Archives Scrapbooks

The image appears to be a page from a scrapbook or a collection of clippings, likely from a magazine or newspaper. The page contains two main sections:

1. Top Section:

   • There is a clipping from an article titled "The Expert's Expert" from TIME Magazine, dated February 19, 1965. The article discusses the significance of graphics in the fine arts and the role of printmakers. It mentions that printmakers are often overlooked but are crucial in preserving and spreading the work of artists. The article highlights the work of Fogg Director John Rewald and his contributions to the field of graphic arts.
   • Accompanying the article is an image of a graphic artwork featuring abstract shapes and colors, predominantly in shades of red, blue, and black.

2. Bottom Section:

   • There is another graphic artwork, which appears to be a cut-out or a print. This artwork features stylized figures and plant-like shapes in colors such as pink, blue, and black. The style is reminiscent of modern art, with bold outlines and simplified forms.

The page also includes some handwritten notes and numbers, suggesting that it is part of a personal collection or research material. The overall theme of the page seems to be focused on the appreciation and significance of graphic arts in the fine arts community.

The image shows a page from a scrapbook or a clipping, which features an article from TIME magazine dated February 19, 1965. The article is titled "Graphics: The Expert's Expert" and discusses the significance and evolution of graphics as an art form, mentioning how graphics have moved from being mere illustrations to a more respected art medium. The text references Jakob Rosenberg, the former director of the Fogg Art Museum, and his influence in promoting graphics as a legitimate art form.

The page includes two images of graphic art:

1. The top image is a detailed illustration with a circular design, featuring abstract shapes and patterns, possibly depicting a sun or some form of radiant object, with a mix of red, black, and white colors. It is credited to M. K. W. F. Frederick, and the title seems to be "The Sun."

2. The bottom image is a more abstract composition with stylized, organic shapes in red, blue, and black, set against a light background. It is credited to the same artist, M. K. W. F. Frederick, and the title appears to be "Composition."

The page also has a label from the American Press Clipping Service, indicating that the clipping was sourced from 119 Nassau Street, New York. The label includes a phone number (TeL. WoRth 2-3797) and a date stamp for February 19, 1965.

The image is a clipping from the February 19, 1965 issue of TIME Magazine, sourced from the American Press Clipping Service Inc. The article is titled "The Expert's Expert" and discusses the world of graphic prints.

Key points from the article include:

1. Historical Context: It starts by mentioning that graphic prints have a long history and were once considered one of the fine arts. The article notes that during the 20th century, these prints have become more popular and valued among collectors.

2. Art Collecting: The piece highlights that serious collectors are now interested in prints, which have been overlooked for many years. It contrasts the past where prints were often seen as less significant compared to other art forms.

3. John D. Rockefeller III's Collection: The Rockefeller Collection is specifically mentioned, with a focus on the work of Henri Matisse, whose prints have become highly sought after. The clipping notes that a particular print by Matisse sold for $5300, which is a significant amount for the time.

4. John Coe and His Influence: The article discusses John Coe, a noted collector and expert in modern prints. Coe's collection includes works by artists like Matisse, Picasso, and others, and he is known for his significant contributions to the field. His exhibition at the Fogg Museum is highlighted as a landmark event.

5. Fogg Museum and Harvard: The Fogg Museum at Harvard is praised for its extensive collection of modern prints, particularly those by Matisse, Picasso, and others. The museum is noted for its efforts in preserving and showcasing these important works.

The clipping includes several images of graphic prints by notable artists, such as Henri Matisse, which are featured prominently in the article. These images are part of the visual documentation accompanying the text.

The image is a page from a February 19, 1965 issue of Time Magazine, specifically a clipping from the American Press Clipping Service.

The article is titled "Graphics: The Expert's Expert" and discusses the history and valuation of modern prints, particularly focusing on the work of Jakob Rosenberg. The text explains how graphics, once considered lowly, have gained recognition as serious art forms. It mentions that serious artists have embraced the medium, and collectors have come to value prints more highly, with some prints being sold at auction for significant sums.

The article includes a brief biography of Rosenberg, who is noted for his expertise in the field of modern prints. Rosenberg, a curator at the Fogg Museum (now part of Harvard Art Museums), has been influential in the recognition and appreciation of modern graphic art.

