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This image displays a yellowed, aged newspaper clipping, likely from the early to mid-20th century, discussing an art exhibition.

Headline & Publication Details
The article is titled:
"Alumni Art Collectors Exhibit At Harvard’s Fogg Museum"
It appears under the section heading "INSIDE ART".

At the top right corner, the clipping includes a stamp or marking from the "NewEnglandNaturalAgency, Inc." with an address in Boston, MA. Below that, it is labeled "Patrick-Ledger (e) QUINCY, Mass. Circ. 47,164", indicating the source newspaper and its circulation.

Article Content

The article, written by Meyer and Eli Levin, describes a special exhibition at Harvard University's Fogg Museum showcasing art collected by alumni who graduated from the Class of 1908.

Key points from the article:

• Museum Context: The Fogg Museum is praised as a popular, aesthetically pleasing place for Harvard students to view Italian and Dutch paintings.
• Exhibition Focus: The exhibition highlights works of art collected by nine former Harvard students who have since become prominent collectors. These alumni include:
  • Paul P. Geier
  • Sydney Freyberg
  • Ernest A. Troxell
  • David Rockefeller
  • Gordon Palmer
  • Albert L. Brinley
  • James Laughlin
  • Joseph Pulitzer, Jr.
  • George S. Franklin, Jr.
• Artistic Significance: The article notes that while the collectors are now wealthy and live in elegant homes, in 1908 they were "nine boys who lived in dorms that are still just around the corner from the museum." They are described as having "less adventurousness than their father institution."
• Highlighted Artworks:
  • "THREE SERVANTS" by Constantin Guys (1802-1892), described as a pen and watercolor piece by an artist who sketched Parisian life. It is noted as being owned by Gordon Palmer.
  • "BOY WITH RED WAISTCOAT" by Paul Cezanne (1839-1906), described as belonging to David Rockefeller’s collection and considered one of Cezanne’s best works from his 1890-1898 period.
• Broader Theme: The article links art collecting to university education, suggesting that the "younger generation" is increasingly aware of art's value as an investment and cultural asset. It also mentions that many museum staff and art professionals are educated in university art history courses.

Visual Elements

The article includes two black-and-white reproductions of paintings:

1. Top Image: A sketchy watercolor/pen drawing titled "THREE SERVANTS" by Constantin Guys. It depicts several figures, likely servants, dressed in period attire.
2. Bottom Image: A more detailed, figurative painting titled "BOY WITH RED WAISTCOAT" by Paul Cezanne. It shows a young boy in a red vest standing indoors next to a table with a vase.

Overall Impression

The clipping is a cultural artifact documenting early 20th-century art collecting practices among elite American university alumni. It reflects on the growing prestige of art collecting and the role of institutions like Harvard’s Fogg Museum in cultivating artistic appreciation. The text is informative and somewhat nostalgic, contrasting the alumni’s youthful, modest days with their later status as affluent art patrons. The paper’s aged appearance and the style of the article suggest it is from the 1950s or 1960s.

The image is a scan of a newspaper clipping from the "Patriot-Ledger" dated October 31, 1961. The article is titled "Alumni Art Collectors Exhibit At Harvard's Fogg Museum" and is written by Meyer and Eli Levin. The featured article discusses an art exhibition at Harvard University's Fogg Museum, which showcases works of art collected by Harvard alumni from the class of 1936.

The clipping includes two black-and-white photographs of artworks: a sketch titled "Three Servants" by Constantin Guys, and a painting titled "Boy with Red Waistcoat" by Paul Cézanne. The article describes these artworks and the significance of the exhibition, noting the high level of discernment and the quality of the pieces on display. It also mentions the backgrounds of the collectors and the importance of institutions like Harvard in nurturing artistic interests. The article is rich in historical context and cultural commentary about the art world and the role of colleges in it.

This image shows a newspaper clipping from the "Patriot-Ledger (e)" dated October 31, 1961, and is part of a collection managed by the New England Newspaper Agency, Inc. The clipping is titled "INSIDE ART" and focuses on an "Alumni Art Collectors Exhibit At Harvard's Fogg Museum."

The article, written by Meyer and Eli Levin, discusses the Fogg Museum's practice of exhibiting works from the collections of former Harvard students. It highlights a current alumni show featuring works collected by nine men who graduated in the class of 1936. The article mentions the collectors by name and provides background on their connection to the museum and their current collections.

