Archives Scrapbooks

The image is a newspaper clipping from The Boston Herald, dated Tuesday, April 13, 1965. The article is titled "Harvard Given Rembrandt Oil" and discusses the donation of a Rembrandt painting, "Head of Christ," to Harvard University by William A. Coolidge.

Key points from the article include:

• The painting, "Head of Christ," is an oil painting measuring about eight by ten inches, depicting the head of Christ.
• It is noted to be the first Rembrandt painting in the Fogg Art Museum collection and one of only six known paintings by Rembrandt that focus on Christ's head.
• The painting has a mysterious early history, believed to have come from the collection of a Polish prince.
• It appeared in New York in 1909, shortly before being purchased by Thomas Mitchell of Beverly Hills.
• The painting was later acquired by William A. Coolidge in 1962, who donated it to Harvard.
• The article mentions that the painting will be on public exhibition for the first time.
• The painting is described as "one of the most sensitive visualizations of Christ" by Seymour Slive, a professor of fine arts at Harvard.

The article includes a photograph of the painting being examined by John Coolidge and Seymour Slive, and a sketch of the "Head of Christ" painting. The article is on page 6 of the newspaper and continues from the first page. There is a handwritten note on the side of the clipping that reads "2c AM 5-13-65."

The image shows a yellowed newspaper clipping from "The Boston Herald" dated Tuesday, April 13, 1965. The headline reads "Harvard Given Rembrandt Oil" and the subheading mentions that it is continued from the first page. The article discusses the gifting of a little-known oil painting by Rembrandt, titled "Head of Christ," to Harvard by William A. Coolidge. The piece was shown privately at the Fogg Art Museum, with attendees including John Coolidge and Seymour Slive. The painting, which measures 10 by 12 inches, is noted for its historical significance and the fact that it resurfaced after being lost for some time. A smaller photo at the bottom shows the sketch, described as looking "compellingly Rembrandt."

Additionally, there is a handwritten note on the right side of the page with the date "4-13-65" circled, likely indicating when the article was read or saved for reference. The clipping also includes a map in the top left corner, possibly indicating locations related to the article, and another small section of text that is partially visible, likely related to the main article.

The image shows a newspaper clipping from the Boston Herald dated April 13, 1965. The headline reads "Harvard Given Rembrandt Oil," indicating a significant art acquisition.

Here are the detailed elements of the clipping:

1. Main Article Content:

   • The article discusses the acquisition of an oil painting by Rembrandt titled "Head of Christ."
   • This painting is a small, eight by ten inches work, close in size to six other Rembrandt sketches in the Fogg Art Museum collection.
   • It is described as the first Rembrandt painting in the Fogg collection and is considered a lesser-known work.
   • The painting was gifted by William A. Coolidge and was shown in private at the Fogg Art Museum along with other Fogg Museum director and fine arts professor Seymour Slive.

2. Background:

   • The painting's history is noted, mentioning it appeared in New York in 1939 shortly before Hitler invaded Poland.
   • The painting was previously owned by Thomas Mitchell of Beverly Hills and was acquired by the Fogg Museum in December 1964.
   • The article also mentions that the painting was referred to as the "Refugee Rembrandt" due to its history of being bought by someone fleeing Nazi persecution.

3. Visual Elements:

   • There is a photograph of two men, William A. Coolidge and Seymour Slive, holding the painting.
   • A smaller inset image shows a sketch labeled "Head of Christ," emphasizing the style and resemblance to Rembrandt.

4. Additional Notes:

   • Seymour Slive, a Harvard professor of fine arts, describes the painting as "one of the most sensitive visual representations of Christ" in Rembrandt's repertoire.
   • The painting was painted in the 1640s, when Rembrandt was focusing on Biblical subjects.

The article emphasizes the historical and artistic significance of the painting and its importance to the Fogg Art Museum's collection.

The image depicts a newspaper clipping from "The Boston Herald," dated Tuesday, April 13, 1965. The headline reads "Harvard Given Rembrandt Oil."

The article discusses the gift of a Rembrandt oil painting titled "Head of Christ" to Harvard's Fogg Art Museum. The painting is noted to be about eight by ten inches, a size comparable to other Rembrandt sketches of the Savior's head. This is the first Rembrandt painting in the Fogg collection. The article mentions that the other six Rembrandt sketches in museums like Berlin, Dresden, Philadelphia, Detroit, and two in private hands were of a similar size.

The painting was previously owned by Thomas Mitchell of Beverly Hills, the movie actor, and was acquired by the Fogg Museum in December 1964. It is noted that this is the first time the painting has been publicly exhibited.