The page features two images of prints by Rosenberg:

1. The top print is titled "Brightness from Stone" and is a lithograph with bold, geometric shapes and vibrant colors.
2. The bottom print is an abstract piece with a mix of pink, blue, and black shapes, likely a lithograph as well.

The clipping service label and address details are visible at the top of the page, indicating the source and date of the clipping. The label reads:

• American Press Clipping Service Inc.
• 119 Nassau Street, New York 38, N.Y.
• Telephone: WOth 2-3797
• Date: February 19, 1965

The image shows a clipping from TIME Magazine dated February 19, 1965, from the American Press Clipping Service Inc. The clipping is titled "Graphics: The Expert's Expert" and focuses on the world of fine art prints.

The article discusses the growing appreciation for graphics and prints among serious collectors. It highlights the transformation of graphics from being considered less prestigious than other art forms to being highly valued, especially modern prints. The article mentions John Coolidge, the Fogg Director of Harvard's Fogg Art Museum, and his significant contribution to the field, including the exhibition of 166 modern prints.

The clipping includes two images of artworks:

1. The top image is a vibrant print titled "Brightness from Stone" by Frederick W. Goudy, showcasing a stylized, sun-like design with a central figure.
2. The bottom image is a modernist artwork featuring geometric shapes and abstract forms, attributed to Henri Matisse, depicting a pair of figures with stylized floral patterns.

The article also notes the rising prices of modern prints, with specific mention of a lithograph by Matisse that sold for $90 in 1945 now being worth $1,350, marking a significant increase in value. The clipping is labeled with contact information for the American Press Clipping Service, including a phone number and address in New York.

The image shows a press clipping from the American Press Clipping Service, dated February 19, 1965, sourced from TIME Magazine. The article is titled "Graphics: The Expert's Expert."

Summary of the Article:

The article discusses the evolution and significance of graphic art, highlighting a shift in perception from viewing prints and graphics as a lesser form of art to recognizing them as valuable pieces worthy of serious study and collection.

Key Points:

1. Historical Context:

   • Initially, fine art prints were often considered a "poor man's art," with serious collectors favoring paintings and sculptures.
   • Collecting prints was seen as less prestigious, and many prints were used for architectural and decorative purposes rather than being valued as art.

2. Modern Recognition:

   • Over time, prints have gained recognition, especially with artists like Rembrandt and Goya, who used printmaking to create significant works of art.
   • The article mentions the efforts of experts like Jakob Rosenberg, a graphics scholar, who elevated the understanding and appreciation of prints.

3. Fogg Museum and Harvard's Role:

   • The Fogg Museum at Harvard University, under the guidance of figures like Paul J. Sachs and Jakob Rosenberg, became a leading institution for the study of prints.
   • Marjorie B. Cohn, a conservator at the Fogg Museum, and her mentor, the late ADolf Katzenellenbogen, have furthered the study and conservation of prints.

4. Current Trends:

   • The article notes that the market for fine art prints has grown significantly. For example, a set of prints by Rembrandt that sold for $19,000 in 1939 was auctioned for $96,000 in 1964.
   • This increased interest has led to a more informed collector base and higher prices.

Visual Elements:

• The clipping includes images of notable graphic art:
  • A colorful, expressive print at the top, featuring abstract and organic forms.
  • A set of more geometric and stylized prints at the bottom, showing figures and abstract shapes in black, white, blue, and pink.

Overall, the article emphasizes the growing respect and market for graphic art, driven by scholarly work and increased collector interest.

The image shows a scrapbook or album page with a few pasted elements. On the top left, there is a clipped newspaper or magazine article titled "GRAPHICS" with text discussing graphic art, mentioning artists and collections. Above this article, there is a small label from the "AMERICAN Press Clipping Service Inc." dated February 19, 1965, indicating that the source is TIME MAGAZINE.

To the right of the article, there is a colorful graphic artwork featuring abstract shapes, including a large circular sun-like shape with rays, a bottle-like figure, and other organic forms in shades of brown, white, blue, and red. Below this artwork, there is another abstract design in a different style and color scheme, mainly featuring lavender, light blue, black, and pink shapes resembling leaves and other botanical elements.

