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This image shows an open, aged scrapbook or binder page containing several newspaper clippings related to art preservation, dated in September 1961.

Layout and Content:

The page features three main newspaper clippings, each attached with a small white strip (likely tape or glue), and several printed labels from press clipping bureaus.

Clipping 1 (Top Left):

• Heading: "Let the Pictures Be Pictured"
• Source: Burrelle’s Press Clipping Bureau, Wilmington, Del., Journal (dated Sep 20 1961).
• Content: Discusses the importance of making photographic records of artworks, especially in light of recent art thefts. It notes that the Delaware Art Center photographs works in color and black-and-white, but only keeps black-and-white prints for archival purposes. Quotes Bruce St. John, curator at the Art Center, and Prof. Millard Meiss, Former curator at the Fogg Art Museum at Harvard. Meiss advocates for an international effort to photographically document important artworks to ensure their survival “at least the shadow of art treasures.” He also suggests involving the UN’s Educational, Scientific, and Cultural Organization.

Clipping 2 (Top Right):

• Heading: "Let Art Be Copied"
• Source: The Ohio News Bureau Company, Cleveland 14, Ohio (dated Sep 25 1961).
• Content: Echoes the same argument as the first clipping: the necessity of photographing art to preserve its record in case of destruction or theft. Quotes Prof. Millard Meiss again, calling for an international meeting on preserving art, possibly including discussions of nuclear warfare. It questions whether artworks that have survived 3,000 or 30,000 years deserve the best chance to continue surviving.

Clipping 3 (Bottom Center):

• Heading: "LET ART BE COPIED"
• Source: The Republican, Courter, Flatty 1, Ao-lire v.146 (dated Sep 27 1961).
• Content: This is nearly identical text to the Sep 25 clipping from The Ohio News Bureau. It appears to be a duplicate or reprinted version from a different newspaper. The same themes and quotations are included.

Additional Labels:

• Top Left Label: From “Fogg Burrelle’s Press Clipping Bureau,” listing the date, source, and article title. “Fogg” appears to be a code or project name, possibly referring to the Fogg Art Museum.
• Top Right & Bottom Center Labels: From “THE OHIO NEWS BUREAU COMPANY,” identifying the source of the clippings and noting “First Clipping Bureau In Ohio.” These include handwritten codes like “Fogg,” “Fogg 3,” and “Fogg 3,” suggesting these clippings were grouped under a specific research or monitoring category related to the Fogg Museum or Prof. Meiss.

Visual Notes:

• The scrapbook page is yellowed and shows signs of aging.
• Text is typewritten in standard newspaper font.
• The clippings are carefully preserved and labeled for archival or research purposes.
• Handwritten notes and codes (“Fogg,” “Fogg 3”) appear on some clippings and labels, indicating editorial or organizational tracking.

Summary:

This scrapbook page documents a concerted media and academic effort in 1961 to advocate for the photographic preservation of art, spearheaded by art historian Prof. Millard Meiss. The clippings emphasize the vulnerability of artworks to theft and destruction and argue for international archival cooperation—perhaps even in anticipation of Cold War threats. The page functions as a curated collection of press coverage on this topic, likely maintained for professional or scholarly reference.

This image appears to be a page from a scrapbook or a collection of clippings, likely used for cataloging or referencing articles. The page contains several newspaper clippings that have been cut out and pasted onto the page. Each clipping is from a different source, as indicated by the different logos and the names of the publication at the top of each clipping.

The articles discuss the importance of preserving art through photographic records, with a focus on the potential risks of damage or destruction due to nuclear warfare. They emphasize the need to create photographic records of important art collections around the world. The clippings also mention scholars and curators who have contributed to this discussion, such as Prof. Millard Meiss.

The page shows some wear and tear, with the paper appearing slightly yellowed, suggesting it has been stored for some time. There are also some handwritten notes, possibly indicating dates or other information about the clippings. Overall, the page seems to be a historical record of articles addressing the preservation of art in the context of nuclear warfare, reflecting the concerns of the time.

This image is a page from a scrapbook or a collection of newspaper clippings, likely related to an art preservation initiative. The page contains several cut-out articles pasted onto a beige background. The clippings are from different newspapers and are dated in the early 1960s.

