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ARCH.2003.35, Rendition: 805010
This image shows a newspaper clipping or magazine article, neatly mounted and displayed on the right-hand page of an opened, aged scrapbook or album.
The clipping features a review of an art exhibition by Andrew Wyeth, titled “Wyeth’s Stepping Stones”, under the section heading “The Galleries”.
The article is written by Borah Burman. It discusses an exhibition of Wyeth’s work at the Fogg Art Museum on the Harvard campus, which consisted of 29 pieces and ran through February 28 before touring to galleries in New York, Washington, D.C., and Rockland, Maine. The review explores the artist’s process, noting the importance of preliminary sketches and drybrush techniques, and contrasts his small, detailed studies with his larger tempera paintings. It also highlights the personal nature of his subject matter, including his family, relatives, neighbors, and hired hands.
The text references Wyeth’s father, the illustrator N.C. Wyeth, and his admiration for Robert Frost. It also mentions that the works were executed in Wyeth’s native Pennsylvania and the Maine summer home of his wife.
Centrally featured is a black-and-white reproduction of a drybrush painting titled “FARAWAY”. The caption explains that the piece, executed in spring 1952, portrays the artist’s son, Jamie, who was daydreaming while searching for a lost knight in dried Tampa grass. The image itself shows a young boy lying on the ground, looking off into the distance, surrounded by sparse vegetation.
The scrapbook page itself has a yellowed, aged appearance, and the article appears to be affixed with glue or mounting tape at its corners. The right side of the scrapbook binder, which has a black cover, is partially visible.
Overall, the image captures a historical art review preserved as a keepsake, offering insight into the reception of Andrew Wyeth’s work in the early 1950s.
The image appears to be a page from a book or magazine, with a focus on an article about the artist Andrew Wyeth, specifically his work titled "Stepping Stones." The page features a central photograph of a child, identified as Wyeth's son Jamie, seated outdoors in a natural setting. The child is dressed warmly, with a furry hat and boots, suggesting a cooler season, possibly autumn or winter. The text accompanying the photograph describes the picture as a dry brush painting from the spring of 1952, capturing Jamie as he daydreamed while searching for a lost knight in dried tampa grass. The article discusses Wyeth's art, his meticulous approach to painting, and the exhibition of his work at the Fogg Art Museum. The text also touches on the artist's creative process and the themes within his paintings. The overall tone of the article is appreciative of Wyeth's work and its significance in the art world.
This image appears to be a page from a magazine or a book, likely a clipping or an insert, discussing an art exhibition. The page is titled "Wyeth's Stepping Stones" and is written by Borah Burman. It discusses a collection of dry brush sketches, pencil drawings, and watercolors by Andrew Wyeth.
At the top of the page, there is a black-and-white illustration of a young boy dressed warmly in a fur-lined hood and coat, sitting on the ground. The caption under the illustration reads: "FARAWAY: This dry brush picture of the artist’s son, Jamie, was executed in the spring of 1952. The artist caught the youth daydreaming while he was looking for a lost knight in the dried Tampa grass."
The text provides details about the exhibition, mentioning that it includes 73 pieces and highlights the meticulous development of Wyeth's work. It also discusses the artist's use of dry brush technique, watercolor, and pencil drawings, and how these preliminary works showcase the creative process leading to his large tempera paintings. The article mentions that the exhibition was held at the Fogg Art Museum on the Harvard campus and will later move to galleries in New York, Washington, D.C., and Rockland, Maine.
The text also touches on Wyeth's reputation and the high price his works command, noting that a Dallas museum paid $58,000 for a recent Wyeth canvas, which was the highest price paid by any museum for the work of a living American artist at the time. The article concludes by describing the subtle sense of color and the integrity and suspense in Wyeth's modest pieces.
The image shows an open book with a newspaper clipping inserted between the pages. The clipping features an article titled "Wyeth's Stepping Stones" from "The Galleries" section. The article is about the artist N.C. Wyeth and his son Jamie. It includes a photograph of Jamie, taken in the spring of 1932, standing on stepping stones in a field. The text discusses Wyeth's artistic process, his use of dry brush technique, and his ability to capture the essence of his subjects. The article also mentions Wyeth's success in the art industry and his reputation as a significant artist. The book's pages are slightly curled, and the newspaper clipping is slightly worn, indicating that it has been handled and read multiple times.