The overall appearance suggests this page is a curated collection of prints or clippings about graphic art from the mid-20th century, likely intended for reference or archival purposes.

The image shows a page from a scrapbook or a collection of clippings and articles. It seems to be an old page due to the discoloration and the visibly aged tape. One can note:

1. At the top, there are remnants of a label or sticker with printed text, including a telephone number (WOrth 2-3797), the words "AMERICAN Press Clipping Service", and an address in New York.

2. Below this label, there is a clipped article titled "GRAPHICS" with a date from "TIME MAGAZINE FEB 19 1965". The article seems to discuss the significance and evolution of graphics in art and includes mentions of exhibitions, museums, and an individual referred to as "the country's expert on print experts."

3. To the right of the article, portions of two graphic artworks are visible. The top artwork features a red sun-like form with dark and light blue regions, possibly a celestial theme with a hint of abstraction. Metallic tones and rectangles inscribed with 'bn' characterize the image, suggesting a blend of modern and abstract elements.

4. Below it, a segment of another graphic print features stylized plants or botanical motifs in dark blue, with a central vase-like shape in white and gray surrounded by these motifs against a pastel pink and purple background.

These artworks, along with the article, reflect a mid-20th-century interest in graphic printmaking and its place in contemporary art discourse, as seen from the perspective of a 1965 publication. The physical condition of the page and the presentation within a scrapbook suggest a historical record or a personal collection related to graphic arts.

The image depicts a page from a clipping or scrapbook, likely from a magazine or newspaper, dated February 19, 1965, as indicated by the header. The page is titled "GRAPHICS" and appears to be an article discussing the art form of graphics, particularly focusing on the work of Jakob Rosenberg, a prominent figure in the field.

Key Elements of the Image:

1. Header Information:

   • The top of the page includes a label from the American Press Clipping Service Inc., located at 119 Nassau Street, New York, N.Y., with a telephone number (Tel. WORth 2-3797) and a reference number (63-2).
   • The source is identified as TIME MAGAZINE, dated FEB 19 1965.

2. Article Content:

   • The article discusses the evolution and significance of graphics as an art form. It highlights that graphics were once not considered fine art but have gained recognition over time.
   • The text emphasizes the importance of collecting graphics, noting that they are often undervalued compared to other art forms.
   • The article focuses on Jakob Rosenberg, described as "the expert's expert" in graphics. It mentions his role as a former print curator at the Brooklyn Museum and his current position as a semi-retired scholar at Williams College.
   • Rosenberg is praised for his influential teaching and is noted as having trained many of America's leading print experts, including John Cozadige (referred to as "Saint Jakob" by his students).
   • The article also discusses Rosenberg's collection of over 500 prints, assembled over 29 years, and notes the increasing value of his works.

3. Visual Elements:

   • Top Right Image: A colorful abstract graphic design featuring bold, geometric shapes and patterns in red, black, and white. The design includes stylized forms resembling bottles, leaves, and other abstract motifs. The artist's name, W.K. Foss, Professor of Graphics, is mentioned below the image.
   • Bottom Right Image: A minimalist graphic composition with a central white figure surrounded by abstract blue and black leaf-like shapes. The design is clean and modern, emphasizing simplicity and form.

4. Layout and Design:

   • The page has a structured layout typical of magazine clippings, with text on the left and visual examples on the right.
   • The text is typed or printed in a formal, journalistic style, while the graphics serve as illustrative examples of the discussed art form.

Overall Context:

The image captures a historical snapshot of the appreciation and study of graphics as an art form in the mid-20th century. It highlights the contributions of Jakob Rosenberg to the field and showcases examples of graphic design, reflecting the modernist and abstract tendencies of the era. The clipping serves as a record of cultural and artistic discourse from TIME MAGAZINE in 1965.

The image shows a page from a magazine with a clipping attached to it. The clipping is a black-and-white image of a vase and a sun, possibly from a painting or an illustration. The magazine page has a section titled "Graphics" and includes an article about modern prints and their increasing popularity as a form of art. The article mentions the work of John Rosenberg, a former print curator at the Fogg Museum at Harvard, who has a budget of $300 a year for purchasing prints. The article also discusses the value of prints and how they have become more expensive over time.