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ARCH.2003.35, Rendition: 805140
The image appears to be a photograph of a news clipping from the "Standard Times" of New Bedford, Massachusetts, dated April 13, 1965. The article is titled "Rembrandt Sketch Given" and discusses the presentation of a little-known Rembrandt oil sketch, "Head of Christ," to the Fogg Art Museum of Harvard University by William A. Coolidge, a graduate of Harvard and its law school. The sketch is believed to have come from the private collection of a Polish nobleman and was sold to actor Thomas Mitchell and later purchased for the museum. The sketch measures 10 by 7 and seven-eighths inches. The article also mentions that Coolidge is a benefactor at the Trinity Episcopal Church and has commissioned sculptor Walter K. Hancock to create a series of larger than life bronze figures for a scene called "Garden of Gethsemane," which will be placed in the church's courtyard. The clipping includes a handwritten note and has some noticeable wear and tear.
This image shows two pieces of news clippings from the Standard-Times of New Bedford, Massachusetts, with a circulation of 66,819. The clippings are dated April 13, 1965, and appear to be discussing the donation of a little-known Rembrandt oil sketch titled "Head of Christ" to the Fogg Art Museum of Harvard University by William A. Coolidge, a Harvard graduate and law school alumnus.
The article provides a brief history of the painting, stating it originated from the private collection of a Polish prince and was sold in New York in 1939 to actor Thomas Mitchell. It was later acquired for the museum after Mitchell's death in 1962. The sketch measures 10 by 7.875 inches.
The clippings also mention that William A. Coolidge, who resides on Country Road in Topsfield, is a benefactor at the Trinity Episcopal Church. He commissioned sculptor Walter K. Hancock to create a series of larger-than-life bronze figures for a scene called "Garden of Gethsemane," which, upon completion, will be placed in the church's courtyard.
The text is slightly different in the two clippings, with the second one providing a bit more detail about the history of the painting and its journey from Poland to the United States. The clippings show signs of age, with some creases and a handwritten annotation near the top left corner.
The image shows a collection of newspaper clippings attached to a white surface. The clippings are arranged in a collage-like manner, with some overlapping and others placed side by side. The text on the clippings is mostly black, with some red accents. The clippings appear to be from different newspapers, with varying fonts and styles. The image has a vintage feel, possibly from the mid-20th century.
The image shows a newspaper clipping from the "Standard-Times" of New Bedford, Massachusetts, dated April 13, 1965. The clipping reports that a little-known Rembrandt sketch titled "Head of Christ" has been presented to the Fogg Art Museum at Harvard University by William A. Coolidge, a graduate of Harvard and its law school. The sketch is believed to have come from the private collection of a Polish nobleman and was sold to Coolidge in New York in 1939. Coolidge, who lives on Country Road, Topsfield, is also a benefactor at the Trinity Episcopal Church, having recently commissioned sculptor Walter K. Hancock to create a series of larger-than-life bronze figures for a scene called "Garden Of Gethseme." The sketch measures 10 by 7 and seven-eighths inches.
The image depicts a stack of old newspaper clippings, likely from the New Bedford Standard-Times dated April 13, 1965, with a circulation of approximately 66,819. The clippings are visibly aged, with some text slightly faded and creased, indicating they have been preserved for some time.
The main article, titled "REMBRANDT SKETCH GIVEN," reports on a notable event: a Rembrandt oil sketch titled "Head of Christ" being presented to the Fogg Art Museum at Harvard University. The sketch was donated by William A. Coolidge, a Harvard Law School graduate and official of the university. The article provides details about the sketch's origin, stating it came from the private collection of a Polish prince. It also mentions that the sketch was sold in New York in 1939 to actor Thomas Mitchell, who later donated it to the museum after his death in 1962.
