Archives Scrapbooks

This image displays a spread of The New York Times newspaper, dated Tuesday, January 16, 1962. The open pages showcase several articles, advertisements, and press clippings, reflecting the cultural and journalistic tone of the early 1960s.

Main Article: “Harvard Club’s Sophisti” (by Nan Robertson)

This article, prominently featured on the right-hand page, reports on a sophisticated “quiz game” held at the Harvard Club in New York on January 10, 1962, organized by the Friends of the Fogg Museum (Harvard University’s art museum).

• Event Purpose: To test art experts’ ability to distinguish authentic works from forgeries during an exhibition of 25 “works of art,” some original and some fakes.
• Participants: Included notable figures such as James J. Rorimer (director of the Metropolitan Museum of Art), Joseph P. Coolidge (president of the Fogg Museum), and Princeton art professor Lee.
• Notable Quotes:
  • Mr. Rorimer refused to play, calling it “too cold on the Picasso, and so did Professor Lee.” He later picked a forged Picasso correctly.
  • The only “expert” who passed the test was James J. Rorimer — though he didn’t participate, he later identified the forged Picasso.
• The article includes a small illustration labeled “PICK THE PICASSO” — a sketch of a cubist-style drawing — and another titled “KIKGAVIK AND THE HUNTER,” a print by Kikshuk of Baffin Island.

The article ends with a note about the exhibition being on view at the Legion of Honor until January 29.

Secondary Article: “Few Are Perfect”

Located on the left-hand page, beneath the Burrelle’s Press Clipping Bureau ad, this piece continues the theme of art forgery and authentication:

• It reiterates the difficulty of identifying forgeries, even for experts.
• Mentions that 25 “works of art” were displayed, including originals, forgeries, and imitations.
• A humorous anecdote describes Rorimer’s clever evasion: “‘Or I could say I can’t see without my glasses. That’s better than the truth.’”

Press Clippings & Ads

• Allen’s Press Clipping Bureau: A yellow rectangular ad in the top-left corner lists offices in San Francisco, Los Angeles, and Portland, and references clippings from January 21, 1962 — possibly indicating this paper is part of a clipping service.
• Burrelle’s Press Clipping Bureau: Located on the left-hand page, advertising their New York office (established 1888) at 165 Church Street.
• The clippings appear to be affixed with tape or glue, indicating this is a collection or scrapbook of press mentions.

Visual and Layout Details

• The newspaper is aged, with yellowed paper and some discoloration.
• The right-hand page includes several small, black-and-white illustrations:
  • A sketch labeled "PICK THE PICASSO" (a cubist-style portrait).
  • A framed drawing titled “KIKGAVIK AND THE HUNTER.”
  • At the bottom, two small figures — a stylized bird and a hand — possibly decorative or part of an art exhibit.
• Text is in traditional serif newspaper font, with headlines in bold and varied sizing.
• The layout is dense, typical of mid-century newspapers, with articles flowing between ads and illustrations.

Historical Context

This issue captures a moment in early 1960s art culture — when museums and institutions were engaging the public (and experts) in playful yet serious conversations about authenticity, forgery, and perception in art. The inclusion of figures like Rorimer (a major museum director) and professors underscores the intellectual weight given to art criticism and connoisseurship at the time.

In summary, this image documents a lively art-world event from January 1962: a “fake or real” art quiz at the Harvard Club, covered by The New York Times, complete with press clippings, expert commentary, and whimsical illustrations—offering a snapshot of art, culture, and journalism in the early 1960s.

The image shows a scanned copy of a page from "The New York Times," dated Tuesday, January 16, 1962. The main headline reads "Harvard Club's Sophisticated Quiz Game" and discusses an event where art experts and collectors were invited to identify authentic works of art versus forgeries during a dinner at the Harvard Club. The article mentions a quiz game with 25 pieces of art, some of which were original, and others were forgeries or imitations, including works by Raphael, Klee, and Picasso.

The page contains several smaller articles and images. One image shows a man looking at a framed drawing, labeled as a "Pick the Picasso" scenario, where the original work by Picasso is at the right. Another image depicts a print titled "Kikgavik and the Hunter," which is part of an exhibition of Eskimo Prints and Carvings at the Legion of Honor. A snippet of text mentions "Fine Night Off for Art Experts: Playing Which Picture Is Fake," followed by commentary on the event and the expertise required to distinguish between authentic and fake pieces of art.

There are also arched newspaper clippings at the edges of the page, including one from Allen's Press Clipping Bureau from January 21, 1962, and another from Burrelle's Press Clipping Bureau from January 20, 1962. These clippings include additional text and images related to the event and other cultural topics.

The image is a collage of newspaper clippings, primarily from "The New York Times," dated January 16, 1962. The clippings are about a sophisticated art quiz game involving forgeries and authentic works of art. The game was organized by the Friends of the Fogg, Harvard University's art museum, and involved prominent art experts and collectors.

