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ARCH.2003.35, Rendition: 805073
This image displays an open, vintage scrapbook or clipping album, with a focus on a single page that features a newspaper or magazine article.
Main Article:
The central element is an article titled “Canaletto in Canada” by Jean Sutherland Boggs. It is identified as “AN ARTICLE FROM CANADA.”
The article discusses a major touring exhibition of the Venetian 18th-century painter Canaletto (1697–1768), scheduled for the winter of 1964–1965 in Toronto, Ottawa, and Montreal. It highlights the rarity of such a comprehensive survey and details the Canadian collections of Canaletto's work, particularly focusing on pieces at the Art Gallery of Toronto, the Montreal Museum of Fine Arts (noting a long-misattributed “Interior of St. Mark’s”), and private collections.
The article text is accompanied by two black-and-white photographs of Canaletto’s paintings:
Additional Clippings:
Top Left: Affixed above the main article is a smaller, official-looking clipping from the “INTERNATIONAL PRESS MEETING BUREAU, 184 STRAND, LONDON, W.C.2.” It is an “Extract from THE CONNOISSEUR, LONDON” dated NOV 1964. It has a handwritten signature that appears to read “Fogg museum” (likely referring to the Fogg Art Museum at Harvard University).
Right Side: Partially visible are other newspaper clippings and articles, suggesting this is part of a larger collection of press material, perhaps about art exhibitions or cultural events.
Physical Context:
The article is pasted onto aged, beige paper within a bound book with a visible dark brown cloth spine and cover. Page number 150 is printed at the bottom of the article.
Overall, the image captures a carefully preserved piece of art historical documentation, likely compiled by an institution or researcher to chronicle a significant exhibition and its critical reception.
This image appears to be a page from a book or magazine, specifically an article titled "Canaletto in Canada" by Jean Sutherland Boggs, published in "The Connoisseur" in November 1964. The article discusses an exhibition of the work of the Venetian painter Canaletto, which was being held in Toronto, Ottawa, and Montreal in the winter of 1964-1965.
The page features two black-and-white images, both likely reproductions of Canaletto's work. The first image shows a detailed architectural scene, possibly depicting a view of Venice, with figures and buildings in the background. The second image appears to be an interior scene, possibly of a cathedral, with ornate architectural details and religious figures.
The top of the page has a header that includes the name "International Press Cutting Bureau" and the address "184 Strand, London, W.C.2." There is also a handwritten note that appears to have the word "Fogg" in it, which might be a reference to a museum or related to the content of the article. The overall layout and style suggest that this is a historical document, possibly part of an art history collection or research archive.
This image shows a page from a publication titled "Canaletto in Canada," written by Jean Sutherland Boggs. The page is from an article discussing an exhibition of the work of the Venetian painter Canaletto (1697-1768), held in Toronto, Ottawa, and Montreal in the winter of 1964-1965. The article mentions that this exhibition was the first by any museum to survey Canaletto's work.
The page includes two black-and-white illustrations at the top. The left illustration appears to be a detailed drawing of a classical building with columns and a dome, possibly a church or temple. The right illustration shows the interior of a grand cathedral with ornate decorations and people inside.
At the top left corner of the page, there is a header from the "International Press-Cutting Bureau" in London, indicating that the article is an extract from "The Connoisseur," dated November 1964. There is also some handwriting on the page, which seems to be a signature or note. The page number "150" is visible at the bottom center.
The image shows a page of an old book or magazine with a clipping of an article about the work of Canaletto. The clipping has a heading that reads "Canaletto in Canada" and a byline that reads "Jean Sutherland Boggs." The article is about an exhibition of Canaletto's work that was held in Toronto, Ottawa, and Montreal in 1964. The article includes two black-and-white photographs of Canaletto's work, one of which is a view of the interior of St. Mark's Basilica in Venice. The article also mentions that the exhibition was the first time that any museum had ever devoted a survey of the work of this great Venetian eighteenth-century painter.
