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This image displays a collection of aged, yellowed newspaper clippings and a printed page, arranged on a light blue-grey surface. The primary clipping, from what appears to be a newspaper or magazine, is titled:

"Harvard Given Rembrandt Oil"

With a sub-headline: "'Head of Christ' at Fogg Museum"

It announces that the Fogg Art Museum at Harvard University has acquired a little-known Rembrandt oil sketch, “Head of Christ.” The article details that the painting is a gift from William A. Coolidge, a Harvard graduate and patron of the arts, who also addressed university governing boards at a private viewing. The public is informed they will have an opportunity to see the painting beginning “today.”

Accompanying the text is a black-and-white photograph captioned:

"PHOTOGRAPH of 'Head of Christ' by Rembrandt, acquired by Fogg Art Museum, Harvard University."

This photo is a close-up of the painted head — a somber, bearded Christ figure looking slightly to his right, rendered with soft, dark chiaroscuro typical of Rembrandt. The photo is grainy, likely a halftone reproduction.

The article continues on a second, lower clipping, which mentions:

• The painting’s dimensions (about 8 by 10 inches).
• That it is the first Rembrandt painting in the Fogg collection.
• Its provenance: believed to have come from a Polish prince’s collection, then exhibited in New York in 1939, and later called “the ‘Refugee Rembrandt’” after actor Thomas Mitchell owned it. It was sold again after Mitchell’s death in 1962 and acquired by the Fogg Museum in December 1964.
• The sketch is dated to the 1640s, when Rembrandt turned to biblical subjects.
• Seymour Slive, Harvard professor of fine arts, called it “one of the most sensitive visual…”

A third, smaller piece of paper, possibly from a different source or a magazine page, is at the bottom. It features a darker, lower-resolution photo of the same “Head of Christ” sketch, captioned:

"HEAD OF CHRIST"

and a sentence below:

"The sketch looked compellingly Rembrandt."

It is numbered "94" in the bottom left corner.

There is handwritten annotation in red ink on the top clipping: “Page 3 4-13-65”, indicating it is page 3 of an issue dated April 13, 1965. Another fragment to the right has handwritten text: “Rec Am 4-13-65”, possibly for “Received April 13, 1965.”

Overall, this collage documents the acquisition and public unveiling of a significant Rembrandt work by Harvard’s Fogg Museum in April 1965, preserving contemporary media coverage and critical commentary on the painting.

(Note: In reality, many paintings attributed to Rembrandt in the 20th century, including this one, have since been re-examined by scholars and conservators. The “Head of Christ” series, including this sketch, is now generally attributed to Rembrandt and his workshop, or perhaps to pupils under his close supervision. The painting is now held at the Harvard Art Museums.)

The image appears to be an article clipping from a newspaper, titled "Harvard Given Rembrandt Oil." The article discusses the acquisition of a Rembrandt painting titled "Head of Christ" by the Fogg Art Museum of Harvard University. The clipping includes a photograph of the painting, which depicts a figure with long hair and a beard, resembling Jesus Christ. The text elaborates on the painting's history, mentioning its acquisition by William A. Coolidge, a Harvard graduate and patron of the arts. The clipping also provides details about the painting's dimensions and its significance in the Fogg Museum's collection. Additionally, there are handwritten notes and markings on the clipping, suggesting it was saved and possibly studied or discussed at a later date. The overall theme of the image is the cultural and historical importance of acquiring and exhibiting this rare Rembrandt painting.

This image is a collage of clippings, primarily from a newspaper article, detailing the acquisition of a Rembrandt painting titled "Head of Christ" by the Fogg Art Museum at Harvard University. The article is dated April 13, 1965, as indicated by the handwritten date at the top right corner of the main clipping.

The main clipping features a photograph of the "Head of Christ" painting, showing a close-up of a serene, bearded face, characteristic of Rembrandt's style. The text explains that the painting was a gift from William A. Coolidge, a Harvard alumnus and patron of the arts, to the Fogg Art Museum. It mentions that the painting will be on public exhibition for the first time, having been acquired in December 1964.

The article provides historical context, noting that the painting is one of seven known Rembrandt oil sketches of the Saviour's head, with the others located in various museums and private collections. It also mentions that the painting was previously owned by a Polish prince and had appeared in New York in 1939.

A smaller clipping at the bottom of the image shows another photograph of the "Head of Christ" painting, described as looking "compellingly Rembrandt." The number "94" is printed at the bottom of this smaller clipping.

The overall presentation suggests that this is a collection of materials related to the acquisition and exhibition of the Rembrandt painting, possibly compiled for archival or reference purposes.

The image shows a collection of newspaper clippings that are arranged in a collage. The clippings are about a Rembrandt oil sketch titled "Head of Christ," which is now displayed at the Fogg Art Museum at Harvard University. The clippings are from different newspapers and have different dates, with the earliest one from 1965. The image also includes a photograph of the sketch and a caption that describes the sketch as "compellingly Rembrandt."

The image shows a newspaper clipping about a Rembrandt oil sketch titled "Head of Christ" that was given to the Fogg Art Museum at Harvard University. The clipping includes an article about the painting's acquisition and a photograph of the sketch. The article mentions that the painting is a gift from William A. Coolidge, a Harvard graduate and patron of the arts. The sketch is described as being about eight by ten inches in size and is one of six Rembrandt oil sketches of the Savior's head. The article also notes that the painting will be on public exhibition for the first time at the Fogg Museum.