Two illustrations accompany the text:

1. "THREE SERVANTS" by Constantin Guys (1802-1892), a pen and watercolor sketch. The caption notes that Guys was an artist who constantly sketched the customs and manners of Parisians of his time and that the painting is owned by Gordon Palmer and is part of the exhibition at the Fogg Museum.
2. "BOY WITH RED WAISTCOAT" by Paul Cezanne (1839-1906). The caption states that this Cezanne painting is part of David Rockefeller's collection and is considered one of Cezanne's best works, created during his best period, 1890-1895.

The article also discusses the importance of colleges in the art world and the role of university education in developing a discerning taste for art.

The image shows a page from an old newspaper, specifically from the "Patriot-Ledger" dated October 31, 1981. The page is open to reveal a section titled "INSIDE ART" with an article about an alumni art collectors' exhibit at Harvard's Fogg Museum. The article is written by Meyer and Eli Levin and discusses the Fogg Museum's tradition of showcasing works by Harvard alumni, including notable artists like Paul Cézanne, David Hockney, and others. The article highlights the significance of these collections in reflecting the artistic heritage and contributions of Harvard graduates. Additionally, there are two black-and-white photographs of artworks on the page, one of which is labeled "THREE SERVANTS" by Constantin Guys, dated 1802-1892. The other photograph appears to be a portrait of a person, possibly an artist or a subject of one of the artworks. The newspaper page is slightly aged, with visible creases and some wear, indicating its historical nature.

The image appears to be a page from a newspaper or magazine featuring an article about an exhibit of alumni art collectors at Harvard's Fogg Museum. The article discusses the exhibit's highlights, including works by notable artists like Constantin Guys, Paul Cézanne, and others. It also mentions the importance of college art collections and the role of alumni in preserving and showcasing their works. The page includes images of some of the artworks featured in the exhibit, along with descriptive captions.

The image shows a page from a newspaper or magazine article titled "Alumni Art Collectors Exhibit At Harvard's Fogg Museum", dated October 31, 1961. The article is from the Patriot-Ledger of Quincy, Massachusetts, and is part of a publication by New England Newspaper Agency, Inc. The article discusses an exhibition of art collected by Harvard alumni at the Fogg Art Museum in Cambridge, Massachusetts.

Key Details from the Image:

Text Content:

1. Headline:

   • "Alumni Art Collectors Exhibit At Harvard's Fogg Museum"
   • The article highlights an exhibition featuring works of art collected by Harvard alumni, showcasing their contributions to the museum's collections.

2. Introduction:

   • The article emphasizes the importance of art in education and how university students often develop a lasting interest in art. It mentions that the Fogg Museum is one of the most visited places in Cambridge, attracting visitors from around the world.

3. Exhibition Details:

   • The exhibition includes works by alumni who graduated in the class of 1936, featuring over 90 pieces of art, including paintings, drawings, and prints.
   • Notable artists mentioned include Paul Cezzanne, David Rosenthal, Frederic E. James Laugh, Albert Ernst, George S. Franklin Jr., George L. Downey, and others.

4. Artwork Descriptions:

   • The article includes descriptions of specific artworks on display:
     • "Three Servants" by Constantin Guys, 1802 (pen and water color)
       • Described as a work that captures the customs and manners of the Parisians of Guys' time.
     • "Boy with Red Waistcoat" by Paul Cezzanne, 1889-1906
       • Identified as part of David Rockefeller's collection and considered one of Cezzanne's best works from the period 1890-1895.

5. Educational Value:

   • The article stresses the educational significance of such exhibitions, noting that they help students appreciate art and its role in university life.

Visual Elements:

1. Illustrations:

   • Two black-and-white illustrations accompany the article:
     • "Three Servants" by Constantin Guys: Depicts three individuals in period clothing, likely from the early 19th century.
     • "Boy with Red Waistcoat" by Paul Cezzanne: Shows a young boy wearing a red waistcoat, seated and looking contemplative.

2. Layout:

   • The text is arranged in a classic newspaper format, with a headline at the top, followed by subheadings and descriptive paragraphs. The illustrations are placed to the right of the text, enhancing the visual appeal of the article.

Contextual Information:

• The article is dated October 31, 1961, indicating it is a historical piece discussing an art exhibition from that era.
• The Fogg Museum is highlighted as a significant cultural institution, emphasizing the role of alumni in enriching its collections.

