Archives Scrapbooks

This image displays a close-up photograph of several aged newspaper clippings, likely from the early 1960s, mounted on a light-colored backing sheet. The clippings appear to be from a press clipping service based in Minneapolis, Minn., as indicated by a stamp at the top of the left article.

The most prominent article, positioned on the left, is titled “‘Friends of Fogg’ Go Behind Scenes In Field of Art” and was published in The New York Times on Wednesday, February 7, 1962.

This article reviews an exhibition prepared by the Fogg Art Museum of Harvard University, which was displayed at the Harvard Club in New York. The exhibition, organized by donors and supporters of the museum known as the “Friends of Fogg,” showcased items that are typically hidden from public view—such as restorations, forgeries, and damaged works—and aimed to demystify the art world’s processes.

Key points from the article include:

• It addresses questions of identification, attribution, and authenticity.
• It features examples of “fakes,” including:
  • A “Madonna and Child” painting initially believed to be by Carlo Crivelli, which was later revealed to be a 19th-century forgery.
  • A fake Paul Klee sketch and a real one that were difficult to distinguish.
  • A genuine 15th-century drawing that had been falsely “restored” to look older.
• The article suggests that even experts may only be able to determine authenticity in a matter of minutes.
• It quotes James J. Rorimer, director of the Metropolitan Museum of New York, defending the museum’s position by stating that few experts can deliver a considered opinion quickly.

To the right is another clipping, titled “Events in Art”, which discusses exhibitions in Boston, specifically at the Fogg Museum and the Dunbarton Galleries. Key points include:

• An exhibit titled “Horse and Rider” by Da Vinci, part of the John Nicholas Brown collection, was on display at the Fogg Museum through July 29.
• A “Benefit Show” by the High Association, featuring “young Turks” of art, was held at the Dunbarton Galleries.

The clippings are yellowed with age, showing creases and slight wear. The article on the left is clipped with its original masthead, while the right article appears to be an excerpt. A thin, dark rectangular object (possibly a book spine, frame, or folder edge) is visible along the left margin of the image.

Overall, the image presents a historical artifact of art journalism from 1962, focused on art authentication, museum exhibitions, and public engagement with the “behind-the-scenes” world of art curation and collection.

The image shows an open book or a collection of clippings, with pages that appear to be from a newspaper or magazine, discussing art-related events and exhibitions. The text is from a news article titled "Events in Art" and mentions exhibitions at the Fogg Museum and the Dunbarton Galleries. Specifically, it talks about the Fogg Museum's exhibition featuring drawings from the collection of John Nicholas Brown, and a group exhibition at the Dunbarton Galleries. The article lists notable works, such as a drawing by Da Vinci titled "Horse and Rider," and other artists like Fragonard, Rubens, and Daumier. It also discusses the challenges of identifying and attributing artworks, the condition of the works, and the presence of fakes. The article includes a photograph of the "Horse and Rider" drawing. The page also features a smaller clipping at the top left that seems to be an announcement or news item, possibly about an event or exhibition, with a mention of "Friends of Fogg" and going "Behind Scenes In Field of Art." The overall tone of the pages is informative and critical of the art world's practices and authenticity issues.

This image shows an open scrapbook or collection book that contains a compilation of newspaper clippings related to art exhibitions and events. The book is open to a page where several clippings are glued or taped in place.

The main clipping on the right side is titled "Events in Art" and discusses exhibitions at the Fogg Museum and the Dunbarton Galleries. It mentions a display of drawings from the collection of John Nicholas Brown, including works by Picasso, Da Vinci, and others. There is also a small illustration titled "HORSE AND RIDER" by Da Vinci.

The clipping on the left side is titled "‘Friends of Fogg’ Go Behind Scenes In Field of Art" and discusses a small exhibit at the Harvard Club. It covers topics like conservation, identification, and attribution of artworks, and includes a game to test the ability to distinguish between original works and copies or fakes.

The background of the image shows the edge of the book and part of the surface it is resting on. The clippings are from the Rhinelander (Wis.) News, dated Thursday, February 8, 1962.

The image shows a newspaper clipping with the title "Events in Art" on the top right corner. The clipping is placed on a piece of paper, which is probably a scrapbook. The clipping contains articles about art exhibitions, including "Fogg and Dunbarton Displays Keep Pulse in City Galleries" and "Friends of Fogg Go Behind Scenes In Field of Art." The articles are written in black ink on white paper.

The image shows an open book with two pages. The left page has a heading that reads "Friends of Fogg Go Behind Scenes In Field of Art." It seems to be an article from a newspaper. The right page has a heading that reads "Events in Art" and contains a mix of articles and advertisements. The articles discuss various art-related events, including exhibitions and benefit shows. The advertisements include information about art pieces for sale, such as "Horse and Rider" by Da Vinci.

The image shows an open page from a printed publication, likely a newspaper or magazine, dated February 7, 1963, as indicated at the top of the left column. The publication is titled "PRESS CLIPPING EXCHANGE" and is associated with MINNEAPOLIS, MINN. The layout consists of two columns of text, with the left column titled "Friends of Fogg' Go Behind Scenes In Field of Art" and the right column titled "Events in Art".

