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The image appears to be an article clipping from a newspaper, titled "Harvard Given Rembrandt Oil." The article discusses the acquisition of a Rembrandt painting titled "Head of Christ" by the Fogg Art Museum of Harvard University. The clipping includes a photograph of the painting, which depicts a figure with long hair and a beard, resembling Jesus Christ. The text elaborates on the painting's history, mentioning its acquisition by William A. Coolidge, a Harvard graduate and patron of the arts. The clipping also provides details about the painting's dimensions and its significance in the Fogg Museum's collection. Additionally, there are handwritten notes and markings on the clipping, suggesting it was saved and possibly studied or discussed at a later date. The overall theme of the image is the cultural and historical importance of acquiring and exhibiting this rare Rembrandt painting.

This image is a collage of clippings, primarily from a newspaper article, detailing the acquisition of a Rembrandt painting titled "Head of Christ" by the Fogg Art Museum at Harvard University. The article is dated April 13, 1965, as indicated by the handwritten date at the top right corner of the main clipping.

The main clipping features a photograph of the "Head of Christ" painting, showing a close-up of a serene, bearded face, characteristic of Rembrandt's style. The text explains that the painting was a gift from William A. Coolidge, a Harvard alumnus and patron of the arts, to the Fogg Art Museum. It mentions that the painting will be on public exhibition for the first time, having been acquired in December 1964.

The article provides historical context, noting that the painting is one of seven known Rembrandt oil sketches of the Saviour's head, with the others located in various museums and private collections. It also mentions that the painting was previously owned by a Polish prince and had appeared in New York in 1939.

A smaller clipping at the bottom of the image shows another photograph of the "Head of Christ" painting, described as looking "compellingly Rembrandt." The number "94" is printed at the bottom of this smaller clipping.

The overall presentation suggests that this is a collection of materials related to the acquisition and exhibition of the Rembrandt painting, possibly compiled for archival or reference purposes.

The image shows a collection of newspaper clippings that are arranged in a collage. The clippings are about a Rembrandt oil sketch titled "Head of Christ," which is now displayed at the Fogg Art Museum at Harvard University. The clippings are from different newspapers and have different dates, with the earliest one from 1965. The image also includes a photograph of the sketch and a caption that describes the sketch as "compellingly Rembrandt."

The image shows a newspaper clipping about a Rembrandt oil sketch titled "Head of Christ" that was given to the Fogg Art Museum at Harvard University. The clipping includes an article about the painting's acquisition and a photograph of the sketch. The article mentions that the painting is a gift from William A. Coolidge, a Harvard graduate and patron of the arts. The sketch is described as being about eight by ten inches in size and is one of six Rembrandt oil sketches of the Savior's head. The article also notes that the painting will be on public exhibition for the first time at the Fogg Museum.

The image shows a newspaper clipping or article from the Harvard Crimson, dated April 13, 1965. The headline reads "Harvard Given Rembrandt Oil", indicating that Harvard University has acquired a Rembrandt oil sketch titled "Head of Christ" for its Fogg Art Museum.

Key Details from the Article:

1. Title and Subject:

   • The article discusses the acquisition of a Rembrandt oil sketch titled "Head of Christ".
   • It is described as a gift to Harvard from William A. Coolidge, a Harvard College and Law School graduate and long-time patron of the arts.

2. Photograph:

   • A black-and-white photograph of the sketch is included, labeled as "PHOTOGRAPH of 'Head of Christ' by Rembrandt, acquired by Fogg Art Museum, Harvard University."
   • Below the photograph, a caption reads: "The sketch looked compellingly Rembrandti."

3. Historical Context:

   • The sketch is noted to be one of only six Rembrandt oil sketches of the same subject in existence.
   • It is believed to have come from the collection of a Polish prince.
   • The sketch was previously shown in New York in 1939, shortly before World War II.

4. Exhibition Details:

   • The public will have an opportunity to view the sketch at the Fogg Art Museum, marking the first time it has been on public exhibition.
   • The acquisition was announced at a private viewing for members of the university’s governing boards.

5. Additional Information:

   • The article mentions that the sketch was painted in the 1660s, during a period when Rembrandt had turned to Biblical subjects after his business had failed.
   • It was previously owned by Thomas Mitchell, the actor, and was known as "The Refugee Rembrandt."
   • The sketch is approximately 8 by 10 inches in size.

6. Visual Layout:

   • The article is formatted in a typical newspaper style, with a headline, subheadings, and a photograph.
   • The text is dense and informative, providing historical and contextual details about the sketch and its acquisition.

Overall Impression:

The image captures a significant cultural and historical event—the acquisition of a rare Rembrandt oil sketch by Harvard University. The article emphasizes the rarity, historical importance, and artistic value of the piece, making it a notable addition to the Fogg Art Museum's collection. The inclusion of a photograph adds a visual element that enhances the reader's understanding of the subject.

The image depicts a newspaper clipping featuring a portrait of Jesus Christ, titled "Head of Christ" at Fogg Museum, Harvard. The article discusses the acquisition of a Rembrandt oil sketch by the Fogg Art Museum of Harvard University, which was announced yesterday. The painting is a gift from William A. Coolidge, a Harvard College and Law School graduate and long-time patron of the arts. Mr. Coolidge addressed members of the university's governing boards at a private viewing of the sketch at Fogg Museum yesterday.

The article also includes a photograph of the painting, which is described as an opportunity for the public to see a little-known Rembrandt oil sketch. The painting is about eight by 10 inches, close to the size of six other Rembrandt oil sketches of the Saviour's head. It is the first Rembrandt painting in the Fogg collection. The other six are in museums in Berlin-Dahlem, Philadelphia, Detroit, The Hague and - in two cases - in private hands.

