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The image shows a piece of paper with a clipping from a newspaper article. The headline reads "Harvard Given Rembrandt Sketch," dated April 13, 1965. The article is about the Fogg Art Museum at Harvard University acquiring a highly prized Rembrandt oil sketch titled "Head of Christ." The sketch was displayed at a private showing on Monday for the first time and was a gift from Atty. William A. Coolidge, a graduate and an official of the university. The sketch, believed to have come from the private collection of a Polish nobleman, was sold in New York in 1939 to actor Thomas Mitchell and purchased for the museum after Mitchell's death in 1962. The article provides additional details about the sketch's dimensions and the donor's background, mentioning that Coolidge also lived on Country Road, Topsfield and was a benefactor at the Trinity Episcopal Church. The text is printed in black ink on a yellowed paper, with some sections underlined in red.

This image is a scanned newspaper clipping from April 13, 1965, originating from a newspaper in Barre, Vermont, with a circulation of 11,577. The article is titled "Harvard Given Rembrandt Sketch" and reports that Harvard University's Fogg Art Museum has acquired a highly-prized new Rembrandt oil sketch titled "Head of Christ."

The article details that the painting was displayed for the first time at a private showing on Monday and was a gift from Atty. William A. Coolidge, a Harvard graduate and an official of the university. The sketch is believed to have come from the private collection of a Polish nobleman and was sold in New York in 1939 to actor Thomas Mitchell. It was later acquired for the Fogg Museum after Mitchell's death in 1962.

The sketch measures 10 by 7 and seven-eighths inches. The article also mentions that Coolidge, who lives on Country Road, Topsfield, is a benefactor at the Trinity Episcopal Church. He recently commissioned sculptor Walter K. Hancock to do a series of larger-than-life bronze figures for a scene called "Garden of Gethsemane," which will be placed in the church's courtyard when completed.

The clipping is stapled to a gray background, and there are some handwritten notes and underlines on the article. The text is mostly legible, with some parts partially cut off or obscured.

A newspaper clipping with the headline "Harvard Given Rembrandt Sketch" is attached to a wall. The clipping is torn and is placed on top of another clipping. The clipping is about a new possession of Harvard University's Fogg Art Museum, a Rembrandt oil sketch entitled "Head of Christ." The painting was a gift from Atty. William A. Coolidge, a Harvard graduate and an official of the university. Coolidge is a benefactor at the Trinity Episcopal Church, where he commissioned Sculptor Walter K. Hancock to do a series of larger-than-life bronze figures for a scene called "Garden of Gethsemane."

The image shows a collage of newspaper clippings, with the main headline reading "Harvard Given Rembrandt Sketch." The clippings are from different newspapers and are dated April 13, 1965. The article discusses the acquisition of a Rembrandt sketch by Harvard University's Fogg Art Museum. The sketch, titled "Head of Christ," was a gift from William A. Coolidge, a Harvard graduate and official of the university. The painting is believed to have come from the private collection of a Polish nobleman and was sold in New York in 1939. The sketch measures 10 by 7 and seven-eighths inches and is displayed for the first time at the museum.

The image shows a stack of aged newspaper clippings, likely from the mid-20th century, as indicated by the date "APR 13 1965" visible on one of the clippings. The most prominent article is titled "Harvard Given Rembrandt Sketch" and is dated April 13, 1965, from Cambridge, Mass. (AP). The article discusses a significant acquisition by Harvard University's Fogg Art Museum: a highly prized Rembrandt oil sketch titled "Head of Christ."

Key Details from the Article:

1. Origin and Gift:

   • The sketch was a gift to Harvard University from William A. Coolidge, a Harvard graduate and an official of the university.
   • Coolidge received the sketch as a gift from Atty (likely a reference to someone named Atty, though the full name is not clear).

2. History of the Sketch:

   • The sketch is believed to have come from the private collection of a Polish nobleman.
   • It was sold in New York in 1939 to actor Thomas Mitchell.
   • After Mitchell's death in 1962, the sketch was purchased by the Fogg Art Museum.

3. Display and Significance:

   • The sketch was displayed at a private showing for the first time on Monday, marking its debut at the museum.
   • It was shown to members of Harvard’s governing boards.

4. Dimensions:

   • The sketch measures 10 by 7 ⅞ inches.

5. Additional Context:

   • The article also mentions Coolidge's involvement in commissioning sculptor Walter K. Hancock to create a series of larger-than-life bronze figures for a scene called "Garden of Gethsemene," which will be placed in the Trinity Episcopal Church’s courtyard.

Visual Characteristics:

• The clippings appear worn, with visible creases, faded text, and some red markings or annotations, suggesting they have been handled or stored for many years.
• The text is printed in a classic newspaper font, typical of mid-20th-century publications.
• The clippings are slightly overlapping, indicating they may have been saved or archived together.

Additional Context from Other Clippings:

• One of the other clippings mentions "BARRE, Vermont Circ. 11.577" and seems to reference historical or genealogical information, possibly related to a family or individual named Barre.
• Another clipping discusses an event or announcement related to Mitchell, likely referencing the same Thomas Mitchell mentioned in the Rembrandt sketch article.

Overall, the image captures a historical moment in art acquisition, highlighting the significance of the Rembrandt sketch and its journey from a Polish nobleman's collection to Harvard University's prestigious Fogg Art Museum.

The image shows a collection of newspaper clippings, with the most prominent one being a headline that reads "Harvard Given Rembrandt Sketch." The clipping is from the Barre, Vermont newspaper and is dated April 13, 1965.

