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The image shows a page from a book or magazine that appears to be related to art and museum acquisitions. The page is aged, with some yellowing and wear, suggesting it's from an older publication. There are several cutouts of newspaper clippings and articles pasted onto the page.

The main article, titled "Jewish Face," discusses the acquisition of a Rembrandt painting titled "Head of Christ" by the Fogg Art Museum at Harvard University. The article explains the background of the painting's discovery and its significance within the museum's collection. It mentions the involvement of Professor Seymour Slive, as well as other details about the painting's history and the procedure for its acquisition.

At the top of the page, there is a cutout from "The Pilot" newspaper, dated April 17, 1965. This clipping provides additional context about the painting, mentioning its size (10 by 7 3/8 inches) and that it was formerly owned by actor Thomas Mitchell.

There is also a smaller cutout of the original sketch of "Head of Christ" by Rembrandt, along with a note below it that states, "The sketch looked compellingly Rembrandt." The left side of the page contains a printed article from "American Press Clipping Service Inc." dated April 16, 1965, discussing the Fogg's acquisition of a major Rembrandt painting.

The overall layout of the page suggests it might be part of a collection or scrapbook of articles and images related to art history and museum acquisitions.

This image shows a newspaper clipping from "The Pilot," a weekly publication from Boston, Massachusetts, dated April 17, 1965. The clipping is about the Fogg Art Museum's acquisition of a Rembrandt painting titled "Head of Christ."

The article discusses how the museum acquired the painting, which was formerly owned by film actor Thomas Mitchell. It provides details about the painting's history, its significance, and its features. The painting is described as one of the most sensitive visualizations of Christ in Rembrandt's work, and it is noted that Rembrandt used a member of the Amsterdam Jewish community as a model for the head of Christ, which was a radical innovation at the time.

The clipping includes two images of the painting. The top image shows a close-up of Christ's face, while the bottom image shows the entire painting. The article also mentions that the painting was acquired with the help of William A. Coolidge and was evaluated at a high price, though the purchase price was relatively modest at $36,000.

The clipping is part of a folder or scrapbook, as indicated by the visible edges of the folder and the other papers and clippings partially visible in the image. There is also a label from the American Press Clipping Service Inc. on the left side of the clipping, indicating its source.

The image shows a clipping from Time Magazine, dated April 16, 1965, featuring an article about the Fogg Art Museum's acquisition of a Rembrandt sketch titled "Head of Christ." The clipping is attached to a piece of paper with the address of American Press Clipping Service, Inc., located at 119 Nassau Street, New York 38, N.Y.

The article discusses the museum's acquisition of the Rembrandt sketch, which was purchased for $36,000. The article mentions that the sketch was previously owned by Professor Seymour Slive of Harvard University, who had been casually shown the unsigned 17th-century oil sketch. After careful inspection, Fogg Art Museum curators authenticated the sketch and agreed on its authenticity. Experts evaluated it as high as $100,000, but the museum was able to acquire it for a lower price. The article also provides a brief history of the painting, including its previous ownership and the circumstances surrounding its acquisition by the Fogg Art Museum.

The image is a clipping from a magazine, featuring an article about the Fogg Art Museum's acquisition of a Rembrandt oil sketch titled "Head of Christ." The clipping includes a photograph of the sketch, a description of the acquisition, and a brief biography of Rembrandt. The article highlights the significance of the sketch, which is one of the most sensitive visualizations of Christ in Rembrandt's work, and its acquisition by the Fogg Art Museum. The clipping also includes a photograph of Rembrandt himself, taken from a magazine.

The image shows a page from a press clipping service document, specifically from the American Press Clipping Service, Inc. located at 119 Nassau Street, New York 38, N.Y. The clipping is dated April 16, 1965, and is from TIME Magazine, with the issue delayed and marked as "EN ROUTE."

