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The image is a newspaper clipping from December 13, 1965, detailing the acquisition of a Rembrandt oil sketch titled "Head of Christ" by the Fogg Art Museum at Harvard University. The article highlights the following key points:

1. Artwork Details: The painting is an oil sketch by Rembrandt, depicting the head of Christ. It is one of about eight to ten known oil sketches of the Savior's head by the artist.

2. Donation: The painting was donated to Harvard by William A. Coolidge, a Harvard College and Law School graduate, and a long-time patron of the arts. Coolidge addressed members of the university’s governing boards at a private viewing of the sketch at Fogg Museum.

3. History and Provenance: The sketch's early history is not well known. It is believed to have come from the collection of a Polish prince and was later displayed in New York in 1939 before being hidden during World War II. The painting was later acquired by the Fogg Museum in December 1964.

4. Public Exhibition: The sketch is being shown publicly for the first time at the Fogg Museum.

5. Artistic Context: The sketch was painted in the 1660s, a time when the Dutch master was interested in Biblical subjects. Seymour Slive, a Harvard professor, describes the sketch as one of the most sensitive visualizations of Christ by Rembrandt.

6. Photographs: The article includes a photograph of the "Head of Christ" painting and a smaller image of the sketch.

The article provides a detailed account of the painting's journey and its significance within Rembrandt's body of work.

The image shows a yellowed newspaper clipping with the headline "Harvard Given Rembrandt Oil." The article, dated April 13, 1965, reports that the Fogg Art Museum at Harvard University has acquired an original Rembrandt oil sketch titled "Head of Christ," which was donated by William A. Coolidge, a Harvard graduate and patron of the arts. The sketch, measuring about eight by ten inches, is noted for its high quality and is the first Rembrandt painting in the Fogg collection. The article mentions that the piece was previously in the collection of a Polish prince, appeared in New York in 1939, and was later acquired by Thomas Mitchell, an actor, before being sold to Harvard in 1964. Seymour Slive, a professor of fine arts at Harvard, is quoted calling the painting "one of the most sensitive visual documents of the artist's genius." The clipping also includes two images: one of Rembrandt and the other of the sketch itself, labeled "Head of Christ."

The image is a collage of newspaper clippings and related documents concerning a Rembrandt painting, titled "Head of Christ," which was acquired by Harvard University's Fogg Art Museum.

1. Top Clipping:

   • Headline: "Harvard Given Rembrandt Oil"
   • Details: The newspaper article highlights the acquisition of a Rembrandt oil sketch, "Head of Christ," by the Fogg Art Museum at Harvard University. The painting is a gift from William A. Coolidge, a Harvard College and Law School graduate and patron of the arts. Coolidge addressed university governing boards at a private viewing yesterday.

2. Photograph:

   • The clipping includes a photograph of "Head of Christ" by Rembrandt, which is now in the Fogg Art Museum collection.

3. Additional Information in the Clipping:

   • The sketch is about eight inches by ten inches, similar in size to other known Rembrandt sketches of Christ’s head.
   • Historical context mentions that the painting was known to have been in the collection of a Polish prince and was later in Berlin, Döblin, Philadelphia, and Detroit.
   • The sketch was first displayed in New York in 1899 shortly before Hitler's rise to power.

4. Lower Left Clipping:

   • Content: Another snippet, mentioning a reference to "Refugee Rembrandt" in a connection with the actor Thomas Mitchell.
   • It notes the painting's reappearance in the Fogg Museum in 1964 and the historical context of the painting's earlier ownership and whereabouts.

5. Additional Notes:

   • The sketch was painted during the 1640s, when Rembrandt was a young artist, and it is noted as one of the most sensitive visual works of its time.
   • There is a smaller inset photograph showing the sketch, emphasizing its compelling resemblance to Rembrandt’s style.

The newspaper clippings collectively provide a historical context, acquisition details, and a brief background on the significance and provenance of the "Head of Christ" Rembrandt sketch now held in the Fogg Art Museum.