1. Top Left Clipping:

   • Source: Wilmington, DEL, Journal.
   • Date: September 20, 1961.
   • Article Title: "Let the Pictures Be Pictured."
   • Content: Discusses the importance of making photographic records of works of art, especially in light of the potential destruction of mankind. It mentions the Delaware Art Center's practice of photographing every accession in color and black and white, and the concern over stolen paintings. Professor Millard Meiss, a former curator at the Fogg Art Museum at Harvard, is quoted advocating for an international meeting on the subject of preserving art, even in the face of nuclear warfare.

2. Top Right Clipping:

   • Source: The Evening Independent, Massillon J.
   • Date: September 25, 1961.
   • Article Title: "Let Art Be Copied."
   • Content: Similar to the top left clipping, it discusses the importance of making photographic records of artworks and the need for an international meeting to discuss the preservation of art.

3. Bottom Left Clipping:

   • Source: The Republican Courier, Findlay.
   • Date: September 27, 1961.
   • Article Title: "Let Art Be Copied."
   • Content: This article is similar in content to the other two, emphasizing the need for photographic records of artworks and the potential for art to be lost due to various reasons, including theft and destruction.

Each clipping is labeled with the name of the Press Clipping Bureau, "Burrelle's," and the address "165 Church Street - New York." The articles are neatly arranged and pasted on the page, suggesting a deliberate effort to compile and preserve this information. The overall theme of the clippings is the importance of documenting and preserving art for future generations, especially in the context of potential global disasters.

The image shows a page from a book or a magazine. The page is filled with text and images, suggesting it is a clipping from a newspaper or a magazine. The page is covered with different-sized pieces of paper, some of which are torn, and some are folded. The papers have different colors and designs, and some have text written on them. The text on the papers is in different fonts and sizes, and some are blurry.

An open book with an article titled "Let the Pictures Be Pictured" is on the table. The article is about the importance of preserving art and the need for an international meeting to discuss the preservation of art. The article also mentions the Delaware Art Center, which is making photographic records of works of art. The article is accompanied by a sticker with the text "The Ohio News Bureau Company" and "First Clipping Bureau in Ohio."

The image depicts two pages from a press clipping bureau archive, specifically from the Bufflees Press Clipping Bureau located at 165 Church Street, New York. The pages are dated September 20, 1961, and feature articles from The Ohio News Bureau Clipping Company, based in Cleveland, Ohio.

Left Page:

• Title: "Let the Pictures' Be Pictured"
• Content: The article discusses the idea of preserving art through photography as a means to safeguard cultural heritage. It highlights the vulnerability of physical artworks to destruction, theft, or decay and emphasizes the importance of documenting art through color and black-and-white photography. The article quotes Bruce St. John, a curator at the Fogg Art Museum at Harvard, who advocates for an international effort to photograph important artworks. The piece also mentions the potential for such efforts to protect art treasures from nuclear warfare or other catastrophic events.

Right Page:

• Title: "Let Art Be Copied"
• Content: This article elaborates on the same theme, advocating for the systematic documentation of art through photography. It reiterates the necessity of preserving art records, especially given the risks of theft, damage, or destruction. The article quotes Professor Millard Meiss, a former curator at the Fogg Art Museum, who emphasizes the importance of international cooperation to photograph and preserve art. It also discusses the idea of holding an international meeting to address the preservation of art treasures, particularly in the context of nuclear warfare.

Additional Details:

• Stamps and Labels: Both pages are marked with stamps and labels from the Bufflees Press Clipping Bureau, indicating their cataloging and organization. The stamps include identifiers such as "Fogg", "Fosg 2-5-61", and "Fosg 27-9-61", along with reference numbers like PW-Irc 2,480 and PW-Irc 2,146.
• Layout: The pages are formatted in a typical newspaper clipping style, with headlines, bylines, and body text. The articles are concise and focused on the theme of art preservation through photography.

Overall Context:

The image showcases a historical document from the early 1960s, reflecting concerns about the preservation of cultural heritage in the face of potential global threats, such as nuclear war. The articles emphasize the importance of documenting art through photography to ensure its survival for future generations. The press clipping bureau's stamps and labels indicate systematic archiving of these articles for reference and research purposes.

The image depicts a page from an old newspaper or magazine, featuring a collection of articles and advertisements. The page is divided into several sections, each containing a different article or advertisement.

