." The clipping appears old and somewhat fragile with a torn part on the top left.

A newspaper clipping with a black-and-white photo of a man in a suit and tie is attached to a white wall. The clipping reads "Harvard Given Rembrandt" and includes a photo of a Rembrandt painting. The clipping also mentions that the painting was purchased for $36,000 and was authenticated by the Fogg Art Museum. The clipping is attached to a piece of paper with a black-and-white photo of a man with a beard and a hat.

The image depicts a historical newspaper clipping featuring a news article titled "Harvard Given Rembrandt". The article discusses the acquisition of an oil sketch attributed to the Dutch master Rembrandt by Harvard's Fogg Art Museum. The article is dated and appears to be from a newspaper, with visible text and accompanying photographs.

Key Elements in the Image:

1. Headline:
   The prominent headline reads "Harvard Given Rembrandt", indicating the main news story.

2. Photographs:

   • Left Photograph: A portrait of a man in formal attire, likely Prof. Seymour Slive, who is mentioned in the article as the professor who studied the sketch. He is wearing a suit and tie, suggesting a professional or academic context.
   • Right Photograph: A framed oil sketch titled "Head of Christ", which is attributed to Rembrandt. The sketch is shown in detail, emphasizing its significance.

3. Article Text:
   The article provides context about the sketch:

   • It is described as a "little-known oil sketch by the Dutch master Rembrandt", discovered and authenticated by Prof. Seymour Slive of Harvard.
   • The sketch was purchased for $36,000 by a Boston attorney and patron of the arts, William A. Coolidge, and donated to the Fogg Art Museum.
   • The sketch was previously owned by a Polish prince, Prince Jan Zdzisław Potocki, and had a complex history, including being sold during World War II.
   • The sketch measures 10 by 7¾ inches and was discovered during a camping trip on the West Coast by Prof. Slive.
   • The article notes that a similar Rembrandt sketch sold for $300,000 eight years prior, highlighting the value and rarity of the artwork.

4. Caption:
   Below the right photograph, there is a caption that reads:
   "Head of Christ"
   "The sketch looked compellingly Rembrandtesque."
   This reinforces the authenticity and artistic significance of the sketch.

5. Additional Details:

   • The article mentions that the sketch was the property of Hollywoody Mitchell, indicating its previous ownership.
   • The purchase price of $36,000 is noted as a "relatively modest" amount compared to the market value of similar works.
   • The article includes a date stamp in the top right corner: "Feb. 13 '61", indicating when the clipping was archived or saved.

Overall Context:

The image captures a significant moment in art history, showcasing the acquisition of a rare Rembrandt sketch by an esteemed academic institution. The article highlights the scholarly effort involved in authenticating the work, its historical provenance, and its financial value, providing insight into the art market and the importance of preserving cultural heritage. The inclusion of photographs of both the scholar and the artwork adds a personal and visual dimension to the story.