Content of the Clipping:

The page features an article titled "Fogg Art Museum Acquires Rembrandt 'Head of Christ'" from the Boston Weekly Globe, dated April 17, 1965, with a circulation of 55,000. The article discusses the acquisition by the Fogg Art Museum of a Rembrandt oil sketch titled "Head of Christ", measuring 10 by 7 ¾ inches.

Key Details from the Article:

1. Acquisition Details:

   • The sketch was recently acquired by the Fogg Art Museum and is now on exhibit at Harvard University.
   • It was formerly the property of film actor Thomas Mitchell.

2. Description of the Artwork:

   • The sketch is described as one of the most sensitive visualizations of Christ, with Rembrandt's characteristic soft glowing light illumination and deep shadows.
   • The head is gently turned inward, and the face is seen almost full face, with the eyes looking downward. The mouth is gently curved, and the inner mood and deep content are evident.

3. Historical Context:

   • The sketch was part of Rembrandt's personal collection and was placed in his bedroom.
   • It is one of only a few known examples of Rembrandt's sketches that have survived.
   • The authenticity of the sketch was confirmed by Professor Sive van der Woude, an expert on Dutch painting of the 17th century.

4. Provenance:

   • The sketch was part of the collection of Dutch scholar Willem A. Coledge, who bequeathed it to Harvard.
   • It was later gifted to the Fogg Art Museum by Coledge's widow, Mrs. Coledge.

5. Expert Evaluation:

   • Experts, including Jacob Rosenberg, evaluated the sketch and confirmed its authenticity and high artistic value.
   • The sketch was priced at $6,000, considered a relatively modest price for such a significant piece.

6. Visual Element:

   • The page includes a small black-and-white photograph of the sketch, labeled "HEAD OF CHRIST" by Rembrandt. The caption notes that the sketch "looked compellingly Rembrandt."

Layout and Design:

• The page is part of a larger clipping service document, with visible page numbers and markings (e.g., "52 JOS 2").
• The text is typed, and the layout is typical of a press clipping service, with clear headings and subheadings.
• The article is accompanied by a small photograph of the artwork, providing visual context to the written description.

Overall Impression:

The image captures a historical press clipping documenting a significant art acquisition by the Fogg Art Museum, highlighting the importance of the Rembrandt sketch and its journey from private ownership to a public institution. The inclusion of expert commentary and a visual representation of the artwork underscores the article's focus on art history and museum curation.

The image presents a newspaper clipping featuring an article about the Fogg Art Museum's acquisition of Rembrandt's "Head of Christ." The clipping is from The Pilot, Boston, Mass., dated April 17, 1965. The article includes two images of the painting, one in black and white and another in a sepia tone.

Key Points:

• Article Title: "Fogg Art Museum Acquires Rembrandt 'Head of Christ'"
• Newspaper: The Pilot, Boston, Mass.
• Date: April 17, 1965
• Images: Two images of the painting, one in black and white and another in a sepia tone

Summary:

The image showcases a newspaper clipping from 1965, highlighting the Fogg Art Museum's acquisition of Rembrandt's "Head of Christ." The article features two images of the painting, providing a visual representation of the artwork. The clipping serves as a historical record of the museum's significant addition to its collection.

The image presents a newspaper clipping from Time Magazine, dated April 16, 1965, featuring an article about the Fogg Art Museum acquiring Rembrandt's "Head of Christ" painting. The clipping is placed on a gray background and appears to be a page from a book or scrapbook.

• Newspaper Clipping
  • The clipping is from Time Magazine, dated April 16, 1965.
  • It features an article about the Fogg Art Museum acquiring Rembrandt's "Head of Christ" painting.
  • The article includes a photo of the painting, which is described as one of the most sensitive visualizations of Christ in Rembrandt's work.
• Background
  • The clipping is placed on a gray background.
  • The background appears to be a page from a book or scrapbook.
• Overall
  • The image provides information about the acquisition of Rembrandt's "Head of Christ" painting by the Fogg Art Museum.
  • The clipping is a historical document that showcases the museum's collection and its significance in the art world.

