Archives Scrapbooks

This image displays a historic newspaper clipping and related clippings, mounted on a page within what appears to be a scrapbook or archival binder.

The main feature is a page from the Los Angeles Times, dated Tuesday Morning, April 13, 1965, under the “METROPOLITAN NEWS EDITORIALS” section. The headline reads:

“THE SOUTHLAND LOSES A REMBRANDT TO HARVARD”

The article details the acquisition of a Rembrandt oil sketch, titled “Head of Christ,” by Harvard University’s Fogg Art Museum. It explains that the painting, originally owned by movie actor Thomas Mitchell (who died in 1962), was purchased from his estate for $36,000 by Boston attorney William A. Coolidge — a Harvard alumnus and board member — who then donated it to the university. The article notes that Los Angeles industrialist Norton Simon had previously agreed to pay $2,234,000 for the famous Rembrandt “Titus,” but when bidding on the “Head of Christ” went high, Simon withdrew and won a lesser-known Rembrandt sketch (also titled “Head of Christ”) from the same estate for less.

The article includes a small black-and-white photo of the “Head of Christ” sketch and discusses how Rembrandt’s sketches, though small, are rare and valuable — only about 600 paintings and 1,200 sketches are known to exist.

Below the main article are several smaller newspaper clippings, cut out and pasted onto the same page, dated from April 12–14, 1965. These come from various sources including:

• The Times (Gloucester, Mass.)
• The Gardner, Mass. News (e)
• The International Press-Cutting Bureau, London, excerpting the Evening Standard
• An unidentified source titled “FILM STARS REMBRANDT”

These additional clippings echo the story of the Rembrandt sketch’s donation to Harvard, citing its dimensions (“eight by ten inches”), medium (“oil sketch on panel”), and provenance (owned by Thomas Mitchell, purchased for the museum after his death).

Handwritten annotations and date stamps (e.g., “APR 14 1965”) are visible on several clippings, indicating careful documentation. The entire assembly rests atop a dark, textured binder or folder, suggesting a personal or institutional archive of significant art history events from the period.

In sum, the image captures a moment in 1965 when a significant Rembrandt oil sketch became part of the Fogg Museum’s collection, generating media attention across multiple U.S. and international outlets. It reflects both the high value of Rembrandt’s work and the philanthropic role of alumni in enriching university art collections.

The image shows a collection of newspaper clippings and articles about the acquisition of a Rembrandt oil sketch titled "Head of Christ" by the Fogg Art Museum at Harvard University. The clippings are displayed on a cardboard board, with a prominent newspaper article from the Los Angeles Times dated Tuesday morning, April 13, 1965, forming the top section of the board. The article discusses the sketch's provenance and the controversy surrounding its attribution to Rembrandt.

The clippings include various headlines and excerpts from different newspapers, such as the Gloucester Times, the Evening Standard, and the International Press-Cutting Bureau, all covering the event and its significance. The clippings provide details about the sketch's history, its acquisition by William A. Coolidge, and its eventual donation to the Fogg Art Museum. The presence of multiple clippings and the emphasis on the sketch's importance suggest that this event was of considerable interest and impact at the time.

This image shows a collection of newspaper clippings and related materials, likely compiled in a scrapbook. The main focus is on an article from the Los Angeles Times dated Tuesday, April 13, 1965. The headline reads, "THE SOUTHLAND LOSES A REMBRANDT TO HARVARD," and it discusses the acquisition of a Rembrandt oil sketch titled "Head of Christ" by Harvard University's Fogg Art Museum. The article includes details about the history of the artwork, its previous owners, and the circumstances of its acquisition.

Below the main article, there are several smaller clippings from various sources, including the Gloucester Times and the Evening Standard, London. These clippings also discuss the Rembrandt sketch and its significance. The clippings are glued onto a brown paper page, and there are handwritten notes and labels on some of the clippings, indicating their origin and date.

The overall condition of the clippings and the paper suggests that this is an archival or historical document, likely used for research or reference purposes. The image captures a moment in art history, highlighting the movement of a significant Rembrandt piece and the interest it generated in the media.

