Ctrl-C, Ctrl-V. Rinse, repeat.
ARCH.2003.35, Rendition: 805137
The image shows a collection of newspaper clippings related to the acquisition of a Rembrandt oil sketch titled "Head of Christ" by Harvard University's Fogg Art Museum in 1965. The clippings are slightly translucent and appear to be attached to a backing sheet, possibly for preservation or display purposes. The text on the clippings discusses the donation of the painting by William A. Coolidge, a Harvard graduate and university official, who received it from actor Thomas Mitchell. The clippings provide details about the painting's history, including its initial sale to Mitchell in 1939 and the subsequent acquisition by the museum in 1962. The clippings also mention the painting's dimensions, the type of light used to illuminate it, and its warm color palette. The clippings are marked with red lines and annotations, suggesting they were part of a study or research project.
This image shows a collection of clipped newspaper articles pasted together on a plain background. The main article is titled "HEAD OF CHRIST AT HARVARD MUSEUM" and discusses the acquisition and display of a Rembrandt oil sketch at Harvard University's Fogg Art Museum. The article provides details about the painting's history, including its previous owners and its dimensions. It mentions that the painting was a gift from Atty. William A. Coolidge, a Harvard graduate and university official. The text also describes the artwork's appearance, highlighting the warm colors and soft lighting. The clipping is dated April 13, 1965, and includes a note at the top indicating it is from Attleboro, Mass., with a circulation of 11,177. There are additional smaller fragments of text around the main article, some of which are partially obscured or cut off.
The image depicts a newspaper clipping that is affixed to a wooden frame. The clipping is dated April 13, 1965, and is from the Attleboro, Massachusetts, newspaper. The headline reads "Head of Christ" at Harvard Museum. The article discusses a Rembrandt oil sketch titled "Head of Christ," which was recently acquired by Harvard University's Fogg Art Museum. The painting was a gift from William A. Coolidge, a Harvard graduate and an official of the university. The article provides details about the painting's history, including its previous ownership by a Polish nobleman and its acquisition by actor Thomas Mitchell before his death in 1962. The painting is described as being approximately 8 by 10 inches, with a soft light illuminating the head and warm color predominating against a neutral background. The article also mentions that the painting was once part of a larger collection in a Polish princely residence.
The image displays a collection of newspaper clippings, each with a distinct section of text. The clippings are arranged in a way that suggests they might be part of a scrapbook or an art piece. The clippings are of varying sizes and have different colored borders, including red, white, and blue. The text on the clippings appears to be from a historical context, possibly related to art, history, or notable events. The text includes details about an oil sketch titled "Head of Christ," which was displayed at Harvard University's Fogg Art Museum. The clippings provide information about the painting's history, its acquisition, and its display at the museum. The clippings are mounted on a white background, which helps to highlight the text and borders of the clippings.
The image shows a stack of vintage newspaper clippings, likely from the Attleboro, Mass. newspaper, dated April 13, 1965. The clippings are neatly arranged and appear to be part of an archive or collection. The visible text on the topmost clipping is circled and highlights a headline: "HEAD OF CHRIST AT HARVARD MUSEUM".
The image suggests a historical or archival setting, possibly part of a museum exhibit, research collection, or personal archive. The circled headline indicates that this particular article is of significant interest, perhaps due to the artistic and historical value of the Rembrandt sketch. The date (April 13, 1965) situates the event in the mid-20th century, reflecting the cultural and artistic appreciation of Rembrandt's work during that era.
The image features a collection of newspaper clippings, likely from the 1960s, arranged in a collage on a light gray background. The clippings are cut out and pasted together, with some overlapping each other.
At the top of the image, a clipping from "ATTLEBORO, Mass." is visible, dated "APR 13 1965." Below this, a headline reads "'HEAD OF CHRIST' AT HARVARD MUSEUM," followed by a paragraph of text discussing a painting of Christ's head that was recently acquired by Harvard University. The text also mentions William A. Coolidge, a Harvard graduate and official, who donated the painting to the university.
Further down the image, another clipping is partially visible, with the words "Circ. 11,177" and "APR 13 1965" still legible. The background of the image is a light gray color, providing a neutral backdrop for the newspaper clippings.
Overall, the image appears to be a collection of historical newspaper articles or clippings, possibly related to art or culture, arranged in a collage format.
The image depicts a newspaper clipping featuring an article about the "Head of Christ" painting at Harvard Museum. The clipping is from April 13, 1965, and includes a brief description of the painting, which was displayed for the first time on Monday at the museum. The article also mentions that the painting was a gift from Atty. William A. Coolidge, a Harvard graduate and an official of the university.
The clipping is yellowed and appears to be old, with some tears and creases visible. It is placed on a gray background, which helps to highlight the text and images in the clipping. Overall, the image provides a glimpse into the history of the "Head of Christ" painting and its significance at Harvard Museum.
The image presents a yellowed newspaper clipping, dated April 13, 1965, from Attleboro, Massachusetts, with a circulation of 11,177. The clipping is torn and features a headline that reads "HEAD OF CHRIST AT HARVARD MUSEUM" in bold black text.
Key Details:
Overall Impression:
The image appears to be a historical newspaper clipping, likely preserved for its cultural or artistic significance. The clipping provides insight into the acquisition and display of a valuable art piece at Harvard University's Fogg Art Museum.
The image presents a collection of yellowed newspaper clippings, with the central clipping being the most prominent. The top clipping features the text "ATTLEBORO, Mass." and "Circ. 11, 1777" in black ink, accompanied by the date "APR 13 1965" in gray ink.
The main clipping is titled "'HEAD OF CHRIST' AT HARVARD MUSEUM" and discusses a Rembrandt oil sketch entitled "Head of Christ," which was displayed at a private showing on Monday. The article provides details about the painting's history, including its origin from a Polish nobleman's private collection, its sale to actor Thomas Mitchell in New York in 1939, and its eventual acquisition by the Fogg Art Museum at Harvard University after Mitchell's death in 1962.
The clipping also includes a description of the painting, noting that it measures approximately 8 by 10 inches and features a soft light illuminating the head against a neutral background. The warm colors predominate, with Christ's garment being reddish-brown, the background in shades of golden brown, and orange, pink, and ochre enlivening the flesh tones.
Overall, the image appears to be a collection of vintage newspaper clippings related to art and history, with the central clipping providing information about a specific Rembrandt painting on display at Harvard University's Fogg Art Museum.
The image shows a clipping of a newspaper article from April 13, 1965, titled "Head of Christ" at Harvard Museum. The article discusses a newly acquired Rembrandt oil sketch titled "Head of Christ" by Harvard University's Fogg Art Museum. The painting was displayed for the first time at a private showing for members of Harvard's governing boards. It was a gift from William A. Coolidge, a Harvard graduate and an official of the university.
The article mentions that the sketch is believed to have come from the private collection of a Polish nobleman and was sold in New York in 1939 to actor Thomas Mitchell. After Mitchell's death in 1962, it was purchased for the museum.
The painting measures about 8 by 10 inches and is described as having soft light illuminating the head of Christ, posed against a neutral background. The colors used include warm reds, golden browns, and shades of ochre. The article also notes that the painting was once in a Polish princely collection and came to New York in 1939, where it was acquired by Mitchell.