Archives Scrapbooks

This image shows an open, vintage book or scrapbook with aged, yellowed pages. The pages are filled with newspaper clippings, carefully mounted, relating to an art exhibition at the Harvard Fogg Art Museum. The overall appearance suggests a curated collection of press coverage from the 1940s.

The main headline on the left-hand page reads: “This Week in the Art World: Fogg Shows Draw On Good Old Days.” It is authored by Edgar J. Driscoll, Jr. and features a small, black-and-white portrait of a man, presumably Driscoll.

The article discusses a major exhibition of drawings from the collection of John Nicholas Brown, a prominent Rhode Island figure and art connoisseur. The exhibition, held at the Fogg Museum, aimed to celebrate “the good old days” by showcasing 40 master drawings from the Renaissance to the 19th century. It highlights the historical significance of the collection, noting it was Brown’s first public display of his private trove.

Key artworks mentioned include:

• A Leonardo da Vinci silverpoint drawing of horses and rider.
• A Rembrandt study called “Adoration of the Magi.”
• Works by Raphael, Parmigianino, Dürer, Francesco Guardi, Degas, Ingres, Delacroix, Redon, and Van Gogh.
• A Titian drawing of a youth with an upturned head.
• Dutch master drawings, including a powerful brush and ink piece by Rembrandt titled “Joseph Interpreting Dreams in Prison,” described by Van Gogh as “very ugly.”

The article also notes the inclusion of a small group of Egyptian, Persian, and Near Eastern drawings and sculptures.

The right-hand page features another article, titled “Art: Study of Figures At Fogg Museum,” by George N. Morris. This piece focuses more specifically on the figure drawings in the exhibition. It describes the historical context of figure drawing, referencing Michelangelo’s “Resurrection” and Franciszka’s “Anatomical Figure”, and mentions that the exhibition includes works by well-known and unknown artists. It emphasizes the enduring value of studying human figures in art and notes that the collection includes items from the 18th and 19th centuries, as well as a “curious little bronze” by Pierre Travaglione.

The text is printed in a classic newspaper font, with dense columns typical of mid-century journalism. The paper is visibly aged, with browned edges and a slightly brittle texture. The entire spread is framed by a dark fabric or leather binding, indicating it is part of a bound scrapbook or collected portfolio.

In summary, the image documents a historic art exhibition at the Fogg Museum, preserved through carefully compiled newspaper reviews that praise the collection's quality, historical breadth, and significance in the study of art and the human form.

The image shows a page from a magazine or newspaper that appears to be discussing art exhibitions at the Fogg Museum. The page is titled "This Week in the Art World: Fogg Shows Draw On Good Old Days" by Edgar J. Driscoll Jr. and focuses on the Harvard Fogg Art Museum's celebration of a "lush and lovely drawing show" that includes master drawings from the collection of John Nicholas Brown, a prominent figure in business, art, and civic leadership. The article discusses the collection's significance and the wide range of artists represented, including Leonardo da Vinci, Tiepolo, and Rembrandt.

The page also includes other articles and sections, such as a focus on the "Phinney Collection" and a discussion of "Figure Styles" in the exhibition. There is a photograph of a man, likely John Nicholas Brown, as part of the article. The text is in a classic newspaper or magazine format, with various headlines and subheadings, and the page has the appearance of being aged or vintage, possibly from the mid-20th century.

This image shows an open book or magazine page with several clippings pasted onto it. The clippings are from a section titled "This Week in the Art World" and discuss an art exhibition at the Harvard Fogg Art Museum. The main article is titled "Fogg Shows Draw On Good Old Days" and is written by Edgar J. Driscoll Jr. It describes a collection of 40 master drawings from the collection of John Nicholas Brown, celebrating "the good old days."

The article mentions various artworks, including drawings by Leonardo da Vinci, Luca Signorelli, Parmigianino, Titian, Tiepolo, Francesco Guardi, Fragonard, Boucher, Ingres, Watteau, Daumier, Degas, Rembrandt, and Vincent van Gogh. It also discusses the Phinney Collection, which includes drawings, prints, and sculpture from the 19th century French Impressionists and Post-Impressionists.

Another clipping on the right side of the page is titled "Art: Study of Figures At Fogg Museum" and is written by George N. Morris. It discusses an exhibition at the Fogg Museum featuring various items of drawing, painting, sculpture, printmaking, and decorative design done entirely within the short span of 60 years in the middle of the 16th century in Italy.

