Archives Scrapbooks

This image displays a historic newspaper clipping and related clippings, mounted on a page within what appears to be a scrapbook or archival binder.

The main feature is a page from the Los Angeles Times, dated Tuesday Morning, April 13, 1965, under the “METROPOLITAN NEWS EDITORIALS” section. The headline reads:

“THE SOUTHLAND LOSES A REMBRANDT TO HARVARD”

The article details the acquisition of a Rembrandt oil sketch, titled “Head of Christ,” by Harvard University’s Fogg Art Museum. It explains that the painting, originally owned by movie actor Thomas Mitchell (who died in 1962), was purchased from his estate for $36,000 by Boston attorney William A. Coolidge — a Harvard alumnus and board member — who then donated it to the university. The article notes that Los Angeles industrialist Norton Simon had previously agreed to pay $2,234,000 for the famous Rembrandt “Titus,” but when bidding on the “Head of Christ” went high, Simon withdrew and won a lesser-known Rembrandt sketch (also titled “Head of Christ”) from the same estate for less.

The article includes a small black-and-white photo of the “Head of Christ” sketch and discusses how Rembrandt’s sketches, though small, are rare and valuable — only about 600 paintings and 1,200 sketches are known to exist.

Below the main article are several smaller newspaper clippings, cut out and pasted onto the same page, dated from April 12–14, 1965. These come from various sources including:

• The Times (Gloucester, Mass.)
• The Gardner, Mass. News (e)
• The International Press-Cutting Bureau, London, excerpting the Evening Standard
• An unidentified source titled “FILM STARS REMBRANDT”

These additional clippings echo the story of the Rembrandt sketch’s donation to Harvard, citing its dimensions (“eight by ten inches”), medium (“oil sketch on panel”), and provenance (owned by Thomas Mitchell, purchased for the museum after his death).

Handwritten annotations and date stamps (e.g., “APR 14 1965”) are visible on several clippings, indicating careful documentation. The entire assembly rests atop a dark, textured binder or folder, suggesting a personal or institutional archive of significant art history events from the period.

In sum, the image captures a moment in 1965 when a significant Rembrandt oil sketch became part of the Fogg Museum’s collection, generating media attention across multiple U.S. and international outlets. It reflects both the high value of Rembrandt’s work and the philanthropic role of alumni in enriching university art collections.

The image shows a collection of newspaper clippings and articles about the acquisition of a Rembrandt oil sketch titled "Head of Christ" by the Fogg Art Museum at Harvard University. The clippings are displayed on a cardboard board, with a prominent newspaper article from the Los Angeles Times dated Tuesday morning, April 13, 1965, forming the top section of the board. The article discusses the sketch's provenance and the controversy surrounding its attribution to Rembrandt.

The clippings include various headlines and excerpts from different newspapers, such as the Gloucester Times, the Evening Standard, and the International Press-Cutting Bureau, all covering the event and its significance. The clippings provide details about the sketch's history, its acquisition by William A. Coolidge, and its eventual donation to the Fogg Art Museum. The presence of multiple clippings and the emphasis on the sketch's importance suggest that this event was of considerable interest and impact at the time.

This image shows a collection of newspaper clippings and related materials, likely compiled in a scrapbook. The main focus is on an article from the Los Angeles Times dated Tuesday, April 13, 1965. The headline reads, "THE SOUTHLAND LOSES A REMBRANDT TO HARVARD," and it discusses the acquisition of a Rembrandt oil sketch titled "Head of Christ" by Harvard University's Fogg Art Museum. The article includes details about the history of the artwork, its previous owners, and the circumstances of its acquisition.

Below the main article, there are several smaller clippings from various sources, including the Gloucester Times and the Evening Standard, London. These clippings also discuss the Rembrandt sketch and its significance. The clippings are glued onto a brown paper page, and there are handwritten notes and labels on some of the clippings, indicating their origin and date.

The overall condition of the clippings and the paper suggests that this is an archival or historical document, likely used for research or reference purposes. The image captures a moment in art history, highlighting the movement of a significant Rembrandt piece and the interest it generated in the media.

The image shows a newspaper clipping from the Los Angeles Times, dated April 13, 1965. The clipping is affixed to a brown, textured background, possibly a scrapbook page. The headline reads "THE SOUTHLAND LOSES A REMBRANDT TO HARVARD." The article discusses the acquisition of a Rembrandt painting by Harvard University's Fogg Art Museum. The painting, titled "Head of Christ," was previously owned by the Los Angeles County Museum of Art. The article includes a black-and-white photograph of the painting and mentions the controversy surrounding the painting's authenticity and the circumstances of its sale.

A newspaper clipping from the Los Angeles Times, dated April 13, 1965, reports on the acquisition of a Rembrandt painting by Harvard University's Fogg Art Museum. The article discusses the controversy surrounding the painting, which was sold at an English auction for $2,234,000, and highlights the debate over its authenticity. The painting, titled "Head of Christ," was acquired by industrialist Norton Simon, who plans to hang it in the new County Museum of Art in Los Angeles. The article also mentions that the painting was previously owned by Harvard alumnus and Boston attorney William A. Coolidge, who purchased it in 1939 and donated it to the university after his death in 1962.

The image depicts a collection of newspaper clippings from the Los Angeles Times dated Tuesday Morning, April 13, 1965, and other related publications. The primary focus is on a headline story titled "THE SOUTHLAND LOSES A REMBRANDT TO HARVARD", which details the acquisition of a Rembrandt painting by Harvard University. The article discusses the controversy surrounding the painting's authenticity, its sale, and the involvement of various individuals, including Paul Karl Slive, a Harvard art professor, and William A. Coolidge, a Harvard alumnus and Boston-based art collector.