A book is open to a page with a newspaper clipping. The clipping features a black-and-white photograph of a young boy sitting on a grassy field, with the title "Wyeth's Stepping Stones" at the top. The clipping discusses the artist Andrew Wyeth's dry brush technique and his son Jamie's influence on his work. The text describes the process of creating dry brush paintings and the challenges Wyeth faced in capturing the essence of color.
The image shows an open book or magazine page featuring an article titled "Wyeth's Stepping Stones" from "The Galleries." The page is predominantly beige with black text and includes a central illustration of a young child sitting on the ground. The child is dressed in dark clothing and appears to be holding a small object, possibly a toy or a book, and is positioned in a natural outdoor setting with grass visible beneath them.
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Overall, the image captures a moment of artistic reflection, showcasing both the subject (Jamie Wyeth) and the artist's creative process through a combination of visual and textual elements.
This image shows a newspaper clipping titled "Wyeth’s Stepping Stones" from the section "The Galleries." The clipping includes an illustration of a child seated in a contemplative pose on dried grass, with blurred face for privacy. Below it, the text provides details about the artwork, its subject, and the artist’s techniques and approach. The article credits Andrew Wyeth with executing the artwork. The visible writing discusses Wyeth’s use of dry-brush techniques, his focus on realistic depiction, and his unique color usage. It appears to be a critique or retrospective piece on Wyeth's contributions to art, including mention of his son Jamie as the subject in the showcased painting. The clipping suggests a vintage aesthetic and is pasted onto a toned, aged paper in what might be a scrapbook or archival book with dark binding.
This image depicts an open book or a journal displaying a magazine or newspaper clipping pasted onto a page. The clipping features a column with the heading "The Galleries" followed by the title "Wyeth’s Stepping Stones" in bold print. Just below the title is a small image of a child seated on the ground with visible attire and surroundings, excluding the blurred region. Accompanying the text is the name "By Borgh Bernam" which is likely the author of the article.
The article appears to be about an exhibition and includes various paragraphs of text. Some words and phrases can be made out, such as "American master," "the art world," and "painting's owner." The layout suggests that the article provides insights into the art world, presumably focusing on a piece or a series by an artist named Wyeth. The left margin of the clipping shows a vertical line, suggesting it is a column from a newspaper or magazine.
The book or journal itself has a brownish-orange right page where the clipping is attached and a black binding on the right side of the image, indicating the item is likely a bound collection of papers or a scrapbook.
The image shows a newspaper clipping titled "Wyeth's Stepping Stones" under the section "The Galleries." The article is written by Borah Burman. It discusses the art and work of N.C. Wyeth, a well-known illustrator. The clipping includes a black-and-white image of a child identified as the artist's son, Jamie. The caption below the image reads: "FARAWAY: This dry brush picture of the artist's son, Jamie, was executed in the spring of 1952. The artist caught the youth daydreaming while he was looking for a lost knight in the dried tampa grass."
The article analyzes Wyeth's style, mentioning his use of color and technique, and notes his significance in American art. The newspaper clipping is pasted onto a beige or light brown scrapbook or album page that appears slightly aged.
A vintage scrapbook page with a clipping mounted on tan/or brown paper. The edges around the clipping are rough, giving an aged look, and the page is bound in a book.
The clipping title reads “Wyeth’s Stepping Stones” with a small label above that says “The Galleries.”
A black-and-white photograph shows a young boy (face obscured by a small square) standing or crouching in a grassy outdoor setting, wearing a dark coat.
Beneath the photo is a caption (partially legible) describing the image as a dry-brush picture of the artist’s son, Jamie, and noting it was made in the spring of 1952.
The article text beneath the photo is in small columns and is credited to Borah Burman, discussing Wyeth (the Wyeth family of artists) and the work pictured. The overall look is that of a mid-20th-century arts feature.