The clippings also include additional text snippets from other articles, such as references to a benefactor at the Trinity Episcopal Church commissioning larger-than-life bronze figures for a scene called "Garden of Gethsemane." The text is printed in a classic newspaper font, and the overall layout suggests these are historical news articles preserved for archival or research purposes. The clippings are slightly overlapping, with some portions of text obscured or cut off, indicating they may have been physically arranged or stored together.
The image shows a newspaper clipping from the "Strandara-Times" dated April 13, 1965, featuring an article about a Rembrandt sketch given to Harvard University. The clipping is torn and folded, with the top portion partially cut off.
Newspaper Clipping Details:
Article Summary:
The article reports that a little-known Rembrandt oil sketch, "Head of Christ," has been presented to the Fogg Art Museum of Harvard University by William A. Coolidge, a graduate of Harvard and its law school. The painting is said to have come from the private collection of a Polish prince. The sketch is believed to have come from the private collection of a Polish nobleman. It was sold in New York in 1939 to actor Thomas Mitchell and for the purchased for the museum after Mitchell's death in 1962.
Additional Information:
The image features a collection of newspaper clippings, likely from the 1960s, arranged in a collage style. The clippings are predominantly beige and brown, with some displaying a yellowish tint due to aging.
Key Features:
Conclusion:
The image presents a unique collection of newspaper clippings that provide insight into the art world of the 1960s. The clippings offer information about various art-related events, exhibitions, and donations, highlighting the significance of art in society during that time period.
The image shows a collection of newspaper clippings arranged in a vertical stack, with the top clipping partially visible and the others layered underneath. The clippings appear to be from different newspapers, as indicated by the varying font styles and layouts.
The most prominent clipping is dated April 13, 1965, and features a headline that reads "Rembrandt Sketch Given." The article discusses a previously unknown Rembrandt oil sketch titled "Head of Christ," which was presented to the Fogg Art Museum at Harvard University by William A. Coolidge, a Harvard graduate and law school alumnus. The sketch is believed to have originated from the private collection of a Polish nobleman and was acquired by the museum after being sold at an auction in New York in 1939.
The clippings are yellowed and worn, suggesting they are old and have been handled extensively. They are arranged on a plain gray background, which provides a neutral contrast to the aged newsprint. The overall appearance of the image suggests that the clippings have been carefully preserved and are being displayed or stored for archival purposes.
The image presents a collection of vintage newspaper clippings, with the central focus being on a prominent article about a Rembrandt sketch. The main clipping is titled "REMBRANDT SKETCH GIVEN" and features a headline that reads: "CAMBRIDGE, April 13 – A little known Rembrandt oil sketch, 'Head of Christ,' has been presented to the Fogg Art Museum of Harvard University by William A. Coolidge, a graduate of Harvard and its law school." The article provides details about the painting's origin, stating it came from the private collection of a Polish prince and was sold in New York in 1939 to actor Thomas Mitchell. After Mitchell's death in 1962, the sketch was purchased for the museum.
Key Details:
Visual Description:
Overall, the image showcases a significant cultural artifact – a Rembrandt sketch – and its journey from a private collection to a prestigious museum, highlighting the importance of preserving and sharing artistic heritage.
The image shows a newspaper clipping from the "Standard-Times" dated April 13, 1965. The headline reads "Rembrandt Sketch Given." The article reports that a little-known Rembrandt oil sketch titled "Head of Christ" was presented to the Fogg Art Museum of Harvard University by William A. Coolidge, a graduate of Harvard and its law school. The painting is believed to have come from the private collection of a Polish prince.
The article details the sketch's history, noting that it was sold in New York in 1939 to actor Thomas Mitchell and later acquired for the Fogg Art Museum after Mitchell's death in 1962. The sketch measures 10 by 7 7/8 inches.
William A. Coolidge, who lives on Country Road in Topsfield, is also mentioned as a benefactor at the Trinity Episcopal Church. He recently commissioned sculptor Walter R. Hancock to create a series of larger-than-life bronze figures for a scene called "Garden of Gethsemane," which will be placed in the church's courtyard upon completion.