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This image displays a spread of The New York Times newspaper, dated Tuesday, January 16, 1962. The open pages showcase several articles, advertisements, and press clippings, reflecting the cultural and journalistic tone of the early 1960s.

Main Article: “Harvard Club’s Sophisti” (by Nan Robertson)

This article, prominently featured on the right-hand page, reports on a sophisticated “quiz game” held at the Harvard Club in New York on January 10, 1962, organized by the Friends of the Fogg Museum (Harvard University’s art museum).

• Event Purpose: To test art experts’ ability to distinguish authentic works from forgeries during an exhibition of 25 “works of art,” some original and some fakes.
• Participants: Included notable figures such as James J. Rorimer (director of the Metropolitan Museum of Art), Joseph P. Coolidge (president of the Fogg Museum), and Princeton art professor Lee.
• Notable Quotes:
  • Mr. Rorimer refused to play, calling it “too cold on the Picasso, and so did Professor Lee.” He later picked a forged Picasso correctly.
  • The only “expert” who passed the test was James J. Rorimer — though he didn’t participate, he later identified the forged Picasso.
• The article includes a small illustration labeled “PICK THE PICASSO” — a sketch of a cubist-style drawing — and another titled “KIKGAVIK AND THE HUNTER,” a print by Kikshuk of Baffin Island.

The article ends with a note about the exhibition being on view at the Legion of Honor until January 29.

Secondary Article: “Few Are Perfect”

Located on the left-hand page, beneath the Burrelle’s Press Clipping Bureau ad, this piece continues the theme of art forgery and authentication:

• It reiterates the difficulty of identifying forgeries, even for experts.
• Mentions that 25 “works of art” were displayed, including originals, forgeries, and imitations.
• A humorous anecdote describes Rorimer’s clever evasion: “‘Or I could say I can’t see without my glasses. That’s better than the truth.’”

Press Clippings & Ads

• Allen’s Press Clipping Bureau: A yellow rectangular ad in the top-left corner lists offices in San Francisco, Los Angeles, and Portland, and references clippings from January 21, 1962 — possibly indicating this paper is part of a clipping service.
• Burrelle’s Press Clipping Bureau: Located on the left-hand page, advertising their New York office (established 1888) at 165 Church Street.
• The clippings appear to be affixed with tape or glue, indicating this is a collection or scrapbook of press mentions.

Visual and Layout Details

• The newspaper is aged, with yellowed paper and some discoloration.
• The right-hand page includes several small, black-and-white illustrations:
  • A sketch labeled "PICK THE PICASSO" (a cubist-style portrait).
  • A framed drawing titled “KIKGAVIK AND THE HUNTER.”
  • At the bottom, two small figures — a stylized bird and a hand — possibly decorative or part of an art exhibit.
• Text is in traditional serif newspaper font, with headlines in bold and varied sizing.
• The layout is dense, typical of mid-century newspapers, with articles flowing between ads and illustrations.

Historical Context

This issue captures a moment in early 1960s art culture — when museums and institutions were engaging the public (and experts) in playful yet serious conversations about authenticity, forgery, and perception in art. The inclusion of figures like Rorimer (a major museum director) and professors underscores the intellectual weight given to art criticism and connoisseurship at the time.

In summary, this image documents a lively art-world event from January 1962: a “fake or real” art quiz at the Harvard Club, covered by The New York Times, complete with press clippings, expert commentary, and whimsical illustrations—offering a snapshot of art, culture, and journalism in the early 1960s.

The image shows a scanned copy of a page from "The New York Times," dated Tuesday, January 16, 1962. The main headline reads "Harvard Club's Sophisticated Quiz Game" and discusses an event where art experts and collectors were invited to identify authentic works of art versus forgeries during a dinner at the Harvard Club. The article mentions a quiz game with 25 pieces of art, some of which were original, and others were forgeries or imitations, including works by Raphael, Klee, and Picasso.

The page contains several smaller articles and images. One image shows a man looking at a framed drawing, labeled as a "Pick the Picasso" scenario, where the original work by Picasso is at the right. Another image depicts a print titled "Kikgavik and the Hunter," which is part of an exhibition of Eskimo Prints and Carvings at the Legion of Honor. A snippet of text mentions "Fine Night Off for Art Experts: Playing Which Picture Is Fake," followed by commentary on the event and the expertise required to distinguish between authentic and fake pieces of art.

There are also arched newspaper clippings at the edges of the page, including one from Allen's Press Clipping Bureau from January 21, 1962, and another from Burrelle's Press Clipping Bureau from January 20, 1962. These clippings include additional text and images related to the event and other cultural topics.

