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This image displays a single, aged page from a scrapbook or collection, featuring a newspaper clipping about an art exhibition.

The clipping is titled “NEW YORK EXHIBIT BY SAVO RADULOVIC” and is attributed to WALTER BARKER, dated MAY 3—1954. It originates from the AMERICAN Press Clipping Service, Inc., located in New York, and was sent as a POST-DISPATCH from St. Louis, Mo.

The article details the career and artistic style of Savo Radulovic, a Yugoslav-born artist who emigrated to the United States at age 16. He is described as a former coal miner, a proprietor of the “Little Bohemia” café in St. Louis, and an artist who studied locally before becoming an official War Department artist in WWII and receiving a Fulbright Award to study in Italy. Since 1945, he has lived primarily in New York City, with occasional visits to Yugoslavia.

The article notes that Radulovic’s “craggy, emotional and stark style reflects the hardship of his early days as an immigrant... the depression, the war and his experiences” and is well-suited to portraying “tragedy and the documentary of human courage and plastery.” His work often depicts “severe hardship and the shock of catastrophe,” including his recent paintings and drawings of the 1953 Skopje earthquake.

Accompanying the text is a small, grainy black-and-white photograph captioned “Painting in Exhibit” — specifically, “‘Homage to Picasso,’ by Savo Radulovic, an oil in his New York exhibition.” The image shows a partial view of a canvas with abstract or geometric forms, leaning against a textured wall.

The clipping is mounted on a yellowed, aged sheet of paper within what appears to be a bound book or album. There is a handwritten note (possibly a library or inventory number: “29 x01821”) in the top-left corner of the clipping. The overall appearance suggests a mid-20th-century archival document.

The image appears to be a scanned page from a document or a book, with a section of text and a photograph attached. The text is an article about an art exhibit by Savo Radulovic, a painter, in New York. The article is dated May 3, 1964, and it was published in the "Post-Dispatch" from St. Louis, Missouri. The article discusses Radulovic's background and his artistic career, mentioning his experiences as a coal miner and his studies at the St. Louis School of Fine Arts. It also provides information about his exhibitions and paintings.

The photograph, labeled "Painting in Exhibit," shows a person, likely Radulovic, working on a painting, suggesting that the image is of a painting being created, possibly one of his artworks featured in the exhibit. The document appears to be aged, with some discoloration and stains, indicating it might be a historical artifact. The layout is typical of a newspaper clipping or a cut-and-paste entry in a scrapbook or a collection of clippings.

This image is a scanned page from a scrapbook or document, showcasing a newspaper clipping from May 3, 1964, titled "NEW YORK EXHIBIT BY SAVO RADULOVIC." The clipping is written by Walter Barker and details an exhibition of paintings and drawings by Savo Radulovic, a former coal miner from Christopher, Illinois, who became a prominent figure in St. Louis's art scene. Radulovic is described as the proprietor of the original Little Bohemia cafe near the Old Rock House, a landmark in St. Louis.

The article mentions Radulovic's background, including his birth in Montenegro, Yugoslavia, and his move to the United States at the age of 10. It highlights his education at the St. Louis School of Fine Arts and his service as an official War Department artist during World War II. Radulovic received a Fulbright Award for study in Italy and a Carnegie fellowship to the Fogg Museum, Harvard University.

The article also describes Radulovic's artistic style, which is characterized by a direct execution with minimal color, reflecting the hardships of his early life as an immigrant. His work often portrays people under severe hardship and the shock of catastrophe, and he is likened to epic ballads of his native country and the western European expressionism tradition.

In the top left corner of the page, there is a label for the "AMERICAN Press Clipping Service, Inc." in New York, indicating the source of the clipping. The clipping includes a photograph of a painting titled "Homage to Picasso," which is part of Radulovic's New York exhibition. The photograph shows a man with a beard, sitting in a doorway. The overall tone of the article is appreciative of Radulovic's artistic achievements and his unique perspective shaped by his life experiences.

The image is a photograph of a page from a newspaper clipping. The clipping is affixed to a piece of paper with a rectangular border. The clipping contains text and an image. The text is a news article about an art exhibit by an artist named Savo Radulovic. The article describes Radulovic's background, his artistic style, and the themes of his work. The image is a black-and-white photograph of a painting by Radulovic, titled "Homage to Picasso." The painting depicts a figure standing in front of a window with a curtain, looking out at a landscape. The painting has a somber and introspective mood, with muted colors and a sense of melancholy. The article and the painting together suggest that Radulovic is a serious and introspective artist, exploring themes of human suffering, hardship, and the complexities of the human condition.

The image shows an open book with a clipping from the Post-Dispatch newspaper. The clipping is dated May 2, 1964, and contains an article about a New York exhibit by Savo Radulovic. The article provides a brief biography of Radulovic, who was a former coal miner from Yugoslavia, and discusses his artwork and exhibition at the Little Gallery in New York City. The clipping also includes a black-and-white photograph of Radulovic's painting titled "Homage to Picasso."

The image depicts a page from a newspaper clipping or press archive, specifically from the St. Louis Post-Dispatch, dated May 7, 1964. The page is part of a collection maintained by the American Press Clipping Service, Inc., located at 119 Nassau Street, New York 38, N.Y. The clipping is labeled with a reference number (29 X08882) and a telephone number (Tel. WORTH 2-3797).

Content Overview:

The page features an article titled "NEW YORK EXHIBIT BY SAVO RADULOVIC", written by Walter Barker. The article discusses the work of Savo Radulovic, a painter whose exhibition was held at the Little Gallery, 135 East 57th Street, New York, from May 1 to May 31, 1964.