The image is a collage of newspaper clippings and related notes detailing the acquisition and significance of a Rembrandt oil sketch titled "Head of Christ" by the Fogg Art Museum at Harvard University.

1. Headline and Introduction:

   • The main headline reads, "Harvard Given Rembrandt Oil."
   • It mentions that the public will have the opportunity to see a little-known Rembrandt oil sketch, "Head of Christ," at the Fogg Art Museum.
   • The sketch was acquired by the museum through a gift from William A. Coolidge, a Harvard graduate and patron of the arts.

2. Description and Significance:

   • The sketch measures about eight by ten inches and is one of six other Rembrandt oil sketches of the Savior's head.
   • It is noted as the first Rembrandt painting in the Fogg collection, making it significant for the museum.
   • The text discusses the history of the sketch, mentioning it was painted in the 1640s when Rembrandt was a successful portrait painter and had turned to biblical subjects.
   • It is believed to have come from the collection of a Polish prince and was last publicly exhibited in 1939 in New York, shortly before the outbreak of World War II.

3. Recent Acquisition:

   • The sketch was acquired by the Fogg Museum in December 1964.
   • It had been in private hands, with a notable mention of it being in the possession of Thomas Mitchell, a movie actor who had previously owned a painting called "Refugee Rembrandt."

4. Expert Opinion:

   • Seymour Slive, a Harvard professor of fine arts, is quoted, describing the sketch as one of the most sensitive visual representations of Rembrandt's work.

5. Visuals:

   • The collage includes a photograph of the sketch "Head of Christ" by Rembrandt.
   • Another image is a smaller black-and-white depiction of the sketch, labeled "HEAD OF CHRIST," with a note saying it looked "compellingly Rembrandt."

6. Additional Notes:

   • There are handwritten notes and dates, such as "Feb 13, 65," indicating when these clippings were possibly gathered or referenced.

The overall theme of the collage is centered around the acquisition and historical significance of the Rembrandt sketch "Head of Christ" by Harvard's Fogg Art Museum.

The image is a collection of newspaper clippings from April 13, 1965, detailing the acquisition of a Rembrandt oil sketch titled "Head of Christ" by the Fogg Art Museum at Harvard University.

Key points from the clippings include:

1. Acquisition Announcement:

   • The Fogg Art Museum at Harvard University announced the acquisition of a little-known Rembrandt oil sketch, "Head of Christ."
   • The painting was gifted to Harvard by William A. Coolidge, a Harvard College and Law School graduate and a patron of the arts.

2. Description of the Sketch:

   • The sketch is about eight by ten inches and is one of six known Rembrandt oil sketches of the Savior’s head.
   • It is the first Rembrandt painting to enter the Fogg collection.
   • Previously, the sketch was in private hands in Berlin, Dahlen, Philadelphia, Detroit, and The Hague.

3. Historical Context:

   • The painting was last publicly exhibited in New York in 1899, before Hitler came to power.
   • It was acquired by the Fogg Museum in December 1964, following a private sale.

4. Expert Opinions:

   • Seymour Slive, a Harvard professor of fine arts, described the painting as one of the most sensitive visual depictions of its kind.
   • The painting was created in the 1640s when Rembrandt had turned to Biblical subjects after his wife’s death.

5. Previous Ownership:

   • The sketch was owned by Thomas Mitchell, an actor who was part of the movie "Refugee Rembrandt."
   • Mitchell had acquired the painting in 1962.

The clippings highlight the significance of the artwork and its new home at Harvard University.

The image is a newspaper clipping detailing the acquisition and display of a Rembrandt oil sketch titled "Head of Christ" by the Fogg Art Museum at Harvard University. Here are the main points:

1. Headline and Image:

   • The headline reads: "Harvard Given Rembrandt Oil."
   • There is a photograph of the "Head of Christ" sketch by Rembrandt, which has been acquired by the Fogg Art Museum.

2. Main Article:

   • The public can view the "Head of Christ" starting today.
   • The sketch is a gift to Harvard from William A. Coolidge, a Harvard College and Law School graduate and a patron of the arts.
   • Coolidge presented the sketch to the university's governing boards at a private viewing the day before.

