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The image depicts a page from a scrapbook or a press clipping book, containing newspaper articles from the Delaware Art Center and The Ohio News, dated September 27, 1961. The articles discuss the topic of preserving art through photography, particularly focusing on the work of the Delaware Art Center and the Fogg Art Museum at Harvard University.

Key points from the articles:

1. Delaware Art Center's Efforts:

   • The Delaware Art Center is photographing its collection of artworks, including manuscripts and paintings, to create a photographic record.
   • The process involves making color photographs and slides, with color recorded on slides and prints made in black and white.
   • The negatives are kept at the University of Delaware for safekeeping.
   • The project aims to preserve artworks that may be lost or damaged over time.

2. Fogg Art Museum's Project:

   • The Fogg Art Museum at Harvard is undertaking a similar project to photograph its extensive collection of paintings.
   • The project is seen as a way to preserve art treasures in case of natural disasters, wars, or other catastrophic events.
   • Professor Millard Meiss, former curator at the Fogg Art Museum, emphasizes the importance of such archives for the survival of art treasures.
   • The project involves international cooperation and the use of high-quality photographic techniques.

3. Criticism and Support:

   • The articles mention that while some may criticize the destruction of lesser-known works to focus on photographing masterpieces, the overall goal is to ensure the survival of significant artworks.
   • The idea is to create a comprehensive archive that can withstand the test of time, potentially lasting thousands of years.

The articles highlight the importance of preserving cultural heritage through modern technology and international collaboration.

The image shows two press clippings from a publication called "Buffell's Press Clipping Bureau" dated September 20, 1961. Both clippings are from "The Ohio News-Sentinel" in Ohio.

First Clipping (Left Side, Dated SEP 20 1961):

Title: "Let the Pictures Be Pictured"

This article discusses the importance of maintaining photographic records of artworks, not just the artworks themselves. The author argues that while paintings and other artworks can be preserved and photographed in color, photographic records are often only in black and white. The article highlights the opinion of Millard Meiss, former curator at the Fogg Art Museum at Harvard, who believes it is crucial to preserve art through color photography to ensure the survival of its visual history.

Meiss is noted to have emphasized the importance of an international meeting to discuss the preservation of art, including the need for color reproductions. The author criticizes a news report for not mentioning the duration of "at least the shadow of art treasures" — questioning whether it referred to a span of 3,000 to 30,000 years.

Second Clipping (Right Side, Dated SEP 2 1961):

Title: "Let Art Be Copied"

This article reiterates many of the points made in the first clipping. It stresses the importance of creating comprehensive photographic records of artworks, particularly in color, to capture the full essence of the art. The article also mentions recent thefts of famous paintings and the need to preserve images of these works.

Millard Meiss is again quoted, emphasizing the need for nations to preserve their art through photographic records, especially color photographs. The article questions the critical test duration for these records, asking whether the standard should be 300 years, 3,000 years, or 30,000 years.

Additional Information:

Both clippings include stamps from "The Ohio News Sentinel Company" and the "Buffell's Press Clipping Bureau" in Wilmington, Delaware, with mailing addresses and dates. The text in the articles is highlighted in parts, particularly the questioning of the time span for preserving art.

The image shows a collection of newspaper clippings from the Fogg Clipping Bureau, dated September 1961, focused on the preservation of artworks through photographic records.

1. Main Headline (Top Article):

   • Title: "Let the Pictures Be Pictured"
   • Date: September 20, 1961
   • Content: The article discusses the importance of creating photographic records of artworks to prevent their destruction. It highlights the work of Millard Meiss, former curator at the Fogg Art Museum at Harvard, who advocates for the acceleration of this process. The piece emphasizes that many artworks have already been destroyed in wars, and that photographic records are crucial for the survival of art treasures.

2. Other Articles:

   • Top Right Clipping:

     • From "The Ohio News Bureau Company."
     • Dated September 25, 1961.
     • It mentions the same topic, emphasizing the need to preserve artworks through photography.

   • Bottom Left Clipping:

     • From "The Republican."
     • Dated September 27, 1961.
     • The headline is "Let Art Be Copied."
     • The content reiterates the necessity of making photographic records of artworks to ensure their preservation. It references Millard Meiss and discusses the potential loss of artworks due to man-made destruction, emphasizing the need for international cooperation and rapid action to record as many artworks as possible.

Each clipping underscores the urgency and importance of documenting artworks photographically to protect cultural heritage against destruction.