The image shows a newspaper clipping from the Los Angeles Times, dated April 13, 1965. The clipping is affixed to a brown, textured background, possibly a scrapbook page. The headline reads "THE SOUTHLAND LOSES A REMBRANDT TO HARVARD." The article discusses the acquisition of a Rembrandt painting by Harvard University's Fogg Art Museum. The painting, titled "Head of Christ," was previously owned by the Los Angeles County Museum of Art. The article includes a black-and-white photograph of the painting and mentions the controversy surrounding the painting's authenticity and the circumstances of its sale.

A newspaper clipping from the Los Angeles Times, dated April 13, 1965, reports on the acquisition of a Rembrandt painting by Harvard University's Fogg Art Museum. The article discusses the controversy surrounding the painting, which was sold at an English auction for $2,234,000, and highlights the debate over its authenticity. The painting, titled "Head of Christ," was acquired by industrialist Norton Simon, who plans to hang it in the new County Museum of Art in Los Angeles. The article also mentions that the painting was previously owned by Harvard alumnus and Boston attorney William A. Coolidge, who purchased it in 1939 and donated it to the university after his death in 1962.

The image depicts a collection of newspaper clippings from the Los Angeles Times dated Tuesday Morning, April 13, 1965, and other related publications. The primary focus is on a headline story titled "THE SOUTHLAND LOSES A REMBRANDT TO HARVARD", which details the acquisition of a Rembrandt painting by Harvard University. The article discusses the controversy surrounding the painting's authenticity, its sale, and the involvement of various individuals, including Paul Karl Slive, a Harvard art professor, and William A. Coolidge, a Harvard alumnus and Boston-based art collector.

Key Elements in the Image:

1. Headline and Article:

   • The main headline, "THE SOUTHLAND LOSES A REMBRANDT TO HARVARD", is prominently displayed at the top of the page.
   • The article mentions that a Rembrandt painting, "Head of Christ", was donated to the Fogg Art Museum at Harvard University. It was originally owned by Thomas Mitchell, a Hollywood actor, and later sold to Coolidge.
   • The article highlights the authenticity debate, with experts confirming the painting's legitimacy. It also notes that the painting was part of a larger collection of Rembrandt works, including sketches and panels.

2. Visual Elements:

   • Below the headline, there is a black-and-white photograph labeled "HEAD OF CHRIST", depicting the Rembrandt painting in question. The image shows a detailed portrait, consistent with Rembrandt's style.
   • The photograph is accompanied by a caption identifying it as the subject of the article.

3. Additional Clippings:

   • To the right of the main article, there are smaller clippings from other newspapers, including the Evening Standard (London) and the New England News Agency. These clippings also report on the same event, reinforcing the significance of the story.
   • The clippings include headlines such as "Rembrandt given Fogg Museum" and "Rembrandt's FILM STAR", indicating international coverage of the event.

4. Layout and Design:

   • The Los Angeles Times clipping is the central focus, with its classic newspaper layout featuring columns of text and a clear, bold headline.
   • The surrounding clippings are smaller and arranged to the side, suggesting they are supplementary materials related to the main story.

5. Contextual Details:

   • The date (April 13, 1965) and location (Los Angeles) are clearly indicated, situating the event in a specific historical and geographical context.
   • The mention of Harvard University, the Fogg Art Museum, and notable individuals like Paul Karl Slive and William A. Coolidge adds depth to the story, highlighting the intersection of art, academia, and celebrity.

Overall Impression:

The image captures a historical moment in the art world, documenting the transfer of a significant Rembrandt painting to Harvard University. The inclusion of multiple newspaper clippings underscores the widespread interest and debate surrounding the authenticity and value of the artwork. The visual and textual elements work together to provide a comprehensive view of the event, making it a valuable historical artifact.

The image shows a newspaper clipping from the Los Angeles Times, dated Tuesday morning, April 13, 1965. The headline reads "THE SOUTHLAND LOSES A REMBRANDT TO HARVARD" and features a photo of a man with a beard and mustache.