3. Details About the Sketch:

   • The "Head of Christ" is a small oil sketch, approximately 8 by 10 inches.
   • It is noted as the first Rembrandt painting to be added to the Fogg Museum's collection.
   • The article mentions there are about six other similar sketches of the Savior's head by Rembrandt, located in museums in Berlin, Rotterdam, Philadelphia, Detroit, The Hague, and two in private collections.

4. Historical Background:

   • Little is known about the early history of the Rembrandt sketch, which is believed to have come from a Polish collection.
   • The painting appeared in New York in 1930, just before the rise of Hitler.

5. Additional Information:

   • The sketch was viewed by Thomas M. Mathews, a movie actor, while he was on the West Coast. He mentioned it was the first time the painting had been publicly shown in that region.
   • The article also discusses the context in which Rembrandt painted "Head of Christ," focusing on his interest in Biblical subjects and his innovative approach to painting.

6. Continuation Notice:

   • The article notes that it continues on page six.

The clipping provides a comprehensive overview of the significance and background of the newly acquired Rembrandt sketch at Harvard's Fogg Art Museum.

The image shows a clipping of an old newspaper article about a Rembrandt oil sketch titled "Head of Christ" at the Fogg Art Museum of Harvard University. The headline partly reads "Harvard Given Rembrandt Oil," with parts crossed out or slightly faded. The article discusses that the public will have an opportunity to see this little-known Rembrandt oil sketch, acquired by Harvard University from William A. Coolidge, a Harvard College and Law School graduate and patron of the arts. There is a black-and-white photograph of the sketch included in the article, depicting the "Head of Christ."

Additional details mention that this is the first Rembrandt painting in the Fogg collection, and the sketch had been in private hands before. It was painted in the 1640s during a period when the Dutch master's business had declined and turned to Biblical subjects. The article refers to the painting as "one of the most sensitive visual..." works, as quoted by a Harvard professor of fine arts, Seymour Slive. The clipping also has handwritten notes on it, including a date referencing "4-13-65."

The image is a photograph of a newspaper clipping. The article is about a piece of artwork entitled "Head of Christ" that was acquired by the Fogg Art Museum at Harvard University. The article mentions that the painting is a sketch by Rembrandt and notes that it was a gift to Harvard from William A. Coolidge. It also mentions that Coolidge was a Harvard College and Law School graduate and a patron of the arts. The article provides some historical context about the artwork, stating that it first appeared in New York in 1939 and comes from the collection of a Polish prince. It also includes a statement from Seymour Slive, a Harvard professor of fine arts, who describes the painting as "one of the most sensitive visual interpretations" of the subject.

Under the newspaper article, there is an additional caption that reads "PHOTOGRAPH of 'Head of Christ' by Rembrandt, acquired by Fogg Art Museum, Harvard University," followed by a smaller caption under a reproduced image of the artwork with the description, "The sketch looked compellingly Rembrandt." The clippings appear to be affixed to a gray backing, and there are handwritten notes on the clipping that indicate dates, suggesting that the clippings were organized or referenced at some point for research or archival purposes.

The image shows a newspaper clipping about a Rembrandt oil sketch titled "Head of Christ" that was given to the Fogg Art Museum at Harvard University. The clipping includes an article about the painting's acquisition and a photograph of the sketch. The article mentions that the painting is a gift from William A. Coolidge, a Harvard graduate and patron of the arts. The sketch is described as being about eight by ten inches in size and is one of six Rembrandt oil sketches of the Savior's head. The article also notes that the painting will be on public exhibition for the first time at the Fogg Museum.

The image shows a collection of newspaper clippings that are arranged in a collage. The clippings are about a Rembrandt oil sketch titled "Head of Christ," which is now displayed at the Fogg Art Museum at Harvard University. The clippings are from different newspapers and have different dates, with the earliest one from 1965. The image also includes a photograph of the sketch and a caption that describes the sketch as "compellingly Rembrandt."