The image shows a collection of newspaper clippings from the "Burrelles Press Clipping Bureau," dated September 20, 1961, and September 27, 1961. These clippings address the topic of preserving art and photographic records of artworks to ensure their survival in case of destruction.

The main articles are titled "Let the Pictures' Be Pictured" and "Let Art Be Copied." The articles discuss the potential destruction of art and the importance of creating photographic records of artworks. They mention Millard Meiss, former curator at the Fogg Art Museum at Harvard, who advocates for nations to accelerate the creation of photographic records of their important artworks to ensure their survival, especially in the event of nuclear warfare.

The clippings emphasize that color photography and black-and-white photography should be utilized to capture artworks, with the goal of preserving the "shadow of art treasures." The articles also mention the Delaware Art Center and the Ohio News Bureau Company, which distributed the clippings.

The clippings stress that even if some artworks are destroyed, the photographic records would ensure that their legacy is preserved, and they could be used for educational and research purposes.

The image depicts a collection of newspaper clippings from the year 1961, primarily focused on the issue of preserving art through photographic records. Here's a detailed summary:

1. Header Clippings:

   • The clippings are from the "Bukelles Press Clipping Bureau" located in Wilmington, Delaware.
   • The clippings date from September 20, 1961, and September 25, 1961.

2. Main Articles:

   • Title: Let the Pictures Be Pictured

     • This article discusses the importance of creating photographic records of artworks to prevent their destruction. It mentions the work of the Delaware Art Center and Bruce St. John, who is concerned about the potential loss of artworks due to their vulnerability to damage.
     • The article also references Millard Meiss, a former curator at the Fogg Art Museum at Harvard, who advocates for preserving art through color photography to ensure that at least the shadow of art treasures remains.

   • Repetition of the Article:

     • Another version of the same article from The Ohio News Bureau is present, emphasizing the same themes and calling for international cooperation to protect artworks from destruction.

   • Clippings from The Ohio News Bureau:

     • The Ohio News Bureau clippings also mention Professor Millard Meiss and his stance on the preservation of art through photographic means, particularly in the context of potential nuclear warfare.
     • They stress the importance of international meetings to discuss the preservation of art and the creation of archives.

3. Key Points Highlighted:

   • The necessity of photographic records to safeguard artworks against destruction.
   • Emphasis on color photography to capture the essence of artworks.
   • Concerns over the impact of nuclear warfare on art treasures.
   • Cooperation and international efforts to ensure the survival of art through archives and preservation methods.

The clippings together illustrate a significant concern in the early 1960s about the preservation of cultural heritage through modern photographic technology, especially in light of potential threats such as nuclear war.

The image shows a scrapbook page with two newspaper clippings pasted onto it. Both clippings have the title "Let Art Be Copied" and appear to be from different newspapers, as their layouts and headers differ.

Clip on the Left:

• Source: The Ohio News Bureau, Columbus, Ohio
• Date: September 27, 1961
• Content: The article discusses the importance of creating photographic records of artworks to preserve them in case of damage or destruction. It mentions that many paintings have already been stolen or destroyed, and that color photography should be used to document art. The Delaware Art Center is mentioned as an example of an institution leading this effort. The article also references Professor Millard Meiss from the Fogg Art Museum at Harvard, who suggests that an international meeting be convened to develop a system for preserving art through photography. He emphasizes that this could help protect art against the risks of nuclear war.

Clip on the Right:

• Source: The Buffalo Evening News
• Date: September 25, 1961
• Content: This article also focuses on the need for nations to make photographic records of their artworks to protect them from potential destruction. It highlights that while some art may be irreparable if damaged, a photographic record would at least preserve its image. Professor Millard Meiss is again referenced as suggesting that an international meeting be held to discuss this. The article also mentions that many stolen paintings might never be recovered, stressing the urgency of such a preservation project.

Additional Notes:

• The page has stamps and handwritten notes indicating that these clippings were collected in September 1961.
• The handwritten note at the top of the page says "Fogg" which likely refers to the Fogg Art Museum at Harvard, which is mentioned in both articles.
• The page itself looks like it’s from a scrapbook or a clipping book, possibly maintained by someone interested in art preservation or related news.

The image shows a scrapbook page with several newspaper clippings attached. The clippings mostly consist of articles or excerpts about art preservation and the importance of photographic records of artworks. The articles emphasize concerns about the possible destruction of mankind and the need to safeguard art through photography to ensure its survival for many years, potentially thousands.

