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The image appears to be a page from a newspaper, specifically "The Boston Herald," dated Tuesday, April 13, 1965. The main headline reads "Harvard Given Rembrandt Oil," indicating that Harvard University received a Rembrandt painting titled "Head of Christ." The article is about the donation of this painting to the Fogg Art Museum at Harvard.

The first part of the article provides details about the painting, noting that it is a little-known oil painting by Rembrandt. It states that the painting measures about eight by 10 inches and was a gift from William A. Coolidge. The article mentions that this is the first Rembrandt painting in the Fogg collection, with other Rembrandt油 sketches of Christ's head being in various museums and private hands.

The article also includes a photograph showing two men, William A. Coolidge and John Coolidge, at a private showing of the painting in the Fogg Art Museum at Harvard. There is a smaller inset image at the bottom of the page labeled "HEAD OF CHRIST," which is described as a sketch that looked compellingly Rembrandt.

The newspaper appears to be aged, with some discoloration, and it is accompanied by a note or label on the right-hand side that reads "Dec Am B-13-65," which might refer to the date and possibly the section or page where this article was originally published.

This image is a photograph of a newspaper clipping from The Boston Herald dated Tuesday, April 13, 1965. The headline reads "Harvard Given Rembrandt Oil," and the article is about a Rembrandt painting titled "Head of Christ" that was gifted to Harvard University. The article provides details about the painting's history, including its size, previous owners, and its significance in Rembrandt's body of work.

The clipping includes a photograph of three men examining the painting. The caption identifies the men as William A. Coolidge, John Coolidge (the Museum director), and Fine Arts Prof. Seymour Slive. William A. Coolidge is noted as the donor of the painting.

Below the clipping, there is a separate photograph of the painting "Head of Christ," with a caption stating, "The sketch looked compellingly Rembrandt."

The clipping is placed on a light-colored surface, and there are other pieces of paper partially visible around it, including a corner of a map or document in the upper left corner.

The image shows a newspaper clipping from The Boston Herald, dated Tuesday, April 13, 1965. The clipping is torn and has some edges missing. The headline reads "Harvard Given Rembrandt Oil." The article discusses the acquisition of a Rembrandt painting by Harvard University. The painting, titled "Head of Christ," was previously in the private collection of William A. Coolidge and was later exhibited at the Fogg Art Museum at Harvard. The article mentions that the painting was purchased by Thomas Mitchell of Beverly Hills, who then donated it to the Fogg Museum. The article also notes that the painting is believed to have come from the collection of a Polish prince and was painted in the 1640s. The article includes a photograph of John Coolidge, the director of the Fogg Art Museum, and Fine Arts Prof. Seymour Slive, examining the painting. The clipping is attached to a piece of paper with a map and some writing on it.

The image is a clipping from a newspaper featuring a headline that reads "Harvard Given Rembrandt Oil." The article discusses the acquisition of a Rembrandt oil painting titled "Head of Christ" by Harvard University. The painting, which measures about eight by 10 inches, was purchased by Thomas Mitchell, a Beverly Hills actor, in 1962. It was first exhibited in the Fogg Museum in 1964 and is now on public display for the first time. The article provides historical context about the painting, mentioning that it was painted in the 1650s and was acquired by Seymour Slive, a Harvard professor of fine arts, who considered it one of the most visually sensitive works.

The image shows a newspaper clipping from The Boston Herald, dated Tuesday, April 13, 1965. The article is titled "Harvard Given Rembrandt Oil" and is located on page 6 of the newspaper. The article discusses a significant acquisition by Harvard University: a little-known oil painting by the Dutch master Rembrandt, titled "Head of Christ."

Key Details from the Image:

1. Headline and Subheading:

   • The main headline reads: "Harvard Given Rembrandt Oil".
   • A subheading provides context: "REMBRANDT FOR HARVARD — Dutch master's little known oil painting, 'Head of Christ,' gift of William A. Coolidge, at private showing yesterday in Fogg Art Museum today."

2. Visual Elements:

   • There is a black-and-white photograph accompanying the article. It shows three individuals:
     • William A. Coolidge, the donor, is on the right, holding a framed painting.
     • John Coolidge, likely a relative, is on the left.
     • Seymour Slive, the Museum director and Fine Arts Professor at Harvard, is in the center, examining the painting.
   • The painting itself is partially visible in the photograph, framed and held by Coolidge.

3. Article Content:

   • The article explains that the painting, "Head of Christ," is a small oil sketch measuring about 8 by 10 inches, close to the size of six other Rembrandt oil sketches of the same subject.
   • It is noted as the first Rembrandt painting in the Fogg Museum's collection. The other six Rembrandt heads are housed in museums in Berlin, Philadelphia, Detroit, The Hague, and — in two cases — in private hands.
   • Little is known about the early history of the Rembrandt painting, which will go on public exhibition in the Fogg Museum today.
   • The painting is believed to have come from the collection of a Polish prince.
   • It appeared in New York in 1938, shortly before Hitler's invasion of Poland.
   • The painting was purchased by Thomas Mitchell, the movie actor, and later sold to Beverly Hills where it was known as "The Refugee Rembrandt."
   • After Mitchell's death in 1962, the painting was acquired for the market and will be shown publicly for the first time at the Fogg Museum in December 1964.
   • The head was painted in the 1640s, a time when Rembrandt's business had declined, and he was turning to Biblical subjects.
   • Seymour Slive, a Harvard professor of fine arts, described the painting as "one of the most sensitive visualizations of Christ" in Rembrandt's repertoire.

4. Additional Text:

   • At the bottom of the article, there is a caption: "The sketch looked compellingly Rembrandt."
   • The page number 94 is visible at the bottom left of the clipping.