Summary:

The image depicts a newspaper article from October 31, 1961, detailing an art exhibition at Harvard's Fogg Museum featuring works collected by Harvard alumni. The article includes descriptions of notable artworks, such as "Three Servants" by Constantin Guys and "Boy with Red Waistcoat" by Paul Cezzanne, and emphasizes the educational and cultural value of such exhibitions in fostering an appreciation for art among students and the public. The layout combines text and illustrations to provide a comprehensive overview of the event.

This image appears to be a newspaper clipping from the "Patriot-Ledger" dated October 31, 1961, focusing on an art exhibit at Harvard's Fogg Museum. The headline reads "Alumni Art Collectors Exhibit At Harvard's Fogg Museum." The article discusses the museum's practice of hosting exhibits featuring artwork collected by Harvard alumni. It highlights the current exhibit, showcasing works collected by alumni from the class of 1936.

The text mentions notable contributors, like David Rockefeller and Gordon Palmer, who donated significantly valuable pieces. The display includes various European classics, as well as modern art, illustrating the alumni's diverse art interests.

There are two illustrated artworks beneath the text:

1. A sketch labeled "Three Servants" by Constantin Guys (1802–1892), described as a pen and watercolor artwork with notes on his style and aesthetic focus.
2. "Boy with Red Waistcoat" by Paul Cézanne (1839–1906), a highly regarded piece from Cézanne's best period, according to the text.

The clipping is mounted on a scrapbook page, suggesting it may belong to archives preserving historical articles.

This image shows an open newspaper or magazine resting on an orange-toned surface. The newspaper features an article titled "INSIDE ART Alumni Art Collectors' Exhibit At Harvard's Fogg Museum," dated October 31, 1961, from the "Patriot-Ledger" in Quincy, Massachusetts. The article appears to be discussing an exhibition of artwork collected by Harvard University alumni, which includes pieces from the classes of 1866 onward.

The article includes illustrations of two artworks. The first illustration, captioned "THREE SERVANTS" by Constantin Guys, depicts three figures in a dynamic sketchy style, indicative of Guys' work as an artist who captured the fleeting moments of city life. Guys was an artist within the 19th century, often associated with the capturing of everyday scenes. The second illustration is subtitled "BOY WITH RED WAISTCOAT" by Paul Cézanne and portrays a seated figure with a focused rendering characteristic of Cézanne's post-impressionist style. These images represent part of the curated art collected by Harvard graduates and are part of the discussion in the article.

Additionally, the article refers to current Harvard students taking up a show, revealing the academic and curatorial engagement between the museum and its community. The inclusion of such illustrations along with the detailed article suggests a comprehensive review of the exhibit, offering readers insight into both the historical content of the collection and its significance.

The image shows a newspaper clipping titled "Alumni Art Collectors Exhibit At Harvard’s Fogg Museum," dated October 31, 1961, from the Patriot-Ledger in Quincy, Massachusetts.

The article discusses an art exhibition at the Fogg Museum in Cambridge, highlighting alumni who collected and lent artworks for the exhibit. It notes that the exhibition includes works by Italian and Dutch painters, as well as more modern artists such as Cézanne, Degas, Van Gogh, Gauguin, Manet, and others. It specifically mentions that the exhibition shows works collected by men who graduated in the class of 1936.

Two artworks are pictured within the article:

1. "Three Servants" by Constantin Guys (1802-1892), a pen and watercolor piece depicting three women in 19th-century attire.
2. "Boy with Red Waistcoat" by Paul Cézanne (1839-1906), showing a portrait of a boy in a red waistcoat, noted as part of David Rockefeller's collection and considered one of Cézanne’s best works from around 1890-1895.

The article also touches on the broader theme of how art collectors and alumni contribute to museum exhibitions and how college courses and university thinking have evolved concerning art education.

This is a vintage newspaper clipping mounted on a brown scrapbook page. The clipping is a small, vertical article about an Alumni Art Collectors Exhibit at Harvard’s Fogg Museum, dated Oct 31, 1961 (stamped at the top “New England … Patriot-Ledger … Oct 31 1961”). The page includes:

• A header – “INSIDE ART” and the main headline: “Alumni Art Collectors Exhibit At Harvard’s Fogg Museum.”
• A block of text describing the exhibit and Harvard alumni involved.
• Two image reproductions with captions:
  • A drawing/painting captioned “THREE SERVANTS” by Constantin Guys (dates shown as 1802–1892-ish in the caption).
  • A painting captioned “BOY WITH RED WAISTCOAT” by Paul Cézanne (1839–1906).

The clipping is slightly worn, with the paper showing a yellowed, aged tone, and it’s pasted into a larger beige book or album. The left edge shows the binding or stack of pages.