The image is a collage of newspaper clippings, primarily from "The New York Times," dated January 16, 1962. The clippings are about a sophisticated art quiz game involving forgeries and authentic works of art. The game was organized by the Friends of the Fogg, Harvard University's art museum, and involved prominent art experts and collectors.

Key elements in the image include:

1. A photograph of James J. Rorimer, director of the Metropolitan Museum of Art, examining a drawing. The caption mentions that he did not participate in the game of picking authentic works from fakes.
2. A section of text titled "Harvard Club's Sophisticated Quiz," written by Nan Robertson, describing the event and the participants' experiences.
3. Another section titled "Fine Night Off for Art Experts: Playing Which Picture Is Fake," also by Nan Robertson, detailing the quiz game and the various forgeries and reproductions involved.
4. A note about a print titled "Kikgavik and the Hunter" by Kiakshuk of Baffin Island, which is part of an exhibition on Eskimo prints and carvings at the Legion of Honor.
5. A footer section titled "Few Are Perfect," summarizing the event and the challenges faced by the art experts.
6. Various labels and stamps from press clipping bureaus, indicating the source and date of the clippings.

The collage is a collection of these clippings, providing a detailed account of the art quiz game and the discussions around forgeries and authentic art works.

An open newspaper page is placed on a white surface. The newspaper is dated January 16, 1962, and is titled "The New York Times." The page is filled with various articles and advertisements. One of the articles is about a dinner party where the guests were asked to identify the original artworks from reproductions. Another article is about a fine night off for art experts, playing a game of fake art. The page also includes advertisements for Allen's Press Clipping Bureau and Burelles Press Clipping Bureau.

The image is of an open book, showing a spread of pages from a magazine or newspaper. The top left corner features a yellow sticker with the text "Allen's Press Clipping Bureau" and the date "JAN 21 1962." The pages contain articles and photographs, with one article titled "Harvard Club's Sophisti." The article discusses a dinner event held by the Harvard Club, featuring a quiz game where art experts attempted to identify authentic artworks among reproductions. The article includes photographs of the event, including one of a man examining a framed picture. The pages also contain advertisements and other articles related to art and culture.

The image shows an open book or scrapbook page filled with clippings from The New York Times, dated Tuesday, January 16, 1962. The page features several newspaper articles and photographs, primarily centered around art and cultural events. Here’s a detailed description:

Layout and Content:

1. Top Left Section:

   • Headline: "Harvard Club's Sophisti" (truncated).
   • Subheading: "A Kind of Quiz Game Was Played Last Night."
   • Byline: By Nan Robertson, New York.
   • Content: The article discusses a quiz game held at the Harvard Club, where participants attempted to identify famous artworks, including pieces by Picasso and Klee. It highlights the sophistication of the participants and the challenge of distinguishing authentic works from forgeries.

2. Top Right Section:

   • Headline: "Fine Night Out For Art Experts Playing Which Picture Is Fake."
   • Byline: By Nan Robertson.
   • Content: This article elaborates on the same event, detailing how art experts and collectors participated in the quiz. It mentions that the game was sophisticated, with some participants getting the answers wrong, emphasizing the difficulty of identifying forgeries.

3. Photographs:

   • Top Center: A photograph shows a person examining a piece of art, likely part of the exhibition or quiz event. The image includes a caption: "PICK THE PICASSO: James J. Roemer, director of the Metropolitan Art, having a close look at one of the items shown at the Harvard Club last night. Mr. Roemer, an expert in modern art, picked out an authentic Picasso from a group of forgeries, including one by Klee. John P. Coeling of the Fog Art Museum, the true Picasso is at right."
   • Bottom Left: A photograph depicts a sculpture or artwork, possibly part of the exhibition. The caption reads: "KIRGAYIK AND THE HUNTER," a print by Przekop, of Bolling Island, is in the exhibition "Eskimo Prints of Honor."
   • Bottom Right: Another photograph shows an abstract or modern artwork, with a caption: "Few Are Perfect."

4. Additional Articles:

   • Left Column: Contains excerpts from other articles, including one titled "Few Are Perfect," which discusses the difficulty of identifying authentic artworks and the challenges faced by experts in distinguishing originals from forgeries.
   • Right Column: Includes more text from the Harvard Club's Sophisti article, elaborating on the event and the participants.

5. Sidebar and Stamps:

   • On the left margin, there are stamps and markings, likely from a press clipping bureau. These include:
     • "PRESS CLIPPING BUREAU, SAN FRANCISCO"
     • "PRESS CLIPPING BUREAU, KALAHAZOO, MICH."
     • Dates such as JAN 21 1962 and JAN 20 1962.
   • These stamps indicate that the clippings were collected and organized by a press clipping service.

Visual Elements:

• The page has a vintage aesthetic, consistent with mid-20th-century newspaper clippings.
• The text is typeset in the classic New York Times font, with clear headlines and subheadings.
• The photographs are black-and-white, typical of newspaper printing at the time.

