Archives Scrapbooks

This image displays an open, aged scrapbook or press clipping album. The two visible pages are filled with newspaper clippings, primarily from “The Houston Post,” mounted with glue or adhesive. The paper of both the clippings and the scrapbook pages shows signs of yellowing and aging.

The clipping on the left page is from the “New York Times,” datelined Tuesday, January 16, 1962. It features a headline: “Art Experts Guess Wrong Between Picasso, Fakes,” written by Nan Robertson. The article details a quiz game at Harvard Club in New York where 300 art experts, including curators from major museums and university professors, were unable to correctly distinguish between authentic works and forgeries of artists like Raphael, Rembrandt, and Picasso. James J. Rorimer of the Metropolitan Museum, Philip Hofer, and John Walker of the National Gallery were among those who guessed incorrectly. Joseph Pulitzer, Jr. was the only one who correctly identified a forged Picasso.

The clipping on the right page is from “The Houston Post,” dated February 4, 1962 (indicated by a stamp: “POST, Houston, Tex. FEB 4 – 1962”). This section is titled “Artists and Exhibits / Recent Acquisitions” and includes several short items:

• A report on new acquisitions by the Museum of Fine Arts, Houston, including a carved hardwood crocodile from the Middle Sepik District of New Guinea and an oil painting by Doménico Brancaleone.
• Information on Dr. MacAgy’s lectures on “Great Art” at the University of Saint Thomas.
• Details on an exhibit of paintings by W. F. Herdmann in the Minnie Art Gallery.
• A “Lecture Tonight” announcement featuring Dr. John Riggers speaking at the Jewish Community Center.
• An announcement for a “Spanish Trio” exhibition featuring Picasso, Chirico, and Miró at the University of Houston.
• A “School Competition” notice for the Texas regional contest for the 1962 Scholastic Art Award.
• A “Museum Lecture” by Miss Agnes Morgan at the Fogg Museum.
• A “Snell-Roerchenbeck” note about a show of Houston artists at the Houston Gallery of Art.

The overall impression is of a curated collection of art-related news from early 1962, compiled by someone with a keen interest in the arts. The clipping from the New York Times is more prominent and detailed, while the Houston Post clipping provides a local perspective on exhibitions and lectures.

The image is a photograph of a page from a newspaper or a collection of clippings, likely dating back to the 1960s. It appears to be part of a scrapbook or a collection of articles related to art and museum exhibitions. The page contains several articles and clippings, each with a focus on different aspects of art and exhibitions.

1. Left Side:

   • "Western Press Clipping Exchange Minneapolis, MN": This section seems to be a part of a press clipping exchange, suggesting that the clippings are from various newspapers and are being shared or exchanged among different locations.
   • "Art Experts Guess Wrong Between Picasso, Fakes": This article discusses a quiz game at the Harvard Club in New York City, where art experts and collectors were asked to distinguish between genuine and fake artworks by Picasso. The article mentions various experts who participated, including James J. Rorimer, Theodore Rousseau, John Walker, Frederick B. Adams Jr., and Prof. Rensselaer Lee.
   • "Editor Is Right": This section refers to Joseph Pulitzer, the editor of the St. Louis Post-Dispatch and a noted art collector, who guessed correctly in the quiz game.

2. Right Side:

   • "Artists and Exhibits: Recent Acquisitions": This section mentions recent acquisitions by the Museum of Fine Arts, including a carved, hardwood crocodile from New Guinea, a polished brass sculpture "Mademoiselle Pogany" by Constantin Brancusi, and a painting "22 Aout 61" by Pierre Soulages.
   • "Dr MacAgy Lectures": It announces a series of lectures on Greek Art by Dr. Jermayne MacAgy at the University of Saint Thomas.
   • "Gallery in Bryan": This section discusses an exhibition of paintings by Azapain of Uruguay at the Mink Art Gallery in Bryan, Texas.
   • "Lecture Tonight": This refers to a lecture by Dr. John Biggers at the Jewish Community Center's "Meet the Artist" program.
   • "School Competition": It mentions an exhibit of entries in the Texas regional contest for the 1962 Scholastic Art Award.
   • "Museum Lecture": This section discusses a lecture by Miss Agnes Mongan on "Cezanne as a Draughtsman in the French Tradition."
   • "Snell-Roehrenbeck": It mentions a two-man show of Houston artists Don Snell and Robert Roehrenbeck at the Helen Coffey Art Gallery.

The page is well-organized, with each article or clipping neatly placed, suggesting that it was part of a deliberate collection or scrapbook. The articles cover various aspects of art, including exhibitions, acquisitions, lectures, and competitions.

This image shows a scrapbook page with several newspaper clippings pasted on it. The page appears to be from a scrapbook with a beige or light brown cover. The clippings are from different newspapers and are dated from 1962.

