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The image is a page from a magazine or journal titled "The Connoisseur," dated November 1964. The page features an article titled "Canaletto in Canada" written by Jean Sutherland Boggs. The article discusses an exhibition of the works of Canaletto (1697-1768), an Italian painter known for his vedute (landscape paintings) of Venice, London, and Rome. The exhibition was held in Canada in various locations: Toronto (October 15, 1964 - January 3, 1965), Ottawa (January 15 - February 1, 1965), Montreal (January 20 - February 28, 1965), and Quebec (March 11 - April 4, 1965).

The article mentions that the exhibition showcases the work of this renowned eighteenth-century painter, highlighting his detailed paintings of buildings and landscapes. It notes that the National Gallery of Canada has four large views of Venice by Canaletto, including "The Arsenal" and "The Piazzetta," which are significant works from the 1730s. The article also mentions other notable works by Canaletto in Canadian collections, such as "The Vegetable Market and S. Giacomo di Rialto" and "The Piazza S. Marco," which are in the Art Gallery of Ontario and the Montreal Museum of Fine Arts, respectively.

The page includes two black-and-white images of Canaletto's paintings, depicting architectural scenes with intricate details. The article provides a brief overview of Canaletto's influence and the importance of his works in Canadian art collections.

The image shows a page from a publication titled "THE CONNOISSEUR," specifically the November 1964 issue. The page is an excerpt from an article titled "Canaletto in Canada" by Jean Sutherland Boggs. The article discusses an exhibition of Canaletto's work, which took place in Toronto, Ottawa, and Montreal from October 17 to November 15, 1964, and then moved to Ottawa from November 25 to December 6, 1964. This was the first time a Canadian museum had devoted an entire exhibition to the works of Canaletto, an 18th-century Venetian painter renowned for his architectural paintings of Venice, London, and Rome.

The article mentions that the Art Gallery of Toronto possesses the most modest of Canaletto’s large views, while the Montreal Museum of Fine Arts has the smallest, an "Interior of St. Mark’s" that has been in a Canadian collection since the 19th century. The National Gallery of Canada features four large views of Venice, including "The Arsenal" and "The Piazzetta," which are noted for their dramatic use of light and shadow. The article also notes that some of Canaletto’s works, such as the Ellwood Homser, were bought privately and are now part of other collections.

The page includes black-and-white images of two of Canaletto's paintings, one of an architectural interior and the other of an exterior view, possibly of St. Mark’s and another Venetian scene. The header of the page indicates that this excerpt was provided by the International Press Clipping Bureau in London. There is also a handwritten note at the top, possibly indicating the source or the date: "Fogg Museum 23 Nov 1964."

The image is of a newspaper clipping from "The Connoisseur" dated November 1964. The clipping is an article titled "Canaletto in Canada" written by Jean Sutherland Boggs. The article discusses the exhibition of Canaletto's work held in Toronto, Ottawa, and Montreal during the winter of 1964.

Key points from the article include:

• The exhibition is the first museum to focus exclusively on Canaletto's paintings.
• The works on display are mainly of Venice, London, and Rome, showcasing his architectural and urban scenes.
• The Toronto Art Gallery has a prominent role with a nucleus of paintings from the most modern period of Canaletto’s work.
• The Montreal Museum of Fine Arts presents a smaller collection, specifically the "Interior of St. Mark's."
• Several notable pieces, such as "The Arsenale" and "The Piazza S. Marco," are included. These are among the most celebrated works of Canaletto.
• The exhibition also includes preparatory drawings and studies, highlighting the meticulous nature of Canaletto’s work.
• The article mentions that some works are in private collections, such as those owned by Mrs. Howard W. Pillow of Montreal.

The accompanying images in the clipping show views of Venice's architecture and Canaletto’s artistic style, specifically focusing on the grandeur and detailed depiction of the cityscape.

The image shows a page from the November 1964 issue of "The Connoisseur," a magazine. The page is titled "Canaletto in Canada" and is authored by Jean Sutherland Boggs.

The article discusses the exhibition of the work of Canaletto (1697-1768) held in various Canadian cities: Toronto, Ottawa, and Montreal during the winter of 1964. The exhibition is noted as the first in Canada devoted to Canaletto's work, showcasing his paintings of Venice, London, and Rome.