Overall Theme:

The page captures a cultural moment from 1962, focusing on an art quiz event at the Harvard Club. It highlights the challenges of art authentication, the participation of experts, and the intrigue of distinguishing genuine works from forgeries. The inclusion of photographs and detailed captions adds depth to the narrative, providing visual context to the articles.

This page serves as a historical snapshot of art appreciation and the intellectual pursuit of identifying authentic masterpieces.

This image shows a scrapbook page with newspaper clippings and other items pasted together, likely focusing on topics related to fine art and cultural events. The main clipping appears to be from the New York Times dated Tuesday, January 16, 1962, and features an article titled "Fine Night Off for Art Experts: Playing Which Picture Is Fake" by Nan Robertson. It references an event where participants attempted to determine the authenticity of various artworks, including Picasso pieces.

There's a prominent photograph of a person examining two framed artworks presumed to be by Picasso, along with the caption discussing James J. Rorimer, a director at the Metropolitan Museum of Art.

Other sections include a clipping referencing "Harvard Club's Sophist" about this art event. There's also commentary on the challenge of identifying authentic artworks versus fakes, giving insight into art expertise.

Added memorabilia includes a press clipping service stamp ("Fog Allen's") and custom notes and cuttings referencing art galleries, events, and observations.

This image shows a newspaper page from The New York Times, specifically from Tuesday, January 16, 1962. The page features an article with the headline "Harvard Club's Sophisti" and another heading "Fine Night Off for Art Experts: Playing Which Picture Is Fake" by Nan Robertson. The layout includes columns of text and a few images.

On the right side of the page, there is a black-and-white photograph featuring a man peering closely at a framed picture on a wall. Several artworks are visible in the background, as he seems to be analyzing or scrutinizing the artwork in question. This image relates to the article discussing how art experts were playing a game to determine which artworks were real and which were forgeries at an exhibition.

Below the larger article, there is a smaller section titled "Few Are Perfect" with some text discussing an art-themed event where originals and imitations were displayed, and participants had to determine which artworks were authentic.

Additionally, there are snippets of other text and graphics visible on the page, including a service mark for "Byeroll's" establishment which seems to be an advertisement, and part of another headline "KIKGAKIV AND THE HUNTER," which is cut off. On the edges of the page, you can see markings from a press clipping bureau indicating that this was a cut-out possibly used for archiving or reference.

The image is a photograph of a newspaper clipping page from The New York Times dated Tuesday, January 16, 1962. The page appears to be part of a scrapbook or press clipping collection, evidenced by additional label tags from various press clipping bureaus like Allen's Press Clipping Bureau (dated Jan 21, 1962) and Buffelles (January 20, 1962).

The main article's headline is partially visible: "Harvard Club's Sophisti..." The text discusses a sophisticated quiz game involving art experts and collectors, featuring works by artists such as Raphael, Klee, and Picasso. The event was a dinner for 300 people at the Harvard Club, organized by the Friends of the Fogg, Harvard University's art museum.

To the right side of the clipping is a black and white photograph showing a man closely observing framed artworks on a wall. The caption under the photo identifies him as James J. Rorimer, director of the Metropolitan Museum of Art. He is looking at one of the items shown at the Harvard Club event. The caption explains that Mr. Rorimer did not participate in a game of identifying authentic vs. fake artworks devised by Professor John P. Coolidge of the Fogg Museum. The true Picasso is noted as the artwork on the right.

There is also an inset image labeled "KIKGAVIK AND THE HUNTER," a print by Kiakshuk of Baffin Island, part of the "Eskimo Prints and Carvings" exhibition currently at the Legion of Honor.

Additional articles on the page provide further commentary on the quiz game event, mentioning some were fooled by photographic reproductions and discussing the challenge of distinguishing originals from forgeries. There is mention of a trio of Picasso's called "Mother and Child," as well as other experts involved.

Overall, the clipping presents a detailed and intriguing story of an art event combining expert knowledge, social gathering, and a playful yet challenging quiz involving authenticity of prized artworks.

A vintage scrapbook page made from clippings of The New York Times dated Tuesday, January 16, 1962. The page is a collage of old newspaper pieces pasted onto a beige backing. In the center-right is a large black-and-white photo of a man looking at framed Picasso drawings on a wall. Surrounding it are several articles and headlines about art (for example, “Fine Night Off for Art Experts: Playing Which Picture Is Fake,” and other items about Harvard Club events and art topics), along with smaller clippings and old ads (one showing “Allen’s Press Clipping Bureau” and another for a Kalamazoo, Mich. Gazette). The overall look is an aged, sepia-toned collage of vintage newspaper clippings.