Left Side:

• Western Press Clipping Exchange Minneapolis, MN: This label is at the top left corner, indicating the source or category of the clippings.
• Des Moines (Ia.) Register, Tuesday, January 16, 1962: This clipping is from a newspaper article titled "Art Experts Guess Wrong Between Picasso, Fakes" by Nan Robertson. The article discusses an event where art experts and collectors participated in a quiz to identify forgeries of artworks by artists such as Picasso, Klee, and Raphael. It mentions that some experts were fooled by the forgeries, while others correctly identified them.

Right Side:

• POST, Houston, Tex. FEB 4 - 1962: This label is at the top right corner, indicating the source of the clippings on this side.
• Artists and Exhibits - Recent Acquisitions: This section discusses recent acquisitions by the Museum of Fine Arts, including a carved hardwood crocodile from New Guinea, a polished brass "Mademoiselle Pogany" by Constantin Brancusi, and a painting by Pierre Soulange. It also mentions various lectures and gallery exhibitions, including a series of lectures on Greek Art by Dr. Jermaine MacAgy, a gallery in Bryan featuring paintings by Azapain of Uruguay, and a lecture by Dr. John Biggers at the Jewish Community Center.
• Spanish Trio: This section discusses an exhibition of works by Picasso, Chillida, and Miro, including a monumental painting by Picasso and a massive wood sculpture by Chillida.
• School Competition: This section mentions a Scholastic Art Award competition for high school students in Texas.
• Museum Lecture: This section mentions a lecture by Agnes Mongan on Cezanne as a Draughtsman in the French Tradition.
• Snell-Roehrenbeck: This section discusses a two-man show of Houston artists Don Snell and Robert Roehrenbeck at the Helen Coffey Art Gallery.

The clippings are arranged neatly on the page, with some handwritten notes and markings on the clippings themselves. The overall theme of the clippings appears to be related to art, art exhibitions, and art education.

The image shows an open book with several newspaper clippings pasted on its pages. The clippings are from different newspapers, including the Western Press Clipping Exchange, Minneapolis, Minn., and the Houston Post. The clippings cover various topics, such as art exhibitions, acquisitions, and lectures. One of the clippings features an article about art experts guessing between Picasso and fakes, while another clipping discusses recent acquisitions by the Museum of Fine Arts. The book appears to be a collection of newspaper clippings related to art and culture.

The image shows a book or magazine open to a page with newspaper clippings and articles. The page is divided into two columns with different text and headlines. The left column has a headline "Art Experts Guess Wrong Between Picasso, Fakes" with an article discussing a quiz where art experts were asked to distinguish between original Picasso paintings and forgeries. The right column has a headline "Recent Acquisitions" with articles about recent acquisitions by the Museum of Fine Arts in Houston. The page also has smaller articles about lectures, exhibitions, and competitions related to art.

Description of the Image:

The image shows an open book or document titled "Western Press Clipping Exchange, Minneapolis, Minn." The document appears to be a collection of newspaper clippings, likely from the Minneapolis Tribune, dated January 18, 1962, as indicated at the top of the page. The page is filled with typed text, formatted as a newspaper clipping or article, and includes several distinct sections.

Main Article:

• Headline:
  "Art Experts Guess Wrong Between Picasso, Fakes"
  • The article discusses an art forgery event that took place in New York, where experts were challenged to distinguish between genuine works by Picasso and expertly crafted forgeries. The event was organized by the Fogg Art Museum at Harvard University and involved notable figures such as John Walker (director of the National Gallery of Art), Adnan Khouri (director of the Metropolitan Museum of Art), and Adelphi Millard (director of the Morgan Library in New York).
  • The article highlights the surprising outcome: experts often misidentified the forgeries as genuine works and vice versa. It also mentions that the forgeries were so convincing that even the artist, Raphael, who created them, struggled to differentiate between his own work and Picasso's.
  • The article includes quotes from participants, such as Adelphi Millard, who expressed surprise at the forgeries' quality.

Additional Sections:

1. Artists and Exhibits:

   • This section, titled "Recent Acquisitions," discusses new additions to the Museum of Fine Arts in Houston. It mentions the acquisition of works by artists such as Cezanne and Pissarro, as well as a collection of hardwood furniture from the Gulf Coast.
   • There is also mention of a Dr. Mae Asy Lecture series on Greek Art, scheduled to begin at the University of Houston.

2. Galleries:

   • This section highlights recent paintings by Bryan at the Mink Gallery in Houston. It notes that these works have been exhibited for five years and are now being shown in the Hawaiian Islands.

3. Lecture Tonight:

   • A Jewish Community Center lecture by Dr. Jesse Boggs is advertised, focusing on modernism and philosophy. The lecture is scheduled for Sunday, February 3, 1962, at 7:30 PM.

4. School Competition:

   • An art competition for Texas School students is announced, with entries due by March 1. The competition is organized by the University of Houston.