Left Column: "Friends of Fogg' Go Behind Scenes In Field of Art"

• Content Overview: This section discusses an exhibition or event organized by the Friends of the Fogg, likely referring to the Fogg Art Museum at Harvard University. The article delves into the behind-the-scenes aspects of art exhibitions, focusing on the process of displaying and authenticating artworks.
• Key Points:
  • The article mentions a recent exhibition that showcased a small but significant collection of works.
  • It highlights the challenges of displaying original artworks, including issues of conservation, authenticity, and the need for specialized techniques.
  • There is a discussion about the role of curators and the importance of preserving the integrity of the artworks.
  • The article also touches on the educational value of such exhibitions, emphasizing how they allow viewers to appreciate the intricacies of art conservation and presentation.

Right Column: "Events in Art"

• Content Overview: This section provides updates on various art events, exhibitions, and news related to the art world.
• Key Points:
  • Fog and Dunbarton Displays: The article mentions exhibitions at the Fogg Museum and the Dunbarton Gallery, highlighting specific displays and artists featured.
  • Standouts Listed: A subsection titled "Standouts Listed" appears to highlight notable artworks or exhibitions. It includes details about drawings by Freemantle Parrish, sketches by Ives Roethlisberger, and other artists.
  • Benefit Show: There is mention of a benefit show organized by the Fogg Art Museum, likely to raise funds for the institution.
  • Art News: The column also includes brief updates on art-related activities, such as exhibitions, sales, and other cultural events.

Visual Elements:

• Typography: The text is typeset in a classic serif font, typical of mid-20th-century print media.
• Layout: The two-column format is standard for newspapers and magazines of the era, allowing for efficient use of space and readability.
• Headings and Subheadings: The use of bold and larger fonts for headings helps organize the content and guide the reader through different sections.
• Advertisements: On the right margin, there are small advertisements or notices, such as "Art Off" and "For $10," which appear to be unrelated to the main article content.

Contextual Clues:

• The publication date (February 7, 1963) situates the content in the early 1960s, a period marked by significant developments in the art world, including the rise of modern and contemporary art movements.
• The focus on museum exhibitions, conservation, and art education reflects the growing public interest in art during this era.

Overall, the image depicts a page from a historical art-related publication, providing insights into museum exhibitions, art conservation, and the broader cultural landscape of the early 1960s.

This image shows a scrapbook page with pasted newspaper clippings.

1. Clipping on the left side:

   • It is titled "Friends of Fogg Go Behind Scenes In Field of Art."
   • Discusses behind-the-scenes processes of art curation and presentation and appears to detail the complexities of managing exhibitions or art collections. The text is typed in a column format and appears to have a longer continuation, which extends downward off the page.

2. Clipping on the right side:

   • It is titled "Events in Art" and discusses events, exhibitions, and displays in art galleries.
   • Mentions the Fogg Museum and Dunbarton Galleries, describing art collections and specific pieces on display. A small black-and-white picture of an artwork titled "Horse And Rider" by Da Vinci is included in the text.

The overall content seems to revolve around art exhibitions, education about museum practices, and cultural events related to the visual arts.

This image shows a page from an old scrapbook or newspaper archive. There are two prominent newspaper clippings:

1. The clipping on the left is titled "'Friends of Fogg' Go Behind Scenes In Field of Art." It discusses an exhibit at the Harvard Fogg Art Museum, explaining how experts and curators study and restore art. The article highlights how the museum prepared the exhibit, the process of authentication and restoration, and the involvement of various specialists in the field. It emphasizes the meticulous care taken to differentiate originals from fakes and the expertise involved in the museum's work.

2. The clipping on the right is titled "Events in Art: Fogg and Dunbarton Displays Keep Pulse in City Galleries." It mentions art exhibitions by the Fogg Museum and the Dunbarton Galleries in Boston, detailing some of the highlights. Notably, it talks about a drawing called "Horse and Rider" by Da Vinci and other works at the galleries. The article notes the collaborations and contributions of artists such as Bartlett, Kepes, Boyce, Saxe, Morton, and Conspicuous. It praises the exhibitions for maintaining a vibrant art scene in the city.

The scrap page is dated Thursday, February 8, 1962, from the Minneapolis Star News, as indicated by a small label at the top of the page. The layout appears to be part of an archival press clipping collection.

The image shows a close-up of an old scrapbook or album page. It contains two vintage newspaper clippings pasted onto yellowed paper.

• On the left is a long, narrow vertical clipping with a bold headline that appears to read something like “Friends of Fogg Go Behind Scenes In Field of Art.”
• On the right is a larger rectangular clipping headed “Events in Art” (about Fogg and Dunbarton displays in city galleries) with multiple columns of text and a small image or illustration within.

The page is bound on the left edge with a dark spine, and the whole thing sits on a light gray surface, giving a dated, archival feel.

This is an image of an open book with newspaper clippings pasted on the left page and a portion of a newspaper page affixed to the right page. The newspaper clippings cover various topics, but the visible titles on the left page include "Friends of Fogg Go Behind Scenes In Field of Art" and what seems to be a date-stamp "Feb 9 1939." On the right side, the heading "Events in Art" highlights exhibitions with mentions of "Fogg and Dumbarton" and a subheading "Horse and Rider" discussing a piece by "Da Vinci" and reference to "John Nicholas Brown." The visible text talks about art exhibitions, events, and specific artworks or collections, giving a historical perspective on art appreciation and presentation. The book appears to be a scrapbook or collection of art-related articles. The newspaper has yellowed with age, suggesting the clipping and pages are quite old.