The clippings are neatly arranged on the page, and the text is printed in a traditional newspaper style. The background of the page is a light brown color, and the edges of the clippings are slightly curled. The book is lying on a light-colored surface.

The image shows a page from an old magazine or newspaper, possibly from the mid-20th century, given the style of the text and the layout. The page is slightly aged, with some discoloration and wear visible, particularly at the edges. The page features several articles, each with a distinct title and byline, suggesting a focus on art and cultural exhibitions. The top article is titled "This Week in the Art World: Fogg Shows Draw On Good Old Days" by Edgar J. Driscoll Jr. The article discusses an exhibition at the Fogg Art Museum, highlighting the works of John Nicholas Brown and other artists. The text is printed in a serif font, typical of the era, and the layout is straightforward, with columns of text separated by white space. The page also includes smaller articles and advertisements, indicating a standard newspaper or magazine format.

The image is a double-page spread from an old newspaper or magazine, featuring an article titled "Fogg Shows Draw On Good Old Days." The article discusses an art exhibition at the Harvard Fogg Art Museum, which showcases 40 master drawings from the collection of John Nicholas Brown, a prominent Rhode Island businessman and Harvard alumnus. The exhibition celebrates Brown's 40th anniversary at the museum and his contributions to the institution. The article highlights the significance of the collection, which includes works by renowned artists such as Leonardo da Vinci, Michelangelo, and Raphael. The text is accompanied by an image of John Nicholas Brown, and the layout includes various sections with headings such as "Study of Figures at Fogg Museum," "Phinney Collection," and "Figure Styles." The image also shows the edges of the pages, suggesting that it is a scanned or photographed copy of the original document.

The image depicts a two-page spread from a publication titled "This Week in the Art World." The layout is characteristic of a magazine or journal, featuring text and accompanying illustrations. Here's a detailed description:

Layout and Content:

1. Title and Subtitle:

   • The top of the left page prominently displays the title: "This Week in the Art World."
   • Below the title, a subheading reads: "Fogg Shows Draw On Good Old Days."
   • The article is attributed to Edgar J. Driscoll, Jr.

2. Left Page:

   • Headline and Introduction:
     • The article discusses an exhibition at the Harvard Fogg Art Museum, celebrating the "good old days" of art. It mentions that the museum has curated a collection of 40 master drawings, showcasing works by notable artists such as John Singer Sargent, John La Farge, and John Singer Sargent.
     • The text highlights the diversity and historical significance of the collection, noting that it includes works from the 16th to the 20th centuries.
   • Image:
     • A black-and-white photograph of a man, presumably Edgar J. Driscoll, Jr., is placed near the top left of the page. He appears to be wearing a suit and tie, suggesting a formal or professional context.
   • Body Text:
     • The article elaborates on the exhibition, mentioning specific artists and their works, such as Loos Du Vinci, Pisanello, Raphael, and Leonardo da Vinci. It also discusses the Whisney Collection, noting that it includes works by artists like Mary Harris Phinney.
     • The text provides details about the exhibition's themes, such as the Study of Figures and Figure Styles, and highlights the historical and artistic value of the displayed pieces.

3. Right Page:

   • Continued Article:
     • The right page continues the discussion of the Fogg Museum exhibition. It elaborates on the Study of Figures section, describing the primary small-scale figure studies that were a significant part of the human figure in art during the 16th and 17th centuries.
     • The article also touches on Figure Styles, mentioning artists like Annibale Carracci and Peter Paul Rubens, and discusses the evolution of figure styles from the Renaissance to the Baroque period.
   • Illustrations:
     • Several small black-and-white illustrations are embedded within the text. These appear to be reproductions of artworks, likely from the exhibition. The captions beneath the illustrations provide details about the artists and the works depicted.
     • Examples of illustrated works include:
       • "Study of Figures at Fogg Museum" by George N. Morris.
       • "Figure Styles" by George N. Morris.
       • "Intiguing Items" featuring works by artists such as Tintoretto, Michelangelo, and Poussin.
   • Textual Details:
     • The right page continues the narrative about the exhibition, emphasizing the educational and historical value of the displayed works. It also mentions the Impressionists, Post-Impressionists, and other notable artists, suggesting a broad chronological and stylistic range in the collection.