• Newspaper Clipping
  • The clipping is from the Los Angeles Times.
  • The date is Tuesday morning, April 13, 1965.
  • The headline reads "THE SOUTHLAND LOSES A REMBRANDT TO HARVARD".
  • There is a photo of a man with a beard and mustache.
• Other Newspaper Clippings
  • There are several other newspaper clippings on the page.
  • They appear to be from different newspapers and dates.
  • Some of them have headlines that mention Rembrandt or Harvard.
• Background
  • The background of the image is a light gray color.
  • There is a dark brown border around the edges of the image.

Overall, the image appears to be a collection of newspaper clippings related to art and history. The main clipping is from the Los Angeles Times and reports on the loss of a Rembrandt painting to Harvard University. The other clippings appear to be from different sources and may be related to the same story or topic.

The image depicts a page from a scrapbook or photo album, featuring a newspaper clipping about the sale of a Rembrandt painting to Harvard University. The clipping is titled "THE SOUTHLAND LOSES A REMBRANDT TO HARVARD" and includes a black-and-white photograph of the painting, which is titled "Head of Christ." The article discusses the sale of the painting by Simon Slive, a Harvard fine arts professor, who purchased it for $30,000 and donated it to the Fogg Museum at Harvard University.

The page also includes several other newspaper clippings and articles related to the sale of the painting, as well as some handwritten notes and annotations. The overall tone of the page is one of celebration and appreciation for the acquisition of the painting by Harvard University.

It's worth noting that the page appears to be from an older scrapbook or photo album, as evidenced by the yellowed paper and the style of the newspaper clippings. The page may have been created by someone who was interested in art history or the history of Harvard University, and who wanted to document the sale of the Rembrandt painting.

The image shows a scrapbook page featuring a collection of newspaper clippings related to a Rembrandt painting. The main clipping is from the Los Angeles Times, dated April 13, 1965, with the headline "THE SOUTHLAND LOSES A REMBRANDT TO HARVARD." The article discusses the sale of a Rembrandt sketch, "Head of Christ," to Harvard University's Fogg Art Museum for $30,000.

The page also includes several other clippings from various newspapers, including the Times of Gloucester, Mass., and the News of Gardner, Mass., all dated April 1965. These clippings provide additional information about the sale of the Rembrandt sketch and its acquisition by Harvard University.

The scrapbook page is yellowed and worn, with visible signs of aging and handling. The clippings are arranged in a collage style, with some overlapping or partially covering others. The overall effect is one of nostalgia and historical significance, as if the scrapbook is preserving a moment in time from the past.

The image suggests that the scrapbook was created by someone who was interested in art, history, or collecting, and who wanted to preserve these newspaper clippings for future reference. The use of a scrapbook as a medium for preserving these clippings adds a personal touch to the image, implying that the creator of the scrapbook was invested in the story being told by the articles.

The image presents a vintage newspaper clipping from the Los Angeles Times, dated Tuesday morning, April 13, 1965. The headline reads, "THE SOUTHLAND LOSES A REMBRANDT TO HARVARD."

Newspaper Clipping Details:

• Headline: THE SOUTHLAND LOSES A REMBRANDT TO HARVARD
• Date: Tuesday morning, April 13, 1965
• Newspaper: Los Angeles Times

Content:

The article discusses the acquisition of a Rembrandt painting by Harvard University's Fogg Art Museum, which was previously owned by Norton Simon, an industrialist from Los Angeles. The painting, titled "Head of Christ," is a rare example of Rembrandt's work and is considered a significant addition to the museum's collection.

Additional Clippings:

The image also features several smaller clippings from other newspapers, including:

• New England Newspapers, Inc.: Gloucester, Mass., Circ. 9,808 (April 14, 1965) - "Rembrandt given Fogg Museum"
• News (c) GARDNER, Mass.: Circ. 7,585 (April 13, 1965) - Article about the Rembrandt painting
• International Press-Cutting Bureau: Extract from Evening Standard, London, W.C.2. (April 12, 1965) - "Rembrandt Chip"
• Film Star's Rembrandt: Article about the Rembrandt painting

Visual Description:

The newspaper clipping is yellowed with age and has a worn appearance. It is mounted on a brown cardboard backing, which provides a subtle contrast to the aged paper. The overall effect is one of nostalgia and historical significance, as if the clipping has been preserved for decades.

Background:

The background of the image is a plain white surface, which helps to highlight the details of the newspaper clipping and its accompanying materials.