The image provides a glimpse into the art world of the 1960s, highlighting the importance of Rembrandt's "Head of Christ" painting and its acquisition by the Fogg Art Museum.

The image is a scanned newspaper clipping from "The Pilot" dated April 1, 1965, featuring an article about the Fogg Art Museum's acquisition of Rembrandt's "Head of Christ."

• The clipping is yellowed and worn, with visible creases and tears.
• The article is accompanied by two images of the painting, one above the headline and another at the bottom of the page.
• The headline reads "Fogg Art Museum Acquires Rembrandt 'Head of Christ'" in bold font.
• The article provides details about the painting's history, including its provenance and the circumstances surrounding its acquisition by the museum.
• A smaller article on the left side of the page discusses the Fogg's Find, a series of major Rembrandts that were brought up for sale at public auction.
• The clipping is attached to a piece of cardboard with a label that reads "American Press Clipping Service Inc." and includes the date "From Apr 1 1965 Time Magazine Issue Delayed En Route."
• The overall appearance of the clipping suggests that it has been handled extensively and may have been stored in a file or scrapbook for many years.

The image provides a fascinating glimpse into the art world of the 1960s and highlights the significance of Rembrandt's work.

The image presents a vintage newspaper clipping, likely from April 1, 1965, featuring an article about the Fogg Art Museum's acquisition of Rembrandt's "Head of Christ." The clipping is yellowed and worn, with visible signs of aging.

Newspaper Clipping Details:

• Title: "Fogg Art Museum Acquires Rembrandt 'Head of Christ'"
• Date: April 1, 1965
• Content: The article discusses the museum's acquisition of Rembrandt's "Head of Christ," a rare and valuable piece of art.
• Image: A black-and-white photograph of the painting is included, showcasing Rembrandt's masterful work.

Additional Elements:

• Other Clippings: Several other clippings are attached to the main article, including one from Time Magazine and another from The Pilot.
• Labels and Stickers: Various labels and stickers are affixed to the clipping, providing additional information about the article and its source.

Background:

• Color: The background of the image is a plain gray color, which helps to highlight the newspaper clipping.

Overall, the image provides a unique glimpse into the art world of the 1960s, showcasing a significant acquisition by the Fogg Art Museum and highlighting the importance of Rembrandt's work.

The image is a clipping from a newspaper, specifically from "The Pilot," a weekly publication from Boston, Massachusetts, dated April 13, 1965. The main article is titled "Fogg Art Museum Acquires Rembrandt 'Head of Christ'" and discusses the acquisition of a painting by Rembrandt by the Fogg Art Museum at Harvard University.

Here are the key points from the article:

1. Painting Description: The painting, "Head of Christ," is described as one of Rembrandt's most sensitive visualizations of Christ. It is an oil sketch on oak panel, measuring 10 by 8 inches, and was painted around 1648.

2. Acquisition Details: The painting was acquired from a private collection in Boston. The purchase was financed by the Fogg Museum Associates, a group of art enthusiasts and supporters.

3. Artistic Analysis: The article notes that this painting is unique among Rembrandt's works for its tender and natural portrayal of Christ. It is compared to other works by Rembrandt, highlighting its distinctive qualities.

4. Historical Context: The painting has a rich history, having been part of notable collections in Europe before being acquired by the Fogg Museum. It was previously owned by a collector in Berlin and later by a collector in Amsterdam before coming to the United States.

5. Significance: The acquisition is significant for the Fogg Museum as it adds a valuable piece to their collection, enhancing their holdings of Rembrandt's work.

Additionally, there is a smaller article on the left side of the page titled "Museums," which discusses the Fogg Museum's acquisition of the Rembrandt painting and its significance. There is also a photograph of the painting and a smaller image of a sketch that resembles Rembrandt.

The clipping also includes some administrative information from the American Press Clipping Service, indicating that it was issued on April 13, 1965, and was delayed en route.