Design and Typography:

• The typography is clean and formal, typical of mid-20th-century publications. The text is organized into paragraphs, with clear headings and subheadings.
• The use of illustrations is integrated seamlessly into the text, enhancing the reader's understanding of the discussed artworks.
• The overall design is structured and professional, aimed at an audience interested in art history and museum exhibitions.

Overall Impression:

The image portrays a well-crafted article from an art-focused publication, providing a detailed and informative overview of an exhibition at the Harvard Fogg Art Museum. The combination of textual analysis and visual illustrations makes the content both educational and engaging for readers interested in art history.

The image shows an open book or journal with various articles related to art. The left page has a headline that reads "This Week in the Art World" and speaks of an art show titled "Fogg Shows Draw on Good Old Days." The right page continues the theme with columns titled "Art: Study of Figures At Fogg Museum." The articles appear to review or discuss art exhibitions, likely with a historical or retrospective angle, given the titles' references to the past.

The visible text includes references to master drawings from the Middle Ages to the eighteenth century, the importance of drawing in the study of figures, discussions of different kinds of art such as drawings, prints, and book illustrations, and mentions various artists by name. The page layout follows a traditional newspaper style with columns of text, and the paper itself shows signs of aging, such as discoloration and slight wear.

It's worth noting that the book or journal is part of a larger collection; it's resting within a larger bound volume, suggested by the hardcover seen to the left of the page. This implies that the paper itself might be an archival item or part of a library collection.

This image shows a scrapbook page containing clipped newspaper articles pasted onto it regarding art exhibits at the Fogg Museum, likely from the mid-20th century. The main headline reads, "This Week in the Art World: Fogg Shows Draw on Good Old Days", followed by a byline crediting Edgar J. Driscoll Jr.

The page features three distinct sections of text:

1. The left-hand side contains a long column about a collection of master drawings at the Fogg Art Museum, focusing on its historical significance and individual pieces, including a "choice Leonardo" work, descriptions of drawings, and notes on their context from various historical art periods.
2. The bottom left discusses further works in the exhibit, delving into thematic elements and contributors.
3. On the right, a smaller clipping titled "Art: Study of Figures at Fogg Museum" written by George N. Morris describes a figure study exhibit showcasing styles from different periods and locations.

The page context appears historical, emphasizing art appreciation and critique, preservation, and education in museum settings. One article highlights the rich artistic legacies of Leonardo da Vinci, Rembrandt, and others, alongside a Phinney collection with modern art pieces. The texts exhibit different aspects of exhibitions, focusing on art styles, evolution, and historical relevance.

• A scrapbook page inside a black binding, showing aged beige paper.
• The page is a collage of old newspaper clippings about art exhibitions.
• The main headline at the top reads something like “This Week in the Art World” with a sub-headline “Fogg Shows Draw On Good Old Days.”
• A large clipping on the left includes text and a small image, likely about a drawing show at the Fogg Art Museum.
• Several narrower clippings are attached around the center and right, including a piece titled “Art” by George N. Morris and notes about study of figures at the Fogg Museum.
• The overall look is vintage, with torn edges and multiple small articles pasted onto a single page.

The image shows a scrapbook page with several newspaper clippings pasted on it. The main headline at the top reads "This Week in the Art World: Fogg Shows Draw On Good Old Days" by Edgar J. Driscoll Jr., discussing a drawing show at the Harvard Fogg Art Museum featuring 40 master drawings from John Nicholas Brown of Rhode Island.

There are three smaller clippings beneath the main article:

1. One clipping discusses various notable drawings, including works representative of Leonardo Da Vinci, Rembrandt, and other artists. It refers to a range of art styles and specific works, mentioning drawings by Joseph Interpreting Drams in Prison and Rembrandt.

2. Another clipping titled "Art:" by George N. Morris elaborates on the Fogg Museum exhibit, detailing the figure styles and the theme of the Mannerist Figures, the artists featured, and the types of drawings included.

3. The third smaller clipping mentions the Phimney Collection, highlighting 40 drawings and sketches from Renaissance and early modern periods. It also details another exhibit at the Fogg, running until July, featuring selections from modern artists, including sculptures and works in bronze.

Overall, the page documents art exhibitions primarily centered on classical and Renaissance drawings and sculptures presented at the Harvard Fogg Art Museum.