The article highlights that the Art Gallery of Toronto has the most modern and impressive collection of Canaletto's work in Canada, including a recently restored painting titled "The Grand Canal." The Montreal Museum of Fine Arts also features a painting, "Interior of St. Mark's," which is noted to have been in a Canadian collection since the nineteenth century.

The article mentions that the exhibition in Canada is part of a larger effort to organize a comprehensive exhibition of Canaletto's works, which would include his famous views of Venice such as "The Arsenal," "The Piazzetta," "Piazza San Marco," "The Rialto Bridge," and "The Grand Canal." The text also refers to the inclusion of preparatory drawings and studies that provide insight into Canaletto's process.

The images on the page include black-and-white photographs of Canaletto's paintings, specifically "The Arsenal" and "The Piazzetta," as well as a photograph of a bustling street scene, likely from Venice. The page is clipped from a larger document, possibly a newspaper or magazine, and has a handwritten note on it. The surrounding pages also appear to be from the same or similar publication.

The image shows a page from a press clipping bureau, specifically from the "International Press Cutting Bureau," dated November 1964. The clipping is an article titled "Canaletto in Canada" by Jean Sutherland Boggs, published in "The Connoisseur" from London.

The article discusses an exhibition of the works of Canaletto (1697-1768), held in Toronto, Ottawa, and Montreal during the winter of 1964-1965. This exhibition is significant as it is the first time any museum has devoted a survey to Canaletto's work, focusing on his paintings of Venice, London, and Rome.

Key points from the article:

1. The Art Gallery of Toronto has the most extensive collection of Canaletto's works in Canada, including a recently restored view of the Doge’s Palace.
2. The Montreal Museum of Fine Arts features Canaletto’s "Interior of St. Mark's" (No. 2), which has been in a Canadian collection since the nineteenth century.
3. The National Gallery of Canada holds four large views of Venice, including "The Arsenal" and "The Piazzetta," from Canaletto's early thirties.
4. The article mentions other significant pieces, such as "The Grand Canal," which is part of the Ellwood Hosmer collection and was previously owned by Mrs. Howard W. Pillsbury of Montreal.

The images on the clipping show:

1. A view of a street scene with people and a building, likely a Canaletto painting.
2. The interior of a grand cathedral, possibly St. Mark's.
3. Another view of a Venetian canal and buildings.

The clipping is signed by "Fogg Museum," indicating that the press cutting may have been sourced from the Fogg Museum archives.

The image shows a page from the November 1964 issue of "The Connoisseur," a magazine focused on the arts. The article highlighted on this page is titled "Canaletto in Canada," written by Jean Sutherland Boggs.

Summary of the Article:

Title: Canaletto in Canada

Author: Jean Sutherland Boggs

The article discusses an exhibition of works by the Italian painter Canaletto (1697-1768) held in Toronto, Ottawa, and Montreal from January to February 1965. This was noted as the first exhibition dedicated to a comprehensive survey of Canaletto's paintings of Venice, London, and Rome outside of Britain.

The author mentions that there are not many works by Canaletto in Canada, which makes the exhibition significant. The most notable piece in Canada before this exhibition was "The Molo, Venice, from the Bacino di San Marco," held by the Montreal Museum of Fine Arts. This piece was originally attributed to another artist but has since been recognized as a genuine Canaletto.

The article also references other significant works by Canaletto that were on display in Canadian collections, including pieces from the National Gallery of Canada and private collections. Specifically, it mentions four large views of Venice owned by the National Gallery of Canada, the pair "The Arsenal" and "The Piazzetta Looking North," and another work from the collection of Mrs. Howard W. Phippen of Montreal.

Additionally, the article describes a preparatory drawing for two figures from the Courtauld Institute, University of London, and a study for "The Portico with the Lantern," which was part of the collection of Her Majesty the Queen at Windsor.

Visual Elements:

• The page includes two black-and-white photographs:
  1. A street scene in Venice featuring a tall, ornate building.
  2. The interior of a grand architectural space, likely a cathedral, showcasing intricate designs and details.

Additional Information:

• The envelope in the image indicates that this issue of "The Connoisseur" was sent from the International Press Cutting Bureau, located at 184 Strand, London, WC2. The date written on it is "Nov 1964."