• The headline is in large font and is centered on the page.
• Below the headline, there is a paragraph of text that describes the sketch and its significance.
• The sketch is described as a highly prized new possession for Harvard University's Fogg Art Museum.
• It is a Rembrandt oil sketch entitled "Head of Christ."
• The painting was displayed at a private showing Monday for the first time.
• William A. Coolidge, a Harvard graduate and an official of the university, gave the painting to the university.
• The painting is said to come from the private collection of a Polish prince.
• It appeared in New York before Poland fell to Hitler in 1939 and was sold to Hollywood actor Thomas Mitchell.
• After Mitchell's death in 1962, the painting was put on the market and acquired for the Fogg Art Museum.
• The sketch measures 10 by 7 inches and seven-eighths inches.
• Coolidge, who lives on Country Road, Topsfield, also is a benefactor at the Trinity Episcopal Church.
• He recently commissioned Sculptor Walter K. Hancock to do a series of larger than life bronze figures for a scene called "Garden Of Gethsemene."
• When completed the work will be placed in the church's courtyard.

Overall, the image suggests that the Harvard University's Fogg Art Museum has acquired a valuable Rembrandt oil sketch, which was previously owned by a Polish prince and later by Hollywood actor Thomas Mitchell. The sketch is now part of the museum's collection and is considered a highly prized new possession.

The image depicts a collection of newspaper clippings, primarily featuring an article about the Harvard University Fogg Art Museum's acquisition of a Rembrandt oil sketch titled "Head of Christ." The article is dated April 13, 1965, and provides details about the painting's history, including its previous ownership by William A. Coolidge, a Harvard graduate and official of the university. The article also mentions that the sketch was sold to Thomas Mitchell in 1939 and later purchased by Coolidge after Mitchell's death in 1962.

In addition to the main article, there are other newspaper clippings visible in the image, although they are not fully legible. These clippings appear to be from different sources and may be related to various topics, including art, culture, and current events.

Overall, the image suggests that the newspaper clippings were collected and preserved for their historical significance, particularly in relation to the art world and the Harvard University Fogg Art Museum.

The image shows a stack of newspaper clippings, with the topmost clipping being the most prominent.

• The topmost clipping is dated April 13, 1965, and is from the Barre, Vermont newspaper.
  • The headline reads "Harvard Given Rembrandt Sketch" in large font.
  • The article discusses a new acquisition by Harvard University's Fogg Art Museum: a Rembrandt oil sketch entitled "Head of Christ."
  • The sketch was a gift from Atty. William A. Coolidge, a Harvard graduate and official of the university.
  • The sketch is believed to have come from the private collection of a Polish nobleman and was sold in New York in 1939 to actor Thomas Mitchell.
  • The sketch measures 10 by 7 and seven-eighths inches.
• The other clippings are partially visible underneath the topmost one.
  • They appear to be related to the same story, with similar headlines and text.
  • Some of the clippings have been annotated with red pen marks.
• The background of the image is a plain gray color.
  • The clippings are arranged on a flat surface, possibly a table or countertop.

Overall, the image suggests that the newspaper clippings are being preserved or archived, possibly for historical or research purposes.

The image presents a collection of vintage newspaper clippings, with the central focus being a prominent article titled "Harvard Given Rembrandt Sketch." The article is dated April 13, 1965, and features a headline that reads, "Harvard Given Rembrandt Sketch."

• Newspaper Clipping Details:
  • Title: Harvard Given Rembrandt Sketch
  • Date: April 13, 1965
  • Content: The article discusses the acquisition of a Rembrandt oil sketch by Harvard University's Fogg Art Museum.
  • Dimensions: The sketch measures 10 by 7 and seven-eighths inches.
  • Provenance: The sketch is believed to have originated from the private collection of a Polish nobleman.
  • Acquisition: It was sold in New York in 1939 to actor Thomas Mitchell and later purchased for the museum after Mitchell's death in 1962.
• Additional Clippings:
  • Partial Articles: Several other partial articles are visible, including one from Barre, Vermont, with a circulation of 11,577.
  • Content: These articles appear to be related to art and cultural events.
• Background:
  • Color: The background of the image is a light gray color.
  • Texture: The background appears to be a smooth surface, possibly a table or countertop.

In summary, the image showcases a collection of vintage newspaper clippings, with a prominent article about Harvard University's acquisition of a Rembrandt oil sketch. The article provides details about the sketch's provenance, dimensions, and acquisition history. The surrounding clippings and background add context to the image, suggesting a focus on art and cultural news.

The image shows a newspaper clipping from the "Barre, Vermont" publication, dated April 13, 1965. The article is titled "Harvard Given Rembrandt Sketch."

Here is a summary of the article:

• Event: Harvard University's Fogg Art Museum received a new possession, a Rembrandt oil sketch titled "Head of Christ."
• Display: The painting was displayed for the first time on Monday at a private showing for members of Harvard's governing boards.
• Donor: The sketch was a gift from Attorney William A. Coolidge, a Harvard graduate and an official of the university.
• Origin: The sketch is believed to have come from the private collection of a Polish nobleman. It was sold in New York in 1939 to actor Thomas Mitchell and purchased for the museum after Mitchell's death in 1962.
• Dimensions: The sketch measures 10 by 7 inches.
• Additional Information: Coolidge, who lives on Country Road, Topsfield, is a benefactor at the Trinity Episcopal Church. He recently commissioned sculptor Walter and K. Hancock to create a series of larger-than-life bronze figures for a scene called "Garden of Gethsemane," which will be placed in the church's courtyard upon completion.

The article provides details about the acquisition and history of the Rembrandt sketch, as well as background information on the donor, William A. Coolidge.