Key Elements in the Image:

1. Headline and Article:

   • The main headline, "THE SOUTHLAND LOSES A REMBRANDT TO HARVARD", is prominently displayed at the top of the page.
   • The article mentions that a Rembrandt painting, "Head of Christ", was donated to the Fogg Art Museum at Harvard University. It was originally owned by Thomas Mitchell, a Hollywood actor, and later sold to Coolidge.
   • The article highlights the authenticity debate, with experts confirming the painting's legitimacy. It also notes that the painting was part of a larger collection of Rembrandt works, including sketches and panels.

2. Visual Elements:

   • Below the headline, there is a black-and-white photograph labeled "HEAD OF CHRIST", depicting the Rembrandt painting in question. The image shows a detailed portrait, consistent with Rembrandt's style.
   • The photograph is accompanied by a caption identifying it as the subject of the article.

3. Additional Clippings:

   • To the right of the main article, there are smaller clippings from other newspapers, including the Evening Standard (London) and the New England News Agency. These clippings also report on the same event, reinforcing the significance of the story.
   • The clippings include headlines such as "Rembrandt given Fogg Museum" and "Rembrandt's FILM STAR", indicating international coverage of the event.

4. Layout and Design:

   • The Los Angeles Times clipping is the central focus, with its classic newspaper layout featuring columns of text and a clear, bold headline.
   • The surrounding clippings are smaller and arranged to the side, suggesting they are supplementary materials related to the main story.

5. Contextual Details:

   • The date (April 13, 1965) and location (Los Angeles) are clearly indicated, situating the event in a specific historical and geographical context.
   • The mention of Harvard University, the Fogg Art Museum, and notable individuals like Paul Karl Slive and William A. Coolidge adds depth to the story, highlighting the intersection of art, academia, and celebrity.

Overall Impression:

The image captures a historical moment in the art world, documenting the transfer of a significant Rembrandt painting to Harvard University. The inclusion of multiple newspaper clippings underscores the widespread interest and debate surrounding the authenticity and value of the artwork. The visual and textual elements work together to provide a comprehensive view of the event, making it a valuable historical artifact.

This image shows what appears to be scrapbooked newspaper clippings. The largest clipping is from the Los Angeles Times, dated Tuesday morning, April 13, 1965, with the title "The Southland Loses A Rembrandt to Harvard." It discusses a Rembrandt painting titled "Head of Christ," which was acquired by Harvard University’s Fogg Art Museum from the Southern California area. The article explains how the painting was authenticated and sold. The right side of the main article has an image of the painting.

Additionally, smaller clipped articles from other newspapers surround the main piece, repeating similar information about the acquisition of Rembrandt's "Head of Christ" by Harvard University. These articles are dated around the same time, in April 1965, and include headlines like "Rembrandt Given [to] Fogg Museum," "Rembrandt Find," and "Film Star’s Rembrandt."

The scrapbook style shows yellowed paper and annotations indicating dates and sources of the clippings.

The image shows a scrapbook or album page containing several newspaper clippings related to a notable art event in 1965. The largest clipping is from the Los Angeles Times, dated Tuesday morning, April 13, 1965, with the headline, "The Southland Loses a Rembrandt to Harvard." This article details the transfer of a Rembrandt painting titled "Head of Christ" from the Los Angeles County Museum of Art to Harvard University's Fogg Art Museum. The article talks about Seymour Slive, a Harvard fine arts professor, and discusses the provenance and significance of the artwork.

There are several smaller clippings from various newspapers such as the New England Newsclip Agency and the Evening Standard, all dated around April 1965. These smaller articles also discuss the Rembrandt painting's acquisition by Harvard's Fogg Museum, its exhibition history, and details of its origin.

The page features a black and white image of the painting "Head of Christ," showing a close-up of Christ's face. The entire page captures the media coverage and significance of this art transaction between prominent institutions in 1965.

This image shows an open scrapbook with various newspaper clippings related to Rembrandt. The prominent article on the upper left is from the "Los Angeles Times" dated Tuesday morning, April 13, 1965, with the headline "The Southland Loses a Rembrandt to Harvard." This article discusses the sale of a Rembrandt painting.

Below it, another smaller clipping dated April 2, 1965, from the Gloucester Times discusses "Rembrandt given Fogg Museum." Additional clippings are titled "Rembrandt Find" and discuss events related to the artist and his work. These articles appear to be related to fine art, specifically Rembrandt paintings, their sale, and display in museums.

The scrapbook pages are set against a brown hardcover with a textured design, probably part of the scrapbook's back cover. There are visible signs of aging and wear on the paper, giving the impression of a meticulously kept record of historical newspaper coverage.

• A vintage scrapbook page opened to a Los Angeles Times clipping from April 13, 1965.
• The main headline reads: “THE SOUTHLAND LOSES A REMBRANDT TO HARVARD,” with a photo titled “HEAD OF CHRIST” accompanying the article.
• Surrounding smaller clippings from other papers (e.g., Evening Standard, Cambridge/Norfolk papers) discuss Rembrandt-related news and the transfer of the painting.
• The page is aged, with yellowed, tan paper edges and is bound in a dark brown, textured cover.
• Overall, it looks like an archival display documenting a historic art loan/transfer involving a Rembrandt.