Little is known about the early history of the Rembrandt which will go on public exhibition in Fogg Museum today. It is believed to have come from the collection of a Polish prince. It appeared in New York in 1939, shortly before Hitler invaded Poland. On Mitchell's death in 1962 the painting again went on the market. It was acquired for Fogg Museum in December, 1964. Today's showing will mark the first time it has been on public exhibition.

The head was painted in the 1640s, at a time when the Dutch master's business had declined and he had turned to Biblical subjects. Seymour Slive, Harvard professor of fine arts, termed the painting "one of the most sensitive visualizations of Christ's head that Rembrandt ever painted."

The image presents a newspaper clipping featuring an article about the painting "Head of Christ" by Rembrandt, which was acquired by the Fogg Art Museum at Harvard University.

• The clipping is yellowed and torn, with handwritten notes and red ink markings.
  • The headline reads, "'Head of Christ' at Fogg Museum."
  • The article discusses the acquisition of the painting by the Fogg Art Museum.
  • It mentions that the painting is a gift to Harvard from William A. Coolidge, Harvard College and Law School graduate and long a patron of the arts.
  • The article also notes that Mr. Coolidge addressed members of the university's governing boards at a private viewing of the sketch at Fogg Museum yesterday.
  • The article includes a photograph of the painting, which is described as a "little known Rembrandt oil sketch."
  • The painting is said to be one of the most sensitive visualizations of the subject.
  • The article concludes by stating that the painting will be on public exhibition at the Fogg Museum in December 1964.

The clipping provides information about the acquisition of the painting and its significance as a rare example of Rembrandt's work. The article highlights the importance of the painting and its place in the Fogg Art Museum's collection.

The image presents a newspaper clipping with the headline "Harvard Given Rembrandt Oil" and features a black-and-white photograph of a painting titled "Head of Christ" by Rembrandt. The article discusses the acquisition of the painting by Harvard University's Fogg Art Museum, courtesy of a donation from William A. Coolidge, a Harvard College and Law School graduate and long-time patron of the arts.

Key Elements:

• Newspaper Clipping: The clipping is yellowed and appears to be from an older edition of a newspaper.
• Headline: The headline reads "Harvard Given Rembrandt Oil" in large font.
• Photograph: A black-and-white photograph of the painting "Head of Christ" by Rembrandt is displayed prominently.
• Article: The article provides details about the acquisition of the painting by Harvard University's Fogg Art Museum.
• Donor: The painting was donated by William A. Coolidge, a Harvard College and Law School graduate and patron of the arts.
• Background: The clipping is set against a plain gray background.

Summary:

The image showcases a newspaper clipping announcing the acquisition of a Rembrandt oil painting, "Head of Christ," by Harvard University's Fogg Art Museum. The painting was donated by William A. Coolidge, a Harvard alumnus and art patron. The clipping provides context and details about the acquisition, highlighting the significance of the painting and its addition to the museum's collection.

The image presents a collection of newspaper clippings, with the top clipping being the most prominent. The main clipping features a headline that reads "Harvard Given Rembrandt Oil" and includes a photograph of a Rembrandt painting titled "Head of Christ." The article discusses the acquisition of this painting by Harvard University's Fogg Art Museum as a gift from William A. Coolidge.

Key Points:

• Newspaper Clipping:
  • Headline: "Harvard Given Rembrandt Oil"
  • Photograph: A black-and-white image of the "Head of Christ" painting
  • Article: Discusses the acquisition of the painting by Harvard University's Fogg Art Museum
• Painting Details:
  • Title: "Head of Christ"
  • Artist: Rembrandt
  • Donor: William A. Coolidge
  • Location: Fogg Art Museum, Harvard University
• Additional Clippings:
  • Two smaller clippings are partially visible underneath the main clipping
  • One clipping appears to be a continuation of the article on page six
  • The other clipping features a small black-and-white photograph with the caption "'HEAD OF CHRIST' The sketch looked compellingly Rembrandt."

Summary:

The image showcases a newspaper clipping about the acquisition of a Rembrandt painting, "Head of Christ," by Harvard University's Fogg Art Museum. The clipping includes a photograph of the painting and provides details about its donor and history. Additional clippings are visible underneath, suggesting that the article continues on another page and that there is further information about the painting.

The image is a newspaper clipping from December 13, 1965, detailing the acquisition of a Rembrandt oil sketch titled "Head of Christ" by the Fogg Art Museum at Harvard University. The article highlights the following key points:

1. Artwork Details: The painting is an oil sketch by Rembrandt, depicting the head of Christ. It is one of about eight to ten known oil sketches of the Savior's head by the artist.

2. Donation: The painting was donated to Harvard by William A. Coolidge, a Harvard College and Law School graduate, and a long-time patron of the arts. Coolidge addressed members of the university’s governing boards at a private viewing of the sketch at Fogg Museum.

3. History and Provenance: The sketch's early history is not well known. It is believed to have come from the collection of a Polish prince and was later displayed in New York in 1939 before being hidden during World War II. The painting was later acquired by the Fogg Museum in December 1964.

4. Public Exhibition: The sketch is being shown publicly for the first time at the Fogg Museum.

5. Artistic Context: The sketch was painted in the 1660s, a time when the Dutch master was interested in Biblical subjects. Seymour Slive, a Harvard professor, describes the sketch as one of the most sensitive visualizations of Christ by Rembrandt.

6. Photographs: The article includes a photograph of the "Head of Christ" painting and a smaller image of the sketch.

The article provides a detailed account of the painting's journey and its significance within Rembrandt's body of work.