Contextual Notes:

• The article highlights the significance of the acquisition for Harvard and the Fogg Art Museum, emphasizing the rarity and historical importance of the painting.
• The mention of Rembrandt's later years and his focus on Biblical subjects adds depth to the narrative, situating the painting within the artist's broader career.

This clipping provides a historical snapshot of an important art acquisition and the circumstances surrounding it, offering insight into both the painting's provenance and its artistic value.

The image depicts a newspaper clipping from "The Boston Herald" dated Tuesday, April 12, 1965, featuring an article about a painting by Rembrandt. The headline reads "Harvard Given Rembrandt Oil."

The article is accompanied by a black-and-white photograph of three men examining a painting in a frame. The men are dressed in suits and ties, with one of them pointing to the painting. The painting itself is not visible in the photograph.

Below the photograph, there is a smaller black-and-white image of the painting, which appears to be a portrait of a man with a beard. The article discusses the history of the painting and its significance, as well as the fact that it was purchased by Thomas Mitchell of Beverly Hills.

The background of the image is a light gray color, with a faint shadow visible behind the newspaper clipping. In the top-left corner, a small portion of a map is visible, although it is not clear what type of map it is or where it is located.

Overall, the image suggests that the newspaper clipping is a historical artifact that has been preserved and is now being displayed or shared online. The article and photographs provide insight into the art world of the 1960s and the significance of Rembrandt's work.

This image features a newspaper clipping from The Boston Herald, dated Tuesday, April 13, 1965, with the headline "Harvard Given Rembrandt Oil." The article discusses the gift of a Rembrandt painting, "Head of Christ," to Harvard University by William A. Coolidge. The clipping includes a photograph of three men admiring the painting, as well as a smaller image of the painting itself.

The newspaper clipping is placed on a gray background, with a map visible in the top-left corner. The overall atmosphere of the image suggests a historical and cultural significance, highlighting the importance of art and education.

The image presents a newspaper clipping from "The Boston Herald" dated Tuesday, April 13, 1965. The clipping is titled "Harvard Given Rembrandt Oil" and features a black-and-white photograph of three men examining a framed painting.

Key Elements:

• Newspaper Clipping: The clipping is the main focus of the image, with a headline that reads "Harvard Given Rembrandt Oil."
• Photograph: The accompanying photograph shows three men intently studying a framed painting, which is identified as "Head of Christ" by Rembrandt.
• Article: The article provides context about the painting, including its history, size, and significance.
• Additional Image: A smaller image at the bottom of the clipping appears to be a sketch or another photograph related to the article.
• Background: The clipping is placed on a light gray background, with a partial view of another newspaper or document visible in the top-left corner.

Overall Impression:

The image effectively conveys the significance of the Rembrandt painting and its donation to Harvard University. The use of a newspaper clipping as the primary medium adds a sense of historical authenticity and context to the image.

The image presents a collection of aged paper items, including a newspaper clipping, a map, and a photograph. The newspaper clipping is the most prominent item, featuring a black-and-white photograph of three men gathered around a framed painting. The headline reads "Harvard Given Rembrandt Oil," accompanied by a subheading that states "Rembrandt for Harvard - Dutch master's little known oil painting, 'Head of Christ,' gift of William A. Coolidge at right, at private showing yesterday in Fogg Art Museum at Harvard. Museum director, and Fine Arts Prof. Seymour Slive."

Newspaper Clipping Details:

• Date: Tuesday, April 13, 1965
• Page Number: 6
• Content: The article discusses the acquisition of a Rembrandt oil painting, "Head of Christ," by Harvard University. The painting measures 7 inches by 10 inches and is one of seven Rembrandt oil sketches of the Savior's head. It was purchased by Thomas Mitchell of Beverly Hills, a movie actor, in 1962, while he was on the West Coast with his wife. The painting was previously owned by a Polish prince and appeared in New York in 1939, shortly before Hitler invaded Poland.

Map:

• Location: Top-left corner of the image
• Description: A partially visible map, likely a street map or a map of a specific region

Photograph:

• Location: Bottom-center of the image
• Description: A small black-and-white photograph of a painting, with the caption "'HEAD OF CHRIST' The sketch looked compellingly Rembrandt."

Background:

• Color: Light blue-gray

Overall, the image appears to be a collection of historical documents and artifacts related to art and culture, specifically the acquisition of a Rembrandt painting by Harvard University.

The image is a newspaper clipping from The Boston Herald, dated Tuesday, April 13, 1965. The article is titled "Harvard Given Rembrandt Oil" and discusses the donation of a Rembrandt painting, "Head of Christ," to Harvard University by William A. Coolidge.

Key points from the article include:

• The painting, "Head of Christ," is an oil painting measuring about eight by ten inches, depicting the head of Christ.
• It is noted to be the first Rembrandt painting in the Fogg Art Museum collection and one of only six known paintings by Rembrandt that focus on Christ's head.
• The painting has a mysterious early history, believed to have come from the collection of a Polish prince.
• It appeared in New York in 1909, shortly before being purchased by Thomas Mitchell of Beverly Hills.
• The painting was later acquired by William A. Coolidge in 1962, who donated it to Harvard.
• The article mentions that the painting will be on public exhibition for the first time.
• The painting is described as "one of the most sensitive visualizations of Christ" by Seymour Slive, a professor of fine arts at Harvard.

The article includes a photograph of the painting being examined by John Coolidge and Seymour Slive, and a sketch of the "Head of Christ" painting. The article is on page 6 of the newspaper and continues from the first page. There is a handwritten note on the side of the clipping that reads "2c AM 5-13-65."