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The image shows an article from "The Christian Science Monitor" dated Tuesday, July 30, 1961. The article's headline is "The Bull Nandi," a 14th-century Indian sculpture, 10½ inches high. The sculpture is depicted in a black-and-white photograph attached to the article. The sculpture is a seated bull adorned with intricate details, including a headpiece, decorative ornaments, and a string of tinklers around its neck. The text discusses the significance of the sculpture in the context of Indian art and its connection to the deity Nandi, which is the mount or vehicle of Siva in Hinduism. The article mentions that the sculpture is part of the Morse Collection and is currently on display at the Fogg Art Museum in Cambridge, Massachusetts. The author of the article is Dorothy Adlow.

The image is a clipping from "The Christian Science Monitor," dated Tuesday, July 30, 1968. The article discusses a 14th-century Indian sculpture known as "The Bull Nandi," which is 10½ inches high. The sculpture is of a seated bull, adorned with ornate harnesses and a string of tinklers around its neck. The article mentions that this figure is one of more than three dozen sculptures chosen from the collection of Mr. and Mrs. Earl Morse for an exhibition at the Fogg Art Museum in Cambridge, Massachusetts, running through August 4.

The text explains the cultural and artistic significance of the sculpture, noting that in India, art was an integral part of daily life and not just a work of art for its own sake. It references Ananda Coomaraswamy's "Introduction to Indian Art," which emphasizes the meaningful and purposeful nature of Indian art. The article also provides historical context, stating that Nandi, the bull, was the mount or vehicle of the Hindu god Shiva and symbolized Shiva's divine nature.

The sculpture is described as having been carved in the 14th century A.D. during the Deccan period, with the bull in a conventional pose with one of its four legs raised. The article is signed by Dorothy Adlow. The photograph of the sculpture is credited to the Fogg Art Museum, Cambridge, Mass.

This image shows a vintage newspaper clipping, mounted and preserved on a yellowed, aged paper page from what appears to be a scrapbook or archive album.

The clipping is from The Christian Science Monitor, dated Tuesday, July 30, 1963.

At the center of the clipping is a black-and-white photograph of a stone sculpture titled:

“The Bull Nandi”: A 14th-Century Indian Sculpture, 10½” high

The sculpture depicts a seated bull, Nandi, adorned with ornate harnesses, a decorated yoke, and a string of tinklers around its neck. The bull sits in a dignified, regal posture with one front leg raised, a conventional pose in Indian art to identify the divine mount of the god Shiva.

The accompanying article, written by Dorothy Arlow, explains that this sculpture was part of a larger collection of more than three dozen Indian sculptures from the collection of Mr. and Mrs. Earl Morse, which were on display at the Fogg Art Museum, Cambridge, Mass. (as indicated by the credit beneath the photo).

Key excerpts from the article include:

• The bull sculpture was carved in 14th-century A.D. India, likely during the Deccan period.
• Nandi is described as the “milk-white divine bull,” the mount or vehicle of Shiva, and an embodiment of divine nature.
• The article notes that in India, art has always had “an intelligible meaning and a definite purpose,” quoting Ananda Coomaraswamy’s view that Indian art is not created “for art’s sake” but as an integral part of daily life and spiritual vitality.
• The sculptures in the Morse Collection include Buddhist portrayals dating back to the second century A.D.

The clipping and its yellowed backing paper display signs of age — stains, foxing, and some wear — suggesting it has been carefully preserved for decades.

Overall, this image captures a moment of cultural appreciation and scholarly documentation from 1963, bringing awareness to ancient Indian religious art and its symbolic depth.

The image shows a page from a magazine or newspaper, possibly from the early 20th century. The page features a black-and-white photograph of an ancient Indian sculpture of a bull, which is titled "The Bull Nandi," a 14th-century Indian sculpture from the Fogg Art Museum. The sculpture is a seated bull, with intricate carvings and details. The page also includes a caption and a brief article about the sculpture, discussing its historical and artistic significance. The page is somewhat aged and has some stains and creases, indicating that it may have been kept for a long time.

The image is of a page from an old book. The page is open, showing a black-and-white photograph of a seated bull sculpture on the right side. The photograph is labeled "The Bull Nandi," and it is mentioned that it is a 14th-century Indian sculpture. The text on the page discusses the sculpture and its significance in Indian art and culture. The page also includes a date, July 30, 1961, and the name of the publication, "The Christian Science Monitor."

The image shows a page from The Christian Science Monitor, dated Tuesday, July 30, 1962. The page features an article titled "THE BULL NANDI: A 14th-Century Indian Sculpture, 10 1/4" High", accompanied by a black-and-white photograph of an intricately carved sculpture of a bull, known as Nandi.