Key elements in the image include:

1. A photograph of James J. Rorimer, director of the Metropolitan Museum of Art, examining a drawing. The caption mentions that he did not participate in the game of picking authentic works from fakes.
2. A section of text titled "Harvard Club's Sophisticated Quiz," written by Nan Robertson, describing the event and the participants' experiences.
3. Another section titled "Fine Night Off for Art Experts: Playing Which Picture Is Fake," also by Nan Robertson, detailing the quiz game and the various forgeries and reproductions involved.
4. A note about a print titled "Kikgavik and the Hunter" by Kiakshuk of Baffin Island, which is part of an exhibition on Eskimo prints and carvings at the Legion of Honor.
5. A footer section titled "Few Are Perfect," summarizing the event and the challenges faced by the art experts.
6. Various labels and stamps from press clipping bureaus, indicating the source and date of the clippings.

The collage is a collection of these clippings, providing a detailed account of the art quiz game and the discussions around forgeries and authentic art works.

An open newspaper page is placed on a white surface. The newspaper is dated January 16, 1962, and is titled "The New York Times." The page is filled with various articles and advertisements. One of the articles is about a dinner party where the guests were asked to identify the original artworks from reproductions. Another article is about a fine night off for art experts, playing a game of fake art. The page also includes advertisements for Allen's Press Clipping Bureau and Burelles Press Clipping Bureau.

The image is of an open book, showing a spread of pages from a magazine or newspaper. The top left corner features a yellow sticker with the text "Allen's Press Clipping Bureau" and the date "JAN 21 1962." The pages contain articles and photographs, with one article titled "Harvard Club's Sophisti." The article discusses a dinner event held by the Harvard Club, featuring a quiz game where art experts attempted to identify authentic artworks among reproductions. The article includes photographs of the event, including one of a man examining a framed picture. The pages also contain advertisements and other articles related to art and culture.

The image shows an open book or scrapbook page filled with clippings from The New York Times, dated Tuesday, January 16, 1962. The page features several newspaper articles and photographs, primarily centered around art and cultural events. Here’s a detailed description:

Layout and Content:

1. Top Left Section:

   • Headline: "Harvard Club's Sophisti" (truncated).
   • Subheading: "A Kind of Quiz Game Was Played Last Night."
   • Byline: By Nan Robertson, New York.
   • Content: The article discusses a quiz game held at the Harvard Club, where participants attempted to identify famous artworks, including pieces by Picasso and Klee. It highlights the sophistication of the participants and the challenge of distinguishing authentic works from forgeries.

2. Top Right Section:

   • Headline: "Fine Night Out For Art Experts Playing Which Picture Is Fake."
   • Byline: By Nan Robertson.
   • Content: This article elaborates on the same event, detailing how art experts and collectors participated in the quiz. It mentions that the game was sophisticated, with some participants getting the answers wrong, emphasizing the difficulty of identifying forgeries.

3. Photographs:

   • Top Center: A photograph shows a person examining a piece of art, likely part of the exhibition or quiz event. The image includes a caption: "PICK THE PICASSO: James J. Roemer, director of the Metropolitan Art, having a close look at one of the items shown at the Harvard Club last night. Mr. Roemer, an expert in modern art, picked out an authentic Picasso from a group of forgeries, including one by Klee. John P. Coeling of the Fog Art Museum, the true Picasso is at right."
   • Bottom Left: A photograph depicts a sculpture or artwork, possibly part of the exhibition. The caption reads: "KIRGAYIK AND THE HUNTER," a print by Przekop, of Bolling Island, is in the exhibition "Eskimo Prints of Honor."
   • Bottom Right: Another photograph shows an abstract or modern artwork, with a caption: "Few Are Perfect."

4. Additional Articles:

   • Left Column: Contains excerpts from other articles, including one titled "Few Are Perfect," which discusses the difficulty of identifying authentic artworks and the challenges faced by experts in distinguishing originals from forgeries.
   • Right Column: Includes more text from the Harvard Club's Sophisti article, elaborating on the event and the participants.

5. Sidebar and Stamps:

   • On the left margin, there are stamps and markings, likely from a press clipping bureau. These include:
     • "PRESS CLIPPING BUREAU, SAN FRANCISCO"
     • "PRESS CLIPPING BUREAU, KALAHAZOO, MICH."
     • Dates such as JAN 21 1962 and JAN 20 1962.
   • These stamps indicate that the clippings were collected and organized by a press clipping service.

Visual Elements:

• The page has a vintage aesthetic, consistent with mid-20th-century newspaper clippings.
• The text is typeset in the classic New York Times font, with clear headlines and subheadings.
• The photographs are black-and-white, typical of newspaper printing at the time.

Overall Theme:

The page captures a cultural moment from 1962, focusing on an art quiz event at the Harvard Club. It highlights the challenges of art authentication, the participation of experts, and the intrigue of distinguishing genuine works from forgeries. The inclusion of photographs and detailed captions adds depth to the narrative, providing visual context to the articles.