The image shows an open publication, specifically an excerpt from a magazine named "The Connoisseur" dated November 1964, as indicated at the top left corner of the left page. The heading "AN ARTICLE FROM CANADA" is situated below this, followed by the article's title, "Canaletto in Canada," and author Jean Sutherland Boggs. The text is a typed article discussing the exhibition of works by Canaletto, an Italian painter, in various Canadian cities and museums. The text mentions the Art Gallery of Toronto, the Montreal Museum of Fine Arts, and the National Gallery of Canada, among others.

On the right page is a black and white image of the interior of a grand cathedral with an elaborate dome and numerous architectural decorations and artworks. The left page shows an image of an architectural scene, possibly a plaza, with several figures.

There are some handwritten notes and markings on the page, possibly related to the provenance of the magazine or article. The entire page is mounted on a larger piece of paper or mat board, with the edges of the magazine excerpt clearly visible. The right edge of the mat board is discolored, suggesting age or sun exposure.

The image is a double-page spread from an old magazine or book. The left page features an article titled "Canaletto in Canada" by Jean Sutherland Boggs. The article discusses an exhibition of Canaletto's work held in Toronto, Ottawa, and Montreal from October 17, 1965, to January 29, 1966. The exhibition was the first major survey of the Venetian eighteenth-century painter's work in Canada. The article also mentions that the Montreal Museum of Fine Arts has the smallest, yet most modest, collection of Canaletto paintings in Canada. The right page has a black-and-white photograph of a building, possibly a church or cathedral, with people walking around it. The image is accompanied by a caption that reads "Byzantine cathedral was left to the museum by Miss Adaline van Horic." The article and image are part of a larger publication, likely a magazine or journal, with a brown cover and spine.

The image depicts an open book or magazine, showcasing an article titled "Canaletto in Canada" by Jean Sutherland Boggs. The article appears to be from the International Press-Cutting Bureau, located at 184 Strand, London, W.C.2, and is dated November 1964. The page includes two black-and-white illustrations:

1. Left Illustration: A view of a canal scene, likely depicting a Venetian setting with people and boats, characteristic of the style of Canaletto, an 18th-century Venetian painter known for his detailed and atmospheric views of Venice.

2. Right Illustration: An interior view of a grand, domed space, possibly a church or cathedral, with architectural details such as columns, arches, and a high ceiling. This could represent a historical or significant building, aligning with the theme of the article.

Text Content:

The article discusses an exhibition of Canaletto's work held in Canada during the winter of 1965, spanning Toronto, Ottawa, and Montreal. It highlights the significance of Canaletto as a leading Venetian painter and notes that this exhibition marks the first time his work has been surveyed in Canada. The article mentions that the Art Gallery of Toronto organized the exhibition, which includes paintings from Venice, London, and Rome.

Key points from the text include:

• The exhibition took place from October 17 to November 16, 1965, in Toronto, followed by December 4, 1965, to January 10, 1966, in Ottawa, and January 29 to February 28, 1966, in Montreal.
• The article emphasizes the modest nature of the Art Gallery of Toronto compared to other major institutions, yet it notes the gallery's role in showcasing Canaletto's work.
• It references specific works in the exhibition, such as "The Piazzetta, looking North," "The Arsenal," "The Piazza S. Marco," "The Vegetable Market," and "S. Giacomo di Rialto."
• The article also mentions preparatory drawings and studies for some of Canaletto's works, including one from the Courtauld Institute, University of London, and another from the private hands of Mrs. Howard W. Pillow, who acquired it from the Queen at Windsor.

Layout and Design:

• The page is part of a larger publication, as indicated by the visible page number 150 at the bottom left.
• The layout is clean and formal, typical of an academic or art-focused publication.
• The illustrations are placed above the text, providing visual context for the discussion of Canaletto's work.

Overall, the image captures a scholarly examination of Canaletto's influence and presence in Canadian art institutions during the mid-20th century, supported by detailed illustrations and historical context.

The image shows a page of an old book or magazine with a clipping of an article about the work of Canaletto. The clipping has a heading that reads "Canaletto in Canada" and a byline that reads "Jean Sutherland Boggs." The article is about an exhibition of Canaletto's work that was held in Toronto, Ottawa, and Montreal in 1964. The article includes two black-and-white photographs of Canaletto's work, one of which is a view of the interior of St. Mark's Basilica in Venice. The article also mentions that the exhibition was the first time that any museum had ever devoted a survey of the work of this great Venetian eighteenth-century painter.