The image shows a newspaper clipping or article from the Harvard Crimson, dated April 13, 1965. The headline reads "Harvard Given Rembrandt Oil", indicating that Harvard University has acquired a Rembrandt oil sketch titled "Head of Christ" for its Fogg Art Museum.

Key Details from the Article:

1. Title and Subject:

   • The article discusses the acquisition of a Rembrandt oil sketch titled "Head of Christ".
   • It is described as a gift to Harvard from William A. Coolidge, a Harvard College and Law School graduate and long-time patron of the arts.

2. Photograph:

   • A black-and-white photograph of the sketch is included, labeled as "PHOTOGRAPH of 'Head of Christ' by Rembrandt, acquired by Fogg Art Museum, Harvard University."
   • Below the photograph, a caption reads: "The sketch looked compellingly Rembrandti."

3. Historical Context:

   • The sketch is noted to be one of only six Rembrandt oil sketches of the same subject in existence.
   • It is believed to have come from the collection of a Polish prince.
   • The sketch was previously shown in New York in 1939, shortly before World War II.

4. Exhibition Details:

   • The public will have an opportunity to view the sketch at the Fogg Art Museum, marking the first time it has been on public exhibition.
   • The acquisition was announced at a private viewing for members of the university’s governing boards.

5. Additional Information:

   • The article mentions that the sketch was painted in the 1660s, during a period when Rembrandt had turned to Biblical subjects after his business had failed.
   • It was previously owned by Thomas Mitchell, the actor, and was known as "The Refugee Rembrandt."
   • The sketch is approximately 8 by 10 inches in size.

6. Visual Layout:

   • The article is formatted in a typical newspaper style, with a headline, subheadings, and a photograph.
   • The text is dense and informative, providing historical and contextual details about the sketch and its acquisition.

Overall Impression:

The image captures a significant cultural and historical event—the acquisition of a rare Rembrandt oil sketch by Harvard University. The article emphasizes the rarity, historical importance, and artistic value of the piece, making it a notable addition to the Fogg Art Museum's collection. The inclusion of a photograph adds a visual element that enhances the reader's understanding of the subject.

The image is a photograph of a newspaper clipping. The article is about a piece of artwork entitled "Head of Christ" that was acquired by the Fogg Art Museum at Harvard University. The article mentions that the painting is a sketch by Rembrandt and notes that it was a gift to Harvard from William A. Coolidge. It also mentions that Coolidge was a Harvard College and Law School graduate and a patron of the arts. The article provides some historical context about the artwork, stating that it first appeared in New York in 1939 and comes from the collection of a Polish prince. It also includes a statement from Seymour Slive, a Harvard professor of fine arts, who describes the painting as "one of the most sensitive visual interpretations" of the subject.

Under the newspaper article, there is an additional caption that reads "PHOTOGRAPH of 'Head of Christ' by Rembrandt, acquired by Fogg Art Museum, Harvard University," followed by a smaller caption under a reproduced image of the artwork with the description, "The sketch looked compellingly Rembrandt." The clippings appear to be affixed to a gray backing, and there are handwritten notes on the clipping that indicate dates, suggesting that the clippings were organized or referenced at some point for research or archival purposes.

This image shows a newspaper clipping discussing the acquisition of Rembrandt's oil sketch "Head of Christ" by Harvard University's Fogg Art Museum. The headline reads, "Harvard Given Rembrandt Oil," with additional handwritten text including "Head of Christ" and the date "8-13-65." A photograph (partially blurred in this image) of the artwork appears prominently, with a caption identifying it as "Head of Christ" by Rembrandt. The text explains the painting's backstory, its provenance, and its transfer from private ownership to public display at Harvard. Additional writings in ink and other articles appear partially visible along the edges.

The image shows a clipping of an old newspaper article about a Rembrandt oil sketch titled "Head of Christ" at the Fogg Art Museum of Harvard University. The headline partly reads "Harvard Given Rembrandt Oil," with parts crossed out or slightly faded. The article discusses that the public will have an opportunity to see this little-known Rembrandt oil sketch, acquired by Harvard University from William A. Coolidge, a Harvard College and Law School graduate and patron of the arts. There is a black-and-white photograph of the sketch included in the article, depicting the "Head of Christ."

Additional details mention that this is the first Rembrandt painting in the Fogg collection, and the sketch had been in private hands before. It was painted in the 1640s during a period when the Dutch master's business had declined and turned to Biblical subjects. The article refers to the painting as "one of the most sensitive visual..." works, as quoted by a Harvard professor of fine arts, Seymour Slive. The clipping also has handwritten notes on it, including a date referencing "4-13-65."

• A collage of old newspaper clippings arranged on a light gray background.
• The main, largest piece has a bold headline: “Harvard Given Rembrandt Oil,” with a subheading about seeing a Rembrandt oil sketch, “Head of Christ,” at the Fogg Art Museum.
• A black-and-white photo of the painting is shown, but the face area is obscured with a gray rectangle.
• The clipping describes the painting as a gift to Harvard from William A. Coolidge, and notes the museum’s acquisition and display plans.
• There are several smaller clipped columns layered beneath, giving more details about the painting’s history and provenance.
• Handwritten notes and a small red tag appear near the top edge, suggesting archival annotations.
• The overall look is aged, with pale brown-yellowed paper and a vintage newspaper aesthetic.
• A tiny caption panel at the bottom repeats the “HEAD OF CHRIST” caption and a note about the sketch being compellingly Rembrandt.