5. Museum Lecture:

   • A lecture by Joseph Cotter at the Houston Gallery Art Gallery is mentioned, scheduled for Monday, February 4, 1962, at 9 AM and 3 PM.

Layout and Design:

• The page is neatly typed, with clear headings and subheadings for each section.
• The text is organized into columns, typical of newspaper layouts.
• There are stamps and markings on the page, including a POST stamp from Houston, Tex., Feb 4 – 1962, indicating that this clipping was part of a press clipping exchange service.
• The bottom of the page includes the logo and name of "The Houston Post," suggesting that this clipping was originally published in that newspaper.

Overall Context:

The document provides a snapshot of art and cultural events in the early 1960s, focusing on art forgery, museum acquisitions, gallery exhibitions, lectures, and educational competitions. It reflects the interest in art authenticity and the evolving art scene of the time. The inclusion of specific dates, names, and locations suggests it was part of a curated collection of press clippings for historical or research purposes.

This image depicts two newspaper clippings pasted onto a brown background, likely part of a scrapbook. The clippings are dated from 1962 and discuss art-related topics.

1. Clipping on the left:

   • Titled "Art Experts Guess Wrong Between Picasso, Fakes" by Nan Robertson, it details a sophisticated art quiz held at an event attended by experts and collectors. The participants were tasked with identifying genuine works among pieces including Picasso and others. The article humorously touches on the challenge of distinguishing authentic art from well-crafted forgeries, mentioning a particular case where a forged Picasso fooled one expert.

2. Clipping on the right:

   • Titled "Artists and Exhibits: Recent Acquisitions" from The Houston Post (February 4, 1962), it highlights activities in the art world:
     • Discusses new acquisitions at the Museum of Fine Arts curated by a director named Agnes Morgan.
     • Mentions various lectures, exhibitions, and competitions featuring artists and art students.
     • Includes notes on temporary exhibitions and cultural events like the Spanish Trio and Museum lectures.

Additional handwritten annotations (e.g., "POST, Houston, Tex.") surround the clippings, possibly referencing their sources or dates. The clippings are neatly arranged, with emphasis on preserving the historical details.

This is an image of an open scrapbook containing newspaper clippings. The left side of the page displays an article from the "Western Press Clipping Exchange Minneapolis, Minn.," dated Tuesday, January 16, 1962, with the title "Art Experts Guess Wrong Between Picasso, Fakes," by Nan Robertson. The article discusses a blind test where art experts were unable to distinguish between genuine Picasso paintings and fakes.

On the right side, there are multiple articles related to art exhibitions and events. The most visible article has a heading that says "ARTISTS and EXHIBITS Recent Acquisitions" from "The Houston Post" dated February 4, 1962. This article mentions various topics related to museum acquisitions, lectures, and gallery exhibitions.

The image shows evidence of items being archived or collected for reference with tags that include categorization and date information, such as "Feb 4 - 1962" on the right clipping and "26 [6099]" which could be an indexing or a filing reference number.

The image shows a scrapbook or a book page with two newspaper clippings attached. Both clippings are related to art news and exhibitions, with markings indicating dates and sources.

The left clipping is from the Western Press Clipping Exchange in Minneapolis, Minn., dated Tuesday, January 16, 1962. It features an article titled "Art Experts Guess Wrong Between Picasso, Fakes" by Nan Robertson from the New York Times News Service. The article discusses a sophisticated art quiz held at Harvard University’s art museum, where experts struggled to distinguish between genuine artworks by Picasso and forgeries. It mentions several art experts and details on the quiz, including that a forged Picasso painting was accidentally identified as genuine and vice versa. It also notes that the quiz had a high prize of $2,300 for a Rembrandt.

The right clipping is from the Houston Post, dated February 4, 1962. The headline says "ARTISTS and EXHIBITS - Recent Acquisitions." This article discusses recent acquisitions by the Museum of Fine Arts, including a carved hardwood crocodile from the Gulf of Mexico area. It also mentions various art events and exhibitions such as lectures by Dr. MacAgy, a gallery in Bryan featuring paintings by Brazilian artist Milly, a Spanish Trio exhibition, a lecture by Agnes Mongam on the European and Latin American art, and an art exhibition at Snell-Roebrenbeck. It ends with a note on The Houston Post.

The page overall serves as a historical record of early 1960s art events, notable exhibitions, lectures, and interesting news about art forgeries and acquisitions.

• A scrapbook page with several old newspaper clippings pasted onto a tan backing.
• Left side: a small header clipping from “Western Press Clipping Exchange, Minneapolis, Minn.” and a feature titled “Art Experts Guess Wrong Between Picasso, Fakes.”
• Right side: a larger clipping headed “Recent Acquisitions” under the section “Artists and Exhibits,” with multiple short items about museum acquisitions, lectures, galleries, and exhibitions.
• The bottom of the right clipping shows the source as “The Houston Post.”
• The overall look is vintage, with aged paper and small torn edges, indicating it’s from a scrapbook or album.