This page serves as a historical snapshot of art appreciation and the intellectual pursuit of identifying authentic masterpieces.

The image shows a page from The New York Times newspaper, dated Tuesday, January 16, 1962.

• The page is open to an article titled "Harvard Club's Sophisticated Art" by Nan Robertson.
  • The article discusses a quiz game played at the Harvard Club, where participants were asked to identify 25 works of art, including some originals and some reproductions.
  • The article also mentions that the game was won by James J. Rorimer, director of the Metropolitan Museum of Art.
• The page also includes a photograph of a painting by Picasso, which is part of an exhibition at the Fogg Museum.
  • The painting is titled "Nikogayik and the Hunter" and is described as a print by Kinkade of Baffin Island.
  • The article notes that the painting is currently on display at the Legion of Honor.
• The page also includes a section titled "Fine Night Off for Art Experts: Playing Which Picture Is Fake" by Nan Robertson.
  • The article discusses a quiz game played at the Princeton University Art Museum, where participants were asked to identify 25 works of art, including some originals and some reproductions.
  • The article notes that the game was won by John P. Coolidge, professor of art history at Princeton University.

Overall, the page appears to be discussing the world of art and the ability of experts to identify and appreciate different types of art.

The image depicts a page from a scrapbook or photo album, featuring a newspaper clipping from The New York Times dated January 16, 1962. The article is titled "Harvard Club's Sophisticated Love" and discusses a game played at the Harvard Club, where members were invited to distinguish between genuine and fake art pieces.

Key Features:

• Newspaper Clipping: The main focus of the image is the newspaper clipping, which takes up most of the page.
• Article Title: The title of the article is prominently displayed at the top of the clipping.
• Content: The article discusses a game played at the Harvard Club, where members were invited to distinguish between genuine and fake art pieces.
• Date: The date of the newspaper clipping is January 16, 1962.
• Scrapbook or Photo Album: The image appears to be a page from a scrapbook or photo album, with other clippings and notes visible on the left side of the page.
• Background: The background of the image is a plain gray color, which helps to highlight the newspaper clipping and other elements on the page.

Overall Impression:

The image provides a glimpse into the past, showcasing a unique event that took place at the Harvard Club in 1962. The article's focus on art and deception adds an interesting layer of complexity to the image, making it a fascinating piece of history.

The image shows a scanned page from The New York Times, dated Tuesday, January 16, 1962. The page is yellowed and worn, with visible signs of aging.

• Header
  • The header features the newspaper's name, "The New York Times," in large, black, serif font.
  • The date "TUESDAY, JANUARY 16, 1962" is printed in smaller text to the right of the header.
• Main Article
  • The main article is titled "Harvard Club's Sophisticated Quiz Game Tests Art Experts" and is written by Nan Robertson.
  • The article discusses a quiz game played at the Harvard Club, where art experts were challenged to identify authentic and fake artworks.
  • The article includes a subheading that reads "Fine Night Off for Art Experts: Playing Which Picture Is Fake."
• Illustrations
  • The page features several illustrations, including a cartoon of a man looking at a painting through a magnifying glass.
  • There are also several other illustrations throughout the article, depicting various artworks and art-related scenes.
• Clippings
  • The page includes several clippings from other newspapers, including Allen's Press Clipping Bureau and Sutter's Press Clipping Bureau.
  • These clippings appear to be related to the article and provide additional information or context.
• Background
  • The background of the image is a plain gray color, which helps to highlight the yellowed newspaper page.

Overall, the image provides a glimpse into a specific moment in time, showcasing a newspaper article from 1962 and highlighting the cultural and artistic interests of the era.

The image presents a vintage newspaper page, specifically "The New York Times," dated Tuesday, January 16, 1962. The page is open to reveal two columns of text and images.

Header Section:

• The top of the page features the newspaper's name, "The New York Times," in bold, black font.
• Below this, the date "TUESDAY, JANUARY 16, 1962" is displayed on the right side.

Main Content:

• The main section of the page includes two articles with accompanying images:
  • The first article, titled "Harvard Club's Sophisticate," discusses a quiz game where art experts were challenged to distinguish between authentic and fake artworks.
  • The second article, titled "Fine Night Off for Art Experts: Playing Which Picture Is Fake," describes a similar event where experts were invited to play a game of identifying genuine artworks among fakes.

Additional Elements:

• A yellow sticker on the left side of the page bears handwritten text that reads "Fogg" and provides contact information for Allen's Press Clipping Bureau.
• A signature in the bottom-left corner appears to be from "Burette's Press Clipping Bureau."

Background:

• The newspaper page is set against a plain gray background, suggesting that it may be a scanned or photographed image.

Overall, the image provides a glimpse into the art world of the early 1960s, highlighting the challenges of distinguishing between authentic and forged artworks, even for experts.