Key Points from the Article:

1. Artist Background:

   • Savo Radulovic was born in Montenegro, Yugoslavia, in 1916.
   • He worked as a coal miner in St. Louis and later studied at the St. Louis School of Fine Arts.
   • He was influenced by artists such as Edward Warpel and Fred Conway.
   • During World War II, he served in the U.S. Marine Corps and was one of the first to receive a Fulbright Award for an official war art assignment. He also received a purchase prize in the 1941 Missouri State Exhibition and later won an award at the Fogg Museum of Art in Italy.

2. Exhibition Details:

   • The exhibition showcased original works by Radulovic, including drawings and paintings.
   • His style is described as expressionist, with themes of social comment, human suffering, and realism.
   • His works often depict landscapes, portraits, and allegorical subjects, reflecting his experiences and emotions.

3. Artistic Style and Themes:

   • Radulovic's art is noted for its direct execution, use of color, and emotional intensity.
   • His works are said to convey shock, paralysis, and tragedy, often through stark imagery and symbolic representation.
   • The article highlights his Yugoslav heritage, which influenced his artistic perspective and themes.

4. Featured Painting:

   • The page includes a photograph of one of Radulovic's paintings titled "Homage to Picasso", described as an oil painting that reflects his admiration for Pablo Picasso.
   • The painting is noted for its bold use of color and expressive style, aligning with Radulovic's broader artistic approach.

Visual Elements:

• Text Layout: The article is formatted in a typical newspaper style, with a headline, byline, and body text. The text is dense and includes quotes, descriptions, and contextual information about Radulovic's life and work.
• Image: A black-and-white photograph of the painting "Homage to Picasso" is placed to the right of the article, providing a visual representation of Radulovic's style.
• Header Information: The top of the page includes the date, source, and reference details of the clipping, indicating it is part of an organized archive.

Overall Context:

The clipping serves as a historical record of an art exhibition, offering insights into Savo Radulovic's artistic career, influences, and thematic concerns. It highlights the intersection of personal experience, cultural heritage, and artistic expression, providing a glimpse into the art scene of 1964 New York.

This image shows a newspaper clipping attached to a page within a book or binder. The clipping is from the American Press Clipping Service, dated May 18, 1964, from the New York Post-Dispatch, St. Louis, Missouri. The article is titled "NEW YORK EXHIBIT BY SAVO RADULOVIC" and is written by Walter Barker.

The article seems to discuss Savo Radulovic as an artist and mentions his current exhibit at the time of the article's publication. A small photograph within the article depicts a painting or a framed artwork.

At the top of the page, there's handwriting in ink that appears to be a reference or cataloging mark, "Z4 F8826," and a telephone or identification number, "WOrth 2-3777," indicative of archival or library practices.

The page's discoloration and the binding visible on the right edge suggest this is part of an older collection, possibly an archive or a scrapbook.

The image depicts a newspaper clipping glued onto a scrapbook page. The article, titled "NEW YORK EXHIBIT BY SAVO RADULOVIC," was published in the "St. Louis Post-Dispatch" on May 15, 1964, as noted by a small label from the "American Press Clipping Service, Inc." at the top. The article, written by Walter Barker, discusses artist Savo Radulovic’s exhibition in New York, providing details about his background, artistic style, and achievements.

The clipping includes both text and a black-and-white photograph of a man standing near a large canvas, potentially Radulovic, working on an art piece from the exhibit titled “Homage to Picasso.” The article elaborates on his painting techniques, themes, inspirations, and contributions, bringing attention to his artistic approach and influences.

The scrapbook page is aged, with a visible brown patina, and the edges are slightly worn. This suggests the document has historical significance and has been preserved over the years.

The image shows a scrapbook page with a newspaper clipping attached. The clipping is from the American Press Clipping Service, Inc., dated May 3, 1964, from the Post-Dispatch in St. Louis, Missouri. The headline reads "NEW YORK EXHIBIT BY SAVO RADULOVIC," written by Walter Barker.

The article discusses painter Savo Radulovic, a former coal miner from Christopher, Illinois, known as an exciting figure in St. Louis art. It details Radulovic's background, mentioning his Montenegrin origins, his military service during World War II, his studies at the Carnegie Institute of Technology, and his artistic career. The article highlights his emotional and stark style, which reflects his life experiences, and describes his work as part of America's first expressionist movement, with a focus on themes of human suffering, hardship, and social issues.

Included in the clipping is a photograph of a painting titled "Homage to Picasso" by Savo Radulovic, shown as part of his New York exhibition. The image of the painting features a figure seated with a background that appears abstract and textured.

The image shows a brown scrapbook page with several black‑and‑white newspaper clippings glued to it. The pieces form a small collage about an art exhibit by Savo Radulovic in New York.

• In the upper left is a small clipping from American Press Clipping Service with an address block and a handwritten note above it.
• Below and to the right is a larger clipping with the headline “NEW YORK EXHIBIT BY SAVO RADULOVIC” and a byline by Walter Barker, followed by a column of text.
• To the right of that is a grainy photograph of a person (likely the artist) standing in front of a display or doorway.
• Beneath these are additional cuttings, including a piece titled “Painting in Exhibit,” and another about a work called “Homage to Picasso.”
• The page itself is a light brown, slightly worn scrapbook page with the right edge bound in a book; the bottom edge shows a small torn corner.

Overall, it’s a vintage newspaper collage documenting an art exhibit.