The image is a double-page spread from an old magazine or book. The left page features an article titled "Canaletto in Canada" by Jean Sutherland Boggs. The article discusses an exhibition of Canaletto's work held in Toronto, Ottawa, and Montreal from October 17, 1965, to January 29, 1966. The exhibition was the first major survey of the Venetian eighteenth-century painter's work in Canada. The article also mentions that the Montreal Museum of Fine Arts has the smallest, yet most modest, collection of Canaletto paintings in Canada. The right page has a black-and-white photograph of a building, possibly a church or cathedral, with people walking around it. The image is accompanied by a caption that reads "Byzantine cathedral was left to the museum by Miss Adaline van Horic." The article and image are part of a larger publication, likely a magazine or journal, with a brown cover and spine.
The image depicts an open book or magazine, showcasing an article titled "Canaletto in Canada" by Jean Sutherland Boggs. The article appears to be from the International Press-Cutting Bureau, located at 184 Strand, London, W.C.2, and is dated November 1964. The page includes two black-and-white illustrations:
Left Illustration: A view of a canal scene, likely depicting a Venetian setting with people and boats, characteristic of the style of Canaletto, an 18th-century Venetian painter known for his detailed and atmospheric views of Venice.
Right Illustration: An interior view of a grand, domed space, possibly a church or cathedral, with architectural details such as columns, arches, and a high ceiling. This could represent a historical or significant building, aligning with the theme of the article.
The article discusses an exhibition of Canaletto's work held in Canada during the winter of 1965, spanning Toronto, Ottawa, and Montreal. It highlights the significance of Canaletto as a leading Venetian painter and notes that this exhibition marks the first time his work has been surveyed in Canada. The article mentions that the Art Gallery of Toronto organized the exhibition, which includes paintings from Venice, London, and Rome.
Key points from the text include:
Overall, the image captures a scholarly examination of Canaletto's influence and presence in Canadian art institutions during the mid-20th century, supported by detailed illustrations and historical context.
The image shows an open publication, specifically an excerpt from a magazine named "The Connoisseur" dated November 1964, as indicated at the top left corner of the left page. The heading "AN ARTICLE FROM CANADA" is situated below this, followed by the article's title, "Canaletto in Canada," and author Jean Sutherland Boggs. The text is a typed article discussing the exhibition of works by Canaletto, an Italian painter, in various Canadian cities and museums. The text mentions the Art Gallery of Toronto, the Montreal Museum of Fine Arts, and the National Gallery of Canada, among others.
On the right page is a black and white image of the interior of a grand cathedral with an elaborate dome and numerous architectural decorations and artworks. The left page shows an image of an architectural scene, possibly a plaza, with several figures.
There are some handwritten notes and markings on the page, possibly related to the provenance of the magazine or article. The entire page is mounted on a larger piece of paper or mat board, with the edges of the magazine excerpt clearly visible. The right edge of the mat board is discolored, suggesting age or sun exposure.
The image shows a magazine or book page featuring an article titled "Canaletto in Canada" authored by Jean Sutherland Boggs. The article discusses an exhibition of works by the 18th-century Venetian painter Giovanni Antonio Canal, commonly known as Canaletto, highlighting his depictions of Venice, London, and Rome.
The page layout includes:
The page has a vintage appearance, with slight yellowing and hints of layered clippings in the background. The surrounding book margins frame the content.
This image shows a page from a vintage magazine or book. The page features an article titled "Canaletto in Canada" by Jean Sutherland Boggs. The article discusses an exhibition of the works of Canaletto (1697-1768) organized in Toronto, Ottawa, and Montreal with specific dates mentioned for each city.
At the top center of the page, there are two black-and-white images of paintings by Canaletto. The left image depicts a building exterior with people sitting and standing around it. The right image shows the interior of a large, ornate Byzantine cathedral with a domed ceiling and detailed artwork, with people inside.
Above the images, there is a small paper label from the International Press Cutting Bureau, dated November 1964, with the words "The Connoisseur London" and a handwritten note mentioning "Togg Museum."
The text below the images provides detailed information about the exhibition and specifics of some paintings included in the show, emphasizing the significance and rarity of the collection in Canada. The article appears on page 150.