• Top-left corner:
  • A white rectangle with black text that reads "Burrelle's" and "Established 1888"
  • A handwritten note in blue ink that says "Fogg"
• Middle-left section:
  • A large article titled "Let the Pictures Be Pictured" with a subheading that reads "One doesn't have to anticipate destruction of mankind and all its works in making photographic records of works of art"
  • The article discusses the importance of preserving art and the potential for it to be destroyed in the event of a nuclear war
• Top-right section:
  • A small advertisement for "The Ohio News Bureau Company"
  • A handwritten note in red ink that says "Fogg"
• Bottom-left section:
  • A small article titled "Let Art Be Copied" with a subheading that reads "One doesn't have to contemplate destruction of mankind and all his works to see the sense in making photographic records of works of art"
  • The article discusses the importance of preserving art and the potential for it to be destroyed in the event of a nuclear war
• Bottom-right section:
  • A small article titled "Let Art Be Copied" with a subheading that reads "One doesn't have to contemplate destruction of mankind and all his works to see the sense in making photographic records of works of art"
  • The article discusses the importance of preserving art and the potential for it to be destroyed in the event of a nuclear war

Overall, the page appears to be a collection of articles and advertisements related to art and preservation, with a focus on the potential for art to be destroyed in the event of a nuclear war. The handwritten notes and annotations suggest that the page may have been used for research or study purposes.

The image depicts a page from a scrapbook or album, featuring newspaper clippings about art and its preservation. The page is yellowed with age, suggesting it may be several decades old.

Newspaper Clippings:

• The clippings are arranged in a collage style, with some overlapping others.
• They appear to be from different newspapers, as indicated by the varying fonts and layouts.
• The headlines and articles discuss the importance of preserving art, particularly in the face of war and destruction.
• One clipping mentions the Fogg Art Museum at Harvard University, which is known for its extensive collection of art and artifacts.

Additional Elements:

• A small piece of paper with handwritten notes is attached to the top-left corner of the page.
• A few red marks or annotations can be seen on the clippings, possibly indicating important points or highlighting specific information.

Overall Impression:

• The image suggests that the creator of the scrapbook or album was interested in art and its preservation, and wanted to document and share their thoughts and ideas on the subject.
• The use of newspaper clippings and handwritten notes adds a personal touch to the image, making it feel more intimate and reflective of the creator's personality.

The image is a scanned page from an old scrapbook or photo album, featuring a collection of newspaper clippings and press releases related to the preservation of art in the event of a nuclear war.

Key Features:

• The page is yellowed with age, indicating that it is likely from the mid-20th century.
• Four newspaper clippings are pasted onto the page, each with a different headline and text.
• The clippings appear to be from different publications, including "Burrelle's Press Clipping Bureau" and "The Ohio News Bureau Company".
• The text on the clippings discusses the importance of preserving art and cultural heritage in the face of nuclear war.
• The clippings are dated September 20, 1961, and September 25, 1961, suggesting that they were collected during the Cold War era.
• The page also features several handwritten notes and annotations, including a date stamp and a notation that reads "F693".

Overall Impression:

The image provides a glimpse into the concerns and priorities of the time, highlighting the importance of preserving cultural heritage in the face of global conflict. The use of newspaper clippings and press releases suggests that the creator of the scrapbook was interested in staying informed about current events and issues related to art and culture. The image is a valuable historical artifact that offers insight into the cultural and social context of the early 1960s.

The image presents a vintage newspaper clipping, likely from the 1960s, featuring two articles with distinct headlines and content. The clipping is yellowed with age and has a worn appearance.

Article 1: "Let the Pictures Be Pictured"

• Headline: "Let the Pictures Be Pictured"
• Content: The article discusses the importance of preserving artistic works through photography, highlighting the Delaware Art Center's efforts to record paintings in color and black-and-white.
• Key Points:
  • The center aims to create a comprehensive archive of artworks.
  • Professor Millard Meiss emphasizes the significance of preserving art for future generations.

Article 2: "Let Art Be Copied"

• Headline: "Let Art Be Copied"
• Content: This article also explores the idea of preserving art through copying, citing the Fogg Art Museum at Harvard as an example.
• Key Points:
  • The museum has been involved in projects to preserve artworks.
  • The article questions whether works that have stood the test of time should be given the best possible chance to stand the test of 3,000 years or 30,000 years.

Additional Elements:

• Stickers: The clipping features stickers from various news bureaus, including Burkelle's Press Clipping Bureau and The Ohio News Bureau Company.
• Date: The date "SEP 20 1961" is visible on one of the stickers.

Overall, the image provides a glimpse into the preservation of artistic works during the 1960s, highlighting the efforts of institutions and individuals to protect and conserve art for future generations.