Key Details:

1. Photograph:

   • The sculpture depicts a bull, which is a significant figure in Hindu tradition, often associated with the god Shiva.
   • The bull is adorned with ornate carvings, including decorative patterns and jewelry-like embellishments around its neck and body.
   • The bull is seated on a square, dark base, suggesting it is a standalone sculpture.
   • The craftsmanship indicates intricate detailing, with patterns that appear to be symbolic or decorative.

2. Caption and Text:

   • The caption identifies the sculpture as "The Bull Nandi", a 14th-century Indian sculpture, measuring 10 1/4 inches high.
   • The text is attributed to Dorothy Anson and notes that the sculpture is from the Fogg Art Museum, Cambridge, Mass.
   • The article discusses the cultural and religious significance of the bull in India, highlighting its role as a symbol of Shiva and its representation in Hindu art and philosophy. It also touches on the historical context of Indian sculpture and its evolution over time.

3. Layout:

   • The page is part of a newspaper or magazine, with a clean, classic layout typical of mid-20th-century publications.
   • The text is arranged in a serif font, and the article is accompanied by a photograph placed prominently above the text.

Contextual Insights:

• Cultural Significance: The bull Nandi is a revered figure in Hinduism, often depicted as the vehicle or mount of the god Shiva. The sculpture reflects the artistic and religious traditions of 14th-century India.
• Artistic Detail: The photograph emphasizes the intricate carvings and symbolic adornments, showcasing the craftsmanship of the period.
• Historical Reference: The article situates the sculpture within the broader context of Indian art, discussing its evolution and the philosophical underpinnings of Indian sculpture.

Overall, the image provides a glimpse into historical Indian art and its cultural importance, presented in a formal, journalistic format.

This is a newspaper clipping from The Christian Science Monitor, dated Tuesday, July 30, 1963. The clipping features an image and article about an Indian sculpture titled "The Bull Nandi," which is described as a 14th-century work standing at 10 1/16 inches high. The sculpture represents Nandi, the sacred bull in Hinduism, typically associated with Lord Shiva. The article discusses the significance of the bull as a mythological and cultural symbol in Indian art, particularly in the context of its religious and philosophical values.

The image shows a seated figure of Nandi, adorned with intricate carvings and decorative details on its body, resembling ornaments. The sculpture is placed on a pedestal, emphasizing its artistic and cultural importance. The layout of the page feels archival, with signs of aging such as discoloration and spots, indicating it has been preserved for historical purposes.

The image shows a newspaper clipping from "The Christian Science Monitor," dated Tuesday, July 30, 1961. The page features an article with a photograph of a sculpture titled "The Bull Nandi." The article mentions that the sculpture is a 14th-century Indian sculpture, which stands 10 1/4" high.

The photograph displayed captures the sculpture of a seated bull in fine detail, showcasing intricate carvings and adornments that are typical of classical Indian sculptural art. The bull is traditionally associated with Nandi, the vehicle or vahana of Lord Shiva in Hindu mythology.

Below the photograph, the article provides some context and discusses the significance of the sculpture in Indian art and religious customs. It outlines the figure as being an example of Indian artisans' ability to create lifelike sculptures that are deeply infused with religious and cultural meanings. According to the article snippet visible in the image, the sculpture was showcased at the Fine Arts Museums of San Francisco.

The newspaper article is mounted on a brown paper backing, and signs of aging and wear are quite visible on the paper.

The image shows an old newspaper clipping from "The Christian Science Monitor," dated Tuesday, July 30, 1963. The clipping features a photograph of a 14th-century Indian sculpture titled "The Bull Nandi," which is 10½ inches high. The sculpture depicts a seated bull adorned with ornate decorations and a string of beads around its neck.

The text below the image discusses the significance and cultural context of the sculpture. It highlights that the bull figure is one of many sculptures from the collection of Mr. and Mrs. Earl Morse, displayed at the Fogg Art Museum until August 4. The text explains that in India, sculptures were traditionally regarded not just as art but as integral religious and cultural symbols. The Bull Nandi sculpture is noted to have likely been part of a carving from the Deccan period and symbolizes the vehicle of the Hindu deity Shiva.

The article, written by Dorothy Aglow, emphasizes the spiritual and artistic importance of these sculptures, contrasting it with modern art concepts and appreciating the deep symbolism embedded in the work.

An old scrapbook page with a newspaper clipping about a 14th‑century Indian sculpture called “The Bull Nandi.” The image shows a dark stone bull laid out on a rectangular pedestal, carved with decorative patterns and a beaded necklace around its neck. The clipping is from The Christian Science Monitor, dated Tuesday, July 30 (year not fully visible). The page itself is aged tan/orange with worn, slightly torn margins around the clipping.