The article also includes a small inset photo of the sketch, labeled "HEAD OF CHRIST," and mentions the sketch's compelling resemblance to Rembrandt's style. The painting was created in the 1640s when Rembrandt's business was declining and he turned to biblical subjects. Seymour Slive, a Harvard professor of fine arts, is quoted as calling it "one of the most sensitive visual representations of Christ in Rembrandt's repertoire."

The clipping shows a photograph of William A. Coolidge (the donor), John Coolidge (Museum director), and Seymour Slive at the private showing of the painting at the Fogg Art Museum. Additionally, there is a date stamp on the clipping indicating April 13, 1965.

The image depicts a newspaper clipping from "The Boston Herald," dated Tuesday, April 13, 1965. The headline reads "Harvard Given Rembrandt Oil," and the article is about a newly acquired Rembrandt painting by Harvard's Fogg Art Museum.

Key points from the article include:

1. Headline and Gift:

   • The article announces that Harvard has been given a Rembrandt oil painting titled "Head of Christ."
   • The painting was gifted by William A. Coolidge, with others present including John Coolidge and Seymour Slive, the Museum director and Fine Arts Professor, respectively.

2. Description of the Painting:

   • The painting measures about eight by ten inches and is close to the size of six other Rembrandt oil sketches of the Savior's head.
   • It is the first Rembrandt painting in the Fogg collection.
   • The other six known Rembrandt sketches of the Savior's head are in museums in Berlin, Dahlem, Philadelphia, Detroit, and Amsterdam, and in private hands.

3. Historical Context:

   • The painting was purchased by Thomas Mitchell of Beverly Hills, the actor, who referred to it as the "Refugee Rembrandt."
   • After Mitchell's death in 1962, the painting went on the market and was acquired by the Fogg Museum in December 1964.
   • This is the first time the painting has been publicly exhibited.

4. Artistic Context:

   • The painting was created in the 1640s, during a period when Rembrandt's business had declined, and he had turned to biblical subjects.
   • Seymour Slive, a Harvard professor of fine arts, described the painting as "one of the most sensitive visualizations of Christ" in Rembrandt's repertoire.

5. Visuals:

   • The main photo shows William A. Coolidge holding the painting with John Coolidge and Seymour Slive observing.
   • There is a smaller inset photo showing a sketch that looked convincingly like a Rembrandt.

The clipping also includes a date stamp in the top right corner, "Apr 13 1965," and a few handwritten notes and annotations.

The image is a newspaper clipping from The Boston Herald, dated Tuesday, April 13, 1965. The headline reads, "Harvard Given Rembrandt Oil."

Summary:

1. Gift to Harvard:

   • Harvard University has received a rare and valuable gift: a small oil painting titled "Head of Christ" by the Dutch master Rembrandt van Rijn.
   • The painting was a gift from William A. Coolidge.

2. Details of the Painting:

   • The "Head of Christ" measures about eight by 10 inches.
   • This painting is the first Rembrandt to join the collections in the Boston area and is the seventh Rembrandt oil painting in any American museum.
   • It is currently housed in the Fogg Art Museum at Harvard.

3. Background of the Painting:

   • The painting's early history is largely unknown, but it is believed to have come from a Polish collection.
   • It appeared in New York in 1939, just before World War II broke out.
   • The painting was purchased by Thomas Michel of Beverly Hills, an actor known for his role in the movie "Refugee Rembrandt" during the 1940s.

4. Recent History and Verification:

   • The painting was acquired by Harvard in December 1964.
   • The head was painted in the 1640s when Rembrandt's business had declined, leading him to focus on Biblical subjects.
   • Seymour Slive, a Harvard professor of fine arts, has determined the painting to be one of the most sensitive visual representations of Christ by Rembrandt.

5. Visual Elements:

   • The newspaper includes a photograph of John Coolidge (left), director of the Fogg Art Museum, and Seymour Slive (right) examining the painting.
   • There is also a sketch of the "Head of Christ" included in the article, emphasizing its compelling nature.

Overall, the article highlights the significance of the acquisition and the historical context of the painting.

The image shows a newspaper clipping from "The Boston Herald," dated Tuesday, April 13, 1965. The article is about a Rembrandt painting titled "Head of Christ" that was gifted to Harvard's Fogg Art Museum by William A. Coolidge. The article includes a photograph of two individuals presenting or examining the painting. The article's text describes details about the painting's history, its arrival at the museum, and other Rembrandt paintings held in different locations. The text also references Seymour Slive, a professor of fine arts, and discusses certain aspects of Rembrandt's work.

