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ARCH.2003.35, Rendition: 805132
The image is a newspaper clipping from "The Church World," a weekly publication based in Portland, Maine, with a circulation of 18,347. The clipping is dated April 23, 1965.
The main feature of the clipping is a black-and-white photograph of a painting titled "The Head of Christ," which was painted by Rembrandt Van Ryn (likely a misspelling of Rembrandt van Rijn) in the late 1640s. The painting has been acquired by the Fogg Art Museum of Harvard University. The oil sketch was recently verified as a genuine Rembrandt and has not been publicly exhibited before. It is closely related to six other studies by Rembrandt on the same subject, painted around the same time. The dimensions of the painting are 10 by 7 3/4 inches.
The photograph is credited to NC Photos, and the clipping is provided by the New England Newspaper Agency, Inc., with addresses in Boston and Richmond.
The image is a newspaper clipping from "The Church World," published in Portland, Maine, dated April 2, 1965. The clipping is from the New England Newsclip Agency, Inc., with a circulation of 18,347.
The article features an image of a painting titled "The Head of Christ," attributed to Rembrandt Van Rijn. The painting was acquired by the Fogg Art Museum of Harvard University. The clipping states that the oil sketch was recently authenticated as a genuine Rembrandt and has not been publicly exhibited before. It mentions that the painting is closely related to six other studies by Rembrandt on the same subject, painted around the same time. The dimensions of the painting are given as 10 by 7 7/8 inches.
The clipping includes a photograph of the painting and a small credit note indicating the source of the photograph as NC Photos.
The image is a newspaper clipping from the "The Church World" in Portland, Maine, dated April 3, 1965. The clipping is from the New England Newsclip Agency, Inc.
The clipping is about an oil sketch titled "The Head of Christ," attributed to Rembrandt Van Ryn. The article states that this sketch, recently confirmed to be a genuine work by Rembrandt, was acquired by the Fogg Art Museum of Harvard University. The painting is described as closely related to six other studies by Rembrandt on the same subject, created around the same time. The dimensions of the painting are noted as 10 by 7.75 inches.
The clipping is framed by a light brown border and has a watermark or print quality that gives it an aged look. The photograph included in the clipping is a black-and-white image of the sketch.
The image shows a newspaper clipping from "The Church World" published in Portland, Maine, dated April 23, 1965. The headline of the article is "THE HEAD OF CHRIST," painted by Rembrandt Van Ryn in the late 1640s, which has been acquired by the Fogg Art Museum of Harvard University. The clipping includes an illustration of the painting, described as an oil sketch that has only recently been proven to be a genuine Rembrandt and not previously exhibited publicly. The article mentions that the painting is closely related to six other studies by Rembrandt on the same subject, painted around the same time. The dimensions of the painting are noted as 10 by 7 3/4 inches. The clipping also includes the logo and contact information for the New England Newsclip Agency, Inc. from Boston.
The image is a newspaper clipping from "The Church World," published by the New England Newsclip Agency, Inc. It is dated April 23, 1965.
The article features a photograph and a brief description of a newly acquired artwork. The headline of the article reads:
"THE HEAD OF CHRIST," painted by Rembrandt Van Ryn in the late 1640s, has been acquired by the Fogg Art Museum of Harvard University. The oil sketch had only recently been proven to be a genuine Rembrandt and had not been publicly exhibited before. The painting is closely related to six other studies by Rembrandt on the same subject, created around the same time. The dimensions of the painting are 10 by 7 ¾ inches.
The photograph accompanying the article shows "The Head of Christ" painting. The image in the newspaper appears to be in black and white. The stamp on the top left corner of the clipping indicates it was processed by the news agency.
This image is a historical newspaper clipping from "The Church World" published in Portland, Maine, dated April 2, 1965. The clipping features an article about an artwork titled "The Head of Christ," painted by Rembrandt van Rijn in the late 1640s.
Key points from the clipping include:
The image of "The Head of Christ" is a monochrome sketch, showing a detailed and expressive portrait of Christ's face. The clipping also includes a stamp from the New England Newsclip Agency, Inc., which provided the news story, along with contact information for their Boston office.
This is a photograph of a newspaper clipping. At the top, there is a small label which reads "New England Newsclip Agency, Inc.," providing an address in Boston and a phone number. Below that, the clipping identifies the publication source as "The Church World" from Portland, Maine, with a circulation figure and the date "APR 23 1965."
The main portion of the clipping shows an artwork titled "THE HEAD OF CHRIST," with a description noting that it was painted by Rembrandt Van Ryn in the late 1640s and has been acquired by the Fogg Art Museum of Harvard University. It mentions that the oil sketch, now confirmed as a genuine Rembrandt, had not been on public display before this time. The description also notes that this piece is closely related to six other studies by Rembrandt on the same subject that were painted around the same time. The painting's dimensions are stated to be 10 by 7 ¾ inches. At the bottom of the description "NC Photos" is written, likely indicating the source of the photograph.
The image of the painting itself shows a dark, tonal portrait of Christ with a sympathetic and contemplative expression, bearded and with long hair, looking to the viewer's left.
The image shows a clipping from a newspaper called The Church World from Portland, Maine, dated April 23, 1965. The clipping includes a black and white photograph of a painting titled "THE HEAD OF CHRIST," which was painted by Rembrandt Van Ryn in the late 1640s. The text below the image states that the painting has been acquired by the Fogg Art Museum of Harvard University. It mentions that the oil sketch was only recently proven to be a genuine Rembrandt and has not been publicly exhibited before. The painting is closely related to six other studies by Rembrandt on the same subject painted around the same time. The dimensions of the painting are noted as 10 by 7 7/8 inches. The clipping is from the New England Newsclip Agency, Inc.
The image is a reproduction of a newspaper clipping from The Church World, dated April 23, 1865. The clipping features an article about a Rembrandt painting, "The Head of Christ," which was acquired by the Fogg Art Museum of Harvard University. The painting is described as an oil sketch from the late 1640s, recently proven to be a genuine Rembrandt. It is closely related to six other studies by Rembrandt on the same subject, painted around the same time. The painting measures 10 by 7 7/8 inches. The clipping includes a photograph of the painting, showing a close-up of a bearded man's face, possibly Rembrandt himself. The image has a sepia tone, giving it an old and historical appearance.
The image depicts a historical newspaper clipping from The Church World, a weekly publication based in Portland, Maine, with a circulation of 18,347. The clipping is dated April 23, 1965, and is sourced from the New England Newsclip Agency, Inc., located in Boston, with a Richmond address (Box 2078, Boston 6, Richmond 2-4200).
The central focus of the clipping is a photograph of an oil sketch titled "The Head of Christ," painted by Rembrandt van Rijn in the late 1640s. The article announces that this sketch has been acquired by the Fogg Art Museum of Harvard University. Notably, the sketch was only recently authenticated as a genuine Rembrandt and had not been publicly exhibited before.
The article also highlights that this oil sketch is closely related to six other studies by Rembrandt on the same subject, all painted around the same time. The dimensions of the painting are specified as 10 by 7 ¾ inches. The caption at the bottom of the clipping credits the photograph to NC Photos.
The overall presentation suggests the clipping is part of an archival collection, likely preserved for historical or academic purposes. The text and photograph convey a sense of significance regarding the acquisition and authentication of a notable artwork.