Details include:

• A clipping from "Burelle's Press Clipping Bureau" dated SEP 20, 1961.
• A clipping from "THE OHIO NEWS BUREAU COMPANY" with the date SEP 25, 1961.
• Another clipping from "THE OHIO NEWS BUREAU COMPANY" dated SEP 27, 1961.

The articles mention Prof. Millard Meiss, a former curator at the Fogg Art Museum at Harvard, stressing the importance of photographic documentation to preserve art. There is also mention of international cooperation and a project related to preserving art amid concerns such as nuclear warfare.

Some articles have been underlined or marked with red pen for emphasis on particular sentences. The overall theme is focused on art preservation through photographic means and the significance of maintaining records of art pieces for the future.

You are looking at a scanned image of a page from a scrapbook or a collection of newspaper clippings. There are three newspaper articles attached to the scrapbook page, which are from different sources as indicated by the heading or stamp on each clipping. The articles seem to be related to art preservation and the reproduction of artwork.

The first article on the upper left is from "Byrne's Press Clipping Bureau" in Wilmington, Delaware, and is dated September 20, 1961. This article, titled "Let the Pictures' Be Pictured," discusses the durability and reproduction of art, emphasizing the value of making copies to preserve the visual impact of the originals for future generations. It mentions the natural fading and damage that occurs over time to artworks.

The second piece, situated in the top right corner, is from "The Ohio News Bureau Company" in Massillon, Ohio, and is also dated September 1961. The title "Let Art Be Copied" suggests that the article is about allowing art to be copied either to make the artwork more accessible or to store imagery for posterity. The article implies that artworks should be copied to withstand the test of time, maybe even thousands of years.

Both articles have some handwritten annotations and a red stamp marking the respective dates they were clipped or received.

The scrapbook paper itself is aged and the edges of the paper are slightly irregular, indicating that the clippings were likely cut out by hand and then pasted onto the page. Overall, the image tells us about historic perspectives on the preservation of art and the potential considerations for its long-term survival.

The image depicts two pages from a press clipping bureau archive, specifically from the Bufflees Press Clipping Bureau located at 165 Church Street, New York. The pages are dated September 20, 1961, and feature articles from The Ohio News Bureau Clipping Company, based in Cleveland, Ohio.

Left Page:

• Title: "Let the Pictures' Be Pictured"
• Content: The article discusses the idea of preserving art through photography as a means to safeguard cultural heritage. It highlights the vulnerability of physical artworks to destruction, theft, or decay and emphasizes the importance of documenting art through color and black-and-white photography. The article quotes Bruce St. John, a curator at the Fogg Art Museum at Harvard, who advocates for an international effort to photograph important artworks. The piece also mentions the potential for such efforts to protect art treasures from nuclear warfare or other catastrophic events.

Right Page:

• Title: "Let Art Be Copied"
• Content: This article elaborates on the same theme, advocating for the systematic documentation of art through photography. It reiterates the necessity of preserving art records, especially given the risks of theft, damage, or destruction. The article quotes Professor Millard Meiss, a former curator at the Fogg Art Museum, who emphasizes the importance of international cooperation to photograph and preserve art. It also discusses the idea of holding an international meeting to address the preservation of art treasures, particularly in the context of nuclear warfare.

Additional Details:

• Stamps and Labels: Both pages are marked with stamps and labels from the Bufflees Press Clipping Bureau, indicating their cataloging and organization. The stamps include identifiers such as "Fogg", "Fosg 2-5-61", and "Fosg 27-9-61", along with reference numbers like PW-Irc 2,480 and PW-Irc 2,146.
• Layout: The pages are formatted in a typical newspaper clipping style, with headlines, bylines, and body text. The articles are concise and focused on the theme of art preservation through photography.

Overall Context:

The image showcases a historical document from the early 1960s, reflecting concerns about the preservation of cultural heritage in the face of potential global threats, such as nuclear war. The articles emphasize the importance of documenting art through photography to ensure its survival for future generations. The press clipping bureau's stamps and labels indicate systematic archiving of these articles for reference and research purposes.

An open book with an article titled "Let the Pictures Be Pictured" is on the table. The article is about the importance of preserving art and the need for an international meeting to discuss the preservation of art. The article also mentions the Delaware Art Center, which is making photographic records of works of art. The article is accompanied by a sticker with the text "The Ohio News Bureau Company" and "First Clipping Bureau in Ohio."