In the bottom left corner, there is a separate section with a close-up of the sketch titled "HEAD OF CHRIST," and a commentary describing it as compellingly Rembrandt-like. There is also some handwritten text, possibly referencing the date and notes that seem related to the archival or referencing process for the newspaper.

The image shows a newspaper clipping from The Boston Herald, dated Tuesday, April 13, 1965. The article is titled "Harvard Given Rembrandt Oil" and is located on page 6 of the newspaper. The article discusses a significant acquisition by Harvard University: a little-known oil painting by the Dutch master Rembrandt, titled "Head of Christ."

Key Details from the Image:

1. Headline and Subheading:

   • The main headline reads: "Harvard Given Rembrandt Oil".
   • A subheading provides context: "REMBRANDT FOR HARVARD — Dutch master's little known oil painting, 'Head of Christ,' gift of William A. Coolidge, at private showing yesterday in Fogg Art Museum today."

2. Visual Elements:

   • There is a black-and-white photograph accompanying the article. It shows three individuals:
     • William A. Coolidge, the donor, is on the right, holding a framed painting.
     • John Coolidge, likely a relative, is on the left.
     • Seymour Slive, the Museum director and Fine Arts Professor at Harvard, is in the center, examining the painting.
   • The painting itself is partially visible in the photograph, framed and held by Coolidge.

3. Article Content:

   • The article explains that the painting, "Head of Christ," is a small oil sketch measuring about 8 by 10 inches, close to the size of six other Rembrandt oil sketches of the same subject.
   • It is noted as the first Rembrandt painting in the Fogg Museum's collection. The other six Rembrandt heads are housed in museums in Berlin, Philadelphia, Detroit, The Hague, and — in two cases — in private hands.
   • Little is known about the early history of the Rembrandt painting, which will go on public exhibition in the Fogg Museum today.
   • The painting is believed to have come from the collection of a Polish prince.
   • It appeared in New York in 1938, shortly before Hitler's invasion of Poland.
   • The painting was purchased by Thomas Mitchell, the movie actor, and later sold to Beverly Hills where it was known as "The Refugee Rembrandt."
   • After Mitchell's death in 1962, the painting was acquired for the market and will be shown publicly for the first time at the Fogg Museum in December 1964.
   • The head was painted in the 1640s, a time when Rembrandt's business had declined, and he was turning to Biblical subjects.
   • Seymour Slive, a Harvard professor of fine arts, described the painting as "one of the most sensitive visualizations of Christ" in Rembrandt's repertoire.

4. Additional Text:

   • At the bottom of the article, there is a caption: "The sketch looked compellingly Rembrandt."
   • The page number 94 is visible at the bottom left of the clipping.

Contextual Notes:

• The article highlights the significance of the acquisition for Harvard and the Fogg Art Museum, emphasizing the rarity and historical importance of the painting.
• The mention of Rembrandt's later years and his focus on Biblical subjects adds depth to the narrative, situating the painting within the artist's broader career.

This clipping provides a historical snapshot of an important art acquisition and the circumstances surrounding it, offering insight into both the painting's provenance and its artistic value.

The image is a clipping from a newspaper featuring a headline that reads "Harvard Given Rembrandt Oil." The article discusses the acquisition of a Rembrandt oil painting titled "Head of Christ" by Harvard University. The painting, which measures about eight by 10 inches, was purchased by Thomas Mitchell, a Beverly Hills actor, in 1962. It was first exhibited in the Fogg Museum in 1964 and is now on public display for the first time. The article provides historical context about the painting, mentioning that it was painted in the 1650s and was acquired by Seymour Slive, a Harvard professor of fine arts, who considered it one of the most visually sensitive works.

The image shows a newspaper clipping from The Boston Herald, dated Tuesday, April 13, 1965. The clipping is torn and has some edges missing. The headline reads "Harvard Given Rembrandt Oil." The article discusses the acquisition of a Rembrandt painting by Harvard University. The painting, titled "Head of Christ," was previously in the private collection of William A. Coolidge and was later exhibited at the Fogg Art Museum at Harvard. The article mentions that the painting was purchased by Thomas Mitchell of Beverly Hills, who then donated it to the Fogg Museum. The article also notes that the painting is believed to have come from the collection of a Polish prince and was painted in the 1640s. The article includes a photograph of John Coolidge, the director of the Fogg Art Museum, and Fine Arts Prof. Seymour Slive, examining the painting. The clipping is attached to a piece of paper with a map and some writing on it.